جست‌وجوی استاد و پژوهشگر

Koichi Yamamotoمشاهده پروفایل

استاد

• Printmaking
• Kite Design
• Intaglio Printing
• +۳ مورد دیگر

Koichi Yamamoto is a Professor at the University of Tennessee, Knoxville (UTK), specializing in Printmaking and kite design. His research explores the dynamic qualities of static symmetry in compositions, utilizing printmaking techniques such as intaglio printing to create bisymmetric images for kite designs. He joined UTK after serving at Utah State University (tenured from 2000-2006) and the University of Delaware (2006-2007). Education: MFA, University of Alberta (1999) BFA, Pacific Northwest College of Art (1992) Studies at Bratislava Academy of Art (1994) and Poznañ Academy of Art (1995) Research & Exhibitions: Yamamoto’s work focuses on the intersection of printmaking and kinetic art. His one-person exhibitions include Fondazione Pastificio Cerere (Rome, 2019), Gallery Shoal Creek (Austin, 2018), and Stanislaus State University Gallery (Turlock, 2018). His works are featured in juried competitions such as the Impact 10 Enquestro (Santander, 2018) and ŁODŻ PRINTS International Biennale (2016). Commissioned pieces are displayed at Senayan Square Fairmont Hotel (Jakarta, 2015) and Alghunaim House (Kuwait City, 2011). Lectures & Outreach: Yamamoto has delivered public lectures at institutions including Virginia Commonwealth University in Qatar (2019), University at Buffalo (2019), and Syracuse University (2016). His work appears in Printmaking Today , a London-based journal.

Daniel Heymanمشاهده پروفایل

مدرس ارشد

• Printmaking
• Hand Papermaking
• Painting
• +۴ مورد دیگر

Daniel Heyman is a Senior Lecturer in the Printmaking Department at Rhode Island School of Design (RISD), where he has taught since 2004. He holds an MFA from the University of Pennsylvania and a BA from Dartmouth College. His work bridges art and journalism, focusing on human rights themes through printmaking, hand papermaking, and painting. Bachelor of Arts (BA), Dartmouth College Master of Fine Arts (MFA), University of Pennsylvania Heyman's research and practice explore Japanese papermaking traditions, historical imagery, and contemporary pulp painting, often integrated into large folding screens and oil paintings. He has lectured at institutions like MoMA, Columbia University, and the Philadelphia Museum of Art, emphasizing the importance of international education. His work oscillates between political commentary and abstract meditations on nature and cosmic themes. Heyman’s artistic output has been featured in prominent collections such as the Metropolitan Museum of Art, Yale University Art Gallery, and RISD Museum. His awards include a Guggenheim Fellowship (2010), a Pew Fellowship in the Arts (2009), and multiple professional development grants. He has also participated in residencies in Japan and the U.S., deepening his engagement with traditional and experimental techniques. Guggenheim Fellowship (2010) Pew Fellowship in the Arts (2009) RISD and Princeton University Professional Development Grants Residencies at Yaddo, MacDowell, Awagami Paper Factory, MI-LAB Nagasawa Art Park (Japan), and Fine Arts Work Center Heyman has exhibited widely across the U.S., including at the St. Louis Museum of Art, Virginia Museum of Fine Art, and New York Public Library, alongside his international collaborations and educational initiatives in Japan.

• Printmaking
• Contemporary Art
• Visual Art
• +۳ مورد دیگر

Melanie Robyn Wall serves as an Assistant Professor of Printmaking at Arkansas State University within the College of Liberal Arts and Communication. A Canadian American artist with dual educational background from institutions in Canada and the United States, she brings an international perspective to her academic and artistic practice. Her research focuses on examining the transient state of rental properties to construct visual histories of local townscape. Through prints made from collages of drawings, photo documentation and handmade paper, Wall explores residential living through the remnants of tenants. Her work investigates how temporary neighbors are known through consumer brands, children's toys, and weekly waste patterns, with furniture left on lawns signifying life transitions. Wall's artistic approach incorporates recycled fiber and locally sourced plants in her handmade paper and fabric installations. Wall's artistic output demonstrates consistent productivity with works spanning from 2019-2024, primarily utilizing silkscreen techniques combined with various media. Her portfolio shows a clear thematic focus on urban landscapes, material culture, and documentation of everyday life through abandoned objects and spaces. Her work has been exhibited in over one hundred exhibitions across multiple continents including the United States, Canada, Germany, Turkey, Portugal, Australia, Italy and Japan. Professionally, Wall is affiliated with the Mid America Print Council (MAPC) and Southern Graphics Council International (SGCI), having served on the MAPC board from 2022-2024. Prior to joining Arkansas State University in Jonesboro, she held an Associate Professor position in Print at Delta State University in Mississippi.

