جست‌وجوی استاد و پژوهشگر

Ayano Ninomiyaمشاهده پروفایل

دانشیار

• Violin Performance
• Chamber Music
• Music Education
• +۴ مورد دیگر

Ayano Ninomiya is an accomplished violinist and Associate Professor at the New England Conservatory of Music (NEC) in Boston, where she has been a faculty member since 2015. She previously served as Associate Professor at the Eastman School of Music from 2010 to 2015. At NEC, she is affiliated with the Strings Department within the College division, contributing to the training of advanced musicians in solo and chamber performance. BM, Harvard College MM, The Juilliard School Additional studies at the Franz Liszt Academy, Budapest Ayano Ninomiya's artistic focus spans violin performance, chamber music, and music education, with a strong commitment to community engagement and interdisciplinary exploration. Praised by The New York Times as "deeply communicative and engrossing," her work integrates performance with educational outreach, including programs in public schools and innovative lecture-demonstrations on topics such as Aikido principles in violin playing. Her performances span major venues across North America, Europe, and Asia, and she has recorded extensively, including complete quartet cycles by Schumann and Arensky with the Ying Quartet, of which she was first violinist from 2010–2015. Her performance accolades include Second Prize at the Walter W. Naumburg International Violin Competition (2003) and First Prize at the Fischoff National Chamber Music Competition (1995). She has also received recognition through the Young Performer’s Career Advancement Award and participated in prestigious competitions such as the Tibor Varga and Astral Artists National Auditions. Ayano is deeply committed to mentoring and outreach, having volunteered with at-risk youth and created educational programs such as the Elderhostel "Day of Adventure" in NYC. As a founding member of the East Coast Chamber Orchestra (ECCO), she collaborates in a conductorless ensemble of leading chamber musicians. Her projects often blend music with social impact, including benefit concerts for disaster relief in Haiti and Japan. She has presented a TEDx talk at the University of Tokyo and conducted research at the Bartók Archives in Budapest with musicologist László Somfai, supported by the Frank Huntington Beebe Fellowship.

Cornelia L. Heardمشاهده پروفایل

استاد

• Violin Performance
• Chamber Music
• String Pedagogy
• +۵ مورد دیگر

Cornelia L. Heard is Professor of Violin and Area Chair of Strings and Harp at the Blair School of Music, Vanderbilt University, where she holds the Valere Blair Potter Chair. She is an active performer, educator, and artistic leader with national and international recognition in violin and chamber music. Educational Background: B.A., Sarah Lawrence College B.M., Juilliard School M.M., Juilliard School Her performance career is distinguished by extensive touring with the Blair String Quartet, appearances at major venues including Carnegie Hall, Lincoln Center, and the Library of Congress, and participation in prestigious festivals such as Aspen Music Festival, Chamber Music Northwest, and international engagements in Chile, China, Ecuador, and Iceland. She has served as co-director of the chamber music program at Aspen since 2005 and has been artist-in-residence at multiple festivals. Her research and artistic interests center on violin performance, chamber music interpretation (especially Beethoven and Bartók), and string pedagogy. She has trained numerous students who have gone on to win prizes in national and international competitions. She has contributed to the field through service as a panelist for the National Endowment for the Arts' Creation and Presentation Grant Programs and as an adjudicator for major music competitions. Valere Blair Potter Chair She has advised and mentored many students through masterclasses and private instruction, and while specific grant names are not listed, her NEA panel role indicates deep engagement with funding and support for artistic projects. Her leadership extends to directing the strings area at Blair and shaping curriculum and performance standards. She performs as a core member of the Blair String Quartet and collaborates regularly in chamber music settings at festivals and concert series worldwide.

