جست‌وجوی استاد و پژوهشگر

• Music Education
• Pedagogy
• Special Education in Music
• +۵ مورد دیگر

Prof. Begüm Öz holds a Professorship at the Faculty of Education, Department of Fine Arts Education at Çanakkale Onsekiz Mart University since 2022. She previously served as Associate Professor (2017–2022) and Assistant Professor (2013–2017). Her academic journey includes roles as Research Assistant at both Gazi University and her current institution. She has extensive managerial experience, currently serving as Head of Department and Managerial roles in research centers. Education: PhD: Gazi University (2010), Thesis: 'Flute Education Model for Turkish Folk Music' MSc: Gazi University (2004), Thesis: 'Statistical Analysis of Turkish Art Music' BSc: Gazi University (1997), Music Education Research Interests: Focus on music pedagogy, special needs education in music, flute teaching methods, and cultural aspects of music education. Her work bridges traditional Turkish music with modern pedagogical approaches, emphasizing inclusive education and technological integration. Advising & Grants: Supervised 10+ theses including studies on music education for children with autism, choral conducting, and online Orff-Schulwerk methods. Conducted research projects like 'Analogical Approaches in Flute Education' (2022). Labs/Teams: Active in research teams focusing on music education innovation and serves as Editor-in-Chief for multiple music education journals. Her work also extends to TV shows like ÇOMÜ TV-Sesin Dünyası.

Lindsay Bakerمشاهده پروفایل

عضو هیئت علمی

• Theatre Direction
• Operatic Performance
• Theatrical Intimacy
• +۳ مورد دیگر

Lindsay Baker is an Instructor of Opera and Arts Leadership at the Eastman School of Music, University of Rochester. She holds dual roles within the Voice, Opera & Vocal Coaching Department and the Institute for Music Leadership. Her work focuses on creating collaborative, consent-forward spaces in theatre and music education. She has been affiliated with Eastman since 2001, transitioning from Production Stage Manager to Faculty role in 2016. Educationally, she earned an MA in Liberal Studies (performing arts/cultural studies) from Empire State University and a BA in Theater and Music Education from St. Olaf College. Her training includes programs at the O’Neill National Theater Institute, SITI Company, and institutions in Ghana, West Africa. Her artistic contributions include directing operas like Proving Up and Here Be Sirens , and co-authoring the award-winning musical Austen’s Pride , which has toured nationally and will launch a pre-Broadway tour in 2025. She is also EOT’s resident Intimacy Director, choreographing sensitive scenes in productions such as Silent Light and Dido and Aeneas . Awards highlight her creative impact, including the NYMTF award for Austen’s Pride . Her teaching spans acting lessons at Eastman Community Music School and leadership seminars on consent in arts collaboration. She actively advocates for embodied, person-centered pedagogy in performance training.

Ricardo Zohn-Muldoonمشاهده پروفایل

استاد

• Composition
• Literature-inspired Music
• Interdisciplinary Arts
• +۳ مورد دیگر

Ricardo Zohn-Muldoon is a Professor of Composition at the Eastman School of Music, University of Rochester. He holds a BA from UC San Diego (1986) and a PhD from the University of Pennsylvania (1993), studying under George Crumb. Previously, he taught at the University of Cincinnati’s College-Conservatory of Music and Universidad de Guanajuato in Mexico. His research focuses on literature-inspired composition, creating works like the song cycle Songtree , the miniature opera NiñoPolilla , and the Pulitzer Prize finalist scenic cantata Comala (2011), based on Juan Rulfo’s novel Pedro Páramo . Collaborations include interdisciplinary projects with dancers, puppeteers, and artists such as José Ignacio Solórzano and Garth Fagan Dance. Supported by institutions like the Guggenheim Foundation and the American Academy of Arts and Letters, his works are recorded on labels including Bridge, Oberlin Music, and Ravello. He co-founded the Zohn Collective in 2017 to foster collaborative performances with musicians like Tony Arnold and Molly Barth.

