جستجوی استاد راهنمای دانشگاهی

• Intellectual Property Law
• Copyright and Artificial Intelligence
• IP and Right to Repair
• +۵ مورد دیگر

Kanchana Kariyawasam serves as Associate Professor in the Department of Accounting, Finance and Economics within Griffith University's Business School. Holding a PhD in IP Law from Griffith University, an LL.M (Advanced) in IP Law from The University of Queensland, and an LL.B (Hons) from the University of Colombo, she maintains active research affiliations with the Law Futures Centre (2009-2024) and Griffith Asia Institute (2019-present). Her research spans Intellectual Property Law with specialized focus on Copyright and Artificial Intelligence, IP and Right to Repair, Patent Law in Biotechnology, and Gender Equality in IP systems. Current projects examine AI-generated works, digital exhaustion doctrine, and NFT legality under Australian copyright frameworks, reflecting strong alignment with Sustainable Development Goals 4 (Quality Education) and 9 (Industry Innovation). Professor Kariyawasam's funded research portfolio includes significant projects such as the WIPO Study on Illegal Retransmission of Live Broadcasts (2023), Queensland Government Ewaste initiatives (2022), and Griffith University's Right to Repair Workshop (2020). Her publications demonstrate consistent output in high-impact journals including European Intellectual Property Review and International Journal of Law and Information Technology , with recent works analyzing AI copyright challenges, spatial data protection, and medical device repair rights. Deputy Vice-Chancellor's 2024 Student Experience of Teaching Survey Commendation Green Impact Gold Award Recipient (2023, Griffith Repair Cafe) Highly Commended Griffith Award for Excellence in Teaching (Large Classes) Two GBS teaching citations She currently supervises five doctoral candidates researching AI data privacy, patent law intersections, and agricultural IP issues, while having successfully completed supervision of four doctoral theses including works on female entrepreneurship and agribusiness marketing. As Coordinator of Griffith Repair Cafe and Steering Committee Member of Australian Repair Network, she bridges academic research with community engagement on repair rights and e-waste reduction.

Sigune Hamannمشاهده پروفایل

دانشیار

• Art and Media Practice
• Perception and Attention
• Photography
• +۳ مورد دیگر

Sigune Hamann is a Reader in Art and Media Practice at Camberwell, Chelsea and Wimbledon Colleges of Arts, University of the Arts London. Her interdisciplinary practice spans photography, video, sound, and installation art, with exhibitions at institutions like Kunstraum Düsseldorf, Istanbul Biennale, Wellcome Collections, and Ashmolean Museum. She holds an MA (Distinction) from the Royal College of Art and a degree from University of the Arts Berlin. Hamann's research explores the intersection of art, design, and science, focusing on perception, attention, and the effects of time on image construction. Her current two-year collaboration with Oxford University's Experimental Psychology department investigates how physical interaction with images alters perception and self-awareness. Key research areas include: Hybrid media forms combining photography/video with performative elements Neuroscientific approaches to visual cognition Changing conventions in image processing across disciplines Urban environments and movement in static imagery Her artistic output demonstrates strong thematic consistency in perception studies and temporal experimentation, with recent works increasingly incorporating interactive digital formats and scientific methodologies. Notable residencies and honors include: DAAD Scholarship for MA studies Residencies at Delfina Studio Trust, Künstlerhaus Schloss Balmoral, V&A, and Tokyo Wonder Site Curator of 'Stillness and Movement' symposium at Tate Modern Educational initiatives include 'Changing Perception of Images' (Wellcome Collection), 'Interpreting Objects' (V&A collaboration), and cross-disciplinary platforms connecting art/design students with Oxford University researchers.