• Orchestral Performance
• Chamber Music
• Double Bass Pedagogy
• +۱ مورد دیگر

Ronan Dunne is a Professor of Double Bass at the Royal Northern College of Music, with a distinguished career as an orchestral and chamber musician. He currently serves as Co-Principal Double Bass with the BBC Philharmonic (since 2002) and regularly performs as a guest principal with leading UK orchestras. Studied with Thomas Martin (London) and Ludwig Streicher (Vienna) Over 100 Chandos recordings with BBC Philharmonic Toured extensively across Europe and the Far East Collaborates with renowned ensembles like the Vogler Quartet and Callina Quartet Passionate educator specializing in orchestral training for bass players His forthcoming engagements include premiering Ivor Hodgson's Concerto for Double Bass, highlighting his commitment to expanding the instrument's repertoire. While no specific research outputs or scientific awards appear in the text, his educational impact is emphasized through regular masterclasses at RNCM.

Kerri Ryanمشاهده پروفایل

استاد مدعو

• String Performance
• Viola Performance
• Chamber Music
• +۱ مورد دیگر

Kerri Ryan serves as an Adjunct Faculty member in the Instrumental Studies department at the Boyer College of Music and Dance, Temple University, specializing in Viola instruction. She concurrently holds a position as violist with The Philadelphia Orchestra since the 2007-08 season, following seven seasons as assistant principal viola with the Minnesota Orchestra and prior service as associate concertmaster of the Charleston Symphony. Her educational foundation includes graduation from the Curtis Institute of Music in 1998 and participation in the Young Artist Program at the Cleveland Institute of Music. Violin studies were pursued under Lee Snyder, Jascha Brodsky, Rafael Druian, and Arnold Steinhardt, while viola training commenced with Karen Tuttle during her Curtis residency. Professional expertise centers on String Performance with specialized focus in Viola Performance, Chamber Music, and Orchestral Performance. Her pedagogical approach integrates advanced instrumental techniques, repertoire development, and collaborative ensemble practices derived from extensive orchestral and chamber music experience. Significant professional recognition includes co-founding the award-winning Minneapolis Quartet with her husband, violinist William Polk. award-winning Minneapolis Quartet While current student advisement details and grant funding specifics are not documented in available sources, Ryan's active performance career directly informs her instructional methodology. She maintains dual professional commitments through The Philadelphia Orchestra and the Minneapolis Quartet, contributing significantly to both orchestral and chamber music domains.

Daniel Woodمشاهده پروفایل

استاد

• Composition
• Chamber Music
• Horn Performance
• +۵ مورد دیگر

Daniel Wood is a Professor at the San Francisco Conservatory of Music (SFCM), serving as Chair of Musicianship and Composition for the Pre-College Division and affiliated with the Continuing Education department. He is a composer, performer, and educator specializing in chamber music, horn performance, and music education. Mr. Wood emphasizes holistic musician development, teaching technical proficiency alongside musicality and stage presence. His compositions focus on small ensembles like brass, wind, and string chamber groups, steel drum ensembles, and jazz combos. Education: Training received from the University of California, Los Angeles (UCLA) Mr. Wood’s professional activities include: Founding member of the Quadre horn quartet (toured since 1998) Member of Avenue Winds and Teal Crane Trio, championing new works Founder of Solid Wood Publishing Recent commissions for Ceora Winds, Presidio String Trio, and Avenue Winds Lectures on the Business of Music at institutions like Eastman School of Music and University of Oregon He welcomes students at all levels (beginning, intermediate, advanced) and stresses mutual commitment in music education.

• Music Education
• String Instrument Performance
• Chamber Music
• +۱ مورد دیگر

Prof. Emel Asuman Önen is an Associate Professor at the Music Department of Anadolu University State Conservatory since 1991. She teaches cello, chamber music, and instrumental pedagogy, and founded the Yunus Emre Quartet in 1997 to promote string music performance. Undergraduate: Hacettepe University State Conservatory (1980-1991) Postgraduate: Anadolu University Institute of Science and Technology (1992-1993) Proficiency in Arts: Anadolu University Institute of Fine Arts (2005-2008) Her research focuses on Music Education , particularly the role of chamber music in instrumental training, and the Performance of Turkish Composers' Cello Works . She has contributed to pedagogical materials and curriculum design for cello education. The articles she authored analyze the technical and interpretive aspects of cello repertoire, emphasizing Turkish compositions and pedagogical strategies. Key subfields include sonata analysis, collaborative performance, and curriculum development. She supervised a postgraduate thesis in 2023 and led a funded project (2016-2017) on cello repertoire quality in higher education. Her artistic activities include over 30 concerts (2003-2023) in Turkey and abroad, specializing in classical and contemporary chamber music.

