جستجوی استاد راهنمای دانشگاهی

• Vocal Performance
• Opera
• Classical Music
• +۱ مورد دیگر

Alicja Rumianowska is a postdoctoral researcher at the Academy of Music in Gdańsk, where she runs her own singing class. She is affiliated with Department III – Vocal and Acting at the institution. Dr. Rumianowska is a graduate of the singing class of Professor Zofia Janukowicz-Pobłocka at the Academy of Music in Gdańsk. Her professional expertise lies in vocal performance and opera. With a rich repertoire spanning numerous operatic roles including Ramiro in Mozart's La finta giardiniera, Hansel in Humperdinck's Hansel and Gretel, and various other roles in works by Puccini, Verdi, and others, she has established herself as a notable vocalist in the Polish music scene. Her work encompasses both traditional operatic repertoire and contemporary Polish compositions. Dr. Rumianowska has received recognition for her contributions to music, including an award from the Mayor of Gdańsk for her album recording featuring songs by Gdańsk composers Władysław Walentynowicz, Konrad Pałubicki and Henryk Hubertus Jabłoński. As an educator, she runs her own singing class at the Academy of Music in Gdańsk, mentoring the next generation of vocalists. Her performance career includes extensive collaborations with the Baltic Opera in Gdańsk, Baltic Philharmonic Orchestra, Pomeranian Philharmonic Orchestra, Open Theatre, and various early music ensembles. Her artistic engagements span opera performances, oratorio presentations, song recitals, and festival appearances both in Poland and internationally, including the Early Music Festival in Germany. She has participated in significant cultural events such as Gdańsk's millennium celebrations and premiered contemporary works including Beata Wróblewska's opera Sic itur ad Deum.

Massimo Zicariمشاهده پروفایل

دانشیار

• Opera Studies
• Music Pedagogy
• Performance Practice
• +۵ مورد دیگر

Massimo Zicari, Associate Professor of Research in Music Pedagogy at Conservatorio della Svizzera italiana (Lugano), serves as Deputy Head of Research and teaches Music History since 2005. His work bridges Italian opera reception , historically informed performance practices , and music pedagogy , with a focus on 19th-20th Century opera reception in London Bel canto vocal techniques via discographic analysis Acoustic studies of brass instruments Innovative music education frameworks His funded projects include research on Expressive tempo in early recordings (2015-2018) Trumpet mouthpiece acoustics (2011, SNSF) Peer learning between composers and performers (2018) Pandemic resilience in Swiss music institutions (2021) . Collaborations span institutions like the University of London, Royal College of Music, and Università della Svizzera Italiana. Publications highlight his expertise in Verdi’s London reception , bel canto analysis , and applied music research , with over 15 articles since 2002. He actively contributes to empirical studies in musicology and pedagogy.

Brittany Fouché Strineمشاهده پروفایل

استادیار

• Voice Pedagogy
• Vocal Health
• Opera Performance
• +۱ مورد دیگر

Brittany Fouché Strine serves as Assistant Professor of Voice at Texas Tech University's School of Music. A Florida native soprano, she has performed with major ensembles including Vancouver Symphony, Jacksonville Symphony Orchestra, Des Moines Metro Opera, and alongside Kristin Chenoweth, with signature roles encompassing Susanna ( Le nozze di Figaro ), Pamina ( Die Zauberflöte ), Adele ( Die Fledermaus ), and Josephine ( HMS Pinafore ). Her academic credentials include: Bachelor of Music in Voice from University of North Florida Master of Music in Opera from University of British Columbia Doctor of Music in Voice from Florida State University Dr. Strine's research prioritizes vocal health and longevity, developing practical solutions for overlooked issues in voice instruction. As a 2024 NATS Intern, she implements pedagogical approaches that enhance student independence and artistry in the studio, bridging performance expertise with scholarly inquiry into sustainable vocal practices. Her sole recognized professional honor is the 2024 NATS Intern fellowship, acknowledging excellence in voice pedagogy development. Mentoring voice students at Texas Tech integrates her research with performance experience, while institutional contributions include participation in School of Music ensembles and workshops like the Matador Opera Workshop. Her work advances collaborative knowledge-sharing within vocal performance communities through the Vernacular Music Center and performance laboratories.