Catarina Coelhoمشاهده پروفایل

عضو هیئت علمی

• Visual Arts
• Printmaking
• Drawing
• +۳ مورد دیگر

Catarina Coelho is a Visiting Lecturer in Fine Arts 2D and Printmaking at Massachusetts College of Art and Design, where she also serves as Studio Manager for Printmaking. She holds an MFA in 2D from MassArt (2013), an MA in Philosophy of Art from the University of Lisbon (2010), and a Fine Arts Licentiate from the University of Lisbon (2004). Her practice spans drawing, printmaking, painting, and writing. 2013: MFA 2D, MassArt 2010: MA, Philosophy of Art, University of Lisbon 2004: Fine Arts Licentiate, University of Lisbon Coelho’s research focuses on landscape as a testimonial site of human interaction with territory. Her work investigates how visual and material practices document ecological, cultural, and historical narratives. Recent exhibitions like The Language of Shadows (2024) and DrawLowell: Confluence (2024) highlight her exploration of drawing as an interdisciplinary medium. Her exhibitions span mixed-media printmaking, including stone lithography, multicolor intaglio, and collagraph techniques. Key venues include the D. Luis I Foundation (Portugal), TUAG’s Grossman & Anderson Galleries (Tufts University), and the North American Print Biennial (2023). Collaborative projects such as Ulises: Assembly (2024) emphasize transcultural artistic dialogue. 2023: Brother Thomas Fellow, The Boston Foundation 2020: Massachusetts Cultural Council Fellowship Finalist 2015: Artist’s Resource Trust Fund, Berkshire Taconic Foundation Coelho’s work is held in prestigious collections like the Boston Public Library and the Museum of Fine Arts, Boston. Her practice bridges artistic creation with philosophical inquiry, exemplifying the intersection of technical mastery and conceptual depth in contemporary visual arts.

• Educational Leadership
• School Development
• Organizational Theory
• +۳ مورد دیگر

Pia S. Hagerup is an Associate Professor at the Department of Teacher Education , Norwegian University of Science and Technology (NTNU) , specializing in Educational Leadership . She currently teaches in NTNU's national principal training program and master's program for school development, while collaborating with schools, municipalities, and counties on research projects. Hagerup is an active member of the AACORN (Aesthetics, Creativity, and Organizations Research Network), FORN (Research on School Leaders in the Nordic Countries), and PLAC (Professional Learning Assessment Communities). PhD in educational leadership (NTNU, 2019) MBA in knowledge and innovation leadership (Copenhagen Business School) BA in Fine Art (NTNU) with exchange in intaglio printmaking (Liverpool Hope University) Research Interests include educational leadership, art-based methods in education, organizational culture, and school development. Her work uniquely combines liberal and servile art perspectives with educational leadership theory. She has led projects on Montessori school systems, longitudinal school development partnerships, and quality assurance in rural education. Advising includes supervision for NTNU's master's and principal training programs. She actively contributes to knowledge dissemination through lectures, media interviews, and advisory roles in municipal art funding processes.

