جستجوی استاد راهنمای دانشگاهی

Gláucia Laís Salomãoمشاهده پروفایل

پژوهشگر

• Speech and Voice Science
• Acoustic Phonetics
• Vocal Communication of Emotions
• +۲ مورد دیگر

Gláucia Laís Salomão is a Researcher at the Department of Linguistics , Stockholm University, specializing in acoustic phonetics and voice science . Her work explores the vocal communication of emotions , focusing on relationships between acoustics, production, and perception of emotional voices, with neurobiological correlates of voice processing and empathy. PhD in Linguistics (Acoustic Phonetics, 2009) with KTH Royal Institute of Technology collaboration Active projects: Listening to others' emotions (RJ grant P22-0574, 2023-2025) Methods: fMRI , galvanic skin response (GSR) , and subjective emotional assessments Collaborations: Karolinska Institute , Max Planck Institute for Empirical Aesthetics , and European universities Her research reveals consistent patterns in emotional voice production across singing and speech, demonstrating how physiological parameters (subglottal pressure, glottal resistance) and acoustic features (LTAS, flow glottograms) correlate with emotional perception. Recent work combines neural imaging with psychophysiological measurements to map empathy mechanisms in voice processing. Scientific awards include: 3.7 million SEK from Bank of Sweden Tercentenary Foundation (2023) SUBIC fMRI time grants (2021, 2023) Collaboration grants with SUNY , Geneva University , and Swiss Center for Affective Sciences

• History of Asia and Africa
• Literature
• Aesthetics and Art Studies
• +۳ مورد دیگر

Dr. Norikazu Hirabayashi is a full-time Professor at Waseda University's School of Political Science and Economics, specializing in Chinese theatre studies, aesthetics, and cultural exchange between East Asia. His research spans from late Qing dynasty theatre reforms to modern Sino-Japanese cultural diplomacy, with particular focus on Mei Lanfang's 1919 Japanese performances and their aesthetic implications. 1997-2025: Waseda University Faculty of Political Science and Economics 1994-1997: Waseda University Graduate School, Division of Letters 1989-1994: Waseda University Faculty of Literature Research interests include: Chinese Theatre: Historical evolution of Peking Opera (京劇), shadow play (皮影戯), and regional folk theatre. Cultural Exchange: Sino-Japanese theatre diplomacy, focusing on 20th-century performance dissemination. Aesthetics: Transformation of beauty concepts in traditional performance, cross-cultural reception studies. Media Studies: Role of stage reviews, newspapers, and visual records in cultural transmission. His article analysis reveals trends in: Mei Lanfang's cultural mediation (1919-2024) Electric lighting's influence on traditional staging (2018-2020) Stalinist system critiques in revolutionary theatre (2004-2009) Archival research on performance records (2002-2015) Cultural duality in Taiwanese folk theatre (1995-2012) Urban-rural performance networks (2010-2014) Teaching activities include graduate seminars and Chinese language courses at Waseda University (2025). He contributes to global education through sub-affiliation with Waseda's Global Education Center.

• Musicology
• Historical Musicology
• Opera Studies
• +۴ مورد دیگر

Astrid Deschamps-Dercheu serves as Professor at Sorbonne University's Faculty of Music and Musicology since 2013 in the PRAG (Professeur de Recherche et d'Enseignement de Grade) position, teaching aural training, writing, and vocal expression. She maintains dual affiliation with the Institute for Research in Musicology (IReMus/UMR 8223), a joint research unit of CNRS, Sorbonne University, and the French National Library. Her academic foundation includes a Master of Musicology from Paris-Sorbonne University (2014) with thesis research on Female heroism in the musical tragedies of Campra and Danchet under Raphaëlle Legrand's supervision, complemented by an External Music Aggregation (2010) and specialized conservatory training. Deschamps-Dercheu's research centers on historical musicology with emphasis on French Baroque opera, gender representation in musical narratives, and music-religion intersections. Her work integrates archival analysis with cultural studies to examine heroic archetypes in 18th-century French opera. Her sole documented publication examines gendered heroism in Campra's operatic works, reflecting consistent scholarly engagement with French Baroque repertoire, theatrical conventions, and socio-historical contexts of musical tragedy. Notable scientific awards include: Renaissance Polyphony Prize (2003) Harmony Prize (2004) Counterpoint Prize (2005) Analysis Prize (2007) Orchestration Prize (2008) Gold Medal in Writing (2000) Gold Medal of transverse flute (2006) She actively contributes to IReMus research teams focused on musical heritage preservation, historical contextualization of music, music-religion dynamics, and reception studies, participating in critical editions and interdisciplinary projects that bridge performance practice with musicological research.

