جست‌وجوی استاد و پژوهشگر

Katja Makhotinaمشاهده پروفایل

استاد

• Eastern European History
• Memory Studies
• Soviet History
• +۷ مورد دیگر

Prof. Dr. Katja Makhotina is a distinguished historian specializing in Eastern European history at the University of Bonn's Department of East European History. With academic roots in St. Petersburg, Karlsruhe, Regensburg, and Munich, she has established herself as a leading scholar in memory studies, Soviet history, and cultural history of Russia and Eastern Europe. Her educational background includes a B.A. from TU Karlsruhe and Universität Regensburg (2006), an M.A. from LMU München's Elite Program in Eastern European Studies (2008), and a Ph.D. with summa cum laude from LMU München (2015) for her dissertation on WWII memory in Soviet and post-Soviet Lithuania. She completed her Habilitation in 2023 with the thesis 'Correction of the Soul: Monasteries as Multifunctional Spaces of Detention in 18th-Century Russia'. Makhotina's research explores the intersections of memory cultures, political history, and legal-religious systems in Eastern Europe. Her current project 'Laboratories of Conscience' investigates courts of conscience in the Russian Empire as transconfessional phenomena. Her work reveals how conscience discourse shaped punishment systems and social control in imperial Russia. She has received numerous prestigious awards including the Bavarian Book Prize (2022) for 'Offene Wunden Osteuropas' (co-authored with Franziska Davies), the Peregrinus-Stiftung Prize (2017), and fellowships from Yad Vashem, DHI Moscow, and the Bonn Center for Dependency and Slavery Studies. Friedrich-Ebert-Stiftung stipend (2005-2008) Robert-Bosch-Stiftung/Theodor-Heuss-Kolleg stipend (2005-2006) Yad Vashem Fellowship (2013) LMU Dissertation Prize (2015) Bavarian Book Prize (2022) Makhotina actively contributes to public discourse through media appearances and serves on advisory boards for memorial sites including the Stiftung Denkmal für die ermordeten Juden Europas and Stiftung Hamburger Gedenkstätten. Her scholarly leadership extends to the international research network 'Enfermements modernes' studying early modern confinement practices.

• Art Librarianship
• Information Retrieval in the Visual Arts
• Medieval Art History
• +۶ مورد دیگر

Catherine R. Larkin is Associate Professor and Head of Digital Initiatives and Art Image Library at Long Island University, affiliated with the School of Visual Arts, Communications and Digital Technologies. She holds a Ph.D. from The Palmer School of Library and Information Science at LIU Post, an M.A. from Queens College, CUNY, and a B.A. from LIU Post. B.A., LIU Post M.A., Queens College, CUNY Ph.D., The Palmer School of Library and Information Science, LIU Post Her research focuses on art librarianship , information retrieval in the visual arts , and medieval art history , with a strong emphasis on digital access to cultural heritage collections. She explores how scholars interact with visual and textual materials, developing models for improved digital discovery in art research. Her publications from 2005 to 2014 reflect a sustained engagement with the William Randolph Hearst Archive , digital scholarship, and the evolution of information systems in art history. Key themes include digital curation , archival accessibility , interior design history , and non-Western art collections . Her work bridges library science, art history, and digital humanities, contributing to both theoretical frameworks and practical implementations in cultural institutions. She has curated exhibitions at the Hillwood Art Museum, including "Mary at the Third Millennium" and "Art Collecting on a Global Scale," demonstrating her commitment to public scholarship and visual storytelling. As Head of Digital Initiatives, she leads efforts to transform archival materials into accessible, research-grade digital resources. Grants and advising are implied through her leadership in digital projects and publications, though specific funding sources and advisees are not listed. She plays a critical role in shaping digital strategies for art information and supports scholarly engagement with visual collections. Her work is closely tied to the Art Image Library and digital initiatives at LIU, contributing to institutional research infrastructure and academic programming in visual culture and digital scholarship.