Caitlín Eilís Barrettمشاهده پروفایل

دانشیار

• Mediterranean archaeology
• Greek and Roman archaeology
• Egyptian archaeology
• +۱۰ مورد دیگر

Caitlín Eilís Barrett is an Associate Professor in the Department of Classics at Cornell University's College of Arts and Sciences. A 2022 National Geographic Explorer, she co-directs the Casa della Regina Carolina (CRC) Project at Pompeii, a joint Italian/American excavation. Her research focuses on everyday life, religious experience, and cross-cultural interactions in the ancient Mediterranean. Education: PhD in Anthropology (Archaeology) from Yale University (2009), BA in Anthropology (Archaeology) from Harvard University (2003), summa cum laude Academic Interests: Classical Archaeology, Classical Art, Archaeology of Religion and Ritual, Household Archaeology. Her work explores Egyptian imagery in Roman domestic contexts, cultural hybridization in Hellenistic religion, and the role of material culture in constructing imperial identities. Article Trends: Her publications emphasize the archaeology of religion , cross-cultural interactions , and household material culture across the Mediterranean and Near East. Themes include ritual agency , visual hybridity , and entanglements of foreign and familiar in Greco-Roman Egypt and Pompeii. Scientific Awards: Robert A. and Donna B. Paul Award for Excellence in Advising (2014) Rosenthal Advancement Award (2022) Grants & Collaborations: Funded by NEH, National Geographic Society, Fulbright Foundation, and multiple academic institutions. Collaborates with scholars in Italy, France, and the U.S., including the University of Bologna and Cornell Institute for Archaeology and Material Studies (CIAMS). Labs & Projects: Leads the CRC Project at Pompeii, integrating 3D modeling and multidisciplinary approaches to study ancient gardens and domestic spaces. Engages with digital collections like the Cornell Collection of Antiquities and the Society for the Humanities.

Mariusz Gorzelakمشاهده پروفایل

دانشیار

• Artistic Printmaking
• Intaglio and Relief Printing
• Artists' Books
• +۳ مورد دیگر

Mariusz Gorzelak is an Associate Professor at the Eugeniusz Geppert Academy of Art and Design in Wrocław , affiliated with the Faculty of Graphics and Media Art and the Printmaking Department . He holds roles including Member of the Electoral College (2020-2024), Member of the Council of the Faculty of Graphics and Media Art, and Secretary of Entrance Examinations for Printmaking. He coordinates student internships and tutors first-year printmaking students. He completed his Master's (2005) and PhD (2013) at the same academy under Professors Andrzej Basaj, Anna Janusz-Strzyż, and Roman Kowalik. His research focuses on artistic printmaking (intaglio, relief), artists' books, and drawing, emphasizing both historical techniques and contemporary innovations. He views printmaking as a form of cultural resistance, inspired by figures like Mario Vargas Llosa. His awards include the 2019 Honorary Distinction from the Sint-Niklaas Competition (Belgium) and the 2018 Grand Prize at Skopje's Ex Libris. Major exhibitions include the 2019 Mexico Biennial and the 2018 Bangkok Triennial. He has presented at international conferences like Collaborative Printmaking: Randomness Matters! in Spain and participated in residencies at institutions such as the Kala Art Institute (USA) and the Centre for Fine Print Research (UK). Publications include Para.Ceramics.Printmaking (2018) and Idea-process-case study in intaglio and relief print techniques (2016). His works often blend traditional techniques with conceptual narratives, reflecting on themes like existence and cultural memory.

Julie Harrisمشاهده پروفایل

دانشیار

• Intaglio Printmaking
• Silkscreen Printing
• Handmade Paper Arts
• +۴ مورد دیگر

Julie Harris is an Associate Professor in the Department of Fine Arts at Kean University's College of Liberal Arts. She holds a Master of Fine Arts in Printmaking (Summa Cum Laude, Miami University, 1994) and a Bachelor of Fine Arts in Drawing (Magna Cum Laude, Wright State University, 1991). Active in regional/national/international exhibitions (200+ shows) Recipient of NJ State Arts Council Individual Fellowships (2024, 2025) Key exhibitions: Warrior Women (solo), Contain Your Fear, A Complex Weave, Underneath it All Her creative practice focuses on intaglio printmaking, silkscreen, handmade paper, and book arts, integrating socio-political consciousness with multimedia experimentation. Current work addresses breast cancer statistics through avant-garde visual narratives. Teaching portfolio includes: Beginning/Intermediate/Advanced/Graduate Printmaking, Non-Toxic Intaglio, Silkscreen, Relief Papermaking, Book Arts, Two-Dimensional Design, Drawing sequences, Graduate Life Drawing, Graduate Papermaking, Graduate Seminar for Art Education, and Undergraduate Capstone Course Meaning and Making in the Visual Arts. Media Contact: Jeanette Rundquist (jrundqui@kean.edu, 908-737-0590)