Mary Kathryn Brewerمشاهده پروفایل

استادیار

• Voice Performance
• Art Songs
• Lyric Diction
• +۳ مورد دیگر

Mary Kathryn Brewer serves as Assistant Professor of Music at Taylor University, affiliated with the Smith-Hermanson Music Center and actively involved in the Musical Theatre Camp program. Her academic career spans vocal performance instruction, research, and performance across multiple institutions. Her educational foundation includes: Doctor of Arts (DA) in Voice Performance—Speech-Language Pathology from Ball State University Master of Music (MM) in Voice Performance from Bowling Green State University Bachelor of Music (BM) in Voice Performance from Anderson University Dr. Brewer specializes in the art songs of Giuseppe Verdi, lyric diction, and vocal pedagogy, with research emphasizing historical performance practices and linguistic precision in vocal repertoire. Her scholarly contributions include developing Open Educational Resources for lyric diction (2022) and German Lieder (2024), addressing critical gaps in vocal training materials. Recent publications demonstrate concentrated expertise in Verdi's vocal works and German art song traditions, reflecting her lecture recitals performed across U.S. universities and Guam. Her performance career includes solo engagements with orchestras in Indiana and Colorado, bridging academic research with professional artistry. Outside academia, Dr. Brewer pursues miniature creation and travels with her husband Erich and Yorkshire terrier Moose.

AGNIESZKA GADZINAمشاهده پروفایل

مدرس

• Music Education
• Brass Band Conducting
• Choral Music
• +۳ مورد دیگر

Agnieszka Gadzina serves as a Lecturer at the Institute of Artistic Education, Ignacy Jan Paderewski Academy of Music in Poznań, holding Master of Arts (2011) and Bachelor of Arts (2009) degrees in Artistic Education from Adam Mickiewicz University. Her academic credentials include: Master of Arts in Artistic Education, Adam Mickiewicz University (2011) Bachelor of Arts in Artistic Education, Adam Mickiewicz University (2009) Dr. Gadzina's research centers on music education with specialization in brass band conducting and choral music . She pioneers project-based learning methodologies and examines pop culture integration in curricula, addressing 21st-century challenges in non-specialized school music education through innovative pedagogical frameworks. Analysis of her 2021-2024 publications reveals dual research trajectories: historical examination of Polish choral traditions (particularly Szeligowski's works and Stuligrosz's legacy) and contemporary educational strategies emphasizing practical applications of project methods and cultural relevance in music instruction. Her scholarly recognition includes: Ministry of Culture scholarships for music promotion (2019, 2025) 2024 Rector's 3rd Degree Award at Paderewski Academy Gadzina directs major grant-funded initiatives from the Ministry of Culture, EU programs, and regional authorities including the "Po śpiewaj" Wielkopolska Song Contest and "Diamond Microphone" Vocal Competition. Her "Local Musicians in Virtual Space" project generated five music videos for Złocieniec Cultural Centre. She leads production teams for international events like the Stanisław Stuligrosz Grand Prix of Polish Choral Music and International Brass Orchestra Concert Symposium, demonstrating leadership in large-scale cultural programming.

Attila Authمشاهده پروفایل

دانشیار

• Graphic Design
• Corporate Identity Design
• Wayfinding and Signage Systems
• +۳ مورد دیگر

