جست‌وجوی استاد و پژوهشگر

Dave Evansمشاهده پروفایل

مدرس

• Networked Art
• Sound Installation
• Digital Media
• +۲ مورد دیگر

Dave Evans is a Lecturer in Fine Art at Manchester School of Art, Manchester Metropolitan University. Based in Room G28 of the Grosvenor Building, he can be contacted at 0161 247 1665 or dave.evans@mmu.ac.uk. His artistic practice explores intersections of technology, sound, and everyday objects. Projects include 'Investigating a Domestic Vocal System', 'Live Streaming the Washing Machine', and 'Peripheri.es' which examine mundane audio environments and networked experiences. Additional work spans digital memorials, wireless networks, and critical examinations of internet infrastructure, evidenced by projects like 'AIDS Quilt Touch' and 'Edge Hill Garden Network'.

Sally Morfillمشاهده پروفایل

مدرس ارشد

• Drawing and Language Interactions
• Gesture Visualization
• Interdisciplinary Art Practices
• +۳ مورد دیگر

Dr Sally Morfill is a Senior Lecturer in the Design Department at Manchester School of Art, Manchester Metropolitan University. She contributes to MA Design programs while supervising PhD candidates and serves as a member of the Materials & Making/Community, Culture & Heritage research group. Her work explores intersections between drawing, language, and technology through hybrid analogue-digital methodologies. PhD, Manchester Metropolitan University (2019) MA (Royal College of Art), BA (Manchester Polytechnic) Research focuses on: Visualizing co-speech gestures through 2D/3D drawing Relationships between drawing actions and written language Interdisciplinary collaborations with dance practitioners and composers Development of collaborative educational frameworks Her practice extends to curatorial work with Five Years artist-run organization, emphasizing unfinished propositions in art. Notable award: International Collaborative Research Residency (2019). Collaborations include Susan Giles (sculpture), Karen Wood (dance), Matthew Lee Knowles (composition), and Ana Čavić (poetry).

Boyd Branchمشاهده پروفایل

استادیار

• Music Performance
• Theater Technology
• Digital Arts
• +۳ مورد دیگر

Boyd Branch is an Assistant Professor (Academic) at Coventry University's CAS School of Arts & Creative Industries. He also serves as the Owner of Red Thread Productions since 2016. His research focuses on the intersection of technology and performing arts, including virtual reality applications in theater, AI-driven improvisation systems, and audience-centric design. His work spans music performance, immersive environments, and embodied historiography, with a strong emphasis on interdisciplinary collaboration between arts and sciences. PhD Thesis (2023): 'Tele-Immersion for the Training and Performance of Live Theatre' Research interests include AI in live performance, virtual reality for creative practices, and the ethical implications of emerging technologies in the arts. He has contributed to conferences like CHI and IMX, exploring topics such as remote collaboration metrics and immersive storytelling frameworks. Recent projects include designing AI tools for co-creative theater and investigating VR's role in musical creativity. His work has been featured in venues like the Digital Body Festival, where he presented on 'New Modes of Embodiment' in 2024. He actively collaborates on initiatives like Mocap Lab II (2024), fostering innovation in motion capture and performance technology.

Xtine Burroughمشاهده پروفایل

استاد

• Digital Art
• Media Art Activism
• Social Practice
• +۶ مورد دیگر

Xtine Burrough is a Professor and former Area Head of Design + Creative Practice at the Harry W. Bass Jr. School of Arts, Humanities, and Technology, University of Texas at Dallas. She holds an M.F.A. in Visual Art from Vermont College of Fine Arts and a B.F.A. in Photography from The Art Institute of Boston at Lesley University. Her work bridges media art, social practice, and computational poetry, emphasizing participatory strategies and remix methodologies. Research interests include digital labor, networked participation, and synthetic/electronic poetry through LabSynthE, a collaborative art laboratory she co-directs. Key projects include Women's Work is (Screen) Saved (2022), Robot Strike! (2022), and participatory installations like Ceremonial Techne . She co-edited The Routledge Companion to Remix Studies and authored Foundations of Digital Art and Design with Adobe Creative Cloud. Burrough’s creative practice engages public spaces through interventions addressing labor rights, pandemic narratives, and accessibility. She has exhibited at NYU, Dallas Museum of Art, and CentralTrak, while mentoring LabSynthE collaborators across undergraduate to PhD levels. Current roles include editor of Visual Communication Quarterly and advisory board member of the Feminist Research Collective. Her lab’s installations, such as the Audio Quilt of One Thousand Names , explore memory, collaboration, and technology’s role in activism. Ongoing projects include Art as Social Practice: Technologies for Change and exploring telematic art’s potential in post-pandemic connectivity.