Patrick Beldioمشاهده پروفایل

استادیار مهمان

• Comparative Theology
• Hinduism
• Sufism
• +۴ مورد دیگر

Patrick Beldio is a scholar and teacher of comparative theology, currently serving as a Visiting Assistant Professor in the Theology/Religious Studies Department at the University of Scranton. He is also a Research Fellow at the Georgetown University Berkley Center for Religion, Peace, and World Affairs. His academic work bridges Hinduism, Sufism, and Christian spirituality, with a focus on Integral Yoga and spiritual leadership. Education: Ph.D. from the Catholic University of America, Master of Fine Arts (MFA) from George Washington University. Research Focus: Contributions of Mirra Alfassa (The Mother) to the Integral Yoga tradition, post-1920 collaborative spiritual practices with Sri Aurobindo, and the intersection of art and theology. Publications: Author of The Mother of the Sri Aurobindo Ashram: Co-Creator of the Integral Yoga (2024), which examines Mirra Alfassa’s transformative role in shaping the Integral Yoga after Sri Aurobindo’s death. Artistic Work: Professional sacred sculptor with a studio at the Franciscan Monastery in Washington, DC; artwork in private and public collections across the U.S., Europe, and India.

Michela Agazziمشاهده پروفایل

دانشیار

• Medieval Art History
• Venetian Architecture
• Early Medieval Sculpture
• +۳ مورد دیگر

Michela Agazzi is an Associate Professor at the Department of Philosophy and Cultural Heritage of Ca' Foscari University of Venice . Her research focuses on Medieval Art , particularly Venetian architecture, sculpture, and liturgical decoration. Research Areas : Medieval Venetian art, archaeological context analysis, liturgical furnishings, cultural heritage valorization, art historiography, and photographic archives. Key Publications : 2022-2024 works on Torcello's sarcophagus, Marco Polo's house reconstruction, and Byzantine art exchanges between Venice and Tabriz. Editorial Roles : Editor of the journal Venezia Arti (1991-2017) and co-director (2017-2018). Projects : Regional funding for photographic archives (2017) and Wladimiro Dorigo archive analysis (2012).

• Architectural Conservation
• Restoration of Historical Buildings
• Iron in Architecture
• +۴ مورد دیگر

Liviu Gligor serves as Associate Professor in the Department of Technical Sciences at Ion Mincu University of Architecture and Urbanism (UAUIM) in Bucharest, Romania. With over three decades of academic and professional engagement since 1990, he has established himself as a leading specialist in architectural conservation, particularly focusing on Transylvanian heritage sites and the structural applications of metal in historical architecture. His work uniquely bridges theoretical research with hands-on restoration projects across Sibiu County. Education: Architecture Faculty, Ion Mincu Institute of Architecture, Bucharest (1981-1987) Doctor in Architecture (2002) Gligor's research centers on the conservation of religious and vernacular architecture, with particular expertise in iron structural systems (1850-1944), Saxon fortified churches, and traditional Transylvanian building techniques. His investigations extend to urban regeneration challenges in historic centers, emphasizing community-based conservation models and practical rehabilitation methodologies. The scholar advocates for adaptive reuse strategies that balance authenticity with functional requirements, as evidenced by his fieldwork in Mărginimea Sibiului and collaborative projects with German cultural institutions. His approach integrates material science with cultural anthropology to address conservation pathologies in earthquake-prone regions. Analysis of his publication record reveals consistent thematic focus on metal's structural role in Romanian architecture, with increasing attention to contemporary conservation dilemmas in post-socialist contexts. His work demonstrates methodological evolution from technical documentation (1990s) toward interdisciplinary heritage management frameworks (2010s), consistently prioritizing Transylvania's multicultural architectural legacy. Key threads include ironwork craftsmanship, church conservation diagnostics, and sustainable maintenance protocols for vernacular structures. Scientific Awards: Third Prize, Watercolor Painting Camp - OAR Vale village, Sibiu County, 2009 MTCT Prize within GTZ Sibiu Project (collective), 2004 Ministry of Culture Prize for GTZ Sibiu Project (collective), 2003 Arhitext Design Magazine Restoration Prize for Floresti Monastery project (collective), 1993 Mention by Plastic Artists for 'Casa din noi' in 'Gânduri despre casa poporului' contest (collective), 1991 As principal investigator for five CNCSIS research grants (1997-2007) on metal architecture and collective housing rehabilitation, Gligor has secured significant funding for documenting Romania's industrial architectural heritage. His mentorship extends to coordinating UAUIM's student conservation workshops since 2015, including the Schoenberg Live Studio summer programs (2021-2022) and annual restoration exhibitions (2012-2021). These initiatives train students in practical techniques through hands-on projects like the Trumpet Tower clock restoration in Mediaș and Orthodox church door rehabilitation in Vale village. His professional practice operates at the intersection of academia and field conservation, directing over a dozen major projects including the UNESCO-listed Biertan fortified church ensemble (2016) and Caraiman Peak Cross monument (2018). Current collaborations with Brukenthal National Museum and Mihai Eminescu Trust Foundation demonstrate his embeddedness in Transylvania's conservation ecosystem, where he develops context-specific solutions for Saxon heritage sites through the Romanian-German GTZ framework.

