جستجوی استاد راهنمای دانشگاهی

Andreas Stoehr is a renowned Austrian conductor and professor at the Music and Arts Private University of the City of Vienna, leading the conducting department and symphony orchestra since 2013. His career spans prestigious engagements including the Paris Opéra Comique, Deutsche Oper am Rhein, and St. Gallen Theatre, focusing on operatic repertoire from Monteverdi to modernism. He is celebrated for reviving neglected works like Meyerbeer’s Emma di Resburgo and Gluck’s Ezio , emphasizing historical performance practices. His research explores stylistic transitions in music history, blending baroque precision with modern innovation. Education: Trained at Vienna's former Conservatory (now University of Music and Performing Arts), studying piano under Alfred Kremela, conducting with Gennadij Rozhdestvenskij, and musicology at the University of Vienna. Key mentors included David Lutz (accompaniment) and Reinhard Schwarz (conducting). Research Interests: Explores interdisciplinary connections between diverse musical eras, such as Bach’s influence on Schoenberg, and advocates for vocal-orchestral balance in historical repertoires. Projects include CD recordings of Amanda Maier-Röntgen and Andrea Tarrodi’s works, nominated for Swedish Grammis. Awards: Grammy nomination (2016) for Amanda Maier-Röntgen’s Violin Concerto recording. Recognized for innovative stagings of operas like Berg’s Wozzeck and Debussy’s Pelléas et Mélisande . Teaching & Leadership: As professor and symphony orchestra director, Stoehr mentors young conductors. Notable collaborations include the Langenlois Castle Festival (2012–2019) and interdisciplinary projects like Heart and Mouth, and Deed and Life blending Bach with sociological texts. His teaching emphasizes 21st-century conductorship as collaborative architecture, prioritizing emotional engagement over technical authoritarianism. Labs/Ensembles: Leads the MUK Symphony Orchestra, collaborating with ensembles like the Aarhus Symphony Orchestra and Orchestre Philharmonique de Liège. His work bridges academic research with performance practice through projects like the Styriarte Festival’s Schubert revival.

• Orchestral Conducting
• Opera Performance
• Historical Music Performance Practice
• +۳ مورد دیگر

Edward Muir is the Clarence L. Ver Steeg Professor in the Arts and Sciences and Charles Deering McCormick Professor of Teaching Excellence at Northwestern University, with joint appointments in the Department of History and Italian Studies at Weinberg College of Arts and Sciences. His academic journey includes a B.A. from the University of Utah (1969), an M.A. (1970), and Ph.D. (1975) in Modern European History from Rutgers University, including a Semester in Italy Program at Syracuse University (1967). Muir's research explores the intersection of ritual, violence, and power in Renaissance Europe, with emphases on Italian history, microhistory, and cultural anthropology. His work examines civic ceremonies, gender exclusion, and the sociopolitical underpinnings of early opera. Key themes include the anthropology of Venice, religious processions, and community formation in pre-modern societies. His scholarly publications reveal a consistent focus on Renaissance cultural practices, Venetian society, and methodological innovations in microhistory. Recent works analyze opera's emergence in 17th-century Venice, anti-war movements, and gendered public spaces, blending archival rigor with interdisciplinary theory. Awards and Honors: Herbert Baxter Adams Prize (1982) Two-time Howard R. Marraro Prize winner (1982, 1993) Andrew W. Mellon Foundation Distinguished Achievement Award (2010, $1.5 million) Fellow, American Academy of Arts and Sciences (2014) Charles Deering McCormick Professorship for Teaching Excellence (2006) Muir has held major administrative roles including Department Chair at Northwestern and LSU, co-directed the Graduate Program in Italian Studies, and served on editorial boards for journals like the American Historical Review . He mentors through graduate programs but no specific student advisees are listed.

