جست‌وجوی استاد و پژوهشگر

James Paul Sainمشاهده پروفایل

استاد

• Music Composition
• Electroacoustic Music
• Music Theory
• +۴ مورد دیگر

James Paul Sain is a Professor of Music at the University of Florida, where he teaches composition, music theory, and electroacoustic music. He serves as Composition, Theory, and Technology Co-Chair, Director of Electroacoustic Music, and founded the Florida Electroacoustic Music Festival (operating for 17 years). His work includes pioneering interdisciplinary projects such as the MIDI Movement Module (M3), which was nominated for a 1998 technological innovation award. Sain has held residencies at institutions worldwide, including the Swedish Royal Academy of Music and the Institute for Electroacoustic Music in Sweden (EMS). He curated international festivals in Germany, Argentina, and South Korea, and his compositions have been featured globally in venues like Nuit Bleue (France) and the Nong Festival (South Korea). Awards include the 2005 San Diego State University Alumnus of the Year and editorial recognition for his technological contributions. Roles: Professor, Festival Director, Interdisciplinary Innovator Key Projects: Florida Electroacoustic Music Festival, M3 MIDI Controller International Collaborations: Sweden, Argentina, South Korea, UK Publications: CDs on Capstone, Innova, and Brazinmusikanta Publications

Edgar Meyerمشاهده پروفایل

استاد مدعو

• Classical Music
• Jazz
• Chamber Music
• +۳ مورد دیگر

Edgar Meyer is an Adjunct Professor at Vanderbilt University's Blair School of Music since 1984. He holds visiting professor roles at the Royal Academy of Music and Curtis Institute. His career spans solo performances with orchestras, Grammy-winning recordings, and collaborations with renowned artists like Yo-Yo Ma and Bela Fleck. Educations: B.M. from Indiana University. Research interests focus on classical performance, music composition, and cross-genre collaborations. He has pioneered works blending classical, jazz, and contemporary styles. Awards: Avery Fisher Career Grant (1994), MacArthur Award (2002). Notable affiliations include the Santa Fe Chamber Music Festival (1985–1993) and Chamber Music Society of Lincoln Center (since 1994). His recordings span Bach, Bottesini, and original compositions.

• Ethnomusicology
• Music History
• South Asian Studies
• +۳ مورد دیگر

Budhaditya Bhattacharyya is a Lecturer and PhD candidate in the Department of Music at Durham University. His research focuses on the music history of Bengal and Britain, exploring themes of citizenship, identity, and cultural contestations through oral histories, archives, and multilingual sources. He specialises in Hindustani classical vocal traditions, including khayāl, dhrupad, and tāhumrī, and has performed internationally. He serves on the Editorial Board of Sonic Scope , a peer-reviewed journal on audiovisual culture. Educations: MA Music (SOAS), BSc International Relations (University of London). Research Interests: Ethnomusicology, sound studies, ecomusicology, and the intersections of music with socio-political dynamics in Bengal and its diasporas. His work employs interdisciplinary methods to document musical histories across desh (home) and bidesh (away). Publications: His 2022 article in South Asia: Journal of South Asian Studies examines the cultural and ecological dimensions of the Kolkata tanpura. His research bridges musicology with colonial and postcolonial studies. Awards: Includes the Durham Doctoral Studentship (2019) and the British Forum for Ethnomusicology Fieldwork Grant (2022). Teaching & Roles: Guest lecturer for MUSI2771 (The Music of India), co-lecturer for ethnomusicology modules, and senior representative on departmental committees. Organized postgraduate research seminars (2020/21). Labs/Teams: Editorial Board member of Sonic Scope , a collaboration between Goldsmiths, University of London and MIT Press.