• History of Photography
• Art History
• American Art
• +۳ مورد دیگر

Douglas R. Nickel is the Andrea V. Rosenthal Professor of History of Art and Architecture at Brown University, specializing in the history of photography and American art. His academic career includes roles as curator at the San Francisco Museum of Modern Art (1995-2005) and director of the Center for Creative Photography at the University of Arizona. He holds a PhD from Princeton University (1995), an MFA (1989), and a BA from Cornell University (1983). Research focuses on photographs' ontological status, viewer interpretation, and intersections between photography and scientific/metaphysical discourses. Notable publications include *Francis Frith in Egypt and Palestine* (2003), awarded by the Toronto Globe and Mail, and critical reviews such as analyses of Svetlana Alpers' *Walker Evans* (2021) and Nadya Bair's *The Decisive Network* (2022). Awards include the 2004 Historians of British Art Book Prize. Teaching spans courses like *Photography and Philosophy*, *The Museum and the Photograph*, and *Contemporary Photography*. His work bridges historical analysis with contemporary debates, emphasizing how photographic meaning is constructed through cultural, technological, and perceptual frameworks.

James Arthur Allenمشاهده پروفایل

مدرس ارشد

• Documentary Photography
• Social Issues
• Conflict Photography
• +۵ مورد دیگر

James Arthur Allen is a Senior Lecturer in Photography at Bath Spa University's Bath School of Art, Film and Media, where he teaches on the BA (Hons) Photography and BA (Hons) Documentary Photography and Film degrees. In addition to his academic role, he maintains an active professional practice as a freelance photographer specializing in documentary, editorial, and portrait photography with a focus on social issues across diverse geographical contexts. MA Documentary Photography - University of South Wales (2016-2018) BA (Hons) Press and Editorial Photography - University College Falmouth, Cornwall (2009–2012) AFHEA: Associate Fellow of the Higher Education Academy (2024) Professional qualifications: HEFAC, Hostile Environment First Aid Action Course, Blue Dot Safety 2010; ESTCO - Embed Simulation Training Course, Blue Dot Safety 2010 Allen's creative research centers on documentary photography exploring geopolitical conflicts, cultural identity, and social issues. His major projects include "Land of Wolves" documenting Georgia and the South Caucasus, "Adiga" examining the Circassian diaspora in Israel, "Time will tell how trustworthy you are" investigating the Somerset landscape and rural communities, and "Fatherhood" exploring contemporary parenting experiences. His work consistently addresses ethics and representation in photography, particularly in conflict zones and marginalized communities. The photographer's distinctive approach blends academic rigor with professional practice, creating work that appears in both gallery exhibitions and major media publications. His photographic output demonstrates consistent thematic development from early conflict documentation toward more personal explorations of place, identity, and social structure. Recent projects like "100 Portraits" (2024) and "Point & Shoot" show his growing interest in community engagement and institutional documentation while maintaining his signature documentary style. Rebecca Vassie Memorial Award Winner (2016) RPS International Photography Exhibition 161 Shortlist (2018) Jerwood/Photoworks Award Listing (2018) Kolga Tbilisi Photo Festival Documentary Series Award Shortlist (2018) Magnum Photos Top 30 under 30 Award Shortlist (2014) As an educator, Allen serves as the link tutor to Bath Spa University's partners boomsatsuma in Bristol. His teaching specialisms include Photography, Editorial Portraiture, Documentary Photography, and Ethics and Representation. He has previously held lecturing positions at Portsmouth University (2018-2022) and Plymouth University (2017-2018), and was involved with the Portsmouth University Photography Research Group (2018-2022). His professional practice directly informs his teaching, with field experience in conflict zones and diverse cultural contexts enriching his academic instruction. Allen maintains an active creative studio practice alongside his academic work, recently completing the "100 Portraits" project celebrating Bath Spa University's 20th anniversary and the "Point & Shoot" collaborative project with Campus Skateparks. His photography has been featured in major publications including The Wall Street Journal, The Financial Times Magazine, The Guardian, and British Journal of Photography, demonstrating the vital connection between academic inquiry and professional photographic practice.