Attila Auth serves as Associate Professor and Head of the Department of Design Graphics at the Hungarian University of Fine Arts, where he has taught continuously since 1989. He also leads the Graphic Design Specialization program and directs the university's Graphic Arts and Applied Arts Vocational School. His professional practice spans corporate identity systems, emblem design, and wayfinding solutions for major Hungarian institutions including Budapest Airport, the Budapest Metro, and numerous cultural venues. Education: Pécs Art School (Advertising Graphics), 1979 Graphic Artist and Teacher Diploma under Crescencia Zelenák and Gábor Nagy, 1987 Master's Program completion at Hungarian University of Fine Arts Auth's research focuses on the intersection of functional design and cultural expression in public spaces. He pioneers systematic approaches to visual communication where typography, emblem design, and wayfinding systems create cohesive identities for complex environments. His work demonstrates how historical design principles from the Bauhaus movement inform contemporary solutions for transportation hubs, cultural institutions, and urban landscapes. He emphasizes the social responsibility of designers in creating accessible, culturally resonant visual systems that serve diverse publics. His recent publications and exhibitions reveal consistent engagement with design history's influence on contemporary practice. The Bauhaus 100 and Moholy-Nagy 125 projects demonstrate his scholarly interest in modernist legacies, while National Biennale catalogs document evolving Hungarian design trends. His work shows particular strength in translating historical typography principles into modern signage systems and corporate identities that balance aesthetic innovation with functional clarity. Scientific Awards: Liget Budapest Project Corporate Identity Competition Third Prize (2018) BrandMake Emblem Competition First Prize (2011) Ozone Network and Life Network Media Emblem Competition First Prize (2008) Opera House Logo Competition First Prize (2008) EU Prize for Cultural Heritage Europa Nostra Medal (2007) 15th National Graphic Design Biennale Grand Prize (2006) Ministry of National Cultural Heritage Ferenczy Noémi Award (2005) Multiple Hungarian Graphic Studios Association Golden Drawing Angle Awards Postabank Logo Competition First Prize (1989) As an educator since 1989, Auth has shaped generations of Hungarian designers through his teaching of lettering, typography, and design studio practice. He serves on the University Admission Committee and Diploma Jury Committee, while his professional leadership includes presidency of the Design Graphics Department at the Hungarian Association of Fine and Applied Artists since 2015. His curatorial work for National Biennales and Golden Drawing Angle exhibitions fosters design community development. Auth bridges academic theory and professional practice through commissioned projects that transform theoretical frameworks into real-world applications for clients ranging from transportation authorities to cultural institutions. His collaborative networks include the Hungarian Association of Design Graphic Artists and Typographers (MATT), where he has served on the board since 2012, and the Hungarian Graphic Studios Association. These professional affiliations enable knowledge exchange between academic research and industry practice, particularly in standard-setting for public signage systems and corporate identity development across Hungary's cultural infrastructure.

Jonathan Wallisمشاهده پروفایل

استاد

• Art History
• Curatorial Practice
• Critical Pedagogy
• +۵ مورد دیگر

Jonathan Wallis is Professor of Art History and Humanities at Moore College of Art & Design, where he serves as Chair of Creative & Critical Studies and program head for Visionary Academic Honors. He previously held the Penny and Bob Fox Distinguished Professorship from 2015-2018 and received the Christian R. and Mary F. Lindback Award for Distinguished Teaching in 2013. His academic leadership extends to his role as Interim Faculty Forum President. PhD and MA in History of Art from Tyler School of Art, Temple University BA from University of New Hampshire Wallis's research focuses on the intersection of ethics, socially engaged art, and critical pedagogy, with particular expertise in surrealism and fantasy art. His work explores the post-Surrealist contributions of Salvador Dalí while examining contemporary issues in curatorial practice. As a curator, he has presented exhibitions on diverse modern and contemporary art subjects, including the significant River of Inferno exhibition featuring Chinese-American artist Yiu-Ngok Yuen. His publications span multiple prestigious venues including Art and the Public Sphere , Journal of Curatorial Studies , Papers of Surrealism , and Woman's Art Journal . Wallis has also served as guest editor for a special double-issue of Art and the Public Sphere on ethics. His scholarly work demonstrates consistent engagement with ethical questions in art, community partnerships, and innovative approaches to art historical methodology. Penny and Bob Fox Distinguished Professor (2015-2018) Christian R. and Mary F. Lindback Award for Distinguished Teaching (2013) 2024 National Fantasy Fan Federation Laureate Award for Best Novel 2024 Valorious Awards - Stellar Instinct (2nd place) 2022 Indie Ink Awards runner-up for Non-Binary Representation Wallis maintains an active creative practice under the pen name Jonathan Nevair, producing award-winning character-driven space operas and spy-fi thrillers that explore themes of identity and social structures. His dual career in academic scholarship and creative writing exemplifies his commitment to bridging theoretical frameworks with practical artistic expression.