Nick Ruthمشاهده پروفایل

استاد

• Printmaking
• Painting
• Drawing
• +۶ مورد دیگر

Nick Ruth is a Professor of Art at Hobart and William Smith Colleges, where he has been a faculty member since 1994. He holds an M.F.A. in Painting from Southern Methodist University and a B.A. in Studio Art from Pomona College. He currently holds the Class of ’64 Endowed Professorship, a recognition of his sustained excellence in scholarship and teaching. M.F.A. in Painting, Southern Methodist University B.A. in Studio Art, Pomona College His research and artistic practice focus on printmaking, painting, and drawing , with a deep engagement in conceptual paradox and the expressive potential of craft. His work explores the boundaries between representation and abstraction, often using serial formats and layered media to investigate visual language and perception. His recent artistic output, particularly the This Place and Signs series from 2022, demonstrates a sophisticated use of screenprint monoprint, gouache, colored pencil, and mixed media techniques like pochoir, flocking, and laser-cut elements. These works are exhibited nationally and internationally, appearing in major venues such as the Metropolitan Museum of Art and the New York Public Library Print Collection. Honorable Mention, Made In New York Exhibition (2023) Purchase and Second Place Awards, Minot State University (2022) Best in Show, Southern Printmaking Biennale (2014) Award for Excellence in Scholarship, HWS (2015) New York State Council on the Arts Grants (2009, 2002, 2000) Nick Ruth is an active mentor and educator, having advised student exhibitions and contributed to the academic community through curatorial projects and visiting artist lectures. He has curated significant exhibitions such as Nice Place to Visit and The Worth of Water , fostering dialogue around contemporary art. His work is supported by ongoing faculty research grants, and he continues to push the boundaries of printmaking and mixed media art. He maintains an active studio practice and is a member of professional organizations including the Southern Graphics Council International and the Mid-America Print Council.

• Printmaking
• Contemporary Art
• Handmade Paper
• +۵ مورد دیگر

Melanie Wall is an Assistant Professor of Printmaking in the Department of Art & Design within the College of Liberal Arts and Communication at Arkansas State University. She is an interdisciplinary Canadian American artist with extensive international exhibition experience. Dr. Wall received her M.F.A. in Studio Art from Louisiana State University and her B.F.A. Honors in Fine Art Studio from the University of Manitoba, Canada. She also studied at the University of New Mexico. M.F.A. Studio Art, Louisiana State University, Baton Rouge, LA B.F.A. Honors: Fine Art Studio, University of Manitoba, Winnipeg, MB, Canada University of New Mexico, Albuquerque, NM Melanie Wall's research focuses on printmaking with particular emphasis on silkscreen techniques, handmade paper, and mixed media approaches. Her work explores themes of transience in residential spaces, material culture, and the traces left behind by human habitation. She creates art using collages of drawings, photo documentation, and handmade paper, often incorporating recycled fibers and locally sourced plants. Her interdisciplinary approach bridges fine art, environmental studies, and social commentary, examining how everyday objects tell stories about human lives and transitions. Wall's artistic practice demonstrates a strong commitment to sustainable materials and processes, with particular attention to how discarded items and abandoned spaces communicate narratives about consumption, migration, and cultural shifts. Her recent work has examined rental properties, garbage day assemblages, and the remnants left behind during life transitions. Melanie Wall is affiliated with professional organizations including the Mid America Print Council (MAPC), where she served on the board from 2022-2024, and the Southern Graphics Council International (SGCI). Mid America Print Council (MAPC) Southern Graphics Council International (SGCI) Her work has been exhibited in over one hundred exhibitions across the United States, Canada, Germany, Turkey, Portugal, Australia, Italy, and Japan. Wall's artistic process often involves creating visual histories of local landscapes through the remnants of tenants, with imagery void of people but rich with narrative through discarded objects, furniture left on lawns, and weekly waste patterns. Melanie Wall maintains an active studio practice documented on her website at https://www.mrobynwall.com , where she showcases her portfolio and artistic process.