• Hypersonic Flow
• Shock Wave/Boundary Layer Interaction
• High-Enthalpy Flows
• +۶ مورد دیگر

Associate Professor Sudhir Gai serves as an Honorary Associate Professor at UNSW Canberra within the School of Engineering & Technology. With a distinguished career spanning over five decades, Professor Gai has established himself as a leading authority in high-speed aerodynamics, specializing in hypersonic and supersonic flow phenomena. His extensive publication record from 1969 through 2025 demonstrates sustained research excellence in shock wave/boundary layer interactions, flow separation mechanisms, and high-enthalpy flow dynamics. Professor Gai's research focuses on the complex fluid dynamics of high-speed flows, with particular emphasis on shock wave/boundary layer interactions, separation phenomena in hypersonic and supersonic regimes, and the effects of high-enthalpy conditions on aerodynamic performance. His work investigates flow behavior over various geometries including flat plates, compression corners, cavities, and blunt bodies, with significant contributions to understanding leading-edge separation effects. He employs both experimental and computational methodologies, utilizing advanced facilities like shock tunnels and wind tunnels alongside sophisticated measurement techniques such as laser-induced fluorescence velocimetry and digital streak imaging. His research has evolved from fundamental fluid dynamics investigations to more complex applications involving fluid-structure interactions and rarefied gas effects. Analysis of Professor Gai's recent publications (2018-2025) reveals continued innovation in hypersonics research, with increasing focus on rarefied gas dynamics, fluid-structure interactions, and advanced measurement techniques. His work demonstrates a progression from traditional continuum flow assumptions to more complex non-equilibrium conditions, addressing critical challenges for next-generation aerospace vehicles. The consistent publication in top-tier journals including Journal of Fluid Mechanics, Physics of Fluids, and AIAA Journal reflects the high quality and impact of his research. Professor Gai has maintained extensive collaborations with researchers including A. Khraibut, D. Exposito, A.J. Neely, S. O'Byrne, V. Sridhar, and H. Kleine, indicating a well-established research network both within Australia and internationally. His research has been supported by sustained funding in aerospace research and development, though specific grant details are not provided in the available information. Professor Gai's laboratory work involves sophisticated experimental setups capable of simulating hypersonic conditions, complemented by computational resources for numerical simulations. His research environment integrates experimental validation with theoretical modeling, providing comprehensive insights into complex flow phenomena that have significant implications for aerospace vehicle design, particularly for re-entry vehicles, spaceplanes, and high-speed missiles operating in extreme speed regimes.

Piotr Kurkaمشاهده پروفایل

استاد

• Contemporary Art
• Sculpture
• Photography
• +۵ مورد دیگر

Piotr Kurka is a Polish artist and full professor at the Academy of Fine Arts in Poznań, where he leads the Studio of Intermedia Activities and Photography. Born in 1958 in Poznań, he graduated from the painting studio of Prof. Jerzy Kałucki in 1982. His artistic practice spans sculpture, photography, drawing, experimental films, and large-format spatial arrangements. He co-founded the influential art group Koło Klipsa and has participated in over 100 group exhibitions and 35 solo exhibitions globally. Education: M.A. in Painting, State Higher School of Fine Arts (now Academy of Fine Arts), Poznań (1982) Research Interests: Contemporary art with focus on intermedia forms Metaphorical installations blending reality and surrealism Use of unconventional materials in sculpture Exploration of childhood symbolism and memory Interplay of light, sound, and spatial narratives Scientific Awards: Pollock-Krasner Foundation Scholarship (1992) Arts Link Scholarship (1995) Kościuszko Foundation Scholarship (1997) Rockefeller Foundation Scholarship (1999) Ministry of Culture and National Heritage Scholarship (2001) Advising & Collaborations: Co-founder of Koło Klipsa art group Collaborated with Neue Bieriemiennost group (1988-1989) Editor and co-publisher of Artistic Journals of the Academy of Fine Arts in Poznań Lab & Teams: Head of Intermedia Studio I at Faculty of Multimedia Communication Active in Polish and international contemporary art circles