Brittany Blandمشاهده پروفایل

عضو هیئت علمی

• Projection Design
• Immersive Media
• Theater Design
• +۵ مورد دیگر

Brittany Bland (she/her/they) is an Adjunct Instructor in Live Experience Design at the Pennsylvania College of Art & Design (PCA&D), where she contributes to the education of emerging artists in immersive and performance-based design. She holds an M.F.A. from the Yale School of Drama and brings extensive professional experience in projection design for theater, dance, concerts, opera, and immersive installations. Her research and creative practice centers on storytelling through visual media in live performance. With a strong focus on empathy and audience engagement, her work spans diverse venues including the Public Theater, Berkeley Repertory Theatre, A.R.T., and the MET Museum. Key areas of interest include projection design, digital narrative, and interdisciplinary performance. Brittany is a recipient of the 1/52 Project grant, which supports innovative emerging theater artists. This award highlights her contributions to the evolution of contemporary stage design. She has advised and mentored students through her teaching role, integrating professional practice into academic training. While no formal grants beyond the 1/52 Project are listed, her work reflects sustained engagement with institutional and artistic funding networks. Brittany's creative work often involves collaboration with performance teams and design collectives, particularly in large-scale theatrical and immersive productions. Her projects demonstrate integration of technology, narrative, and spatial design in live contexts.

Alíz Horváthمشاهده پروفایل

استادیار

• Digital Humanities
• East Asian History
• Transnational History
• +۷ مورد دیگر

Alíz Horváth is Assistant Professor of East Asian History and Digital Humanities at the Department of Historical Studies, Central European University (CEU), Vienna. Her work bridges intellectual and cultural history of East Asia (China, Japan, Korea) with critical digital humanities, emphasizing linguistic inclusivity and multilingual knowledge infrastructures. Her research interests focus on transnational intellectual flows in East Asia and the challenges of applying digital methods to non-Western, multilingual contexts. She advocates for linguistic diversity in DH, having co-founded and chaired the DARIAH Multilingual DH Working Group , contributed to the New Languages for NLP project, and served on editorial boards such as OpenMethods and Reviews in DH . Her recent publications explore UX personas, NLP limitations in Asian contexts, and community-driven inclusivity. The trends in her scholarly output (2018–2025) reveal a sustained commitment to decolonizing digital methodologies, amplifying marginalized voices, and building equitable digital infrastructures for East Asian studies. Her work consistently emphasizes community engagement, open science, and interdisciplinary collaboration. Scientific Leadership and Service: Co-founder and Chair, DARIAH Multilingual DH Working Group Member, Core Editorial Team, OpenMethods Topic Editor, Asian and Asian Diaspora Studies, Reviews in DH Editorial Board, Asia Pacific Perspectives Scientific Advisory Committee, OPERAS Former Contributor, NEH-funded 'New Languages for NLP' (Princeton) Alíz Horváth mentors emerging scholars in digital humanities and East Asian studies, though specific advisees are not listed. She has secured participation in major international projects and collaborates widely across institutions. Her leadership in global DH initiatives reflects significant grant and project engagement, particularly through DARIAH and OPERAS. She is actively involved in building research communities through initiatives like the OpenMethods edit-a-thons, the DARIAH working group, and co-editing special journal issues. These efforts form a cohesive lab-like network focused on multilingual digital scholarship and inclusive knowledge production.

Enrico De Pieriمشاهده پروفایل

استاد

• Vocal Arts
• Musical Theater
• Opera Performance
• +۳ مورد دیگر

Enrico De Pieri is a Professor for Singing in the Musical Studies program at the Folkwang University of the Arts. A graduate of the Hamburg University of Music and Theater, he has combined his career as a performer and educator. His expertise spans vocal arts, musical theater, and opera performance, with a focus on German musical productions. Specializes in musical theater roles and vocal coaching Active performer in German musicals (e.g., Die Addams Family , Wicked , Aladdin ) Teaching experience at Joop van den Ende Academy and Osnabrück University His research interests emphasize practical vocal training, stage performance, and musical theater pedagogy. De Pieri has received prestigious scholarships from the International Vocal Arts Institute and Felix-Mendelssohn-Bartholdy-Stiftung.