• Italian Literature
• Comparative Literature
• Southern Italian Literature
• +۷ مورد دیگر

Giuseppe Traina is a Full Professor of Italian Literature at the Department of Humanities, University of Catania, based at the Special Teaching Structure in Ragusa. He holds the academic rank of Professor and has been a central figure in the Faculty of Foreign Languages and Literatures since 2001. His teaching includes Italian Literature, Comparative Literature, and Southern Italian Literature, as well as a module on Medieval and Modern Italian Literature in the Modern Philology program. Full Professor of Italian Literature since 2023 Associate Professor from 2010 to 2023 University Researcher from 2001 Based at the Special Teaching Structure (SDS) in Ragusa Office: Former Military District, 1st floor, Ragusa Ibla - room 108, Benedictine Monastery, Catania His research is deeply rooted in modern and contemporary Italian literature, with a particular focus on Leonardo Sciascia and Angelo Maria Ripellino. He investigates cultural exchanges between Italy and Mitteleuropa and explores themes of intellectual Ulyssism and prison literature. His scholarly work spans literary criticism, philology, and cultural studies. Traina is actively involved in academic leadership and service. He has curated conference proceedings, co-directs four academic book series, and serves on the scientific committees of numerous journals and publishing collections. He has organized major academic events and is responsible for Erasmus agreements with several European universities. Member of the Doctoral Faculty in "Scienze dell'interpretazione" (since 2017) Vice-coordinator of the joint PhD program with Palermo (2013–2017) Scientific committee member for journals such as "Diacritica", "Studi e problemi di critica testuale", "Todomodo", and others Co-director of book series including "Le Drizze & Le Bandiere", "ELEMENTS", and "I Semi" Editorial board member for the Fondazione Gesualdo Bufalino and Fondazione Verga He has published extensively in specialized journals, cultural magazines, and newspapers, and contributed to the Bompiani dictionaries. He also mentors graduate students and oversees thesis supervision in Italian literature and comparative studies.

• Medieval History
• Canon Law
• Legal History
• +۳ مورد دیگر

Prof. Dr. Christof Rolker is a Professor of Basic Historical Sciences at the Faculty of Humanities and Cultural Studies , Otto-Friedrich University, Bamberg. His research intersects Medieval History , Canon Law , and Gender Studies , with a focus on legal knowledge systems , naming practices , and medieval manuscripts . He has led the Clavis Canonum research project and extensively studied the Bamberg Emperor Henry Library . PhD (2006), University of Cambridge MA (2002), University of Oxford Habilitation (2012), University of Konstanz His research explores pre-Gratian canon law , gender ambiguity , and monastic legal traditions . Recent work analyzes the Cambridge History of Medieval Canon Law and digital reconstructions of lost manuscripts like Burchard’s Liber decretorum . Publications include Canon Law in the Age of Reforms (2023) and a co-edited volume on Emperor Henry II (2024). Professor Rolker contributes to digital humanities and interdisciplinary medieval studies , often collaborating on projects involving Italian archives and Alpine naming conventions . His editorial work includes the New Discourses in Medieval Canon Law Research (2019) and Competing Affiliations (2011).

Arvi Wattelمشاهده پروفایل

مدرس

• Art History
• Renaissance Studies
• Global Art Histories
• +۳ مورد دیگر

Arvi Wattel is a Lecturer in Art History at the University of Western Australia's School of Design. He specializes in Renaissance Italy's peripheral cultural dynamics and Dutch encounters with Asia. His research explores Ferrarese patronage, the Batavia shipwreck's silver trade, and global art histories. Key roles include convenor of the 'Entangled Histories of Emotions in the Mediterranean World' cluster and collaboration on EU COST Action CA18140. He holds a Ph.D. from Radboud University Nijmegen and has held fellowships at Johns Hopkins University, the Kunsthistorisches Institut in Florence, and others. Research focuses on Ferrara's Renaissance identity through artists like Garofalo and the VOC's silver trade with Mughal India. His work bridges art, material culture, and maritime history, with interdisciplinary projects involving museums and institutions across Australia, Europe, and the Netherlands. Teaching includes courses on global art histories, curating First Nations art, and Baroque studies. Notable grants include the Visualising Batavia Silverware project ($24k) and a 2019 UWA Research Collaboration Award. He received the UWA Student Guild's Students' Choice Award in 2019, reflecting his impactful teaching and research. His projects emphasize digital humanities, cultural heritage, and transnational collaboration.