Naomi Vogtمشاهده پروفایل

دانشیار

• Contemporary Art History
• Moving Image in Art
• Visual Culture
• +۱۲ مورد دیگر

Naomi Vogt is an Associate Professor in the Department of History of Art at the University of Warwick, Faculty of Arts, where she has been a faculty member since 2019. She is also the Admissions Tutor and Mead Gallery Coordinator. Her research is affiliated with Warwick's Centre for Digital Inquiry, and she contributes to the departmental cluster on 'Art and Politics'. Her educational background includes a BA in archaeology and art history from the Sorbonne (Panthéon-Sorbonne University), a foundation in video and filmmaking from ECAL in Lausanne, and an MA and PhD from the University of Oxford, where she was based at the Ruskin School of Art. Naomi Vogt’s research focuses on late 20th and 21st-century art and visual culture, particularly the moving image, documentary practices, post-internet aesthetics, visual anthropology, and the intersection of art with ritual, politics, and sexuality. She explores how contemporary art forms—especially video and montage—mediate social life, racial politics, and postcolonial identities. Her work often engages with artists such as Arthur Jafa, Mike Kelley, Steve McQueen, and Pierre Huyghe, analyzing how editing, representation, and circulation shape meaning and affect. Her recent publications reveal a strong trend in analyzing the political and aesthetic power of montage, particularly in the work of Arthur Jafa, where she coins the term 'editing chills' to describe the visceral impact of rapid, emotionally charged editing. Her scholarship bridges art history with media theory, postcolonial studies, and digital culture, often focusing on marginalized narratives, racial justice, and the pedagogical potential of explicit and disruptive art. She also investigates the invention of new rituals through digital platforms and the role of artistic research in knowledge production. Franz Roh Fellow at the Zentralinstitut für Kunstgeschichte in Munich (2017) Swiss Research Council Fellowship (Research Fellow in History of Art at UCL) Naomi Vogt is actively involved in academic mentoring and welcomes PhD students in contemporary art history, especially those working in her research areas. She has no listed grants in the provided text, but her projects, such as her forthcoming book Invented Rituals: Art and the Moving Image of Social Life (under contract with University of Michigan Press), indicate significant scholarly output. She co-founded and edits the journal OAR: The Oxford Artistic and Practice Based Research Platform , contributing to the institutionalization of practice-based research. Her administrative roles in admissions and gallery coordination reflect her engagement with both academic and curatorial dimensions of art history.

Alexandra Lethbridgeمشاهده پروفایل

مدرس

• Conceptual Photography
• Visual Culture
• Cognitive Psychology of Vision
• +۳ مورد دیگر

Alexandra Lethbridge serves as an Associate Lecturer in the Department of Art and Music at Solent University and concurrently as a Lecturer in Photography at Falmouth University. Her dual academic appointments facilitate a dynamic integration of pedagogy and professional art practice, with a focus on conceptual photography and installation art that challenges visual perception. Her academic foundation includes a Master of Arts in Photography from the University of Brighton, complemented by foundational studies at Winchester School of Art and the International Center of Photography in New York. MA Photography, University of Brighton Studies, Winchester School of Art Studies, International Center of Photography, New York Lethbridge's research interrogates deception, misdirection, and the cognitive processing of visual information. She strategically employs scientific theories to ground experimental image-making, creating works that expose ambiguities in visual culture. Her practice critically examines how society consumes media, using appropriation and sculptural elements to disrupt conventional interpretations and reveal hidden narratives within everyday imagery. Analysis of her recent exhibition history reveals a cohesive trajectory centered on visual epistemology—how we know what we see. Projects like "Zapping the Archive" and "The Eye Sees" consistently merge artistic experimentation with cognitive science, demonstrating her unique methodology of contrasting rigorous research with intuitive creation to expose fractures in perceived reality. Her distinguished career includes significant recognition: Winner, Spotlight Award (Belfast Photo Festival, 2021) Shortlisted, Paris Photo Aperture Foundation First PhotoBook Award (2014) Winner, FORMAT Festival Affinity Award (2017) Selected, Unseen Amsterdam Talent (2017) Winner, Moscow International Photo Awards (2015) In her teaching role, Lethbridge supervises undergraduate and postgraduate photography students, emphasizing conceptual development alongside technical mastery of large-format cameras and digital workflows. Though grant details aren't publicly itemized, her award-winning projects like "The Meteorite Hunter" (acquired by MoMA) indicate successful competitive funding for artistic research that bridges academic and cultural institutions. Operating primarily through gallery partnerships rather than institutional labs, her creative process involves collaborations with international festivals including FORMAT Derby and Unseen Amsterdam, where she develops site-specific installations that engage local communities in dialogues about visual literacy.

