Tim Kirby is a Visiting Professor at Queen Mary University of London's School of Electronic Engineering and Computer Science. His research focuses on audio synthesis and signal processing, specializing in real-time acoustic modeling of membranophones (drums) using advanced mathematical transforms like the discrete cosine transform (DCT) and Fourier decomposition. His work bridges computer science, music technology, and applied mathematics. Key research themes include interactive drum modeling, analysis of vibrational modes under varying strike intensities, and development of realistic sound synthesis techniques. Recent contributions emphasize real-time applications and physical modeling approaches. No scientific awards or grants are explicitly listed in the provided materials. He currently holds no documented advisee relationships. His professional profile includes affiliation with Queen Mary's engineering facilities, though specific lab affiliations are unspecified.
Nicole Robson is a Researcher at Queen Mary University of London's School of Electronic Engineering and Computer Science, specializing in the intersection of sound art, human-computer interaction, and phenomenological experience design. Her work bridges technical innovation with artistic practice through ultrasonic installations and sensorless interaction systems. Her research focuses on: Ultrasonic art installations enabling sensor-free interaction Social mediation of sound listening experiences Micro-phenomenological analysis of user experiences Composition and curation entanglements in sound art Embodied cognition in auditory environments Spatial sound mediation frameworks Analysis of her 2022-2025 publications reveals a cohesive trajectory exploring how ultrasonic technology transforms audience engagement with sound art. Her work consistently investigates non-visual sensory channels, emphasizing social dynamics in listening experiences and developing novel methodologies for understanding embodied interactions with sound installations. Key innovations include contactless interaction systems that bypass traditional sensors while maintaining rich user engagement. No scientific awards were documented in the available information. While no student advising or grant details were specified, her research demonstrates significant contributions to sound art practice through practitioner interviews and experiential studies. The absence of laboratory affiliations suggests independent or collaborative project-based work within the School's research infrastructure.
Erkin Asutay is an Associate Professor and Docent at Linköping University's Division of Psychology (PSY) within the Department of Behavioural Sciences and Learning (IBL). His research focuses on the interplay between affective processes, attention, and decision-making, particularly in complex environments. He employs methods like psychophysics, psychophysiology (e.g., facial EMG), and computational modeling to study how affective experiences—shaped by expectations, uncertainty, and prediction errors—influence behavior and judgments. His work bridges cognitive and affective science, with applications to environmental psychology, digital well-being, and public policy. Asutay’s research interests include: Emotion’s role in perception and attention Affective integration over time Sustainable decision-making and climate change behavior Impact of digital technologies on well-being Recent publications highlight themes such as anticipated affect driving pro-environmental behavior and the role of mental imagery in climate risk perception. He collaborates with interdisciplinary teams and contributes to the JEDI-lab at Linköping University. His work informs behavioral public policy through insights into affective mechanisms.
Huck Hodge is an Assistant Professor of Composition at the University of Washington. He previously taught at Columbia University, where he earned his MA and DMA in Music, studying under Tristan Murail and Fred Lerdahl. His earlier studies in Music Theory and Computer Music at the Staatliche Hochschule für Musik und Darstellende Kunst in Stuttgart, Germany, were supported by the Andrew W. Mellon Foundation and DAAD. His research explores the intersection of sound design, perceptual illusion, and the boundaries between structured composition and intuitive creativity, spanning symphonic, chamber, dance, and multimedia works. Education highlights include: Doctor of Musical Arts (DMA), Columbia University Master of Arts (MA), Columbia University Studies in Music Theory/Computer Music, Stuttgart Hodge’s work has garnered significant recognition through national and international awards, though specific names are not detailed here. His career emphasizes teaching and advancing contemporary compositional practices while engaging with interdisciplinary approaches to music. While no lab affiliations or grants are explicitly mentioned, his academic trajectory reflects a strong focus on compositional innovation and academic mentorship in music.
