جست‌وجوی استاد و پژوهشگر

• Sound Art
• Digital Archives
• Collaborative Art Practices
• +۳ مورد دیگر

Eileen Simpson is a Reader at Manchester School of Art, Manchester Metropolitan University, specializing in the intersection of sound art, digital archives, and information networks. She co-founded the Open Music Archive with artist Ben White, a collaborative initiative focused on sourcing, digitizing, and distributing out-of-copyright sound recordings while facilitating networked artistic projects. Her research centers on archival practices , collaborative sound production , and critical data engagement , exploring how communities interact with historical audio materials through participatory frameworks. Key methodologies include distributed network performance , public domain reactivation , and speculative archival futures , often manifested in large-scale exhibitions that transform institutional spaces into sites of collective sound exploration. Notable projects span British Art Show 8 ( Auditory Learning , 2015), Modern Art Oxford ( Premonition 2037 , 2016), and international venues including Casa Luis Barragán in Mexico City ( Open House: Divided Estates , 2012). Her 2025 works Please Destroy All Previous Lists and All or Together advance critiques of data ownership and collaborative sound production. Simpson's output consistently examines power dynamics in archival systems , community-based knowledge sharing , and temporal dimensions of sound preservation . As a core member of the Art and Performance Research Hub, Simpson operates through long-term collaborations rather than conventional advising structures. Her work integrates institutional partnerships with grassroots community engagement, particularly through the Open Music Archive's distributed network of contributors. Current projects like Toward Usership (2025) investigate collaborative data mining within orchestral archives, bridging historical collections and contemporary participatory practices. The Open Music Archive functions as her primary research vehicle, operating as both a digital platform and physical project space facilitating workshops, exhibitions, and international residencies. This initiative embodies her commitment to decentralized knowledge production and critical engagement with copyright frameworks , creating infrastructure for communities to reclaim and recontextualize historical sound materials.

Iris Garrelfsمشاهده پروفایل

مربی ارشد

• Sound Art
• Performance Art
• Electroacoustic Music
• +۳ مورد دیگر

Dr. Iris Garrelfs is a Departmental Senior Tutor in the Music Department at Goldsmiths, University of London. Her work bridges music, art, and sociology through interdisciplinary projects in performance, installation, and sound art. She holds a PhD from the University of the Arts London and has conducted postdoctoral research on creative process models. Her practice explores listening as a mode of connection between humans and environments, often site-specific and incorporating digital sound processing. Key projects include the Listening Wall , an interactive installation with contributed listening scores, and collaborations like Lab of Sonic Possibilities with Tansy Spinks. She has exhibited globally at institutions such as Tate Britain, National Gallery, and the Onassis Cultural Centre Athens. Awards include the Francis Chagrin Award for her residency at the Onassis Centre (2016). Her research interests span procedural blending in sound art, active metadata development, and the sociopolitical dimensions of sound. She co-edits the Reflections on Process in Sound journal and leads initiatives like the Sound Practice Research Unit. Recent works include Embodied Dialogues (2025) and Birds , a spoken-word project interrogating avian symbolism in sonic art.

Rebecca Gatesمشاهده پروفایل

مدرس

• Sound Art
• Community Engagement in Art
• Experimental Music
• +۳ مورد دیگر

Rebecca Gates is an Affiliate Faculty and Instructor in the Department of Kinetic Imaging at Virginia Commonwealth University's School of the Arts. Her work spans music, curation, and art focused on sound, spatial dynamics, and the artist's role in communities. She co-founded The Relay Project audiozine and co-curated The Marfa Sessions, a sonic exploration of land arts. Previously, Gates led the indie rock band The Spinanes (Sub Pop) and has collaborated with notable musicians like Elliott Smith and Willie Nelson. Her research and artistic practice emphasize interdisciplinary approaches to sound and space, advocating for artists' engagement with societal issues. Though no specific grants or advising roles are detailed, her curatorial and activist contributions highlight her commitment to community-driven art. Her work has been exhibited internationally, reflecting her impact across diverse artistic and academic contexts.

• Virtual Reality (VR)
• Educational Technology
• Theatre Studies
• +۳ مورد دیگر

Magnus Moar is an academic affiliated with the School of Film at Middlesex University, holding the position of Lecturer. His research focuses on the intersection of virtual reality (VR), theatre, and education technology. Moar explores immersive media's role in performance, narrative design, and learning environments, with notable work on VR locomotion mechanics, 360-degree storytelling, and spatial computing applications. His research interests include virtual environments for historical education, locative audio drama, and collaborative VR experiences. Moar has collaborated extensively with institutions like the University of Leuven and the BBC on projects such as the Fellow Creature 360 series and the VERTEX educational initiative. Publications span academic journals (e.g., Contemporary Theatre Review , Computers & Education ) and conferences like CHI PLAY and SciFi-It. His work bridges technical innovation with artistic expression, emphasizing user experience and pedagogical impact.