Matthew Mosherمشاهده پروفایل

دانشیار

• Interactive Sculpture
• Responsive Environments
• Physical Computing
• +۲ مورد دیگر

Matthew Mosher is an Associate Professor of Games and Interactive Media at the Nicholson School of Communication and Media, University of Central Florida. He is an intermedia artist and Fulbright Scholar specializing in embodied experiential systems, blending fine art, programming, and critical making into immersive installations, interactive sculptures, and digital performances. His work addresses themes like meditation, gun violence, digital isolation, and tangible memory. Education : BFA in Furniture Design, Rhode Island School of Design (2006) MFA in Intermedia, Arizona State University (2012) MA in Media Sciences, Arizona State University (2014) Research Interests : Interactive Sculpture, Responsive Environments, Physical Computing, Digital Performance Art, Media Installations. His work has been exhibited globally at venues like the International Symposium for Electronic Art and reviewed in Wired and Interactions magazines. Key Contributions : Mosher's projects often explore human-machine and interpersonal relationships through technology. Recent work includes VR-based restorative environments for employees ( 2023 ), an ARG developed during the pandemic ( 2021 ), and biofeedback systems for meditation ( 2022 ). His publications span CHI, TEI, and NIME conference proceedings. Awards : Fulbright Scholar Advising & Grants : While no specific grants are noted, Mosher's interdisciplinary approach suggests active engagement in collaborative projects. His advising focuses on intermedia and interactive media students. Labs/Teams : Works within the Nicholson School's Games and Interactive Media Program, though no dedicated lab name is specified in the text.

Stephanie R Thulinمشاهده پروفایل

دانشیار

• Digital Art
• Photography
• Digital Imaging
• +۴ مورد دیگر

Stephanie R Thulin is an Associate Professor and Chair of Photography + Film at the Virginia Commonwealth University School of the Arts (VCUarts). She previously held roles as Associate Professor and Assistant Chair of Kinetic Imaging at VCUarts, and as Associate Professor and Coordinator of Photography/Computer Imagery at Shepherd University. Her work explores the intersection of digital media, memory, and spatial experience through diverse formats including video, sound, and interactive installations. MFA in Photography and Digital Imaging, Maryland Institute College of Art MA in Digital Arts, Maryland Institute College of Art BA in Digital Arts, Stetson University Thulin's artistic practice focuses on: Conflict between present reality and past memory Importance of place in visual narratives Relationship between image, sound, and experiential perception Experimental use of digital collage and found imagery

Joshua Rosenstockمشاهده پروفایل

استاد

• Interactive Media
• Installation/Public Art
• Video Games for Musicians
• +۴ مورد دیگر

Joshua Rosenstock is a Professor of Interactive Media & Game Development and Humanities & Arts at Worcester Polytechnic Institute (WPI). He holds an AB from Brown University and an MFA from the School of the Art Institute of Chicago. Rosenstock pioneered WPI's studio art program and has been instrumental in developing its IMGD program since 2005. His work bridges art, technology, and education through interactive installations, wearable electronics, and experimental music/video interfaces. Research focuses include: Video games designed for musical improvisation Interactive museum exhibits and public art installations Generative art combining electronics and organic materials Wearable computing systems that merge fashion with sound art His exhibitions include works at the Peabody Essex Museum and Brown University's Granoff Center. Notable projects like the 'Nomadic Remix Jacket' and 'Fermentophone' explore intersections between biotechnology and interactive media. Rosenstock has advised numerous student projects featured at institutions like the Boston Museum of Science. Media highlights include coverage by WBUR 90.9 for his microbial art projects. His teaching spans digital imaging, game design, and electronic arts, emphasizing hands-on creativity across disciplines.

Jason Shieldsمشاهده پروفایل

استادیار

• Virtual Reality (VR)
• Mixed Reality (MR)
• AI in Design
• +۴ مورد دیگر

Jason Shields is an Assistant Professor in the Department of Interior Design at the University of Manitoba, within the Faculty of Architecture. He holds a B.Env.D. and MID from the University of Manitoba. His research focuses on Virtual Reality (VR), Mixed Reality (MR), AI-generated environments, and digital archivism. He explores how these technologies reshape interior design education and practice, particularly through advanced studio courses and reactive architectural installations. Shields has received multiple IDEC Innovative Teaching Awards (2020, 2021, 2023) for his pedagogical innovations, including studios on animal care facilities and Nordic recreational centers. His work bridges design, technology, and heritage preservation, exemplified by projects like LiDAR-scanning at-risk sculptures and VR preservation of Winnipeg's 'The Wall.' He has presented globally at conferences like IDEC, AMPS, and Creativity and Cognition, co-authoring papers on virtual world-building, AI design tools, and archival challenges in digital content. Shields has been featured in media such as Winnipeg Free Press and CBC for his preservation efforts and technological explorations. He teaches courses like Virtual World Building (COMP 7570/ARCG 6102) and mentors through undergraduate and graduate studios. Outside academia, his passions include film, photography, and sound production. His research often intersects art, technology, and education, advocating for immersive and innovative design practices.