• Costume design
• Design arts
• Rendering
• +۴ مورد دیگر

Szu-Feng Chen is an Associate Professor in the Department of Theatre and Dance at the University of New Hampshire. A globally recognized designer, she integrates unconventional materials through a 3R (recycle, reuse, reduce) framework while maintaining artistic excellence in visual storytelling. Education: B.F.A. in Set Design from Taipei National University of the Arts, M.F.A. in Design & Technology from the University of Texas at Austin Leadership: Director of Design and Theatre Technology at UNH Her research focuses on sustainable design practices and theatre technology innovation . With over a hundred theatrical productions across 20+ countries, her work has been showcased at prestigious events like World Stage Design (2022, 2009, 2005) and Prague Quadrennial (2023, 2007, 2003). Recent productions demonstrate her versatility in costume design and set construction for contemporary musicals, classical adaptations, and cross-cultural works. Notable themes include: Integration of ecological materials Textile recycling methodologies Digital rendering techniques Scientific awards include: Gold Sustainability Award (2021) Outstanding Assistant Professor Award (2014) at UNH Outstanding Alumnna of School of Theatre (2012) Active in professional organizations like USITT, OISTAT, and CAAFA, she contributes to advancing theatrical design while mentoring students in sustainable practices and technical innovation.

• Opera Performance
• Classical Vocal Music
• Oratorio and Cantata
• +۳ مورد دیگر

Anna Fabrello is an Assistant Lecturer at the Academy of Music in Gdańsk and a soloist with the Baltic Opera since 2005. She graduated with distinction from the Academy's Faculty of Vocal Performance and Acting under Professor Brygida Skiba, supported by a Ministry of Culture scholarship. Her career includes acclaimed performances in operas like Mozart's 'Cosi fan tutte' (earning her the Gdańsk Theatre Award), Puccini's 'Turandot', and Strauss' 'Ariadne auf Naxos'. She has collaborated with renowned conductors such as Friedrich Haider, Jacek Rogala, and Michel Sager. Her artistic portfolio spans oratorios, cantatas, and vocal lyric poetry, with recordings on CD and DVD. Key roles include Eurydice (Gluck), Cleopatra (Handel), Liu (Puccini), and Najade (Strauss). Fabrello's doctoral degree in vocal performance (2013) underscores her academic contributions alongside her performance career. Educations: Doctor of Music (2013), Academy of Music in Gdańsk Master's in Vocal Performance (distinction), Academy of Music in Gdańsk Awards & Honors: Fryderyk Award 2014 Gdańsk Theatre Award 2015 Polish Art Song Competition accolades (2003) Artistic Collaborations: Baltic Opera productions (since 2005) TV Mezzo co-production of 'Ariadne auf Naxos' (2009)

Jarnuszkiewiczمشاهده پروفایل

استاد

• Theater Design
• Photography
• Art Education
• +۳ مورد دیگر

Prof. Jarnuszkiewicz is the Vice-Rector of the Academy of Fine Arts in Warsaw and a Professor at the Faculty of Media Arts. He holds a degree from the National Film School in Łódź (Film, Television, and Photography) and has been supervised by notable figures like Prof. Mieczysław Jahoda and Prof. Witold Sobociński. He leads the Visual Relations Studio, mentoring students who have won the Academy’s best graduate award four times. He directs three research projects and has received the Rector’s Award three times, including the highest honor, the Pegasus. As a lighting director and video projectionist since 2007, he collaborates with leading Polish theaters (e.g., Grand Theater – National Opera, Juliusz Słowacki Theater) and has designed lighting for over 40 productions. His photography projects include Family Portrait , Traces , and Perfectly Happy People , exhibited globally. Notable solo exhibitions include Traces at Miami’s Frost Museum (2015) and Unseen Memories in Bielsko-Biała (2012). Recipient of the Gloria Artis Bronze (2016) and Silver (2024) Medals. Author of two monographs and numerous publications. He advises the Gaude Polonia program and leads the Visual Relations Studio, fostering a legacy of academic and artistic innovation.