• European history
• Microhistory
• Italian history
• +۳ مورد دیگر

Harry White is a Professor of Music at University College Dublin (UCD), serving as Head of Department from 1993-2005. He holds academic positions such as visiting professorships in Canada, Croatia, Germany, and the UK. Educated at UCD, University of Toronto, and Trinity College Dublin, he specializes in cultural history of Irish music, Austrian baroque music, and Anglo-American musicology. His awards include the Harrison Medal (2014) and Royal Irish Academy membership (2006). Research focuses on music’s role in Irish cultural identity, European baroque traditions, and historiographical methods. Notable works include The Keeper's Recital (1998) and co-editing The Encyclopaedia of Music in Ireland (2013). Recent engagements include delivering the Alfred S. Hook Memorial Lecture (2022) and receiving a Festschrift in 2018. Education: BMus (UCD), MA (Toronto), PhD (Trinity College Dublin) Awards: Harrison Medal, MRIA, Honorary Fellowships (R.I.A.M., Croatian Musicological Society) Editorial Roles: General editor of Irish Musical Studies , advisory editor for New Grove Dictionary and Journal of the Royal Musical Association

• Cultural History of Music in Ireland
• Austrian Baroque Music
• History of Anglo-American Musicology
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Anne Piéjus is a CNRS Researcher specializing in Early Modern Music, with a focus on interdisciplinary approaches integrating literature, theater, history, and digital humanities. She leads the Mercure galant program, producing enriched editions of music, text, and images while advancing digital methodologies in musicology. Her research includes studies on Italian Renaissance music, French Baroque theater, and music's role in education and devotion. Positions: 1st Class Research Director at CNRS-IReMus (2021–present) Formerly at the Paris Philharmony (2001–2002) and University of Fribourg (2001–2002) Fellowships: Villa Medici (Rome, 1998–2000), Thiers Foundation (1995–1998) Research Interests: Music in early modern press, theater, and education; sacred music in Renaissance Rome; digital humanities; music and politics; interdisciplinary performance studies. Awards: Thorlet Prize (2015), Alfred Verdaguer Prize (2015) Prime d'Encadrement de Recherche (2016, 2020) Prix des Muses (2001) Advising & Grants: Supervises graduate students in the Doctoral School “Concepts et langages”; led ANR-funded research on school spectacles under the Ancien Régime. Labs/Teams: Heads the Mercure galant program and co-founded the European seminar Building Relationships in a Changing World .

• Early Modern Music
• Music and Theater
• Digital Humanities
• +۷ مورد دیگر

Vincenzo Borghetti is an Associate Professor of Music History at the University of Verona, Italy, where he has been employed since 2008, first as a Lecturer ("ricercatore") until 2017, then promoted to his current position. He previously held teaching positions at the University of Vienna (2015-2016) and was a Lila Wallace–Reader's Digest Fellow at Villa I Tatti, Harvard's Center for Italian Renaissance Studies in Florence (2007-2008). He earned his Ph.D. from the University of Pavia-Cremona in 2001. His scholarly work centers on Renaissance polyphony and early twentieth-century opera, with particular expertise in music philology, court culture, and the intersection of music with visual arts and literature. Borghetti has made significant contributions to Rossini scholarship through his critical edition of Elisabetta regina d'Inghilterra (2016) for the Fondazione Rossini's critical edition series. Borghetti's publications appear in leading journals including Early Music History , Acta musicologica , Journal of the Alamire Foundation , and Imago Musicae . His research demonstrates consistent engagement with both historical musicology and interdisciplinary approaches connecting music to broader cultural contexts. Gabriele D'Annunzio Award (1998) for co-authored monograph Il bacio della Sfinge: D'Annunzio, Pizzetti e "Fedra" Grant from Fritz Thyssen Stiftung (2018) for organizing the International Conference "Books, Images, Objects: The Media of Secular Music in the Medieval and Early Modern Period" As an active scholar in musicology, Borghetti contributes to major reference works including the Handbuch der Musik der Renaissance , demonstrating his standing in the international academic community. His work bridges historical musicology with cultural studies, offering nuanced interpretations of musical practices within their broader social and intellectual contexts.

• Renaissance Music
• Opera
• Music History
• +۴ مورد دیگر

Arnold Jacobshagen is a Professor and Chair of Musicology at the Cologne University of Music and Dance since 2006. He holds a Ph.D. from Freie Universität Berlin (1996) and habilitation on 19th-century Italian opera semiseria (2003). His expertise spans opera studies, 19th/20th-century music history, music historiography, and performance practice. He has authored five books and edited/co-edited 18 volumes, with significant contributions to journals like Die Musikforschung , Cambridge Opera Journal , and Acta Musicologica . Awards include membership in Academia Europaea (2015) and fellowships from the Deutsches Historisches Institut Rome and Deutsches Studienzentrum Venice. He currently leads editorial roles at Die Musikforschung and advisory boards for institutions like the Joseph Haydn Institute. Educations: Musicology, Modern History, and Philosophy studies in Berlin, Vienna, and Paris Research focuses on opera historiography, performance practices, and cultural transfer. Key works include Gioachino Rossini und seine Zeit (2015) and Opera semiseria (2005). Publications analyze composers like Handel, Berlioz, and Mahler, with attention to national genres, stage practices, and historical reception. His recent work explores 19th-century French grand opéra and counter-tenor vocal traditions.