Dima Szamozvancev is a postdoctoral researcher at the University of Cambridge's Department of Computer Science and Technology, working under Dr. Jeremy Yallop on the Modular Macros project. He holds an Associate Professor position at Downing College, where he serves as a Director of Studies for Part IB Computer Science students and supervises multiple undergraduate and graduate courses. His academic background includes a PhD (2018–2022) and MPhil (2018) in Computer Science, both from the University of Cambridge, under Prof. Marcelo Fiore and Dr. Neel Krishnaswami. Research Focus: Szamozvancev specializes in the mathematical foundations of programming languages, particularly second-order abstract syntax and its formalization. His work intersects semantics, type theory, and metaprogramming, with applications to reactive systems and domain-specific languages. He actively contributes to OCaml's evolution through the Modular Macros project, exploring macros and metaprogramming extensions. Teaching & Supervision: He supervises courses such as Semantics of Programming Languages , Logic and Proof , and Types . Notable advisees include Patrick Nickols (2022–2023), Ted While (2020–2021), and James Rhodes (2019–2020). His teaching spans foundational theory to applied programming concepts. Professional Activities: He serves on the program committees for FARM 2019 and FARM 2022 . His publications address formal metatheory, reactive GUI programming, and type-safe music generation. He is affiliated with the Programming, Logic, and Semantics research group. Contact: Room FS13, William Gates Building, University of Cambridge. Email: ds709@cam.ac.uk .
Eamonn Bell is Assistant Professor in the Department of Computer Science at Durham University, where he teaches across the computer science curriculum including introductory algorithms, software engineering projects, and a specialized music processing module. He also holds an Associate Fellowship in the Institute of Advanced Study at Durham. Dr. Bell's research falls under the broad umbrella of digital humanities, with specific focus on the application of computational techniques to musicology and humanities, history of computational sciences related to musical production, and lowering barriers to digital research infrastructure for humanities scholars. His work bridges music theory, computer science, and media history. His recent publication portfolio reveals a strong focus on the history of digital audio technologies, particularly compact disc (CD) format, YouTube comment analysis, and digital skills infrastructure for music researchers. His work shows an interdisciplinary approach connecting historical analysis of media technologies with contemporary digital humanities research methods. Dr. Bell currently supervises postgraduate research students and accepts new master's and doctoral students. His research has been funded by UK Research and Innovation (UKRI), the Irish Research Council, and various institutional grants since 2019. He leads significant projects including Toward a Collaborative Computational Project (CCP) for Arts, Humanities, and Culture Researchers (CCP-AHC), Accelerating Digital Skills for Music Researchers, and Digital Skills in Arts and Humanities (DISKAH). Prior to joining Durham, Dr. Bell was a postdoctoral Research Fellow at the Department of Music, Trinity College Dublin, where he examined the Compact Disc audio format's design and history under an Irish Research Council Postdoctoral Fellowship. He holds a PhD in Music Theory from Columbia University (2019) and a joint honours degree in Music and Mathematics from Trinity College Dublin (2013).
Dr. Kieran Hicks is a Senior Lecturer at Staffordshire University specializing in game design, player experience, and accessibility. With nearly a decade of academic and industry experience, he serves as Course Director for Digital, Tech, Innovation & Business programs. Hicks co-founded a game studio and has collaborated with Nottingham City Council on civic play projects. His educational background includes a PhD in Computer Science from University of Lincoln focusing on juiciness in player experience, an MSc by Research on online cooperation, and a First Class BSc in Games Computing. Research interests focus on sensory aspects of gameplay ('juiciness'), accessibility for visually impaired children, games user research methodologies, and inclusive design principles for diverse player groups. His work bridges technical game development with human-centered design approaches. Publications demonstrate consistent focus on player experience through VR applications, accessibility solutions, and sensory feedback systems. Recent work explores metaverse applications, multisensory interaction, and inclusive design frameworks. Awards: No scientific awards mentioned Supervises PhD students in game design and user research domains. Leads industry partnerships for applied research projects and public playspace development. Directs labs exploring VR accessibility solutions and sensory game design. Collaborates with international teams on inclusive gaming initiatives.