Chiara Guerziمشاهده پروفایل

استاد

• Art History
• History of Drawing and Graphic Art
• History of Modern Art (Late Gothic to Rococo)
• +۵ مورد دیگر

Chiara Guerzi serves as Professor of Art History at the Accademia di Belle Arti di Bologna, teaching across multiple degree programs including Graphic Art, Painting, Decoration – Art and Environment, and Restoration – Library and Archival Material. She offers specialized courses in History of Drawing and Graphic Art, History of Modern Art (Late Gothic to Rococo), and History of Ancient Art, each carrying 6 CFA credits as basic curriculum components. Her research focuses on historical graphic techniques with particular expertise in Cennino Cennini's Libro dell'Arte, pastel technique evolution, and printmaking methods including xylography, intaglio, lithography, and silkscreen. She specializes in Italian Renaissance art with emphasis on the Ferrara school, as evidenced by her course connections to the Palazzo dei Diamanti exhibition Renaissance in Ferrara. Ercole de' Roberti and Lorenzo Costa . Her teaching methodology combines PowerPoint presentations with historical-critical text analysis and case studies, particularly examining Albrecht Dürer's connection to Italian art. Professor Guerzi maintains Wednesday office hours from 11:30-12:30 by appointment at the Library or G1 Via del Guasto, n. 7. Her academic background includes a PhD and three-year specialization in Historical and Artistic Heritage from the University of Udine, with scholarship experience at the Zeri Foundation in Bologna, Ermitage Italia Foundation in Ferrara (2011), and Institut National de l'Histoire de l'Art (INHA) in Paris. She has collaborated extensively with the Superintendency of Bologna, Cultural Heritage Office of the Archdiocese of Ferrara-Comacchio, and various exhibition initiatives where she contributed essays and catalog entries.

David Faberمشاهده پروفایل

استاد

• Printmaking
• Intaglio
• Lithography
• +۴ مورد دیگر

David Faber is a Professor of Art and Master Printmaker at Wake Forest University, leading the printmaking program since 1984. He holds a BFA from Northern Illinois University and an MFA from Southern Illinois University, where he was a Teaching Intern and Graduate Fellow. His expertise spans intaglio, lithography, relief printing, monotype, and mixed media techniques. Bachelor of Fine Arts (Drawing & Printmaking), Northern Illinois University Master of Fine Arts (Printmaking & Painting), Southern Illinois University His research focuses on innovative printmaking techniques including drypoint, engraving, etching, and mezzotint. Notable series include The Pedigree Papers , Friesian Series , and Twenty-four Famous Sires . His works are in prestigious collections like The Metropolitan Museum of Art and The National Gallery of Art. Faber has conducted over 80 international exhibitions and was the first North American artist invited to Ymagos Atelier de Gravuras de Arte in Brazil (1979–1989), producing 67 lithographs. He authored the acclaimed textbook A Guide to Drawing (7th ed., 2007). His contributions include workshops, manuscript reviews, and collaborations with artists like Roberto Burle Marx. He remains a leading figure in plaster-cast intaglio, a rare medium.