• Spatial Audio
• Broadcast Audio Technology
• Audio Accessibility
• +۶ مورد دیگر

Dr. Ben Shirley is Associate Professor in Audio Technology at the University of Salford's Acoustics Research Centre. He holds an MSc from Keele University (2000) and PhD from Salford (2013). As co-founder/Director of Salsa Sound Ltd, he develops award-winning audio solutions for live sports broadcast. Research focuses on spatial audio processing, accessibility solutions for hearing-impaired audiences, and personalization of object-based audio systems. Current projects involve AI-driven automatic mixing for live broadcasts and immersive XR experiences. His doctoral thesis pioneered methods for improving television sound accessibility. Dr. Shirley supervises PhD candidates in broadcast audio, immersive sound, and accessible media. He has led projects funded by UK Department of Culture Media and Sport (5G Edge-XR) and contributes to standards for next-generation audio broadcasting.

Vassil Vassilevمشاهده پروفایل

استاد

• Artificial Intelligence
• Cyber Security
• Machine Learning
• +۶ مورد دیگر

Prof. Vassil Vassilev is a Professor of AI and Intelligent Systems and Head of the Cyber Security Research Centre at London Metropolitan University. His work spans artificial intelligence, cyber security, and data integration with a focus on applications in urban systems, malware analysis, and cyber-physical systems. He leads initiatives in secure transaction risk assessment (CyDRA) and smart city technologies. Research interests include reinforcement learning for cyber incident response, AI policy validation frameworks, and adaptive security systems. He explores hybrid AI models, IoT-based environmental monitoring, and semantic frameworks for vulnerability detection. His work bridges theoretical AI advancements with practical implementations in cyber defense, urban data spaces, and financial security. Grants and funding support his projects on cyber security analytics, threat intelligence, and low-cost data platforms. He collaborates on initiatives like the first urban data space in Bulgaria and innovative authentication techniques using audio steganography. His leadership at the Cyber Security Research Centre drives applied research in both academic and enterprise contexts.

Andrew C. Singerمشاهده پروفایل

استاد

• Underwater Acoustic Communications
• Signal Processing
• Machine Learning
• +۴ مورد دیگر

Andrew C. Singer is a distinguished academic holding dual roles as the Dean of the College of Engineering and Applied Sciences at Stony Brook University and a Professor in the Department of Electrical and Computer Engineering. He also holds a courtesy appointment in the Institute for Advanced Computational Science and the School of Marine and Atmospheric Sciences at Stony Brook. Previously, he served as the Fox Family Professor at the University of Illinois Urbana-Champaign's Grainger College of Engineering, where he led innovation initiatives as the Associate Dean for Innovation and Entrepreneurship. His research focuses on signal processing, underwater acoustic communications, and biomedical applications of acoustics, with contributions to underwater acoustic localization, sensor networks, and machine learning for signal processing. Education and Career: While specific educational details are not provided, Singer’s extensive academic leadership roles and research output indicate a strong background in electrical engineering and signal processing. His work spans academia and industry, with notable contributions to acoustic communication systems, biomedical implants, and emergency medical devices (e.g., the emergency ventilator for pandemic response). Research Interests: Singer’s research integrates theoretical and applied aspects of signal processing, including underwater acoustic signal processing, biomedical acoustics, and the design of robust communication systems. He leads projects like Task Force Ocean (underwater acoustic signal processing) and ACOMS+X (acoustic communications in diverse environments), emphasizing practical applications in oceanography, healthcare, and emergency systems. Grants & Collaborations: His work is supported by grants from agencies such as the National Science Foundation, with collaborations extending to medical institutions, geotechnical engineering teams, and robotics researchers. Notable projects include through-soil wireless communication systems and ultrasonic biomedical implants for in vivo video transmission. Labs & Teams: The Singer Research Group at UIUC and Stony Brook focuses on advancing acoustic technologies, with projects like the Mechatronic Acoustic Research System and cooperative microphone array systems for speech enhancement. His team collaborates with engineers, physicians, and data scientists to bridge theoretical and applied challenges.

