جست‌وجوی استاد و پژوهشگر

• Historical Performance
• Period Instrument Performance
• Natural Trumpet
• +۴ مورد دیگر

Richard Thomas is a Natural Trumpet professor at the Historical Performance faculty of the Royal College of Music in London. He also teaches at the University of Birmingham and the Royal Birmingham Conservatoire, and regularly instructs at the Dartington International Summer School. Professor Thomas specializes in historical performance practice with period instruments. His expertise includes: Natural Trumpet performance Cornetto performance Renaissance and Baroque brass repertoire Historically informed performance techniques Early wind ensemble performance Thomas studied at the University of Wales, the Royal Academy of Music, and the Schola Cantorum in Switzerland, earning BMus, MA, LRAM, and ARAM qualifications. His career combines scholarly knowledge with practical performance experience spanning several decades. He has performed regularly at Shakespeare's Globe Theatre in London and toured extensively throughout Europe, North & South America, Asia, and Australia with ensembles led by distinguished conductors including Sir John Elliot Gardiner, Sir Roger Norrington, Trevor Pinnock, Harry Christophers, and Paul McCreesh. Thomas is the founder of several notable ensembles: QuintEssential (sackbut and cornett ensemble, formed in 1993) The City Musick The Prince Regent's Band (19th century saxhorn quintet)

Stewart Carterمشاهده پروفایل

استاد

• Music History
• Music Theory
• Brass Instruments
• +۵ مورد دیگر

Stewart Carter is a Professor at Wake Forest University, specializing in music history, music theory, and trombone. He directs the instrumental component of the Collegium Musicum, an ensemble focused on Medieval, Renaissance, and Baroque music. Carter served as Past-President of the Society for Seventeenth-Century Music and the American Musical Instrument Society, and he currently edits the Historic Brass Society Journal . Education: Bachelor's in Music Education, University of Kansas Master's in Music Education, University of Illinois Ph.D. in Musicology, Stanford University Carter’s research spans seventeenth-century music, brass instrument history, and cross-cultural exchanges between Chinese and European musicians. His recent work explores historical brass instruments in China, including fieldwork in Beijing, Shanghai, and Dunhuang. Carter’s publications focus on early brass instruments, Renaissance music, and performance practices. His work includes The Trombone in The Renaissance (2012) and Instruments, Ensembles, and Repertory (2013), among others. These works emphasize historical analysis, iconography, and ensemble practices. As an active performer on sackbut, recorder, and viola da gamba, Carter bridges scholarship and practice. He has performed internationally and taught at workshops like the Amherst Early Music Festival, integrating his research into pedagogy and performance.

• Historical Performance
• Early Music
• Contemporary Music
• +۳ مورد دیگر

Emily White is a Professor of Sackbut at The Guildhall School of Music and Drama, specializing in historical performance and contemporary music. She also teaches trombone at the Royal Welsh College of Music and Drama and Wells Cathedral School. A member of The English Cornett and Sackbut Ensemble, she has contributed to acclaimed recordings like the Diapason D'or-winning La Morte della Ragione with Il Giardino Armonico. Her work spans early music, improvisation, and commissions such as John Kenny’s Secret House . Education includes studies at the Royal Academy of Music, Guildhall School, and Trinity Laban for baroque violin. She leads the trio Pandora’s Box, touring internationally with an improvisatory blend of early and contemporary music. Awards include the ARAM fellowship and affiliations with Conn-Selmer. Upcoming projects include the 2022 release A Cry Was Heard with Deux-Elles. Her research emphasizes early music performance practices and interdisciplinary collaborations. Grants and residencies support her work in bridging historical and modern musical traditions.

• Musicology
• Baroque Performance Practice
• Early Music Instruments
• +۱ مورد دیگر

Susan Addison is a Professor in the Historical Performance faculty at the Royal College of Music. As a Sackbut specialist, her work focuses on historical brass performance practices, with a particular emphasis on Baroque-era techniques and pedagogy. Primary Affiliation: Royal College of Music (Historical Performance Faculty) Instrument Specialization: Sackbut Her research interests span musicology, historical instrument reconstruction, and period-specific performance methodologies. No scientific awards, publications, or student advising information were explicitly mentioned in the provided texts.