Gary Hellickمشاهده پروفایل

استاد

• Trombone Performance
• Low Brass Performance
• Orchestral Performance
• +۲ مورد دیگر

Gary Hellick serves as Professor of Trombone at Wayne State University since 2007 and Professor of Low Brass at Concordia University Ann Arbor, maintaining an active dual academic appointment while performing as a freelance trombonist and bass trombonist across the Detroit metropolitan area. His professional engagements span numerous ensembles including: Detroit Symphony Michigan Opera Theater Detroit Chamber Winds Fisher Theatre Orchestra Toledo Symphony Toledo Opera Toledo Concert Band Stranahan Theater Orchestra Ann Arbor Symphony Flint Symphony Lansing Symphony Kalamazoo Symphony Saginaw Bay Symphony Motor City Jazz Orchestra Jimmy Dorsey Orchestra Educational background: Bachelor's Degree in Music Performance cum laude from Wheaton College, IL (studied with Chicago Symphony members) Master's degree in Music Performance and Pedagogy from Arizona State University (served as Teaching Assistant) His research and performance focus integrates trombone pedagogy with versatile orchestral and jazz applications, emphasizing practical training through extensive stage experience across classical and jazz repertoires. Award recognition: Young Artists Award from Interlochen Arts Academy As an applied faculty member, he mentors trombone and low brass students at both institutions, leveraging his active performance career to inform pedagogical approaches. His office is located in 2334 Old Main at Wayne State University.

Una O'Riordanمشاهده پروفایل

مدرس

• Classical Music Performance
• Chamber Music
• Contemporary Classical Music
• +۲ مورد دیگر

Una O'Riordan serves as Applied Faculty for Cello at Wayne State University's School of Music and Oakland University. A cellist with the Detroit Symphony Orchestra since 2007, she also performs with New Music Detroit and previously held principal positions with Sarasota Opera and Sarasota Orchestra. Education: Bachelor of Music with Distinction, Eastman School of Music (Arts Leadership Scholar) Master of Music, Northwestern University’s Bienen School of Music O'Riordan specializes in classical performance with expertise spanning orchestral, chamber, and contemporary music. Her research interests focus on cello performance techniques, new music advocacy, and collaborative artistry, demonstrated through performances with artists like Menahem Pressler and Shara Nova across the US, Canada, and Europe. Awards: 2014 Kresge Artist Fellowship (New Music Detroit) Aspen School of Music Fellowship Meadowmount School of Music Fellowship She actively mentors through festival residencies including Zodiac Festival & Academy in France, Fresh Inc Festival in Wisconsin, and American Institute for Musical Studies in Austria where she led audition workshops from 2013-2017.

Gayle Blankenburgمشاهده پروفایل

مدرس

• Piano Performance
• Chamber Music
• Musicianship
• +۵ مورد دیگر

Gayle Blankenburg is a Lecturer in Music at Pomona College, specializing in Piano and Musicianship. She has been a member of the faculty since 1994 and teaches individual piano instruction and music theory labs. Her affiliation is with the Department of Music within the College of Arts and Sciences at Pomona College. Education: Performer’s Certificate in Piano, Indiana University Master’s of Music in Piano Performance, Indiana University Bachelor’s of Music in Piano Performance, Indiana University Gayle Blankenburg is an acclaimed pianist with a strong focus on solo and chamber music performance. Her artistic interests include contemporary classical works, vocal and instrumental chamber music, and pedagogy in musicianship and piano. She has performed internationally in prestigious venues across the United States, Europe, Asia, and New Zealand, including the Library of Congress, Schoenberg Institute in Vienna, and REDCAT in Los Angeles. Her recordings, particularly of Elliott Carter, Carlos Chavez, Schoenberg’s Pierrot Lunaire, and Karl Kohn’s flute/piano works, have received high critical acclaim from publications such as Gramophone Magazine, Opera News, and The American Record Guide. The Los Angeles Times has praised her performances for their elegant power, crisp touch, and expressive depth. She is actively engaged in performance and music education at Pomona College and continues to contribute to the artistic and academic life of the institution. Advising and Grants: Teaches Individual Instruction (Levels I and II) in piano Leads Theory Labs (Theory I and Theory III) No formal advising of graduate students or research grants are mentioned in the available text. Labs and Performance Activities: Active performer in chamber and solo settings Involved in recording projects and international concert series Collaborates with ensembles such as Southwest Chamber Music and inauthentica