Delphine Caruelleمشاهده پروفایل

دانشیار

• Service Marketing
• Consumer Behavior
• Customer Experience
• +۳ مورد دیگر

Delphine Caruelle is an Associate Professor of Marketing at the School of Communication, Leadership and Marketing, Kristiania University of Applied Sciences. She holds a Ph.D. from BI Norwegian Business School (2019). Her research focuses on service marketing, consumer behavior, and emotional dynamics in customer experiences. Key areas include customer experience design, influencer marketing ethics, and interdisciplinary approaches to human-centered service systems. Education: Ph.D. in Marketing, BI Norwegian Business School (2019) Research Interests: Delphine explores emotional arousal in service encounters, the impact of waiting time perceptions, and the ethical implications of woke advertising. Her work bridges consumer psychology with operational service design, emphasizing measurable outcomes through biometric tools like EDA and affective computing technologies. Awards & Recognition: Liam Glynn Research Scholarship Award (2018) Finalist - 2020 SERVSIG Best Dissertation Award Professional Background: Before academia, Delphine worked as a Consumer Insights Specialist at Opera Software, bringing industry实践经验 to her academic research. Her recent publications emphasize triadic influencer-brand-follower dynamics and the intersection of CX/EX/HX systems.

• Operetta
• Classical Music
• Orchestral Conducting
• +۳ مورد دیگر

Laszlo Gyüker is a Hungarian-born conductor and lecturer specializing in operetta. Since September 2018, he has been a Lecturer for the Operetta course at the Musik und Kunst Privatuniversität der Stadt Wien (MUK). His career includes extensive work in operetta performance and direction, spanning festivals and theaters across Europe. He studied at the Graz University of Arts (Magister der Künste, 2008). From 2010–2012, he served as Kapellmeister for Bühne Baden, managing a broad operetta repertoire. He directed operettas at the Lehár Festivals Bad Ischl (2009–2017), including *Das Land des Lächelns*, *Die Csárdásfürstin*, and *Die Fledermaus*. In 2018, he debuted at the Volksoper with *Die Csárdásfürstin* and led a production of *Die Fledermaus* at Tirana Opera. As Musical Director of the Budapest Operetta World Theater and Operettenbühne Wien, he toured Germany with productions like *Die Zauberflöte* and *Gräfin Mariza*. Since 2014–2019, he was Artistic Director of the Luisenburg Festspiele. Recent engagements include conducting *My Fair Lady* at the Volksoper during the 2019/20 season.

Eva Tacha-Breitlingمشاهده پروفایل

استاد

• Speech Therapy
• Voice Pedagogy
• Theater Studies
• +۳ مورد دیگر

Univ.-Prof. Dr. Eva Tacha-Breitling is a Professor at the Music and Arts University of the City of Vienna (MUK), affiliated with the Faculty of Performing Arts. Her roles include teaching breath, voice, and speech formation, as well as leading pedagogical initiatives in expression and stage presence. She has held a permanent position since 2005 and serves on the Study and Research Commission of the Faculty of Performing Arts. Education: Studied German and Theater Studies at Ludwig Maximilian University of Munich Certified speech therapist (LKH Graz) Master's in Rhythmics/Music and Movement Education (University of Music and Performing Arts Vienna) Training with renowned figures like Lauren Newton, Martin Klietmann, and Ferdinand Kaspar Research & Artistic Work: Focuses on word-sound-speech scores and artistic research. Her projects include music recitation programs with institutions like the Gustav Mahler Society. She has contributed to an anthology (2021) on interdisciplinary performance methodologies. Performance & Pedagogy: Acting in major festivals (Salzburg Festival, Steirischer Herbst) Speech coaching for opera productions (e.g., Faust I & II directed by Peter Stein) Pedagogical leadership at the Max Reinhardt Seminar (1996–2005) Developed the spiral(e) dance/theater project as artistic director Committee & Outreach: Active in curriculum development and artistic research advocacy within MUK. Provides speech training for actors, conductors, and dancers internationally.