• Time-Based Media
• Media Art
• Narrative Methods
• +۷ مورد دیگر

Maja Wolińska is an academic professor at the Eugeniusz Geppert Academy of Art and Design in Wrocław , affiliated with the Faculty of Graphics and Media Art and the Media Art Department. She serves as the Coordinator of the Erasmus+ program for her department and leads the Narration and Interaction in New Media Studio. Academic focus on Time-Based Media, including video, sequential photography, sound, and non-linear live action Co-founder of the artistic duo Commonheavens (since 2010) with Joan Leandre Engaged in site-specific installations, observational projects, and memory studies Her recent activities span collective multimedia live concerts, large-format real-time projections, and studio work exploring microphenomena in microecosystems. She has received international recognition, including the 2014 Szczecin European Film Festival award in the Polish competition. Scientific awards: Szczecin European Film Festival, first award in the Polish competition (2014)

Krzysztof Molendaمشاهده پروفایل

استاد

• Graphic Design
• Printmaking
• Painting
• +۴ مورد دیگر

Prof. Krzysztof Molenda is a Professor of Fine Arts at the University of Arts in Poznań, holding a leadership role in the Publishing Workshop since 2011 within the Faculty of Graphic Arts and Visual Communication. With 36 years of teaching experience, he actively instructs in graphic arts workshops covering metal techniques and relief printing while bridging artistic practice with technical publishing education. His research centers on the synthesis of traditional graphic arts with digital innovation, explicitly exploring woodcut, linocut, and metal techniques alongside digital image processing and photography. Molenda investigates how visual representations embody reality through emotional and physical surroundings, focusing on contemporary trends in art and graphic design within broader cultural contexts. His practice emphasizes intuitive craft processes and the fusion of manual techniques with digital tools to create new expressive pathways. Artistic output reveals a clear trajectory: 2017 oil paintings (e.g., Labyrinth , Trace ) examine spatial/temporal concepts on large canvases, while 2013 works like Transformation and Broken Figure combine woodcut/monotype with digital print. This demonstrates consistent engagement with both traditional printmaking media and modern publishing technologies. Scientific Awards: No specific awards, fellowships, or medals are documented in the source text. Advising and Grants: Molenda has mentored students for 36 years in graphic design, printing techniques, and computer science applications for publishing. His workshops cover technical preparation for albums, catalogues, and books, though no grant funding or formal student names are listed. Labs and Teams: He directs the Publishing Workshop at the Faculty of Graphic Arts and Visual Communication, which handles design, typesetting, and print production. This team actively experiments with traditional graphic media and digital tools, supporting both artistic creation and publication workflows.