Morgan Manifacierمشاهده پروفایل

استادیار

• Vocal Performance
• Opera
• Art Song Repertoire
• +۲ مورد دیگر

Morgan Manifacier , an Assistant Professor of Voice at Baylor University's School of Music, is a celebrated French tenor recognized for his immersive performances in leading opera roles and concert stages worldwide. His expertise spans from Renaissance works to contemporary premieres, with a particular focus on French composers. Education : Doctor of Musical Arts from Stony Brook University under Randall Scarlata and Jeremy Little. Research Interests : Dr. Manifacier specializes in vocal performance and art song repertoire , advocating for French composers such as Berlioz, Lili Boulanger, and Fauré. His work bridges classical traditions with modern interpretations, emphasizing expressive delivery and historical context. Performance Highlights : He has graced prestigious venues like Carnegie Hall's Weill Recital Hall, Oxford International Song Festival, and the Schleswig-Holstein Musik Festival, showcasing his versatility across operatic and concert repertoire. Scientific Awards : The American Prize in Voice (two-time winner) Jere H. Brophy Scholar Award from the S. Livingston Mather Vocal Competition Duo Prize at the John Kerr Awards for English Song with Corinne Penner Grants and Collaborations : Supported by the Anna Sosenko Assist Trust and The Performing Arts Consortium, he frequently collaborates as a guest teacher at institutions including Temple University, Kyoto City University of Arts, and Concordia College.

• Historical Harp Performance
• Early Music
• Medieval and Baroque Music
• +۴ مورد دیگر

Siobhán Armstrong is Historical Harp Professor at The Royal College of Music in London, appointed in 2024. She is a renowned performer, academic, artistic director, and educator specializing in historical repertory on medieval to baroque harps including the multi-row arpa doppia and arpa de dos órdenes, and the Gaelic cláirseach. Her educational background includes a B.A. Mod. in Music from Trinity College Dublin (1987) and a PhD from Middlesex University (2022) for research into historical performance-practice evidence surviving in field transcriptions of harp repertory notated in the 1790s. Armstrong's research focuses on historical harp performance practice, with particular expertise in Irish traditional harp (cláirseach) and early music traditions. She explores Renaissance and baroque sacred and chamber music, opera, and traditional Gaelic music through both performance and academic inquiry. Her work bridges historical performance practice with contemporary artistic expression, including collaborations with period-instrument ensembles and traditional music festivals. Among her notable achievements are: Founding director (2003) of The Historical Harp Society of Ireland Locating a lost historic Irish harp (2015) Commissioning the first 3D-laser scan of a musical instrument at The National Museum of Ireland (2016) National and international prizes for modern-Irish-harp performance Armstrong has received support for her work from Music Network and The Arts Council of Ireland. She previously served as an Occasional Lecturer at University College Dublin (2021) and established a harp class at the Schule für Musik, Theater und Tanz in Stuttgart-Sindelfingen, Germany. She divides her time between Kilkenny city and London. As founding director of The Historical Harp Society of Ireland, she leads the international revival of the ancient harp of Ireland and Scotland, strung in brass wires. Her ensemble, The Irish Consort, released a debut CD titled "Music, Ireland and the Sixteenth Century," which was an Irish Times' top-five international Classical Music pick of 2021.

• Opera
• Vocal Performance
• Classical Singing
• +۲ مورد دیگر

Tim Evans-Jones is a Professor of Vocal Studies at the Royal College of Music, specializing in vocal performance and opera. He has been a member of the teaching staff since 2008 and is affiliated with the Vocal & Opera department. Professor Evans-Jones maintains an active performance career as a distinguished tenor, having sung major roles with British opera companies and toured internationally to the USA, Europe, and the Far East. His repertoire includes Tamino in The Magic Flute , Don Ottavio in Don Giovanni , Fenton in Falstaff , Learte in Hamlet , Werther in Werther , and Rinnucio in Gianni Schicchi . He has performed internationally as Alfredo in La Traviata in France and Portugal, and throughout the UK as José in Carmen and Pinkerton in Madam Butterfly . As an educator, Professor Evans-Jones has mentored numerous successful students who have won prestigious competitions including the Kathleen Ferrier Competition, the Royal Over-Seas League, the Handel Singing Competition, and The Grange Festival International Singing Competition. His pupils regularly secure representation with major opera agents and gain placements at Opera Schools and the National Opera Studio. Many have progressed to become principal singers at major international opera houses including those in Paris, Cologne, Munich, Zurich, Düsseldorf, Strasbourg, Glyndebourne, and the Royal Opera, as well as all UK National Opera Houses. Professor Evans-Jones is also active on the concert platform, having performed at venues including the National Concert Hall in Dublin, Royal Festival Hall, and Queen Elizabeth Hall. His concert engagements across the UK include nationwide tours of Viennese arias and duets as well as Italian songs and arias with the Locrian Ensemble.