Elisabeth Meyerمشاهده پروفایل

دانشیار

• Print Media
• Artist Books
• Drawing
• +۸ مورد دیگر

Elisabeth Meyer is an Associate Professor in the Department of Art at Cornell University’s College of Architecture, Art, and Planning (AAP). She is a New York-based artist whose work explores print media, serial imagery, and narrative structures through book and folio formats, incorporating drawing, painting, and sculpture. Her artistic practice is deeply influenced by architecture, nature, and history. Her research and creative work focus on print media , artist books , and visual narratives , often investigating the multiple and the potential for tangential storytelling. She employs techniques such as rubbing, collage, and stenciling, blending traditional and contemporary methods. Her recent projects include large-scale prints and sculptural multiples developed through collaborative grants. The most recent works in her portfolio (2021–2016) reveal a sustained engagement with intaglio , woodcut , and mixed-media printmaking , often in series such as Tarotesque and Route Not Taken , which explore symbolic, architectural, and personal themes. These works reflect a deep commitment to material experimentation and narrative complexity. Her major awards include: Jeffrey S. Lehman Grant for Scholarly Exchange with China (2018 and 2015) Jurors Prize, The Boston Printmakers North American Print Biennial (2018) Baer Art Center Residency, Iceland (2009) She also received a CCA Grant to collaborate with Joanna Malinowska on cross-institutional artistic exchange and print production. Meyer has curated exhibitions such as Print, Text, Language (2014) and Hybrid Prints (2013), and has coordinated student collaborations with professional artists. She has served as a visiting critic at Brown University, Massachusetts College of Art, and RISD. Her teaching includes courses in print media, professional collaboration, and the artist’s book. There is no mention of formal advisees in the provided text. She maintains an active exhibition record across the U.S. and internationally, with recent participation in events such as the International Academic Printmaking Alliance in China (2018).

Andrew L. Goldmanمشاهده پروفایل

استاد

• Roman Archaeology
• Anatolian Archaeology
• Ancient Mediterranean History
• +۷ مورد دیگر

Andrew L. Goldman is a Professor of History at Gonzaga University , where he has been a faculty member since 2002 and served as Chair of the Classical Civilizations Department since 2007. He earned his Ph.D. and M.A. in Classical Archaeology from the University of North Carolina-Chapel Hill (2000, 1993) and a B.A. in Classical Civilizations from Wesleyan University (1988). His academic career spans fieldwork in Turkey, Cyprus, and Sicily, including roles as Field Director of the Sinop Kale Excavations (2014–present) and leadership of numerous study abroad programs. Ph.D., Classical Archaeology, University of North Carolina-Chapel Hill (2000) M.A., Classical Archaeology, University of North Carolina-Chapel Hill (1993) B.A., Classical Civilizations, Wesleyan University (1988) Dr. Goldman specializes in Roman archaeology and the material culture of the ancient Mediterranean and Black Sea regions , with particular focus on urban life , military equipment , funerary practices , and gemstone analysis . His research, supported by the National Endowment for the Humanities and National Geographic, has explored Roman Gordion as a military outpost and Sinope as a Greek colony, contributing to understanding imperial expansion, trade routes, and provincial life. Recent publications analyze Roman fineware circulation, non-elite burials, and battlefield artifacts from the First Punic War. Scientific awards include the AIA Joukowski Award for Distinguished Service (2024) , two Gonzaga Exemplary Teaching Awards (2019, 2008) , and the Compass Award (2014) . He has directed archaeological field schools, co-curated museum exhibitions like Roman Myth and Mythmaking (2017), and received grants for community outreach initiatives. His teaching includes courses on Western Civilization, ancient cities, and field-based study programs in Turkey and Rome.

Jane DeRose Evansمشاهده پروفایل

استاد

• Roman Provincial Archaeology
• Numismatics
• Cultural Heritage Ethics
• +۳ مورد دیگر

Jane DeRose Evans is a Professor of Art History at Temple University's Tyler School of Art and Architecture , with over twenty years of teaching experience. She specializes in Roman provincial art and material culture, numismatic analysis, and cultural heritage ethics, conducting fieldwork across the Mediterranean including Turkey, Israel, Jordan, and France. PhD & MA in Archaeology of the Mediterranean World (University of Pennsylvania) AB in Greek and Latin Classics (Franklin and Marshall College) Research Focus spans Roman provincial economies through coin analysis, cultural memory in numismatic iconography, and ethical considerations in archaeological heritage. Her work connects Mediterranean trade networks with material culture studies from the Roman Republic through Late Antiquity. Scientific Recognition : President-elect of American Society of Overseas Research Fellow of American Numismatic Society Elected member of Royal Numismatic Society Active committee roles at Archaeological Institute of America Key Publications analyze numismatic contexts from Sardis and Caesarea, with methodological innovations in statistical analysis of coin deposits and regional economic reconstruction . She maintains collaborative projects with Harvard-Cornell Sardis expeditions.