• Digital Photography
• Artistic Research
• Multimedia Art
• +۳ مورد دیگر

Carl Johan Erikson is a Lecturer in liberal arts specializing in digital photography at the Royal Academy of Fine Arts since 2014. He manages the institution's digital darkroom facilities, which include large-format printers and scanners. His artistic practice spans photography, artists' books, and video. He holds a degree from the School of Photography at the University of Gothenburg (1988–1992). Education: School of Photography, University of Gothenburg His research integrates conceptual art with interdisciplinary projects. Notably, he co-authored the award-winning conceptual cookbook Kokgropar och andra aktiviteter i Forsmarks skogar , which explored artistic research through culinary narratives. This work earned the first prize in Swedish Food Literature of the Year 2019. Awards: Swedish Food Literature of the Year 2019 (category: lifestyle literature) His projects often bridge photography with environmental and collaborative themes, reflecting his commitment to experimental art forms.

Julian Rosefeldtمشاهده پروفایل

استاد

• Media Art
• Digital Art
• Time-based Media
• +۷ مورد دیگر

Julian Rosefeldt is a Professor of Digital and Time-based Media at the Academy of Fine Arts Munich , where he has taught since 2011. He is also a member of the Bavarian Academy of Fine Arts (since 2010) and previously served as a visiting professor at Bauhaus University Weimar (2009–2010). His studio is located in the Altbau building at A.O2.46, with classrooms at A.O1.18 & 23. He lives and works in Berlin. Born: 1965, Munich, Germany Education: MA in Architecture, Technical University of Munich and Barcelona His research and artistic practice lie at the intersection of video art, narrative film, and multi-channel installations , often exploring ideological frameworks, identity, and societal structures. He is best known for works such as Manifesto (2015), featuring Cate Blanchett performing collaged artist manifestos, and Asylum (2001/2002), a critical examination of immigrant stereotypes. His work blends theatrical staging with conceptual depth, oscillating between fiction and political commentary. His recent artistic output, as seen in the 15 most recent works listed, demonstrates a consistent engagement with allegory, performance, and socio-political themes . Projects like Requiem and Deep Gold explore environmental collapse and myth, while The Perfectionist and Clown delve into psychological and existential conditions. His use of multi-channel formats and immersive soundscapes underscores his focus on experiential media art rather than traditional cinematic storytelling. Julian Rosefeldt’s work has been recognized through exhibitions in major institutions worldwide , including MoMA New York, Hamburger Bahnhof Berlin, and the National Gallery of Victoria Melbourne. Notable solo exhibitions include Manifesto at the Park Avenue Armory (New York), the Ruhrtriennale, and the Palazzo delle Esposizioni (Rome), as well as Deep Gold at Wemhöner Collection (Berlin) and Asylum at Haus der Kunst (Munich). He has been featured in numerous international film festivals and group exhibitions , such as Sundance, Berlinale, Tribeca, and the Athens Biennale. His work is held in prominent collections, including the Goetz Collection, Deutsche Bank Collection, and the Saatchi Collection. Though no formal students or academic grants are listed, his role as a professor indicates mentorship within the art academy context. He has collaborated on commissioned works for theater and concert halls, including The Creation for the Holland Festival and Ruhrtriennale. His artistic lab or creative team is not formally described, but his works involve large-scale productions with actors, composers, and technical crews, particularly evident in Manifesto and The Creation . Collaborations with institutions like ACMI Melbourne and the Burger Collection suggest ongoing interdisciplinary and international partnerships.

John Reuterمشاهده پروفایل

استاد مدعو

• Photography
• Polaroid Imaging
• Alternative Photographic Processes
• +۷ مورد دیگر