• Piano Performance
• Classical Music
• Contemporary Music
• +۴ مورد دیگر

Maciej Gański is an accomplished Polish pianist and educator currently serving as an Adjunct Professor at the Piano Department of the Faculty of Instrumental at the Stanisław Moniuszko Academy of Music in Gdańsk. He has been actively teaching since 2009 and served as Dean of the Instrumental Department from 2020 to 2022. His academic journey began with distinguished studies at the same institution under Professor Andrzej Artykiewicz, followed by prestigious postgraduate studies at the Danish National Academy of Music under Professor Christina Bjørkøe. He earned his Doctor of Musical Arts from the Gdańsk Academy, with his doctoral thesis focusing on 'Transkrypcje pieśni i oper w twórczości Ferenca Liszta' (Transcriptions of Songs and Operas in the Works of Franz Liszt). Dr. Gański specializes in both classical and contemporary piano repertoire, with particular expertise in Franz Liszt's transcriptions and 20th-21st century works. His research interests encompass historical performance practice, particularly regarding period pianos, as demonstrated by his 2021 recital on the restored oldest Gdańsk piano from the 1830s/1840s. He has pioneered the performance of contemporary Polish compositions, including the Polish premiere of Miłosz Magin's IV Piano Concerto and the world premiere recording of Kamil Cieślik's Piano Concerto No. 1 'Multimirrors'. His scholarly output reveals a distinctive trajectory bridging historical performance practice with cutting-edge contemporary music. The progression from his Liszt transcriptions research through to his groundbreaking recordings of Philip Glass's complete Etudes demonstrates an evolving scholarly focus that connects 19th-century traditions with modern minimalist aesthetics. His work consistently emphasizes technical mastery while exploring the interpretative possibilities across diverse musical eras. Bradshaw & Buono International Piano Competition in New York (USA) Yamaha Music Foundation of Europe Scholarship Award Competition in Aarhus (Denmark) Multiple National Piano Competitions in Poland City of Gdańsk's Award for Young Artists in the Field of Culture Awards in two categories of the 2nd International 'Musical Eagles' Competition (2022) As an educator, Dr. Gański has mentored numerous students who have gone on to win awards at international and national competitions, with dozens of his piano class graduates now teaching at music institutions across Poland. His pedagogical approach combines rigorous technical training with deep musical understanding, developed through collaborations with renowned musicians including Philippe Entremont, Eugen Indjic, Andrzej Jasiński, and Lee Kum-Sing. His international masterclass activities, particularly in China, demonstrate his commitment to global musical exchange and the advancement of piano education worldwide. Dr. Gański maintains active performance collaborations with major orchestras including the Polish Baltic Philharmonic Orchestra, Odense Symphony Orchestra, and La Camerata Sa Nostra. His recording projects with DUX and other labels represent significant scholarly contributions to the piano repertoire, particularly his documentation of historically significant instruments and contemporary Polish compositions.