Andrew Knight-Hillمشاهده پروفایل

استاد

• Electroacoustic Music
• Audiovisual Composition
• Sound Studies
• +۶ مورد دیگر

Andrew Knight-Hill is a Professor of Music and Sound Arts at the University of Greenwich, affiliated with the School of Design and Creative Industries and the Faculty of Law, Arts and Social Sciences . He is the lead of the SOUND/IMAGE Research Centre, director of the Shared Hub for Immersive Future Technologies (SHIFT), and co-director of the Loudspeaker Orchestra Concert Series. Education: PhD in Electroacoustic Audio-visual Music from De Montfort University (2013). His research focuses on electroacoustic music, audiovisual composition, and immersive soundscapes, with a particular interest in how everyday sounds and materials are interpreted by audiences. He explores the interplay between reality and virtuality through studio-composed acousmatic and audio-visual works. The articles and publications span 2008–2021, covering topics like spatial audiovisual composition , sound studies , film sound diegesis , and practice-based research methodologies . His work often intersects heritage, technology, and sensory perception. Scientific Awards: AHRC Leadership Fellowship (2021–2022) AHRC New Generation Thinkers 2020 Semi-Finalist He has contributed to BBC Radio 3 and Radio 4 programs, and his compositions have been performed at major international festivals. Collaborations include institutions like L Acoustics, NOTAM, and the New York Public Library.

Jim Hobbsمشاهده پروفایل

مدرس ارشد

• Digital Art
• Fine Art Integration
• Memory Studies
• +۳ مورد دیگر

Jim Hobbs is a Senior Lecturer and Programme Leader for the MA Digital Arts at the University of Greenwich, based in the School of Design within the Faculty of Liberal Arts and Sciences. He holds a BA, BFA, and MFA, and has been affiliated with the university since 2009, initially as a Visiting Lecturer. His work bridges Fine Art and digital practices, focusing on themes of loss, memory, and the interplay between physical monuments and absence. He serves as an artist-in-residence, integrating creative approaches across Architecture and Design disciplines. Research interests include the role of Fine Art in digital fields, sonic and visual media, and the social implications of memory through installations. His 2023 curation of the Sound/Image exhibition highlighted collaborative audiovisual practices, featuring works exploring sound-image relationships and contemporary art methodologies. He actively engages in interdisciplinary exhibitions and festivals, such as the Sound/Image Festival 2023, which combined installations, conferences, and performances. His creative output spans film, sculpture, and site-specific works addressing the tension between analogue and digital mediums.

• Digital Design
• Interaction Design
• Contemporary Art and Design
• +۶ مورد دیگر

Mark Cypher is a Senior Lecturer and Associate Dean of Engagement at the School of Media and Communications, Murdoch University within the College of Law, Arts and Social Sciences. His academic career bridges practice and theory in contemporary art and design, with a focus on interactivity, new materialism, and actor-network theory. He is also an international new media artist, exhibiting in over 30 global venues including ISEA, Siggraph, and FILE festivals. Education: Bachelor of Arts (Fine Art and Design) at Curtin University Masters by Research (Art and Design) at University of Sydney Graduate Diploma in Secondary Teaching at Edith Cowan University PhD (Art and Design) at University of Western Australia (2011) Research Interests: Cypher explores critical design practice, digital aesthetics, human-machine relations, and the nexus between art/design practice and discourse. His work interrogates non-human agency in collaboration, materiality in new media, and the ethical dimensions of interactivity. Key theoretical frameworks include actor-network theory and new materialism. Artistic and Professional Contributions: As principal of BoxCudos Design, he advises on communications design for cultural and corporate clients. His art practice engages with biotechnology, virtual environments, and participatory systems, reflecting his commitment to interdisciplinary innovation. Recognition: His PhD research was honored by the Leonardo Electronic Almanac (2012) as one of the highest-ranked abstracts. His work spans exhibitions in Argentina, Brazil, Canada, Colombia, Cuba, and the USA.