Zubin Kangaمشاهده پروفایل

مدرس ارشد

• Music Technology
• Contemporary Music
• Interdisciplinary Arts
• +۳ مورد دیگر

Zubin Kanga is a Senior Lecturer in Musical Performance and Digital Arts at Royal Holloway, University of London. He leads the Cyborg Soloists project, funded by a £1.4M UKRI Future Leaders Fellowship, exploring intersections of music, AI, and technology. His work spans performances at venues like the BBC Proms and collaborations with artists such as Brett Dean and Neil Luck. Education: PhD and MMus from Royal Academy of Music (London), BA (Hons I) in Music from University of Sydney. Postdoctoral research at University of Nice and IRCAM (Paris). Previous roles include Leverhulme Early Career Fellow at Royal Holloway. Research focuses on interdisciplinary music performance involving motion sensors, AI, and live electronics. Notable projects include works with MiMU gloves, TouchKeys, and EEG brain sensors. His compositions blend traditional piano with cutting-edge technologies, as seen in albums like Cyborg Pianist . Key honors include the UKRI Future Leaders Fellowship. Over 130 world premieres performed globally. Active in scholarly writing on gesture-technology interactions, published in Contemporary Music Review and Tempo . Labs/Teams: Cyborg Soloists (Royal Holloway), collaborations with industry partners MiMU, ANT Neuro, and TouchKeys. Ongoing research into hybrid instruments and digital performance extensions.

Michael Tymkiwمشاهده پروفایل

دانشیار

• Spectatorship
• Modern and Contemporary Visual Culture
• Histories of Modernism
• +۴ مورد دیگر

Dr. Michael Tymkiw is a Reader (equivalent to Associate Professor) in the School of Philosophical, Historical, and Interdisciplinary Studies at the University of Essex, specializing in modern and contemporary visual culture with particular focus on spectatorship. He teaches courses including Collect, Curate, Display: A Short History of the Museum; Contemporary Art: 1945 until Now; and Practical Skills for Curatorial Work, while maintaining regular academic support hours on Tuesdays. His educational background includes a PhD in Art History and an MBA (with honors) from the University of Chicago, plus a BA in French (cum laude) from Yale University. Before joining Essex, he was a Postdoctoral Fellow at the Kunsthistorisches Institut in Florenz--Max Planck Institut. Tymkiw's research centers on three interconnected areas: Nazi exhibition design and modernism, walking on art from the 1920s to present, and intersections between digital technologies and spectatorship. His work examines how exhibition design serves as a field for formal experimentation, how floor-based artworks engage bodily movement, and how digital tools can reshape museum experiences. He approaches these topics through interdisciplinary methods combining art historical analysis with empirical research techniques. His publications from 2006-2025 reveal a consistent focus on spectatorship across diverse contexts, evolving from Nazi-era exhibitions to contemporary walkable art and digital museum experiences. Recent work increasingly incorporates empirical methodologies while maintaining strong art historical foundations, with publications spanning traditional art history journals and interdisciplinary science publications. He currently serves as Field Editor for Twentieth-Century Art at caa.reviews and is a member of the Editorial Board for the journal Art History. Tymkiw actively supervises doctoral research, currently guiding six PhD candidates in Art History, Curating, and History, with four previous students having successfully completed their degrees. His supervision spans diverse topics within visual culture, exhibition history, and curatorial practice, reflecting his interdisciplinary approach. His research connects academic inquiry with practical applications in museum settings, particularly through his investigations of how digital technologies can enhance accessibility and critical engagement with art collections.

• Construction Engineering
• Artificial Intelligence
• Computer Vision
• +۴ مورد دیگر

Dr. Abbas Rashidi is an Associate Professor in Civil & Environmental Engineering at the University of Utah, with an adjunct appointment in Electrical & Computer Engineering. His research combines construction engineering with AI/ML applications to solve industry challenges. With over 20 years of industry experience, he serves as associate editor for ASCE's Journal of Construction Engineering and Management. His research focuses on computer vision applications in infrastructure inspection, construction safety analytics, AI-driven traffic management, and sensor-based jobsite monitoring. He develops innovative methods for culvert inspection, work zone safety, equipment tracking, and airport operations using deep learning and federated learning approaches. Dr. Rashidi holds a PhD in Construction Engineering from Georgia Tech, dual MS degrees in Construction Management and Electrical Engineering, and maintains professional certifications including Certified Professional Constructor (CPC) and OSHA Outreach Instructor.

• Mathematical Ecology
• Statistical Ecology
• Biodiversity Dynamics
• +۶ مورد دیگر

Professor Otso Ovaskainen is an Academy Professor at the University of Jyväskylä's Department of Biological and Environmental Sciences. His research focuses on developing statistical and mathematical methods for ecological data analysis, with emphasis on joint species distribution modeling, DNA-based species identification, and agent-based modeling. He leads the ERC-Synergy project LIFEPLAN, which aims to survey global biodiversity using DNA, audio, and image data. Current projects include biodiversity monitoring through AI and wireless technologies, and hyperautomation in citizen science integration. Research Interests Ecological data integration and statistical methodology Species distribution and community dynamics Biodiversity genomics and digital twin development Urban and Arctic ecology Active Projects "Safeguarding biodiversity and carbon-rich forest networks in Europe" (EU, 2025-2029) "Biodiversity Digital Twin" (EU, 2022-2025) "LIFEPLAN Global Biodiversity Sampling" (EU, 2021-2026) His work bridges computational methods with ecological theory, emphasizing practical applications in conservation and policy. The Predictive Community Ecology (PredCom) group under his leadership develops innovative tools for biodiversity analysis.