Sue Addisonمشاهده پروفایل

استاد

• Brass Instrument Performance
• Classical Trombone
• Sackbut Performance
• +۳ مورد دیگر

Sue Addison is a distinguished Professor of Sackbut and Classical Trombone at the Royal Northern College of Music , with additional affiliations at the University of Birmingham and Birmingham Conservatoire . A renowned trombonist and sackbut specialist, she has played with major period instrument ensembles including the London Classical Players , Academy of Ancient Music , and Orchestra of the Age of Enlightenment , collaborating with conductors like Sir Simon Rattle and Sir John Eliot Gardiner. Education: Royal College of Music (ARCM with Brass Prize) Performance Career: Principal trombonist with City of Birmingham Symphony Orchestra, Garsington Opera, and Scottish Chamber Orchestra Ensemble Founding: Co-founded His Majestys Sagbutts and Cornetts (25 years) and Orchestra of the Age of Enlightenment Teaching Recognition: Awarded Hon LRAM (2002) for contributions to music education Her research and performance focus centers on Brass Instrument Performance in historical contexts, particularly Baroque Music and Period Instrument Movement , with extensive experience in both orchestral playing and pedagogy. Sue has taught at institutions including Royal College of Music, Trinity College of Music, and Mannes College of Music, while maintaining an active role in freelance orchestral work and masterclass instruction. Scientific Awards: Hon LRAM (Royal Academy of Music) in 2002 for teaching excellence Sue Addison's career spans prestigious orchestras (City of Birmingham Symphony Orchestra, English Baroque Soloists, Orchestra of the Eighteenth Century) and academic institutions, with a particular focus on Wind, Brass and Percussion disciplines. Her work bridges practical performance, pedagogy, and historical instrument revival.

Steven Dyerمشاهده پروفایل

مدرس

• Music Performance
• Music Education
• Brass Performance
• +۳ مورد دیگر

Steven Dyer is an MPS Instructor in the Desautels Faculty of Music at the University of Manitoba, specializing in trombone, euphonium, and directing Brass Chamber Music. He concurrently serves as Principal Trombonist for the Winnipeg Symphony Orchestra since 2011, having joined as Second Trombonist in 2001. Education: BMus, McGill University MMus, DePaul University His research and creative works center on brass performance pedagogy and historical performance practice, with emphasis on trombone and euphonium techniques. Dyer actively explores sackbut repertoire through collaborations with early music ensembles, integrating historical context into contemporary brass education. Awards: Boosey & Hawkes Ltd. Prize for excellence in brass playing Dyer's mentorship has produced successful music educators across Manitoba and competition-winning performers in prestigious ensembles. His professional activities include studio recordings with artists like Dave Lawton and James Keelaghan, plus performances with the National Arts Centre Orchestra and Toronto Symphony Orchestra. During summers, he serves as Assistant Director and Instructor of Low Brass for Young Musicians and Artists in Salem, Oregon.

Bruce Balesمشاهده پروفایل

مدرس

• Early Music
• Medieval/Renaissance Music History
• Renaissance Music Performance Practice
• +۳ مورد دیگر

Bruce Bales is a Lecturer at the Conservatory of Music, part of Chapman University’s College of Performing Arts. He serves as Director of the CU Early Music Ensemble and instructor of Medieval/Renaissance Music History. Previously, he held roles as Director of Choral, Vocal, and Early Music at Golden West College (1992–2020) and taught choir, voice, and co-directed the Collegium Musicum at UC Irvine. He is an active performer on early music instruments (viols, lutes, cornetto, sackbuts, recorders, crumhorns, hurdy-gurdy) and as a baritone soloist. His expertise spans Early Music performance practices, with a focus on Renaissance and Baroque eras. He regularly leads honor choirs, guest lectures, and adjudicates festivals in Southern California. Notable achievements include serving as Artistic Director for the 2006 Haut Alps Choral Festival and receiving the 2010 Huntington Beach Arts Counsel’s “Arts Educator of the Year” award. Besides teaching, Bales engages in community outreach through workshops and collaborations, emphasizing historical performance traditions. His career reflects a deep commitment to early music education and performance.