Xavier Hermandمشاهده پروفایل

استاد

• Medieval Studies
• Book History
• Liturgy
• +۳ مورد دیگر

Xavier Hermand is an academic specializing in medieval writing practices, focusing on book collections, liturgy, and pastoral work in the Southern Low Countries. His research integrates biocodicology and material science to analyze medieval manuscripts and archives, particularly in monastic contexts. He has supervised 22 academic works and contributed to major projects like PERGAMENUM21, exploring parchment conservation and medieval libraries. Key collaborations include studies on Windesheim Congregation monasteries and Augustine of Hippo’s influence on medieval intellectual life. Education: Doctor of Letters (Université Catholique de Louvain, 1998) Primary Research Areas: Medieval Library Practices, Liturgical Manuscripts, Monastic Reform Movements Recent Projects: Cultural history of Latin florilegia (2024–2027), Heritage Old Belgian Books in Transition (2024–2033) His interdisciplinary approach bridges historical, theological, and material analyses, with notable contributions to understanding parish book systems and manuscript transmission in medieval Europe. He actively participates in international conferences and organizes annual cycles on medieval writing practices.

• Medieval History
• Monasticism
• Vallombrosan Monasticism
• +۶ مورد دیگر

Francesco Salvestrini is a Full Professor of Medieval History at the University of Florence, Department of History, Archaeology, Geography, Arts and Entertainment (SAGAS). He serves as President of the Master's Degree Program in Historical Sciences (LM 84) and is an elected member of the departmental board for two consecutive terms. He also participates in the doctoral board for Historical Studies at the Universities of Florence and Siena. Salvestrini graduated in Medieval History from the University of Siena and earned his doctorate from the University of Florence. His academic career has been primarily with the University of Florence, though he has collaborated with numerous other Italian and international institutions including Siena, Bologna, Macerata, Cagliari, the Pontifical Gregorian University, the University of Lleida (Spain), the University of Kassel (Germany), and Hankuk University of Foreign Studies in Seoul (South Korea), where he served as a visiting professor. His research spans multiple interconnected fields of medieval studies, with particular emphasis on monastic institutions, especially Vallombrosan, Camaldolese, Cistercian, and Silvestrine traditions. He has produced significant scholarship on medieval communal statutes, examining their evolution, translation into vernacular languages, and printing history. His environmental history work explores the relationship between human communities and ecosystems, particularly focusing on river systems like the Arno and forest environments. His geographical focus remains centered on Tuscany and central Italy during the communal period, though his work extends to other regions including Sardinia and northern Italy. His recent scholarly output reveals a consistent trajectory focusing on the intersection of religious institutions, legal frameworks, and environmental contexts in medieval Italy. A significant portion of his work addresses water management systems as reflected in communal legislation, demonstrating how medieval communities regulated shared resources. His publications on monasticism reveal deep expertise in Vallombrosan traditions while also exploring Augustinian hermits, Cistercian expansion, and Franciscan observance movements. The geographical scope of his research spans from Tuscany to Sardinia and northern Italy, reflecting a comprehensive approach to medieval Italian history. Salvestrini maintains active scholarly engagement through membership on the scientific committees of prestigious historical journals including Revue Mabillon and Archivio Storico Italiano , among others. His editorial work includes serving as scientific director for the series "Abbazie e Ordini religiosi della Toscana" published by Olschki, and contributing to multiple scientific committees for historical publications. As an educator, Salvestrini supervises graduate students and serves as President of the Master's Degree Program in Historical Sciences. His academic leadership extends to numerous institutional roles including membership on the departmental board and participation in various academic committees. His research collaborations with institutions like the Pontifical Committee for Historical Sciences in Rome and the Institute for the Valorization of Historic Abbeys of Tuscany demonstrate his standing within the scholarly community. Salvestrini maintains active research collaborations with several important institutions including the Pontifical Committee for Historical Sciences in Rome, the Institute for the Valorization of Historic Abbeys of Toscana, and the European Research Center on Religious Congregations and Orders at the University of Saint-Etienne. His work with the Vallombrosan Benedictine Order on medieval and modern history, particularly regarding the relationship between monasticism and the natural environment, represents a significant ongoing research commitment. He also collaborates with territorial institutions and study centers on projects examining human settlements and ecosystems.