• Human-Computer Interaction
• Digital Accessibility
• Voice Processing
• +۷ مورد دیگر

Professor Georgios Kouroupetroglou is a leading academic at the National and Kapodistrian University of Athens (NKUA), serving as Professor in the Department of Informatics and Telecommunications. He holds significant roles including President of the Association for the Advancement of Assistive Technology in Europe (AAATE) and membership in the European Academy of Sciences and Arts. His research focuses on digital accessibility, voice processing, assistive technologies for disabilities, and music computing. He has pioneered initiatives such as the 'Accessibility Unit' and the Speech and Accessibility Research Laboratory at NKUA. Education: B.Sc. in Physics and Ph.D. in Communications and Signal Processing. He has held administrative roles including Chairman of the Department of Informatics and Telecommunications, Director of Postgraduate Studies, and Director of the M.Sc. Programme in 'Language Technology'. Research interests span: Computer Accessibility & Voice User Interfaces Accessibility of Documents and Mathematics Music Computing and Ancient Instruments Gesture-Based UIs and Haptics Inclusive Education Technologies Publications highlight innovations in: Assistive tech for mobility and motor disabilities Audio-tactile interfaces for blind users Accessibility in higher education Acoustic modeling of historical instruments He has authored over 180 papers and books, reviewed numerous EU projects, and teaches courses on accessibility, signal processing, and assistive tech. His work bridges clinical science and technology, emphasizing sustainability and global inclusivity.

Shawn Deckerمشاهده پروفایل

استاد

• Sound Art
• Electronic Music Composition
• Interdisciplinary Installation Art
• +۴ مورد دیگر

Shawn Decker is a Professor in the Sound and Art and Technology Studies departments at the School of the Art Institute of Chicago (SAIC). His work bridges music composition, visual arts, and performance, employing electronic and physical media to explore natural and unnatural worlds. Notable collaborations include partnerships with Jan Erik-Andersson, Anne Wilson, and Jan Tichy. His installations have been exhibited globally at venues like the Kiasma Museum (Helsinki), Victoria and Albert Museum (London), and the Chicago Cultural Center. Decker's teaching and artistic practice are interconnected, emphasizing interdisciplinary methods. His research focuses on environmental soundscapes, bioacoustics (particularly birdsong), and merging traditional folk music with modern technology. Key projects include the Prairie installation and the Bird’s Nest collaboration with Jan-Erik Andersson, exploring historical and contemporary sound contexts in architectural spaces. His recent works include immersive installations like The Night Sounds and Sauna-stereo , reflecting ongoing investigations into natural systems and urban environments. Exhibitions frequently integrate multi-channel soundscapes and interactive elements, showcasing his expertise in both technical and conceptual artistry.

• Design Process
• Community Engagement
• Digital Storytelling
• +۴ مورد دیگر

Dr. Dylan Davis is a Lecturer and Manager of Multimedia Design at Swinburne University's School of Design and Architecture. His interdisciplinary work bridges design research, audio production, and electronic music composition. Research interests include: Design process innovation and community-centered methodologies Digital storytelling through interactive media Electronic music production, particularly acid house and techno genres AI-assisted creative workflows and generative music systems His scholarly output reflects a consistent exploration of technology-mediated creativity, with publications spanning computer music algorithms, community design practices, and electronic music history. Creative works frequently experiment with analog synthesizers (especially Roland TB-303 techniques) and explore the intersection of coding and composition.

Ben Byrneمشاهده پروفایل

مدرس ارشد

• Sonic Art
• Ecological Listening
• Spatial Sound
• +۳ مورد دیگر

Ben Byrne is a Senior Lecturer in RMIT University's School of Design whose practice creates listening situations addressing technological, ecological, and social challenges. His research explores sonic attention through experimental sound works, theoretical writing, and community-focused programs. He founded the RMIT Speaker Orchestra and has curated 34 concerts using its 32-channel spatial audio system. Current teaching in 'Resonant Ecologies' examines sonic approaches to environmental crisis, while research collaborations include soundscape studies and archival preservation initiatives. His creative practice encompasses electroacoustic composition, gallery installations, and VR sound designs exhibited internationally. As co-leader of the Design and Sonic Practice Research Group, he contributes to building sustainable frameworks for sonic arts research.