Gábor Háden is a Research Fellow at the Institute of Cognitive Neuroscience and Psychology, part of the Research Centre for Natural Sciences at the Hungarian Academy of Sciences. His work focuses on auditory and speech perception, early perceptual development, and electrophysiological methods such as EEG/ERP. He has held postdoctoral positions at institutions including the University of Amsterdam and the University of Cambridge. Education: PhD in Cognitive Science from Budapest University of Technology and Economics (2005–2011), graduate studies in Psychology at the University of Szeged (2000–2005). Research Interests: Auditory perception mechanisms, speech/music perception in infants, rule extraction in auditory processing, auditory imagery, electrophysiological methods (EEG, ERP), mismatch negativity (MMN), and brain-computer interfaces. He collaborates internationally with experts in developmental psychology and cognitive neuroscience. Grants & Awards: Recipient of the Béla Julesz Award (2009) and multiple grants including the MTA Premium postdoctoral program (2018–2021) and NKFI-funded projects on early language development and auditory processing. Teaching: Taught courses on cognitive neuroscience and auditory perception at Pázmány Péter Catholic University and Budapest University of Technology and Economics. Labs/Teams: Member of the Sound and Speech Perception Research Group, exploring neural mechanisms of auditory attention and developmental speech processing.
Athanasios Koutras is an Associate Professor at the Department of Electrical and Computer Engineering, University of Peloponnese. He holds a PhD in Electrical and Computer Engineering from the University of Patras (2001), focusing on blind speech separation. His career includes roles as Deputy Head and Head of the Department of Informatics and Media at TEI of Patras (2008–2018) and academic positions at institutions like the University of Ioannina and Aristotle University of Thessaloniki. He has supervised over 160 theses and teaches courses in digital signal processing, biomedical engineering, and multimedia technologies. Research Interests: Digital sound/image processing, biomedical signal analysis, machine learning, computer-aided diagnosis, EEG/MEG analysis, deep learning, brain-computer interfaces (BCI), and tourism data forecasting. Founding Director of the Signal, Image Processing & Pattern Recognition (SIPPRE) Research Group, he explores applications in healthcare, audiovisual technologies, and smart cities. His work spans interdisciplinary collaborations, including medical neuroscience and tourism analytics. Awarded editorial roles in journals like Advances in Signal Processing and MDPI Electronics , he actively mentors through IEEE programs. Office hours: Monday 13:00–14:00, Tuesday 11:00–13:00 (Teams).
Panagiotis Alefragis is an Associate Professor at the Department of Electrical Engineering and Electronics, University of Peloponnese. He holds a diploma and PhD from the Electrical and Computer Engineering Department of the University of Patras. With 25+ years of experience, his expertise spans software engineering, optimization algorithms, parallel processing, and compiler design. Research interests include optimization algorithms, parallel/distributed systems, programming languages, combinatorial optimization, metaheuristics, and high-speed digital infrastructures for IoT/smart cities. He led projects like FP7 ALMA and H2020 ARGO, and managed Lyseis Ltd, a software firm for airline optimization solutions (clients: Lufthansa AG, AIMS). Publications focus on AI-driven labor market analysis, job posting classification, and acoustic modeling. He has contributed to over 50 peer-reviewed articles and actively participates in EU research programs.
Ni Li is a Lecturer and doctoral candidate in the Department of Water and Climate at the Faculty of Engineering, Vrije Universiteit Brussel. Their research focuses on climate extremes, environmental data analysis, and natural language processing applications in climate science. Ni has presented at international workshops such as the Helmholtz Center for Environmental Research (UFZ) and the COMPASS Workshop on Climate Risks. They have also engaged in teaching activities, including a workshop on Shell & Git for big data and modeling. Ni’s interdisciplinary work bridges climate science, text-mining techniques, and music technology, as evidenced by their diverse publication record. Research Interests: Climate Impact Analysis using LLMs Text-as-data methods in hydrology and natural hazards IoT applications for environmental comfort Algorithmic fairness in recommendation systems Rhythm perception in music and language development Recent Activities: Keynote speaker at the UFZ workshop on Big Data and Modelling (Feb 2025) Presentation at ClimateNLP 2024 on climate impact databases Teaching workshops on computational tools for researchers
Frederic Theunissen is a Professor of Psychology at the University of California, Berkeley , and holds an Affiliated Faculty role. His research focuses on the neural mechanisms of vocal communication in both songbirds and humans, including auditory physiology, speech perception, and the effects of environmental noise on sound recognition. Contact him via email or visit his website ; his office is located at 2121 Berkeley Way, Room 3328. Education: PhD in Psychology from UC Berkeley. Research Interests: Neuroscience and Neuroethology of vocal communication Auditory physiology and speech perception in humans and songbirds Neural coding principles for natural sounds, including timbre adaptation and categorical perception Development of computational models (e.g., BILSTM networks) and tools like the BioSound Python library Effects of noise and environmental degradation on individual vocal recognition Advising & Grants: No information provided on advisees or grants in the text. Labs/Teams: Contributed to the development of the BioSound library and collaborated on a US-French project exploring auditory computations in communication signals (2013).