Adrian Beso Rosمشاهده پروفایل

دانشیار

• History of Art
• Cultural Heritage
• Architectural History
• +۷ مورد دیگر

Adrian Beso Ros is a Titular de Universidad (Associate Professor) in the Department of History of Art at the Faculty of Geography and History, Universitat de València. His academic work is deeply rooted in the study of cultural and architectural heritage, particularly within the Valencian region across Medieval and Early Modern periods. His research interests focus on the historical evolution of landscapes, especially orange grove agrarian systems, industrial architecture, rural dispersed buildings, and urban public infrastructure. He explores how cultural memory, identity, and societal values are embedded in the built environment. His work bridges art historical analysis with heritage conservation practices, examining both physical structures and their symbolic meanings. The analysis of his recent publications reveals a consistent thematic trajectory in cultural heritage, with a strong regional focus on Valencia. His work spans architectural typologies, industrial archaeology, restoration processes, and the cultural representation of landscapes. He frequently investigates how historical contexts shape the perception and use of artistic remains, particularly through literary, visual, and social lenses. Adrian Beso Ros has supervised postgraduate research, including his own PhD on orange grove architecture and landscape. While no formal list of students is provided, his role as a thesis supervisor indicates active mentorship. He is a member of the MUPART research group, which studies the memory and meaning of artistic remains in the Valencian region, suggesting collaborative research and potential grant involvement in heritage studies. His research is supported by extensive archival and field-based work, contributing to museum projects, heritage inventories, and public dissemination. His engagement with contemporary issues such as citizen participation in heritage documentation and digital dissemination reflects a modern, inclusive approach to cultural preservation.

Alberto Ferrer Ortsمشاهده پروفایل

دانشیار

• Art History
• Medieval Art
• Renaissance Art
• +۹ مورد دیگر

Alberto Ferrer Orts is an Associate Professor in the Department of History of Art at the Faculty of Geography and History, University of Valencia. He holds a doctorate from the same institution (2004), where his thesis on the Carthusian monastery of Aracristi earned the Extraordinary Doctorate Award. He has also held academic positions in Chile, including as a full professor at Universidad de Playa Ancha and a visiting professor at Universidad Autónoma de Chile. He is a member of the MUPART research group focused on the memory and perception of artistic remains in the Valencian region during the Medieval and Early Modern Ages. Doctorate in Art History, University of Valencia (2004) Bachelor’s Degree in Geography and History (Art History specialization), University of Valencia (1989) His research focuses on Valencian art and architecture from the 15th to 17th centuries, with special emphasis on Carthusian monasteries such as Portaceli and Aracristi, sgraffito decoration, and key figures like Joan de Joanes and Bonifaci Ferrer. He has also contributed to the study of Chilean art history, particularly museum collections. His work bridges religious, cultural, and architectural history, often exploring the interplay between artistic expression and regional identity. The 15 most recent articles reflect a consistent focus on Valencian religious art, monastic heritage, and Renaissance painting. Key themes include the work of the Macip family and Joan de Joanes, the architectural and spiritual legacy of Carthusian communities, and the evolution of artistic styles such as sgraffito. His publications also examine landscape as a modernizing element in Renaissance art and the cataloging of European paintings in Chilean museums. Extraordinary Doctorate Award, University of Valencia (2005) Ferrer Orts has supervised doctoral theses and participated in major research projects such as 'The consolidation of Renaissance painting in the Crown of Aragon' and 'MUPART'. He has advised on heritage cataloging, including at the Museo O’Higginiano in Chile. His writings extend beyond academia into cultural commentary, with regular columns in El Punt Avui and El País , compiled in two published essay collections. He is also an advisory member of the Center for Art and Culture of the Modern Era (CAEM) at the University of Lleida. He leads and collaborates with research teams including MUPART and CAEM, contributing to interdisciplinary projects on Mediterranean Renaissance art and Valencian cultural memory. His work often involves archival research, public engagement, and the preservation of artistic heritage.