• Opera Studies
• 19th/20th Century Music History
• Music Historiography
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Luca Zoppelli is a Professor of Musicology at the University of Fribourg, Switzerland, since 2000. Previously, he held academic positions at the University of Salento (1993–1998 as Lecturer, then Associate Professor) and taught at several Italian conservatories including Padua, Vicenza, and Lecce. His research focuses on 19th-century opera, Venetian music history, musical dramaturgy, and the aesthetics of Baroque music. He co-directs the critical edition of Vincenzo Bellini's works and served as editor of the Schweizer Jahrbuch für Musikwissenschaft / Annales Suisses de Musicologie (2008–2019). Education: Studied Musicology and Literature at Ca' Foscari University in Venice (B.A., 1984 under Giovanni Morelli). Specialized in Baroque music aesthetics, operatic narrative structures, and the interplay between music and drama. His work bridges historical analysis with contemporary musicological methodologies. Research interests prominently feature operatic composition processes, the role of narrative in music, and the socio-political dimensions of 19th-century Italian opera. His publications critically analyze composers like Rossini, Verdi, Wagner, and Bellini, with notable contributions to understanding musical dramaturgy and the evolution of operatic forms.

• History of 19th-century opera
• History of Venetian music
• Musical dramaturgy
• +۳ مورد دیگر

Emanuele Senici is a Full Professor of Music History at Sapienza University of Rome, where he has been teaching since January 2008. Prior to this, he held significant academic positions at the University of Oxford as Reader in Musicology (2006-2007) and University Lecturer in Music (2000-2006), with additional appointments as Tutorial Fellow at St. Hugh's College. His academic career also includes a Junior Research Fellowship at Christ Church, Oxford (1998-2000) and prestigious visiting appointments at King's College London (2009-2023) and Cambridge University (2023). Senici earned his Laurea in Musicology from the University of Pavia (1993), participated in an Erasmus program at King's College London (1992), and completed his MA (1996) and PhD (1998) at Cornell University. His doctoral research focused on Mozart's 'La clemenza di Tito' and its reception in the first thirty years after its premiere. His scholarly work centers on Italian opera of the long nineteenth century, with particular attention to issues of genre, gender, and the historiography of opera. Senici's research explores the intersection of music with broader cultural, political, and technological contexts, examining how opera functions both as historical document and living performance tradition. A significant portion of his recent scholarship investigates opera on screen and in digital media, analyzing how film and television adaptations transform operatic works and their reception. Senici's most recent publications (2023-2025) demonstrate a continued focus on nineteenth-century Italian opera while expanding into new areas of media studies and cultural geography. His work consistently bridges historical musicology with contemporary theoretical frameworks, particularly in gender studies and media studies, showing how historical operatic works remain relevant through modern reinterpretations and adaptations. Leverhulme Visiting Professor (2023) Visiting Professor of Music, King's College London (2009-2023) Edward T. Cone Member, Institute for Advanced Study, Princeton (2006) Jerome Roche Prize, Royal Musical Association (2002) Donald J. Grout Memorial Prize, Cornell University (1997) As an educator, Senici has supervised numerous graduate students and served as Director of Graduate Studies at Oxford. His current teaching at Sapienza includes undergraduate courses on music history and graduate seminars on the medial history of musical theater. He has made significant contributions to academic service through editorial board memberships for major journals including Acta Musicologica, Opera Quarterly, and Il Saggiatore Musicale, and previously served as co-editor of the Cambridge Opera Journal (2003-2008).