Martyna Kanderمشاهده پروفایل

مدرس

• Stage Design
• Theatre Costume Design
• Scenography
• +۳ مورد دیگر

Martyna Kander is a Doctor and Lecturer at the Department of Stage Design at the Academy of Fine Arts in Warsaw. Since the 2018/19 academic year, she has taught Theatre Scenography Design courses. Professionally, she serves as a set designer in the artistic team of the National Theatre since the 2023/24 season. She graduated from the Faculty of New Media Art and Scenography at the Academy of Fine Arts in Warsaw (2012), with additional studies at the Accademia di Belle Arti in Venice through the Socrates Erasmus program. She defended her doctoral thesis in July 2017. Dr. Kander's expertise spans stage design and costume creation across diverse theatrical genres. Her work demonstrates exceptional versatility across drama, opera, ballet, and puppet theatre. She has developed distinctive visual languages for classical works by Shakespeare, Calderon, and Moniuszko, as well as contemporary productions including the 2025 Polish premiere of Pablo Remón's 'Eclipse in Two Acts' at the National Theatre. Her professional collaborations include work with major Polish theatres: National Theatre in Warsaw, S. Jaracz Theatre in Łódź, Dramatic Theatre in Warsaw, L. Solski Theatre in Tarnów, J. Słowacki Theatre in Kraków, Municipal Theatre in Gdynia, Universal Theatre in Warsaw, The Doll in Warsaw, Harlequin in Łódź, Gulliver in Warsaw, Grand Theatre in Łódź, Grand Theatre in Poznań, State Musical Theatre in Klaipeid, Silesian Opera, Opera Nova, Opera at the Castle, Chamber Opera, Polish Royal Opera, and Musical Theatre in Gdynia. Jan Kiepura Award for Best Scenography (2017, 2019, 2020) A. Pronaszko Award (2016) J. Moskal Award (2016) Teresa Roszkowska Award (2017) Leon Schiller Award (2018) Scholarship from the Ministry of Culture and National Heritage (three times) Dr. Kander began her academic career in 2014 as an assistant to Professor Dorota Kołodyńska in the Costume Design Studio. Her teaching encompasses the full spectrum of theatrical design, from initial concept development to final production realization. Her professional work includes collaborations with directors such as Grzegorz Małecki, Natalia Babińska, Robert Bondara, and Maciej Prus across numerous high-profile productions. Her design portfolio demonstrates mastery across diverse theatrical forms, with particular excellence in creating immersive visual environments that enhance narrative storytelling. Recent notable works include 'Eclipse in Two Acts' (National Theatre, June 2025), 'Alice in Wonderland' (Zych's production, 2022), 'Faust' (2020), and 'The Turn of the Screw' (Britten, multiple productions).

Ewa Maria Śmigielskaمشاهده پروفایل

پژوهشگر

• Sculpture
• Sound Installation
• Performance Art
• +۵ مورد دیگر

Dr. Ewa Maria Śmigielska is a contemporary sculptor and installation artist working at the Faculty of Design at the Academy of Fine Arts in Warsaw. Born in Warsaw in 1987, she completed her studies with distinction at the Faculty of Sculpture, specializing in Audiovisual Space Studio under Professor Grzegorz Kowalski. In 2019, she earned her PhD in visual arts and conservation of works of art from the same institution. Her artistic practice spans drawing, sculpture, video, installation, and scenography, with a focus on cross-cultural dialogues between Eastern and Western artistic traditions. Her research interests revolve around cultural and formal syncretism , often emerging from postcolonial critique. Śmigielska's work integrates elements referencing various cultures, temporal orders, and sensory experiences, juxtaposing emblems of Far Eastern culture with raw materials associated with contemporary urban aesthetics. Her installations create performative spaces that invite viewer participation, emotional engagement, and transformative experiences. She explores themes of spiritual transformation, urban identity, and the intersection of traditional symbolism with modern materials like mirrors, neon signs, and sheet metal. Śmigielska's recent artistic output demonstrates consistent exploration of sound installations and participatory art, with her 2024 exhibition 'Phoenix Mantra' representing the culmination of these interests. This sound installation, featuring music by Wojtek Blecharz, transforms space into a ritual journey toward spiritual renewal, connecting viewers with historical contexts of Warsaw's Wawelberg Colony. Her work shows a clear trajectory from earlier explorations of Chinese mythology in 'Follow the Dragon' (2021) toward more complex multisensory environments that bridge cultural divides. Scholarship from ZAiKS (Fundusz Popierania Twórczości Stowarzyszenia Autorów ZAiKS) As an educator and cultural ambassador, Śmigielska has served as a lecturer at the Sichuan Fine Arts Institute in China, fostering Polish-Chinese artistic understanding. She has curated numerous exhibitions both in Poland and internationally, demonstrating strong organizational skills and cross-cultural communication abilities. Her collaborative work with composer Wojtek Blecharz on projects like 'Transkryptum' and 'Phoenix Mantra' highlights her interdisciplinary approach and ability to secure artistic partnerships. Śmigielska actively participates in artistic collectives like Inne Towarzystwo in Warsaw, which provides alternative exhibition spaces for experimental work. Her current projects at the Open Colony in Wola demonstrate engagement with community-based art practices and historical memory, transforming urban spaces into sites of collective healing and cultural dialogue. Her work with the Polish Sculpture Center in Orońsko shows institutional collaboration that supports large-scale artistic production.