Jason M. Hausbackمشاهده پروفایل

استاد

• Jazz Studies
• Early Music
• Trombone Performance
• +۲ مورد دیگر

Dr. Jason M. Hausback serves as Professor of Music at Missouri State University, where he directs Jazz Studies and acts as Graduate Advisor within the Music Department. His national reputation spans performance, education, and administration in brass and jazz disciplines. His academic credentials include: Doctor of Musical Arts (Trombone Performance) - University of North Texas Master of Music (Trombone Performance) - University of North Texas Bachelor of Music (Trombone Performance) - University of Wisconsin: Madison Dr. Hausback's research centers on Jazz Studies, Early Music (specializing in tenor/bass sackbuts), and Dario Castello's sonatas. He maintains an active international performance career across classical and jazz genres, having recorded with the Grammy-nominated One O'Clock Lab Band and performed in 15+ countries including Spain, Colombia, and Thailand. His distinguished honors include: Eastern Trombone Workshop National Classical Bass Trombone Solo Competition winner (2008) ITA Kai Winding Jazz Trombone Ensemble Competition victory (2008) ITA Quartet Competition win with 'Bell Street Four' (2008) S.E. Shires Performing Artist designation As Graduate Advisor, he mentors Music Department students while maintaining an extensive performance schedule with ensembles like the Lone Star Wind Orchestra and Symphony of Northwest Arkansas. His professional impact extends through adjudication at major events including the ITA Carl Fontana Jazz Trombone Competition (2015) and direction of award-winning groups such as the U-Tubes, which won the 2010 Eastern Trombone Workshop National Jazz Trombone Ensemble Competition.

Ethan Poundمشاهده پروفایل

مدرس

• Trombone Performance
• Jazz
• Contemporary Music
• +۳ مورد دیگر

Ethan Pound serves as a Trombone Student Teacher at the Eastman Community Music School (ECMS) of the Eastman School of Music, University of Rochester. He concurrently holds roles as Director of Sackbuts for Christ Church’s Schola Cantorum and Department Assistant to the Eastman Trombone Choir, while also functioning as Teaching Assistant for Eastman’s Trombone Methods class. His educational foundation includes a Bachelor of Music from Oberlin Conservatory, with ongoing graduate studies pursuing a Master of Music and Performer’s Certificate at Eastman School of Music. Pound demonstrates exceptional versatility across trombone performance genres including jazz, contemporary classical, and world music. His artistic profile integrates composition, arranging, and pedagogy, evidenced by collaborations with Sean Jones, Edmar Castañeda, and Camilla Meza. Performance highlights span the Bang on a Can Long Play Festival, United Nations Gala, and U.S. Department of Education Jazz Informance. His teaching trajectory includes prior brass instruction roles at Northern Ohio Youth Orchestras, Right Direction Project, and Peabody Innovation and Music Academy, now centered at ECMS where he delivers trombone instruction and supports ensemble development. Pound maintains active performance commitments including recent solo features with Eastman Jazz Lab Band and upcoming performances of Henri Tomasi’s Concerto for Trombone with Mostly Modern Orchestra, while contributing to ensembles like Eastman Trombone Choir and Oberlin Contemporary Music Ensemble.

• 19th- and 20th-Century British and Irish Music and Culture
• Music, Mortality, and Memory
• Death, Culture, and Society
• +۳ مورد دیگر

Matthew McCullough is a PhD candidate in Musicology and Analysis at Durham University, researching British music and its intersections with death, trauma, and memory. He holds an Associate Fellowship of the Higher Education Academy and is affiliated with the Centre for Death and Life Studies. His work focuses on 19th- and 20th-century British and Irish music, with a particular emphasis on responses to conflict and mourning. Education: BA (First Class) and MA (Distinction) in Music from Durham University, supported by scholarships including the Vice-Chancellor’s Scholarship and Van Mildert College Trust PhD Scholarship. Notable achievements include winning the British Music Society’s 40th Anniversary Essay Competition in 2019 and editing forgotten works by Alan Gray, set for publication in 2024. Research interests span music and mortality, harmony/counterpoint analysis, and the legacies of composers like Gerald Finzi and Ernest Moeran. He co-edits a 4-volume series on 18th-20th-century mourning practices and organized conferences on Music and Death, leading to a forthcoming Brill volume. Publications include journal articles on Arthur Bliss and Cecil Gray, book chapters on requiem music, and contributions to edited volumes. Awards include the NABMSA Travel Grant, RMA Oldman Grant, and multiple fellowships. Teaching: Contributes to undergraduate harmony and counterpoint modules. Performance roles include guest soloist with The English Cornett and Sackbut Ensemble and conductor of Durham University Chamber Choir.