• Historiography of music
• Historical musicology
• Music and gender
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Thierry Favier is a Professor at the University of Poitiers , France, since 2010. He holds academic affiliations with the Institut Universitaire de France (2023) and has held visiting positions at prestigious institutions including the University of Zurich , Oxford University , and Heidelberg University . His research focuses on Baroque music , with emphasis on sacred music , French cultural identity , and musical historiography . Doctorate (1997) and Habilitation (2009) from leading French institutions Co-directed major research programs funded by ANR, CNRS, and regional governments Editorial leadership in Eighteenth-Century Music (2017) His scholarly work analyzes the intersection of music and power , musical ethics , and cultural exchange in early modern Europe. Recent publications explore topics like the Italian motet’s influence in France and post-Lullian musical identity . He has received significant recognition for scientific excellence and mobility fellowships. Favier has served as Chair of the Commission of Scientific Expertise (2014–present) and Head of the Music Department (2014-2017) at Poitiers. He has presented at institutions such as the Ecole Normale Supérieure , Gulbenkian Foundation , and Cardiff University , contributing to global discourse on Baroque and Enlightenment-era music.

• Musicology
• Baroque Music
• Sacred Music
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Klaus Pietschmann is a Professor and Director of the Institute of Musicology at Johannes Gutenberg University Mainz since 2009. He specializes in music-liturgical interactions during the 15th-16th centuries, opera history, Italian Renaissance music, sensory history, and regional music cultures spanning the Rhineland, Switzerland, and Mexico. Education: Master's in Early Modern History (1996, University of Münster), Ph.D. in Musicology (2000, University of Bonn), Habilitation in Musicology (2006, University of Zürich) His research explores music's role in religious rituals, the evolution of opera as a political and cultural medium, and the interplay between music and sensory experiences across different historical contexts. He has contributed significantly to the understanding of regional music traditions in Europe and Latin America. Recent publications focus on 15th-18th century music institutions, court liturgy, and cross-cultural reception studies. His work bridges historical analysis with interdisciplinary approaches to sensory history and media representation. Scientific Awards: 2008 - Göttinger Akademiepreis für Geisteswissenschaften 2018-2022 - Fellowship of the Gutenberg Research Council Current projects include the Mainz Academy of Sciences' Gesamtausgabe der Werke Christoph Willibald Glucks and Repertoire des Sources Musicales initiatives, focusing on comprehensive musicological documentation and analysis.

• Musicology
• Liturgical Music
• Opera History
• +۵ مورد دیگر

Anne Piéjus is a Researcher at the French National Centre for Scientific Research (CNRS) , affiliated with the Institute of Music Research (IReMus) in Paris. A specialist in Early Modern Music , her multidisciplinary work bridges literature, performing arts, history, and intellectual history, with a focus on digital humanities and enriched music editions. Founded the "Mercure galant" program for text-music-image editions Active in scholarly societies and leads the European seminar "Building Relationships in a changing world" Member of the executive committee of the "Concepts et langages" Doctoral School (500 students) Her research spans music-theater intersections , sung poetry , digital music archives , and sacred music in Renaissance Rome . Key projects include critical editions of Racine's works and studies on Jesuit school spectacles. Recent publications highlight 16th-17th century European music , music censorship , and digital resource integration . Awards include dual 2015 honors from the Institut de France, Prix des Muses (2001), and CNRS grants. Thorlet Prize (2015) Alfred Verdaguer Prize (2015) Prime d'Encadrement de Recherche (2016, renewed 2020) Piéjus supervises graduate trainees, curates exhibitions, and contributes to musicological societies. Her work emphasizes digital humanities and interdisciplinary methodologies to connect historical music resources.

• Music and early modern press
• Music and theater
• Music and education
• +۱۵ مورد دیگر

Univ.-Prof. Michèle Crider is a renowned soprano specializing in Italian opera repertoire, particularly Verdi roles. She has held a professorship in Voice at the Department of Vocal Studies, Mozarteum University since 2012, concurrently overseeing the Pre-College program. Her academic affiliations include the School of Music & Art Education (SOMA). Education: DMA from University of Iowa, advanced studies at Zurich Opera House Studio. Achievements include Metropolitan Opera Auditions victories, Geneva Competition first prize, and Pavarotti Competition finalist placement. Repertoire focuses on Verdi heroines (Leonora, Amelia, Elvira) and signature roles like Aida, Tosca, Norma, and Santuzza. She has performed at major institutions including Royal Opera House Covent Garden, Metropolitan Opera, La Scala, and with orchestras like Vienna Philharmonic under conductors Riccardo Muti and Daniel Barenboim. Awards highlight her artistry: Geneva Competition victory enabled her Il Trovatore debut, while Grand Prix cemented international acclaim. Active in concert performances at Salzburg Festival, Carnegie Hall, and Musikverein.