John Reuter is an Adjunct Professor of Photography at the Hartford Art School, University of Hartford, where he teaches courses in analog and digital photography as well as cinema studies. He also serves as Director of the 20x24 Studio, preserving the legacy of large-format Polaroid photography and ensuring continued availability of film for artists. Reuter received his undergraduate education at SUNY Geneseo and completed graduate studies at the University of Iowa, earning two master's degrees including an MFA in 1978. His academic journey was significantly influenced by professors Michael and Rosemary Teres, who encouraged his experimental approach to photography and painting. Specializing in experimental photographic processes, Reuter is internationally recognized for his innovative work with Polaroid materials. His research spans Polaroid SX-70 constructions combining photography with painting and collage, Polacolor image transfers that manipulate film dyes, large-format 20x24 photography, and digital imaging techniques. His artistic practice consistently challenges conventional boundaries of the photographic medium through physical manipulation of film materials and creative integration of digital workflows. His publications and creative works demonstrate a consistent evolution from physical manipulations of film in the 1970s-1990s to digital workflows while maintaining focus on the tactile qualities of image-making. The recurring theme across his career is the exploration of instant photography's artistic potential through material experimentation and technical innovation. As Director of the 20x24 Studio, Reuter has maintained this specialized photographic process through Polaroid Corporation's bankruptcy, working with artists like William Wegman, Chuck Close, and Joyce Tenneson while ensuring the continuation of 20x24 film production through collaborations with Elsa Dorfman and others.

Paul Dunlapمشاهده پروفایل

استاد

• Film Photography
• Digital Photography
• Darkroom Processing
• +۳ مورد دیگر

Paul Dunlap is a Professor in the Department of Visual Arts at the University of North Georgia (UNG), located on the Dahlonega Campus. He oversees the photography program, which includes instruction in 35mm black and white film, darkroom processing, digital photography, large format camera techniques, and 19th-century photographic processes. Dunlap also serves as Accreditation Coordinator, managing the department’s accreditation with the National Association of Schools of Art & Design (NASAD). Education : B.A. in Studio Art (Photography), North Georgia College & State University, 2001 M.F.A. in Photography, University of Georgia, 2004 Research & Creative Work : Dunlap’s creative practice focuses on Appalachian Studies, blending traditional photographic processes with digital approaches. His work has been exhibited nationally and featured in media outlets like CNN, After Ellen, and magazines including Black & White , The Advocate , and Rolling Stone . Publications & Exhibitions : His work appeared in Black & White Magazine (2020) and the UNG Faculty Exhibition (2020). He emphasizes interdisciplinary exploration, combining historical techniques with modern digital methods. Awards : 2019 Distinguished Professor of the Year, awarded by the UNG Alumni Association Teaching & Service : Dunlap teaches courses such as Introduction to Photography , Alternative Photographic Processes , and Senior Capstone Exhibition . His leadership in accreditation ensures the program meets national standards. Beyond academia, he advocates for creative expression rooted in regional and historical contexts.

Jeff Murphyمشاهده پروفایل

دانشیار

• Digital Media
• Environmental Art
• Religious Art
• +۴ مورد دیگر

Jeff Murphy is an Associate Professor of Art at the University of North Carolina at Charlotte , specializing in Digital Media and Digital Photography . His creative work bridges digital imaging , interactive design , and environmental advocacy , often influenced by his experiences as a parent and outdoor enthusiast. Faculty at UNC Charlotte since 1998 MFA in Digital Media from University of Florida (1995) BFA in Photography, Film, and Video from Ohio State University Murphy’s research spans multiple domains, including: Environmental concerns through digital landscapes and VR technology Religious identity critiques via photomontage and apocalyptic symbolism Family dynamics in Stay-at-Home Dad series and child-inspired works His artistic output includes immersive video projects (2020-2021), large-scale digital murals (2014), and environmental commentaries (2009-2019). While no formal awards are listed, his work has been featured in over 40 solo exhibitions across 5 countries and published in WIRED Magazine , World Art Magazine , and Exploring Color Photography textbook. Murphy received individual artist grants from three regional arts councils and collaborates with his wife, Professor Heather Freeman . His creative process often involves technological experimentation with tools like Go Pro Fusion cameras and Oculus VR headsets , reflecting his commitment to digital frontier exploration in art.