Dan Trueman serves as Professor of Music and Director of the Princeton Sound Kitchen at Princeton University, where he teaches counterpoint, electronic music, and composition. A composer, fiddler, and electronic musician, he integrates Norwegian Hardanger fiddle traditions with digital innovation through ensembles like the Princeton Laptop Orchestra. His research spans rhythmic connections between traditional dance music and machines, phrasing/tuning of Norwegian folk traditions, and digital instrument design. Key projects include the Prepared Digital Piano system, Hardanger d'Amore fiddle development, and ChucK music programming language applications. Major recognitions include: Guggenheim Fellowship Barlow Endowment Commission Bessie Award Fulbright Fellowship American Composers Forum Grant ACLS Fellowship Meet the Composer Grant Current creative initiatives feature a Barlow-commissioned double-quartet for So Percussion/JACK Quartet, the Olagón collaboration with Iarla Ó Lionáird and Paul Muldoon, dance projects with Rebecca Lazier/Naomi Leonard, and ongoing work with Caoimhín Ó Raghallaigh's Trollstilt ensemble. His recent albums Nostalgic Synchronic, Laghdú, and neither Anvil nor Pulley have received critical acclaim.
Alberto Sánchez Riera is a Lecturer at the Polytechnic University of Catalonia, affiliated with the Department of Architectural Representation (RA) at the Barcelona School of Architecture (ETSAB). He also collaborates with other institutions like the Barcelona Polytechnic School of Building (EPSEB) and the Polytechnic School of Engineering of Vilanova i la Geltrú (EPSEVG). His academic roles involve supervising student projects in architectural design, construction management, and BIM applications. He holds degrees including the Degree in Technical Architecture and Building (2015), Master's in Advanced Construction in Building (2014), and Master's in Advanced Studies in Design-Barcelona (2017). His research focuses on architectural representation techniques, sustainable construction practices, and the integration of digital tools like BIM in design and construction processes. Recent projects supervised include speculative urban mobility designs, BIM-based construction management methodologies, and acoustic studies for music spaces. His work bridges theoretical architectural concepts with practical implementation, emphasizing innovation in material use and digital design workflows. Advised 20+ student projects since 2018, covering topics from residential renovations to speculative urban futures. Active in interdisciplinary collaborations between architecture and engineering schools. Teaching expertise spans architectural design studios, construction technology courses, and professional practice modules. Lacks formal awards in the provided data, though his extensive project supervision indicates academic contribution in pedagogy and applied research.
Jarosław Kapuściński is Associate Professor of Music at Stanford University, specializing in intermedia composition integrating piano performance with projected imagery. His work combines musical and visual elements to create multisensory experiences influenced by Zen philosophy and Japanese traditional arts. Research and creative practice: Integration of music and visual media VR-based audiovisual drawing systems Digital preservation of Noh theater Zenk-inspired aesthetics Cross-cultural performance traditions Recent projects include VR collaborations with OpenEndedGroup exploring 3D drawing with spatialized piano sounds and the 'Noh as Intermedia' digital humanities initiative. His compositions have been presented at MoMA, Palais de Tokyo, and Reina Sofia Museum. Awards: Grand Prix Cita di Locarno (1993) UNESCO Special Mention (1993) Best New Media Work, Montreal (2000)