Lise Keiterمشاهده پروفایل

استاد

• Piano Performance
• Chamber Music
• Music by Women Composers
• +۳ مورد دیگر

Lise Keiter serves as Professor and Chair of the Music Department at Mary Baldwin University, where she also directs the Broman Concert Series and Sunday Recital Series. An active performer, she appears internationally as a solo recitalist, collaborative artist, and orchestral soloist across the United States and Europe. Her academic training: Bachelor of Music, Oberlin Conservatory of Music (with multiple top prizes) Master of Music and Doctor of Music, Indiana University (where she received the Award for Outstanding Teaching) Dr. Keiter champions music by women and composers of color, frequently programming works by Florence B. Price and Clara Schumann. Her research integrates performance practice with advocacy for underrepresented composers, exploring memorization techniques and pedagogical approaches to diversify classical repertoire. She has presented lectures nationwide on these topics at universities and professional conferences. Her awards and honors: Award for Outstanding Teaching, Indiana University Multiple top prizes, Oberlin Conservatory of Music Dr. Keiter mentors high school students through her private studio, with many achieving competition success and admission to prestigious music programs. She holds leadership roles including State MTNA Competitions Chair for Virginia and past president of the Mid-Atlantic Chapter of the College Music Society. Her concert series direction provides critical performance venues for students and guest artists. Through the Broman Concert Series and Sunday Recital Series, she cultivates vibrant musical engagement between Mary Baldwin University and the broader community, featuring collaborations with artists like violinist Elmar Oliveira and the Cypress String Quartet.

• Cello Performance
• Chamber Music
• Orchestral Studies
• +۱ مورد دیگر

Peter Stumpf serves as Professor of Cello at Indiana University's Jacobs School of Music. Previously, he held principal cellist positions with the Los Angeles Philharmonic and associate principal cellist with the Philadelphia Orchestra for 12 years, beginning his orchestral career at age 16 with the Hartford Symphony Orchestra. He earned his bachelor's degree from the Curtis Institute of Music and an Artist's Diploma from the New England Conservatory. Education: Bachelor's degree, Curtis Institute of Music Artist's Diploma, New England Conservatory As a dedicated chamber musician, Stumpf is a core member of the Johannes String Quartet with extensive international performance experience across major venues including Carnegie Hall, Kennedy Center, Concertgebouw, and Casals Hall. His repertoire spans solo cello works (notably Bach's Six Suites), concerto performances, and collaborative projects with renowned artists like Mitsuko Uchida and the Guarneri Quartet. His pedagogical focus emphasizes cello technique, chamber music interpretation, and orchestral training. Stumpf's accolades include: First prize, Washington International Competition First prize, Graham-Stahl Competition First prize, Aspen Concerto Competition Second prize, Evian International String Quartet Competition His academic appointments include faculty positions at USC, Hartt School of Music, New England Conservatory, and guest artist roles at Curtis Institute. He has conducted master classes globally at institutions including Hong Kong Academy of Performing Arts, Seoul National University, and Manhattan School of Music. Stumpf maintains active collaborations with the Johannes String Quartet and previously performed with Boston Musica Viva, exploring microtonal compositions and premiering new works.