• Opera Performance
• Classical Vocal Repertoire
• Art Song
• +۳ مورد دیگر

Ben Johnson is a Vocal Studies professor at the Royal College of Music, where he teaches vocal performance and opera. An acclaimed tenor, Johnson has established himself as a versatile performer across opera, concert repertoire, and recital, with a distinguished career that spans major international stages. Johnson's research interests focus on: Opera performance practice across historical periods Art song interpretation, particularly English and German Lieder Vocal technique and pedagogy for emerging singers Historical performance practices in vocal music Collaborative piano-vocal repertoire Contemporary vocal works and commissions Johnson's recent performances and recordings demonstrate remarkable versatility across musical periods and styles. His discography includes significant contributions to Polish art song repertoire (Szymanowski), English song literature (Victorian songs), and major operatic roles from Mozart to Britten. He has performed with leading orchestras including the BBC Symphony Orchestra and has collaborated with distinguished artists such as Graham Johnson and Edward Gardner. Johnson's professional achievements include: BBC Cardiff Singer of the World Audience Prize (2013) Kathleen Ferrier Award (2008) Wigmore Hall Emerging Talent (2011) English National Opera Harewood Artist (2013-2015) As an educator and performer, Johnson maintains an active schedule of masterclasses and performances while continuing his research through performance practice. He serves as Founder and Chief Conductor of the Southrepps Sinfonia and joint Artistic Director of the Southrepps Classical Music Festival, demonstrating his commitment to both performance and artistic leadership beyond the academic setting. Johnson leads the Southrepps Classical Music Festival, which provides performance opportunities for emerging artists and presents innovative programming that bridges historical and contemporary repertoire, reflecting his own diverse artistic interests.

Beverly Sollمشاهده پروفایل

مدرس

• Musicology
• Opera Studies
• African American Music
• +۳ مورد دیگر

Beverly Soll serves as a Visiting Lecturer in the Department of Music and Dance at Salem State College. She holds a Doctor of Musical Arts from the University of Maryland and has held faculty positions at SUNY-Geneseo, George Mason University, and Wayne State College. An active performer, she has appeared as a chamber musician, accompanist, and solo pianist across the United States and Germany. Her academic background includes: Doctor of Musical Arts, University of Maryland Undergraduate and Graduate Piano Studies, University of Illinois Dr. Soll's research centers on American composers, particularly William Grant Still, and German Lieder traditions. She explores intersections of African American cultural identity, spirituality, and musical expression through opera and art song. Her work bridges historical musicology with performance practice, emphasizing underrepresented composers and cross-cultural narratives in Western classical music. Analysis of her publications reveals a sustained scholarly focus on William Grant Still's operatic legacy, alongside significant contributions to Copland and Reger scholarship. Her research consistently examines how musical structures convey cultural and spiritual meaning, particularly within African American contexts and the art song repertoire. Scientific Awards: No awards documented in source material While the text does not specify doctoral advisees or research grants, Dr. Soll has directed performance ensembles including the Scenes Group of Washington and managed cultural outreach programs at Wayne State College. Her administrative work encompassed festival coordination, guest artist residencies, and community engagement initiatives. Her professional activities include performing with Da Capo piano trio, maintaining a vocal coaching studio in Washington D.C., and managing the Black and Gold performance series. At the University of Wisconsin-Eau Claire, she coordinated arts and special events from 1999-2008, developing programs for senior citizens and K-12 outreach.

Kate Soperمشاهده پروفایل

دانشیار

• Contemporary Classical Music Composition
• Music Theater and Opera
• Voice and Vocal Performance
• +۶ مورد دیگر

Kate Soper is an Associate Professor of Music and the Iva Dee Hiatt Professor at Smith College, where she teaches in the Department of Music within the College of Arts and Sciences. As a composer, vocalist, and performer, she has established herself as a significant figure in contemporary classical music and music theater. Her research interests focus on the integration of drama and rhetoric into musical structure, the continuums of expressivity and intelligibility, and the eclectic landscape of the human voice. Soper's work consistently explores philosophical questions related to epistemology, the nature of reality, and the complex relationship between text and music. Her recent compositions and performances reveal trends toward increasingly ambitious interdisciplinary projects that blend opera, theater, and philosophical inquiry. Works like 'The Romance of the Rose' and 'The Hunt' demonstrate her growing focus on large-scale music theater that engages with historical and mythological themes while maintaining contemporary relevance. Rome Prize Fellow Pulitzer Prize Finalist (2017 for IPSA DIXIT) Guggenheim Fellow American Academy of Arts and Letters awardee Koussevitzky Foundation commission recipient Radcliffe Institute for Advanced Study fellow Soper is a co-director and performing member of Wet Ink, a New York-based new music ensemble dedicated to seeking out adventurous music across aesthetic boundaries. Her performances as a new music soprano have been featured in premieres of works by prominent contemporary composers, and her distinctive vocal style has earned praise as a 'dazzling vocalist' (New Yorker) and been likened to 'Lucille Ball reinterpreted by Linda Blair' (Pitchfork Magazine).