Stephen Gossمشاهده پروفایل

استاد

• Composition
• Guitar Performance
• Orchestral Music
• +۳ مورد دیگر

Stephen Goss is a Professor of Composition at the University of Surrey and Professor of Guitar at the Royal Academy of Music. He directs the International Guitar Research Centre, blending performance and scholarly work. His roles include teaching composition and musicianship at the Yehudi Menuhin School. Goss is renowned globally for compositions across orchestral, chamber, and solo works, with over 90 CDs recorded by labels like EMI and Deutsche Grammophon. Education: Composition and guitar studies at the Royal Academy of Music, University of Bristol, and University of London. Research: Explores guitarist-composer interplay, pushing boundaries between performance, transcription, and original composition. Research Interests: Modern classical composition, guitar performance innovation, interdisciplinary collaborations with visual art/architecture, and pedagogy emphasizing improvisation and general musicianship. His work often reflects historical influences while embracing contemporary techniques. Grants & Commissions: Major works commissioned by institutions like the Boulder Philharmonic, Scottish Chamber Orchestra, and Hong Kong Academy for Performing Arts. Notable projects include the world's first Theorbo Concerto (2018) and Landscape and Memory (2023 triple album). Labs/Teams: International Guitar Research Centre at the University of Surrey fosters collaborative projects between performers, composers, and scholars.

Ugnius Pauliukonisمشاهده پروفایل

مدرس

• Classical Piano Performance
• Music Education
• Chamber Music
• +۳ مورد دیگر

Ugnius Pauliukonis is a Lecturer in Pianoforte at the Royal Conservatoire of Scotland, and teaches at the Universities of Glasgow and Aberdeen. He is a renowned classical pianist, award-winning performer, and founder of the SONO ensemble, dedicated to innovative contemporary music. His performances include collaborations with the BBC Philharmonic and Lithuanian National Symphony Orchestra at venues like the Bridgewater Hall and Elbphilharmonie. Education: Details not explicitly stated in text. Research/Performance Focus: Blends traditional and contemporary piano techniques, emphasizes chamber music innovation, and explores interdisciplinary performance art. Active in music education through masterclasses and workshops. Recent Performances: Includes solo recitals in North East England (2023), chamber music concerts at Aberdeen University, and lectures on piano composition at the University of Glasgow. His YouTube channel offers pedagogical content on piano performance. Awards: None explicitly listed in text. Advising/Grants: Mentors students achieving success in national/international competitions. Involved in recording projects like the 'Concertino' with Divine Records. Labs/Teams: Leads the SONO ensemble, a chamber group pushing boundaries of contemporary musical expression.

Tony Makarome Yueمشاهده پروفایل

مدرس

• Jazz Studies
• Orchestral Conducting
• Music Composition
• +۳ مورد دیگر

Tony Makarome Yue is an Artist Faculty member in the Professional Integration division at the Yong Siew Toh Conservatory of Music, National University of Singapore (NUS). He holds a Doctor of Musical Arts in Orchestral Conducting from the University of South Carolina and a Bachelor of Music in Composition from Berklee College of Music. As a bassist, conductor, and educator, he actively performs in jazz circles across Asia and America, collaborating with renowned musicians like Louis Bellson and Danilo Perez. His conducting highlights include the US premiere of Procaccini’s opera La Prima Notte and leadership roles with the Columbia Lyric Opera and NUS Wind Symphony. Research interests focus on jazz performance, orchestral conducting techniques, and music composition. His works include the children’s opera Faybulous (2001) and commissioned compositions for institutions like NUS. He teaches jazz studies and popular culture at Singapore’s National Institute of Education and leads music theory courses. Notable roles include Musical Director of the NUS Wind Symphony since 2003 and collaborations with Asian jazz icons such as Jeremy Monteiro and Michael Veerapan. His arrangements, such as William Grant Still’s The Black Man Dances , reflect expertise in orchestration and cultural fusion. Education background: Doctorate (University of South Carolina), Bachelor’s (Berklee College of Music). Affiliations span academic and professional music sectors in Singapore and internationally.