Tom Parkinsonمشاهده پروفایل

مدرس ارشد

• Music Composition
• Theatre and Performance
• Media Composition
• +۴ مورد دیگر

Tom Parkinson is a Senior Lecturer in Digital Composition at the Department of Music, Royal Holloway, University of London. He is a multi-disciplinary composer, sound designer, and performance-maker with over 80 stage scores for theatre and dance productions, performed globally. His work spans collaborations with notable artists like Bryony Kimmings and Sharon Smith, and he serves as musical director for the Ivgi&Greben Dance Company in the Netherlands. Research focuses on music-theatre intersections, vocal technologies, experiential heritage, and museum audio. Key projects include A Pacifist’s Guide to the War on Cancer (National Theatre), Social Skin (Korea National Dance Company), and Beat (Prague Chamber Ballet). His music appears on major BBC platforms and international media outlets. Teaching emphasizes studio-based digital composition, film/TV scoring, and musical theatre creation. He leads a 2023 project on experiential audio in heritage contexts and has presented at conferences on verbatim theatre, dancer-musician collaboration, and computational creativity.

David Priorمشاهده پروفایل

استاد

• Sound and Place
• Cultural History of Sound Technology
• Electroacoustic and Electronic Music
• +۶ مورد دیگر

David Prior is Pro Vice-Chancellor Research and Knowledge Exchange at Falmouth University, leading strategic RKE initiatives. He holds a PhD from the University of Birmingham (2000) and BA from Bangor University (1995), with residencies at Banff Centre, Paris UPIC, and TU Berlin. His practice spans sound art, electroacoustic music, and site-specific installations, emphasizing sound-place relationships and cultural histories of sonic objects. He has received awards including the PRS New Music Award and Prix Ars Electronica Honorable Mention. Supervised 15+ PhD students, managed Falmouth's successful REF 2021, and led projects funded by UKRI, Wellcome Trust, and Arts Council England. Collaborates with architect Frances Crow in liminal, exploring sound-space intersections through installations like Organ of Corti . Active in international grant reviewing and educational roles across 5+ countries. Research focuses on church bells, loudspeakers, and immersive audio technologies. Current projects include spatial audio for heritage sites and sonic mediation of contested spaces. Teaching roles include leading Research Supervisor Training programs. Notable works include Transient Parish (2015), Chroma (2013), and Black Water Brown Water (2008). Professional practice includes music mixing for BBC dramas and sound design for major museums like the Guinness Storehouse and Thomas Jefferson Museum.

Matthew Bodenمشاهده پروفایل

مدرس

• Jazz Performance Practice
• Film Music Composition
• Orchestration
• +۵ مورد دیگر

Matthew Boden is a Lecturer in Contemporary Music at the University of Tasmania's School of Creative Arts and Media. His roles include coordinating the Commercial Music Creation program and teaching jazz performance, music technology, and composition for media. Boden holds a PhD (2019), M.Mus (2003), and B.Mus (2001) from the University of Tasmania, with research focused on Tasmanian jazz interpretation and performance practices. His research explores cultural importation, sociological impacts of musical traditions, and improvisation frameworks. Notable projects include the HyPe Development initiative (2018), creating multimedia installations blending live performance with digital art. Boden actively collaborates on screen music for Netflix productions like Clickbait , as well as films like Benji and TV series Bosch and Rockit . Boden's performance career spans global engagements, including seven years in Paris. He has collaborated with artists such as Brian Jackson, Eddie Kirkland, and Meow Meow. His compositional work bridges jazz, film scores, and experimental media, emphasizing interdisciplinary approaches. Teaching responsibilities include courses on music practice, sound engineering, and media composition. He supervises doctoral candidates researching spatial music systems, improvisation frameworks, and word painting through technology. Boden's work reflects a commitment to evolving the intersections between traditional music practices and modern media landscapes.

Dan Millerمشاهده پروفایل

استادیار

• Climate Change
• Human-Machine Interaction
• Kinetic Art
• +۵ مورد دیگر

Dan Miller is an Assistant Professor at The School of the Art Institute of Chicago (SAIC) , specializing in interdisciplinary art and technology. He holds a BFA from Hope College (1994) and an MFA from SAIC (1997). His work explores themes such as climate change, human impact on the environment, and the interplay between organic systems and technology. Education: BFA, 1994, Hope College, Holland, MI MFA, 1997, The School of the Art Institute of Chicago, Chicago, IL Miller’s research focuses on creating kinetic art and robotic installations that reflect on environmental and technological themes. His works utilize materials like recycled plastics, microcontrollers, and sensors to mimic natural processes. Notable exhibitions include ISEA 2024 (Australia), Simulating Nature (Brown University), and Floodwaters (Evanston Art Center). He has received grants such as the Art and Humanities Initiative Award (2021) and multiple Stanley International Travel Awards . Teaching: Miller teaches courses in robotics, motion design, and technology in art, including Robotics (Fall 2025), Air, Fluid and Actuators (Spring/Summer 2025), and Mechanisms, Movement & Meaning (Spring 2025). Public Art: Luminous Trails (Webster City, IA) Exploring Iowa’s Renewable Energy (Iowa City, IA)