• Italian Opera
• Verdi Repertoire
• Classical Voice
• +۳ مورد دیگر

Karol Berger is the Osgood Hooker Professor in Fine Arts at the Department of Music, Stanford University (since 1996). He previously served as Professor in Musicology (1982-1996) and Assistant Professor (1975-1982) at Boston University. He has held visiting appointments at UNC Chapel Hill, Universität Paderborn, University of Oxford, and Harvard's Villa I Tatti. Education: Doctorate from Yale University (1975), musicology studies at University of Warsaw (1965-1968) His research spans Renaissance music theory, Austro-German musical modernity from Bach to Mahler, and the history of musical aesthetics. He pioneered interdisciplinary approaches connecting musicology with philosophy and cultural criticism. Key publications include Musica Ficta (1987), A Theory of Art (1999), Bach's Cycle, Mozart's Arrow (2007), and Beyond Reason (2016). His work explores how musical structures reflect philosophical and cultural shifts. Scientific Awards: 1988 Otto Kinkeldey Award 1995 Alfred Jurzykowski Award 2008 Marjorie Weston Emerson Award 2011 Glarean Prize 2014 Humboldt Research Award Multiple academy memberships

• Renaissance music
• Theory of art
• Theory of music
• +۳ مورد دیگر

Andreas Scholl is a University Professor of Voice specializing in Early Music at Mozarteum University in Salzburg, where he teaches vocal studies in the Department of Vocal Studies. Born in Germany, Scholl began his musical training with the Kiedrich Chorbuben Choir and later studied at the Schola Cantorum Basiliensis with Richard Levitt and René Jacobs. His research interests focus on historical performance practice of Baroque and Renaissance vocal music, with special emphasis on countertenor repertoire, German Lied, and Handel's works. Scholl has pioneered approaches to interpreting early music that balance historical authenticity with contemporary vocal technique, particularly in the specialized field of countertenor performance where he has established new standards for tone production and expressive interpretation. His discography reveals a consistent focus on Baroque vocal repertoire, particularly Handel's works, with notable emphasis on oratorios and cantatas. Scholl's recordings demonstrate evolving expertise in historically informed performance while maintaining artistic innovation, with recent work expanding into digital media production through his "Room Service" VOD show that bridges historical music with contemporary presentation formats. ECHO Award for Deutsche Grammophon's audio-book of Hans Christian Andersen's The Emperor's New Clothes and The Nightingale BBC Music Magazine Award in 2012 for O Solitude Scholl maintains an active performance career while teaching at Mozarteum University. His students benefit from his extensive experience performing with major orchestras including the Berlin Philharmonic, New York Philharmonic, and Royal Concertgebouw Orchestra. He has been instrumental in developing online teaching methodologies, particularly during the pandemic, making his expertise accessible to singers worldwide regardless of geographical location. Scholl's "Room Service" production represents his innovative approach to music presentation, blending performance with educational content about historical context.

• Early Music
• Baroque Vocal Performance
• Countertenor Repertoire
• +۳ مورد دیگر

Dinko Fabris is an Italian musicologist currently holding the position of Professor at the State Conservatory of Music, Naples (since 2013) and Lecturer of History of Music at the University of Basilicata, Potenza (since 2001). He also serves as an external tutor at the University of Ljubljana and the DocArtes doctoral programme (Den Haag/Leiden), and as Principal Fellow (Honorary Associated Professor) at the University of Melbourne. Research Interests: Lute music and tablature notation Music patronage in Early Modern Italy Baroque opera, particularly works by Francesco Cavalli and Andrea Gabrieli Urban musicology and music iconography (Caravaggio) Music collections and historical studies in Naples (1500-1800) Social impact initiatives in music education (e.g., 'El Sistema' adaptation) Scientific Awards & Honors: President of the International Musicological Society (2012-2017) Senior MacGeorge Fellowship (2004) Warburg Institute and Newberry Library short-term fellowships Principal Fellow at the University of Melbourne (since 2007) Membership in prestigious committees (Vatican, 'Amici della Scala', RILM, etc.) Contributions: He leads international collaborations in musicology, including the Corpus des Luthistes database and critical editions of Cavalli and Gesualdo. He is actively engaged in promoting youth orchestras through the Italian branch of 'El Sistema.'

• Music in Naples (15th-19th centuries)
• Francesco Cavalli's operas
• Lute Music and Tablature Notations
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