Robert M. Kellermanمشاهده پروفایل

استاد

• Medieval Literature
• Renaissance Literature
• Shakespeare Studies
• +۳ مورد دیگر

Robert M. Kellerman is a Professor of English and Director of the UMA Honors Program at the University of Maine at Augusta. He holds a B.A. from the University of Michigan-Flint and M.A./Ph.D. from Michigan State University, specializing in medieval/Renaissance English literature. His career spans academic and non-academic roles, including editor, public relations director, and musician with early music ensembles since the 1980s. Dr. Kellerman’s research bridges medieval/renaissance studies (focusing on drama, devotional texts, and Shakespeare) with contemporary LGBTQ+ literature and graphic narratives. He emphasizes connecting historical texts to modern themes. He teaches courses ranging from composition to advanced topics like medieval literature and LGBT studies. His recent publications analyze queer theory in modern novels, Shakespearean agency, and medieval pedagogy, reflecting his dual focus on classical and contemporary themes. He received a 2017 Fulbright Fellowship to teach in Latvia. His teaching spans foundational and specialized courses, including the History of the English Language and Senior Seminar.

• Classical Music Performance
• Clarinet Pedagogy
• Orchestral Training
• +۳ مورد دیگر

Frank Celata is a Lecturer in Clarinet at the Sydney Conservatorium of Music, part of the University of Sydney. He holds permanent faculty status and specializes in clarinet performance, chamber music, and orchestral training. Celata has served as Principal Clarinet with Queensland Philharmonic Orchestra and Associate Principal Clarinet with Sydney Symphony Orchestra. He currently directs the Australian International Symphony Orchestra Institute (AISOI), a prestigious orchestral training program. Education: Graduated from Victorian College of the Arts (1987), studied with Piet Honingh (Concertgebouw Orchestra) in Amsterdam, and Giuseppe Garbarino in Siena. His research interests focus on clarinet pedagogy, historical performance practices, and modernist wind ensemble repertoire. He actively performs with chamber groups like the Sydney Soloists and frequently guest-performs with the London Symphony Orchestra. Educations: Victorian College of the Arts (1987), Advanced Studies in Amsterdam/Siena Key Roles: Sydney Conservatorium Lecturer (1994–present), AISOI Artistic Director Performance Venues: Sydney Opera House, London Symphony Orchestra tours, ABC Classic FM recordings His performances emphasize Romantic and 20th-century repertoire, with notable collaborations including works by Brahms, Tchaikovsky, and Australian composer Gordon Kerry. Celata's discography includes recordings of Shostakovich's Symphony No.5 and contemporary wind quintets. Teaching Contributions: Develops clarinet pedagogy curricula, mentors young musicians through AISOI, and maintains active involvement in Sydney's classical music scene. No scientific awards are explicitly mentioned in his profile, though his artistic achievements are widely recognized.

• Sound Composition
• Digital Music Media
• Visual Music
• +۷ مورد دیگر

Dr. Ivan Zavada is a Senior Lecturer and Program Leader in Composition & Music Technology at the Sydney Conservatorium of Music, part of the University of Sydney. His work focuses on the intersection of sound, visuals, and technology, with specialties in electroacoustic music, digital media, and environmental sustainability. He holds a MMus in Electroacoustic Composition from the Université de Montréal and a PhD from the University of Sydney. Education: MMus (Montreal), PhD (Sydney) Research Interests: Sound composition, digital music media, visual music, cross-cultural composition, AI in music His research explores innovative approaches to sound and visual art, including immersive audiovisual performances and sustainability-themed projects like 'Sounds of Sustainability' with AMP Capital. Current projects include Southeast Asia-focused collaborations on cultural heritage and urban soundscapes. Recent grants include a New Colombo Plan mobility grant for studying underwater sounds in Southeast Asia. He advises PhD students on topics ranging from Korean traditional instruments to spectral music and temporal location in composition. Key Projects: Sounds of Sustainability, Sydney Southeast Asia Centre Collaborative Grants Publications: Over 20 works spanning journals, conferences, and composed pieces