Cian Ó Dúillمشاهده پروفایل

مدرس

• Viola Performance
• Chamber Music
• Orchestral Studies
• +۳ مورد دیگر

Cian Ó Dúill serves as Head of Department for Orchestral Studies and Lecturer in Viola at the Munster Technological University (MTU) Cork School of Music, while also maintaining a teaching position at the Royal Irish Academy of Music. A Cork-born violist, he holds both MA and BMus degrees and has developed a distinguished career spanning performance and academic leadership. His research interests focus on viola performance techniques, chamber music interpretation, and period instrument practices. Ó Dúill's expertise bridges historical and contemporary performance traditions, with particular emphasis on string quartet repertoire and orchestral training methodologies. As a performer, Ó Dúill has established significant collaborations with leading ensembles including the Irish Chamber Orchestra (current member), London Mozart Players (former co-principal viola), London Symphony Orchestra, Mahler Chamber Orchestra, and Orchestra of the Age of Enlightenment. He has performed concertos by Bach, Telemann, Mozart, Bruch and Hindemith across Ireland, UK, Spain and Greece. His chamber music career includes founding membership in the Regent String Quartet and Rothko String Trio, with current performances in the period-instrument Giordani String Quartet and Prism Ensemble. He has collaborated with renowned artists including Anthony Marwood, Finghin Collins, Jörg Widmann, and Natalie Clein at major festivals such as West Cork, Aldeburgh, and Kilkenny Arts Festival.

Sarah Thornbladeمشاهده پروفایل

مدرس

• Violin Performance
• Chamber Music
• Contemporary Music
• +۲ مورد دیگر

Sarah Thornblade serves as Lecturer in Music at Pomona College, specializing in violin performance. She concurrently holds the position of associate principal second violin with the Los Angeles Chamber Orchestra and is an active member of the Eclipse Quartet, an ensemble dedicated to 20th century and contemporary repertoire. Her academic training includes: Degrees from Indiana University Degrees from Northern Illinois University Studies with Miriam Fried, Mathias Tacke, and Shmuel Ashkenasi Thornblade's artistic focus centers on violin performance and chamber music , particularly emphasizing contemporary and modernist works. The Los Angeles Times has described her playing as "rapturously winning," highlighting her expressive capabilities across diverse musical contexts from classical chamber settings to new music collaborations. Key ensemble recognitions include: Aaron Copland Fund recording grant for Eclipse Quartet Fischoff National Chamber Music Competition Grand Prize (Arianna String Quartet) Coleman Chamber Music Competition Grand Prize (Arianna String Quartet) Carmel Chamber Music Competition Grand Prize (Arianna String Quartet) Her performance career spans major international festivals including Tanglewood, Spoleto, Banff, and Oregon Bach, with notable collaborations featuring Gilbert Kalish, Jeffery Kahane, and Warren Jones. Thornblade maintains an active presence in film/television recording sessions while continuing her academic appointment at Pomona College.

Lance R Hulmeمشاهده پروفایل

استاد

• Composition
• Music Theory
• Music Technology
• +۳ مورد دیگر

Lance R Hulme serves as Professor at North Carolina Central University's College of Arts, Social Sciences, and Humanities, where he directs the Music Theory and Composition program and teaches Music Industry and FabLab courses. His leadership extends to developing the educational software Basic Training in Music Skills and directing the acclaimed À la carte concert series. His educational background includes a DMA and MMA from Yale University, MM from Eastman School of Music, BM from University of Minnesota, and studies at Universität für Musik in Vienna. His career spans conducting premieres, jazz fusion performance with Dreamscape band, and 17 years in Europe co-founding Ensemble Surprise. Yale University: DMA (1998), MMA (1994) Eastman School of Music: MM (1989) Universität für Musik Wien: AA (1987) University of Minnesota: BM (1983) Hulme's research spans compositional eclecticism, music technology integration, and aural skills pedagogy. Critics describe him as a 'chameleon composer' weaving diverse musical traditions into rich expressive textures. His work bridges 'serious' and vernacular music while employing advanced structural techniques, with special focus on computer-assisted composition and interactive collaborations with choreographers. His publication trends reveal sustained exploration across genres: from sacred choral works (Psalm 62) to electronic compositions (Caritas Abundat), jazz arrangements (My Favorite Things), and chamber pieces (JethroZen). The corpus demonstrates consistent engagement with cross-cultural synthesis, technological innovation, and expressive narrative forms, with recent works emphasizing digital media integration. Notable awards include: Grand Prize, International Witold Lutoslawski Composition Competition First Prize, ASCAP/Rudolf Nissim Prize 2021 Malta International Composition Competition First Prize Fulbright Grant to Austria MacDowell Colony Fellowship Hulme's advising impact manifests through his educational software used across institutions and mentorship via the À la carte concert series, which has become 'one of North Carolina's most important concert series' (Classical Voice NC). His technological contributions include sound engineering for album productions and real-time dance installations at Modern Repertory Dance Theater. He leads NCCU's FabLab music technology initiatives and continues directing Ensemble Surprise's legacy through À la carte, presenting '700 years of new music' across genres and epochs. Current projects include interactive computer compositions and expanding his educational software platform.