Thorsten Helbigمشاهده پروفایل

استاد

• Structural Engineering
• Building Materials Science
• Structural Design
• +۳ مورد دیگر

Thorsten Helbig serves as Professor of Structural Engineering, Building Materials Science and Constructive Design at Darmstadt University of Applied Sciences since 2022, teaching Structural Engineering, Building Materials in Context, and Principles of Structural Structures. Previously, he was Associate Professor at Cooper Union's Irwin S. Chanin School of Architecture (2018) and co-founded the international engineering firm knippershelbig in 2001, now operating from Stuttgart, Berlin, and New York. His educational background includes: Civil Engineering studies at University of Applied Sciences Bielefeld/Minden (1990-1994) Helbig's research pioneers sustainable structural solutions through lightweight construction , free-form geometries , and reinterpreted traditional materials like timber and rammed earth. His work fundamentally bridges engineering precision with architectural expression, emphasizing climate-responsive design and material efficiency. He champions the philosophy that structural systems should embody both technical excellence and poetic form, as reflected in his recommendation of Peter Rice's An Engineer Imagines . Analysis of his publications reveals three dominant trajectories: sustainable material innovation (rammed earth, timber composites), advanced structural systems for cultural landmarks (museums, opera houses), and computational design for complex geometries. His projects consistently demonstrate how engineering constraints can generate architectural opportunities, particularly in heritage-sensitive contexts. His major recognitions include: German Bridge Building Prize (2020) State Prize for Building Culture Baden-Württemberg (2020) German Steel Construction Award (2018) German Timber Construction Award (2017) Timber Construction Prize North Rhine-Westphalia (2006) As co-founder of knippershelbig, Helbig leads engineering for globally significant projects including the Academy Museum of Motion Pictures (Los Angeles), Trumpf Smart Factory (Chicago), Harvard SEAS engineering school, and Palaisquartier Frankfurt. His office exemplifies the integration of academic research with professional practice, tackling challenges from historic renovations to cutting-edge industrial facilities. He maintains active consultation hours at Darmstadt University while advancing sustainable construction methodologies through ongoing projects.

Wojciech Michniewskiمشاهده پروفایل

استاد

• Contemporary Music
• Opera
• Symphonic Music
• +۱ مورد دیگر

Wojciech Michniewski is a distinguished Polish conductor and composer, currently serving as a professor of conducting at the Academy of Music in Bydgoszcz. He has held significant leadership roles including Artistic Director of the Grand Theatre in Łódź (1979-1981) and General and Artistic Director of the Poznań Philharmonic (1987-1991). Since 1991, he has performed globally as a guest conductor with major orchestras and opera houses including the National Philharmonic, Sinfonia Varsovia, and Polish National Radio Symphony Orchestra. He graduated with distinction from the State Higher School of Music in Warsaw, studying conducting under Stanisław Wisłocki and composition with Andrzej Dobrowolski. Michniewski's artistic focus lies in contemporary classical music, especially Polish compositions. He is celebrated for premiering works by composers such as Tadeusz Baird, Elżbieta Sikora, and Paweł Mykietyn. His innovative approach is exemplified by his award-winning composition "Whispertet" (1973) and his leadership in transforming the Polish Chamber Orchestra into Sinfonia Varsovia. His accolades include: Premio RAI award for "Whispertet" (1975) First Prize and Gold Medal at the Guido Cantelli International Conducting Competition (1977) Bronze medal at the Ernesto Ansermet Competition (1978) Orpheus Critics' Award at Warsaw Autumn Festival (1975) Critics' Award at Musikbiennale Berlin (1987) Fryderyk Award for Lutosławski album (1996) Fryderyk Award for Rossini's gala concerto (1999) Orpheus Award for "Madame Curie" DVD (2013) Jubilee Award of the Polish Composers' Union (2005) Silver Medal for Merit to Culture – Gloria Artis (2005) While specific student names are not provided in source materials, Michniewski maintains an active role in mentoring conductors at the Academy of Music in Bydgoszcz. His extensive discography and festival participations across Europe, Asia, and the Americas reflect sustained artistic funding and institutional support.