Phillip Harrisمشاهده پروفایل

مدرس

• Classical Music
• Vocal Performance
• Art Songs by Black Composers
• +۳ مورد دیگر

Phillip Harris is an active singer, teacher, vocal director, and music lecturer at the San Francisco Conservatory of Music (SFCM), specializing in voice education and performance. He teaches Basic Phonetics/Introduction to IPA, Vocal Performance, and Musical Theatre Workshop in the Pre-College & Continuing Education programs. DMA in Voice, University of Nevada, Las Vegas MM in Voice, University of Michigan BM in Voice, University of California, Irvine Harris is a dedicated educator focused on empowering students through technique, storytelling, and inclusive repertoire. He pioneered a course on art songs by Black composers at SFCM and has presented lectures at institutions like the Peabody Institute and Westminster Choir College. His students have achieved national and regional honors in competitions and trained at prestigious programs such as SFCM Summer Vocal Academy and BU Tanglewood Institute. Harris is a specialist in classical songs by Black composers, with notable performances at Carnegie Hall and Lincoln Center. His collaborations include work with Damien Sneed and ensembles like the San Francisco Symphony. Encouragement Award, Metropolitan Opera National Council Auditions Nomination for Best Vocal Solo/Recital Performance, San Francisco Classical Voice Audience Choice Awards

• Opera Performance
• Oratorio Singing
• Vocal Pedagogy
• +۳ مورد دیگر

Justin Lavender is a Professor in the Vocal Studies department at the Royal College of Music (RCM). Originally persuaded by Peter Pears and Benjamin Britten to abandon nuclear engineering for music, he has built an international career as a tenor, performing leading roles in operas ranging from baroque to Wagner. His work spans collaborations with renowned conductors like Solti and Abbado, and he remains associated with major works such as Elgar’s The Dream of Gerontius and Verdi’s Requiem. At RCM, he mentors students who have pursued successful careers, while continuing his performing and conducting engagements. Key affiliations: Royal College of Music (RCM), Opera at Bearwood (2013-2015), Arcadian Opera, Phoenix Singers Notable roles: Nadir in Les Pêcheurs de Perles , Arnold in Guillaume Tell , Tamino in Die Zauberflöte As a conductor, Lavender has directed productions including La Bohème , L’Elisir d’Amore , and The Wreckers , often involving RCM students. His expertise in vocal technique and multilingual performance, including singing Mahler’s Das Lied von der Erde in Mandarin, highlights his interdisciplinary approach. Lavender also contributes to global music education through masterclasses, particularly in Chinese-speaking countries.

• Vocal Performance
• Opera
• Classical Music
• +۳ مورد دیگر

Jeffrey Stewart is a Vocal Studies Professor at the Royal College of Music, specializing in vocal performance and opera. He studied at the Guildhall School of Music and Drama and the National Opera Studio, earning the Harold Rosenthal Award for outstanding achievement. Notable affiliations: Royal College of Music faculty member With an international performance career spanning opera, concerts, and oratorios, he has appeared with prestigious companies like The Royal Opera Covent Garden and Komische Oper Berlin in roles such as Tamino, Ferrando, and Pinkerton. His concert repertoire includes major works like Bach's B minor Mass and Verdi's Requiem. His collaborations with conductors John Eliot Gardiner and Andrew Manze, plus appearances at BBC Proms and Royal Albert Hall, highlight his prominence in classical vocal performance. As an educator, he contributes to RCM's Vocal & Opera programs. Key performance areas: Opera, Oratorio, Recital Prominent collaborators: John Eliot Gardiner, Andrew Manze, Matthew Best Notable performance venues: Royal Albert Hall, BBC Proms, Holland Park Festival Professor Stewart's career combines performance excellence with academic leadership at one of the world's top music institutions.