Dylan Perezمشاهده پروفایل

مدرس

• Vocal Repertoire
• Art Song Performance
• Collaborative Piano
• +۳ مورد دیگر

Dylan Perez is a distinguished pianist and vocal coach currently serving on the Vocal Coach faculty at Trinity Laban Conservatoire of Music and Dance in London. Born in the USA, he studied at the University of Michigan before completing his training at the Guildhall School of Music and Drama, where he graduated with Distinction in 2018. He previously held the Lord and Lady Lurgan Collaborative Piano Fellowship at the Royal College of Music (2019/20). Perez specializes in vocal repertoire, with particular expertise in art song interpretation and collaborative piano. His research and performance interests focus on the critical relationship between text and music, championing both established masterworks and contemporary compositions. He founded 're-sung,' a London-based recital series dedicated to innovative approaches to song repertoire, and curates 'Opera in Song' for Opera Holland Park, which explores connections between operatic works and art song. His critically acclaimed recordings, particularly 'Samuel Barber: The Complete Songs' (2022) and 'BRAHMS Liebeslieder-Walzer' (2023), demonstrate his exceptional artistry and scholarly approach to vocal literature. Reviews consistently praise his 'sublime and profoundly intuitive' playing that remains 'consistently insightful without obtruding.' Major Awards and Recognitions: Gerald Moore Prize for Accompanists Paul Hamburger Prize for Accompaniment Accompanist's Prize at the Bampton Young Singers Competition Laureate of the Académie Royaumont (Paris) Britten-Pears Young Artist Oxford Lieder Festival Young Artist Perez maintains an active performance schedule at major venues including Wigmore Hall, Milton Court, and Cadogan Hall, collaborating with renowned singers such as Mary Bevan, Soraya Mafi, Jess Dandy, and his husband, tenor Nicky Spence. His work has been featured frequently on BBC Radio 3, and he continues to expand his influence through both performance and pedagogy at Trinity Laban.

William Goldenbergمشاهده پروفایل

استاد آموزشی

• Piano Performance
• Chamber Music
• Contemporary Repertoire
• +۳ مورد دیگر

William Goldenberg serves as Distinguished Teaching Professor and Head of Keyboard Studies at Northern Illinois University's School of Music within the College of Visual and Performing Arts. With an extensive international performance career spanning over 1000 concerts worldwide, he brings significant professional experience to his academic role. His research interests focus on piano performance, chamber music collaboration, contemporary repertoire interpretation, and music education methodologies. Professor Goldenberg has particular expertise in integrating technical mastery with expressive communication, advocating for a holistic approach where body, mind, and feeling work in harmony to create meaningful musical performances. His performance career has included appearances at prestigious venues such as Tanglewood, Shanghai Concert Hall, and Chicago's Symphony Center, with collaborations featuring musicians from the Berlin Philharmonic, Boston Symphony, and Vermeer Quartet. He has premiered works by notable composers including Pulitzer Prize winner Shulamit Ran and MacArthur Fellow Ralph Shapey. Professor Goldenberg's scholarly contributions include publications in Clavier magazine and several recordings featuring chamber music collaborations and contemporary works. His educational background includes a Doctor of Music from Indiana University, Master of Music from Juilliard, and Bachelor of Arts in music and mathematics from Oberlin College. Phi Beta Kappa member Pi Kappa Lambda member Multiple research grants Critical acclaim from The Kansas City Star and New York Times As an educator, Professor Goldenberg has guided numerous students to competition wins, awards, and successful careers in performance and teaching. His leadership as Head of Keyboard Studies shapes the piano curriculum and performance opportunities for students at NIU, connecting academic training with professional performance practice.