Maria Dolors Vidal Casellasمشاهده پروفایل

استاد

• Cultural Tourism
• Heritage Management
• Religious Tourism
• +۴ مورد دیگر

Maria Dolors Vidal Casellas is a Professor at the Faculty of Tourism of the Universitat de Girona , where she is also the Director of the Calonge and Sant Antoni Chair of Gastronomy, Culture and Tourism and co-director of the Multidisciplinary Laboratory in Tourism Research (LMRT) . She belongs to the UNESCO-UNITWIN Network 'Culture, Tourism and Development' and serves as editor for 'Edicions Vitel.la' cultural tourism collection. Education : PhD in Cultural Tourism Research Focus : Cultural and religious tourism, heritage valorization, AI integration in cultural contexts Leadership Roles : Former Dean of the Faculty of Tourism, current chair director Her research explores the intersection of cultural heritage and sustainable tourism , emphasizing intangible heritage , religious spaces , and technological innovations for heritage interpretation. Recent work highlights gender dynamics in food tourism , soundscapes of sacred sites , and UNESCO geopark biocultural models . She advocates for holistic cultural landscape management through initiatives like the Camí de Ronda coastal pathway. Key publication themes include: Gastronomy and Cultural Identity (e.g., cheese tourism in Argentina, wine traditions in monasteries) Heritage Interpretation (sacred sites management, digital museum applications) Temporal Dimensions in Tourism (seasonality, historical pathways, 20th-century promotional analysis) UNESCO World Heritage Challenges (over-tourism, sustainable practices) Community Tourism Models (Mexico-Spain collaborations, stakeholder dynamics) Art-Tourism Interactions (Dali souvenirs, artistic heritage promotion)

• Religious History
• Monastic History
• Swiss History
• +۳ مورد دیگر

Dr. Annina Sandmeier-Walt serves as a Habilitation candidate at the Faculty of Theology, University of Lucerne, specializing in Church History. Her academic work centers on 19th-20th century Swiss monastic institutions within frameworks of cultural conflict, religious transformation, and societal change. Her research examines Swiss monastic history through lenses of culture wars, confessional shifts, and social transformations, with particular focus on collective memory practices. Current projects include her habilitation thesis analyzing reformer Augustin Keller's contested legacy via topographical methodology, co-management of Aarau's city history initiative, and authorship of the forthcoming publication New Monastery Stories Muri and Wettingen (2027). She previously edited the reference work Profession Book of Engelberg Monastery .

• Book Illumination
• Medieval Art History
• Manuscript Studies
• +۳ مورد دیگر

Christine Beier is a Senior Scientist at the Department of Art History, University of Vienna, serving as Director of Studies for Art History and European Ethnology since 2021. Her career spans over two decades at the university, with permanent research roles focused on medieval and early modern book arts. She directs academic programs and manages major research initiatives while maintaining an active publication record. Her educational background includes doctoral studies (1996-1999) and a doctorate (2000) from the University of Trier, preceded by a Master's degree (1995) and studies in art history, German studies, and classical archaeology at the University of Trier and Free University of Berlin (1989-1995). Beier's research centers on medieval book illumination, particularly Flemish manuscript production, Central European illumination traditions (13th-15th centuries), and the transition from manuscript to print culture. Her work examines artistic techniques, workshop practices, patronage networks, and the cultural contexts of illuminated manuscripts across Europe, with special attention to Austrian, German, and Low Countries collections. Analysis of her 15 most recent publications reveals consistent focus on regional manuscript production centers, cross-cultural influences in book arts, and material aspects of illumination. Her work increasingly addresses the impact of printing on manuscript culture, with significant contributions to cataloging projects for Graz and Vienna libraries. Her scientific recognition includes: Elise Richter Fellowship (2018-2021) Beier has directed the Art History study program since 2021 and secured third-party funding for projects including 'Manuscripts with picture cycles in the early incunabula period' and 'Flemish School'. She manages collaborative research initiatives and has supervised numerous cataloging projects for illuminated manuscripts. She is actively involved with the Pächt Archive / Research Center for Medieval Book and Image Culture and the Laboratory for Empirical Image Science, contributing to methodological advances in medieval visual culture studies.