Larry Zimmermanمشاهده پروفایل

استاد مدعو

• Music Performance
• Brass Instruments
• Trombone Pedagogy
• +۲ مورد دیگر

Larry Zimmerman serves as Adjunct Professor of Trombone and Euphonium at the University of St. Thomas, College of Arts and Sciences, Department of Music, Film & Creative Enterprise. As an active performer, he holds positions including Principal Trombonist of the Duluth-Superior Symphony Orchestra and membership in the Grammy-winning Chestnut Brass Company. Zimmerman maintains an active performance career with engagements across Minnesota, including performances with the Minnesota Orchestra and St. Paul Chamber Orchestra. His specialty includes period brass instruments such as Renaissance sackbuts and 19th-century saxhorns. He regularly performs as a soloist and chamber musician, particularly focusing on new music compositions. Educational background includes degrees from St. Olaf College and Boston University. He teaches low brass at multiple institutions including St. Olaf College, Bethel University, and the University of St. Thomas, covering performance techniques across historical and contemporary repertoires. His instructional responsibilities include individual performance studies for trombone and euphonium students at both undergraduate and graduate levels, emphasizing technical proficiency and artistic interpretation.

• Historical Performance
• Baroque Music
• Vocal Performance
• +۴ مورد دیگر

Peter Harvey is a Sackbut professor at the Royal College of Music's Historical Performance faculty, specializing in vocal interpretation across eight centuries of repertoire with particular emphasis on High Baroque and late Romantic French works. He has recorded extensively with conductors such as Sir John Eliot Gardiner and Michel Corboz, and performed in major venues worldwide including Vienna's Musikverein and Amsterdam Concertgebouw. Fluent French speaker with expertise in French Baroque sacred works Grammy-winning performer of Haydn's Creation (2008) Specializes in Schubert's song cycles including Die Winterreise His research interests focus on historical performance practices, vocal interpretation, and the intersection of musicology with language studies. Peter has received recognition through international singing competitions including the Walther Grüner Lieder Competition and English Song Award. Grammy Award for Best Choral Recording (2008) Choc de l'année (Le Monde de la Musique) for Fauré Requiem

Trevor Dixمشاهده پروفایل

مدرس

• Brass Instruments
• Early Music
• Orchestral Performance
• +۳ مورد دیگر

Trevor Dix serves as Course Lecturer and Course Instructor in Euphonium, Trombone, and Brass Ensembles at McGill University's Schulich School of Music since 2002. He holds dual roles in teaching and research within the Music Performance department. Professional affiliations include Principal Bass Trombonist of the Orchestre Métropolitain du Grand Montréal since 2001, and performances with major orchestras including Montreal Symphony, National Arts Center Orchestra, and Malaysian Philharmonic. His expertise spans classical and early music, performing on sackbut with ensembles like La Rose des Vents and Les Voix Baroque. Teaching focuses: Trombone performance, brass ensemble direction, and applied music research Recordings: Over 20 albums on labels including Atma, BIS, and Nonesuch Media presence: Regular CBC Radio performances and broadcasts Research interests bridge historical performance practices and modern pedagogy, with contributions to early music revival movements.

• Historical Performance
• Baroque Music
• Classical Music
• +۳ مورد دیگر

Adrian France is a Professor of bass sackbut at Guildhall School of Music & Drama and guest Professor at the Academy of Music, Ljubljana. He specializes in historical trombone performance across Baroque, Classical, and Romantic periods, and plays with renowned ensembles like the Orchestra of the Age of Enlightenment and Budapest Festival Orchestra. His teaching roles include visiting historic brass specialist at Newcastle University (formerly Head of Brass Studies) and adjudicating for competitions like BBC Young Musician of the Year. He co-directs the English Cornett & Sackbut Ensemble and leads the Concert Trombone Quartette (CTQ), focusing on historically informed performance practices. Notable achievements include the ARAM award (2009) and Royal Society of Musicians membership (2015). His chamber music projects emphasize period instrument collaborations, including work with Musica Antiqua Salzburg and recordings with CTQ.