Marie Wangمشاهده پروفایل

استاد

• Violin Performance
• Chamber Music
• String Performance
• +۲ مورد دیگر

Marie Wang serves as Professor of Violin at Northern Illinois University's School of Music within the College of Visual and Performing Arts. A Canadian violinist and founding member of the internationally acclaimed Avalon String Quartet, she maintains an active dual career in performance and pedagogy. Education: Bachelor of Music in Violin Performance, McGill University (Mauricio Fuks) Master of Music, Northern Illinois University (Mathias Tacke, Shmuel Ashkenasi) Artist Diploma in Quartet Studies, Juilliard School (Teaching Assistant to Juilliard Quartet) Artistic Focus: Professor Wang specializes in violin performance and chamber music, with extensive experience in both classical repertoire and contemporary works. Her teaching philosophy emphasizes personalized instruction through intensive weekly lessons and regular performance opportunities. The Avalon String Quartet's international engagements—including performances at Carnegie Hall, Wigmore Hall, and the Library of Congress—inform her pedagogical approach to stage presence and ensemble communication. Awards & Recognition: Concert Artists Guild Competition Top Prize (Avalon String Quartet) Munich ARD International Competition Top Prize (Avalon String Quartet) Professional Engagement: Students benefit from her active performance career through masterclasses and collaborative opportunities. She has appeared at major festivals including Caramoor, Mostly Mozart, and Ravinia, and collaborated with artists such as Gilbert Kalish and members of the Emerson Quartet. Her recordings with the quartet appear on Cedille Records, Albany Records, and Channel Classics. Program Resources: The School of Music provides extensive performance venues, specialized seminars (Pokorny Low Brass Seminar, Wind Conducting Symposium), and recording technology resources through the Recording Arts and Media Technologies program, creating comprehensive training for violin students.

Matthias Buchholzمشاهده پروفایل

استاد

• Violin and Viola Performance
• Chamber Music
• Orchestral Performance
• +۲ مورد دیگر

Matthias Buchholz is Professor of Viola at Manhattan School of Music, specializing in Classical Viola within the Strings department. An internationally acclaimed performer, he serves as Artists in Residence with the American String Quartet and maintains active performance careers across Europe, the Americas, and Asia. His educational trajectory includes foundational training in Hamburg followed by advanced studies at: University of Cincinnati Hochschule für Musik Detmold Curtis Institute of Music, Philadelphia Buchholz's artistic practice centers on viola repertoire expansion through solo performance, chamber music innovation, and orchestral leadership. His interpretations bridge historical and contemporary works, with particular emphasis on 20th-century compositions and cross-cultural collaborations, demonstrated through decades of masterclasses worldwide. His competitive excellence earned recognition at premier international venues: Bonn International Viola Competition Laureate (1978) Los Angeles International Viola Competition Laureate (1981) Budapest International Viola Competition Laureate (1984) Buchholz maintains significant ensemble affiliations including principal viola of Stuttgart Radio Orchestra (1986-1990), founding membership in Heine-Quartett (2003-2008) where he premiered Aribert Reimann's "Adagio für Streichquartett" (2006), and ongoing participation in Linos-Ensemble since 1991. He performs regularly at major festivals including Marlboro, Salzburg, Avignon, and Schleswig-Holstein, while serving as leading member of Seoul's Hwaum Chamber Orchestra and holding a 2013 professorial appointment at HEM Geneve.