Amélie Niermeyerمشاهده پروفایل

استاد

• Theatre Directing
• Opera Direction
• German-Language Drama
• +۲ مورد دیگر

Amélie Niermeyer serves as University Professor of Acting & Directing and Department Head at the Thomas Bernhard Institute, Mozarteum University Salzburg since 2011. Her distinguished career spans theatre and opera direction across major European venues including Residenztheater Munich, Thalia Theater Hamburg, Deutsches Theater Berlin, and Vienna State Opera. Her research interests center on theatrical interpretation of classical and contemporary texts , with specialization in German-language drama, opera direction, and cross-disciplinary performance practices. She has pioneered innovative approaches to Shakespeare, Chekhov, and modern playwrights like Branden Jacobs-Jenkins, consistently collaborating with leading actors including Juliane Köhler. Recent artistic output reveals sustained engagement with Russian literary adaptations (Anna Karenina, Uncle Vanya) Verdi's operatic canon (La Traviata, Otello) European modernist traditions (Chekhov, Ibsen) while maintaining active direction in both German-speaking and international contexts through 2025. Notable honors include: Munich Promotion Prize for Spring Awakening Nestroy Award Nomination (2020) for Cherry Orchard Niermeyer maintains dual practice as academic leader and active director, currently preparing 2025 premieres of Buddenbrooks (Schauspiel Stuttgart) and La Traviata (Opéra de Dijon) while overseeing curriculum development at Mozarteum's Thomas Bernhard Institute. Her work consistently bridges academic training with professional production demands across theatre and opera disciplines.

David Perkelمشاهده پروفایل

استاد مدعو

• Music
• Trombone Performance
• Jazz Studies
• +۲ مورد دیگر

David Perkel serves as Adjunct Professor of trombone and euphonium in the Department of Music at Towson University's College of Fine Arts and Communication, while also holding a teaching position at George Washington University. A versatile trombonist, Perkel maintains dual careers in orchestral and jazz performance. His orchestral work includes five years as Second Trombonist of the Richmond Symphony, performances with the National Symphony Orchestra and Kennedy Center Opera House Orchestra, and appointment as principal trombonist of the Annapolis Symphony Orchestra since 1999. In jazz, he has collaborated with luminaries including Branford Marsalis, Chris Potter, Dianne Schuur, and the Navy Band Commodores jazz ensemble, where he served as lead trombonist and soloist for sixteen years. Perkel earned his Bachelor of Music from the University of North Texas, Master of Music from the Manhattan School of Music, and Doctor of Musical Arts from The Catholic University of America. As an Edwards Trombone Artist, he has presented master classes nationwide and served as low brass professor at Frostburg State University and artist-in-residence at the Sewanee Summer Music Festival.

Anne Greilingمشاهده پروفایل

مدرس

• Vocal Performance
• Baroque Music
• Classical Opera
• +۳ مورد دیگر

Anne Greiling is a distinguished vocalist and vocal instructor at Stuttgart University of Music and Performing Arts since 2023. She has established herself as a prominent figure in classical vocal performance with an extensive international career spanning opera, oratorio, and concert performances across major European venues and festivals. Her educational background includes studies at the Frankfurt and Mannheim Music Academies under Prof. Karl Markus and Prof. Katharina Dau, complemented by master classes with Anna Reynolds, Graham Johnson, and Brigitte Fassbaender. Greiling's artistic focus centers on vocal performance with specializations in Baroque music (particularly the works of J.S. Bach), classical opera, and contemporary vocal compositions. Her repertoire spans from early Baroque to modern works, demonstrating exceptional versatility in solo performance, ensemble singing, and interpretation of diverse vocal literature. She has performed extensively in Bach's vocal works, including complete cycles at Stiftskirche Stuttgart. As an educator, Greiling serves as a vocal instructor at Stuttgart University of Music and Performing Arts and as a regular instructor for ensemble singing at Saar University of Music's summer school. She also teaches at Bad Königshofen Vocal School, contributing significantly to vocal pedagogy in Germany. Opera engagements: Bonn Opera House, Mannheim National Theater, Cologne Opera Major collaborations: Balthasar Neumann Choir under Thomas Hengelbrock, SWR Vocal Ensemble Prestigious venues: Berlin Philharmonic, Salzburg Festival, Concertgebouw Amsterdam, Elbphilharmonie Hamburg Her performance career includes recordings under composers' direction, such as Aribert Reimann's 'Eingedunkelt' cycle for NDR, and participation in significant productions including Bach's St. John Passion at the Stuttgart State Opera. Her upcoming engagements for 2024-2025 include performances across Europe in major works by Bach, Handel, Mozart, and Haydn.