Gabriel Wankaمشاهده پروفایل

مدرس

• Dance
• Choreography
• Musical Theatre
• +۳ مورد دیگر

Gabriel Wanka is a Lecturer at the Music and Arts University of the City of Vienna (MUK) since September 2018, specializing in dance, choreography, and performing arts. Born in Munich and raised in Vienna, he trained at the Vienna State Opera Ballet School, participating in productions like Spartacus , Coppélia , and The Nutcracker , and collaborated with renowned choreographers such as Hans Van Manen and Robert North. He holds a diploma from the Ballet Academy and worked for six years at the Landestheater Linz as a performer, guest dancer, and choreographer (e.g., The Merry Widow ). Since 2016, he has been freelancing internationally as a dancer, actor, choreographer, and musical performer, notably with Posterino Dance Company led by Gaetano Posterino. His education includes studies at Lycée Jean Renoir (Munich) and Lycée Français de Vienne. His artistic focus spans contemporary dance, ballet, and interdisciplinary performance, blending classical and modern techniques. Wanka’s work emphasizes collaborative artistry, having contributed to operatic, theatrical, and dance projects across Europe. No specific grants, labs, or doctoral supervision are mentioned. His professional network includes affiliations with leading European arts institutions and companies.

Margit Leglerمشاهده پروفایل

استاد

• Historical Performance Practices
• Baroque Dance
• Early Music
• +۳ مورد دیگر

Margit Legler is a Professor of Historical Dance and Period Acting Techniques at the Musik und Kunst Privatuniversität der Stadt Wien (Music and Arts University of the City of Vienna), holding roles since 2015. She teaches in dance, early music, and opera programs, specializing in historical performance practices. Her career spans international engagements as a dancer, singer, and director in baroque and classical productions. Education includes extensive training in classical ballet, modern dance (Horton/Graham techniques), flamenco, and historical performance studies. Notable mentors include Violanta Stromeyer, Susan Dennis Gabriel, and Dene Barnett. She holds a diploma in speech therapy from AKH Wien (2006), focusing on breath techniques and vocal therapy. Research interests center on integrating historical dance, acting, and vocal techniques into modern performance. She founded ensembles like L’Azione Teatrale (historical theater) and Les plaisirs de la danse (historical dance), staging works by Gluck, Gassmann, and Purcell. Key productions include Zauberflöte (1994), Il Parnaso Confuso (1998, 2012), and L’Etearco (2022). Teaching spans workshops in 17th/18th-century acting and dance across Europe and Japan. She has held positions at the Vienna State Opera Ballet Academy (2010–2020) and Salzburg Mozarteum’s Opera Institute. Her work emphasizes interdisciplinary training for singers and dancers in historical contexts.

Lutz Standopمشاهده پروفایل

استاد

• Musical Theatre
• Voice Pedagogy
• Opera Performance
• +۳ مورد دیگر

Univ.-Prof. Lutz Standop is a faculty member at the Music and Arts University of the City of Vienna (MUK), holding a Professorship in the Faculty of Music. His career spans extensive stage performances in musicals, operettas, and theater across German-speaking regions, including roles at institutions like the Staatsoperette Dresden and Theater Magdeburg. He is known for his vocal versatility, having performed in renowned productions such as EVITA , CABARET , and world premieres like DER MEDICUS . Education: BA in 'Musikalische Unterhaltungstheater' from MUK Teaching: Voice instruction since 2018 (privately and at Stage School Hamburg until 2023) Certifications: Estill Voice Training, Camera Actors Studio, Cultural Management (HfMT Hamburg) His professional affiliations include the Bundesverband Deutscher Gesangspädagogen (BDG) and Deutsche Musicalakademie. Standop's work extends to film, TV, and voice-over roles, alongside leadership in artistic-scholarly research at MUK's doctoral program.