• Jazz Studies
• Music Composition
• Music Education
• +۳ مورد دیگر

Jess Green is a Jazz Lecturer and Program Leader of the Equity in Jazz Program at the Sydney Conservatorium of Music, University of Sydney. She holds a BA (Music) from ANU (First Class Honors) and an MMUS from the Sydney Conservatorium. Her research focuses on improvisation, multi-modal creativity, skill acquisition in musicians, and ecological approaches to learning. She is a genre-defying performer/composer with projects spanning jazz, contemporary classical, theatre, and visual art. Education: BA Music (ANU, 1st Class Honors), MMUS (Sydney Conservatorium) Awards: 2024 ACT Woman of the Year Nominee, Canberra Critics Circle Award (2022), Freedman Fellowship Nominee (2007) Her current projects include the Strange Attractors album with Dylan van der Schyff, The Signal Makers theatre collaboration, and sKin dance project. She leads the Girls Jazz+ program promoting gender equity in music education. Grants include 2024 SCM Research Grant, 2023 Europe Equity Trip Scholarship, and 2022 RTP Masters Scholarship. Her work bridges performance art, education, and cross-disciplinary collaboration.

• Classical Music Performance
• Piano Pedagogy
• Music Education
• +۴ مورد دیگر

Dr Paul Rickard-Ford is a Senior Lecturer and Chair of the Piano Unit at the Sydney Conservatorium of Music, The University of Sydney. He holds a BMus from Melbourne Conservatorium, ARCM from Royal College of Music, and a PhD from the University of Adelaide on Schumann’s late piano works. His career spans international performances, recordings, and teaching, marked by awards such as the 2017 Vice-Chancellor’s Award for Excellence in Teaching and the 1988 Australia Achiever award. His pedagogical philosophy emphasizes 'Freedom and Control' in piano technique and creativity. Research interests include Romantic piano repertoire, performance practice, and pedagogy. He has recorded extensively, including Liszt’s Annees de Pelerinage and Schumann’s late works. Collaborations with Natalia Sheludiakova include world premieres like Carl Vine’s Piano Sonata for Four Hands . His students excel in global competitions, with notable wins in Sydney International Piano Competitions (2012, 2016). He tours Asia annually for masterclasses and performs on ABC Classic FM. Publications include Dr Paul's Treasure Chest | Book 1 (2018) and a chapter in Australian Pianists: A Cross-section of Performers (2010). Awards also include the Clarke Scholarship (London) and Dannreuther Prize for concerto performance. His academic roles involve examiner duties for AMEB and guest lecturing on piano pedagogy.

• Bassoon Performance
• Classical Music
• Chamber Music
• +۳ مورد دیگر

Andrew Barnes is a Senior Lecturer in Bassoon and Coordinator of Chamber Music at the Sydney Conservatorium of Music, part of the University of Sydney. He also serves as Program Leader for the Bachelor of Music (Performance) program. Prior to this role, he held teaching positions at Indiana University School of Music and performed with orchestras including the Adelaide Symphony Orchestra and the Australian Chamber Orchestra. Education: Studied bassoon with Marion Stanley and John Cran while pursuing degrees in Economics and Law at Macquarie University. Further studies included a Queen Elizabeth II Scholarship for European training, leading to a Performer Diploma from Indiana University. Research interests focus on bassoon performance, chamber music coordination, and historical performance practices. His recent work emphasizes contemporary compositions for wind ensembles and interdisciplinary musical collaborations. Over 15 years of professional orchestral experience inform his teaching and performance approaches. Performance highlights include roles with the Australia Ensemble, New Sydney Wind Quintet, and international tours with the Australian Chamber Orchestra. His performances span classical repertoire to modern compositions, emphasizing technical mastery and expressive interpretation. Labs/Teams: Active member of the New Sydney Wind Quintet and core contributor to chamber music programs at the Sydney Conservatorium. Coordinates woodwind ensembles and mentors students in advanced performance techniques.

• Beethoven Studies
• English Baroque Music
• Baroque Keyboard Music
• +۴ مورد دیگر

Barry Cooper is Professor of Music at the University of Manchester , specializing in Beethoven studies and Baroque music. His research spans medieval to 19th-century music, with a focus on editing early music and source collections. Education: DPhil in Music from University College, Oxford (1974) Academic Roles: Lecturer at St Andrews (1974) → University of Aberdeen → University of Manchester (1990–present) Key Achievements: Reconstructed Beethoven's unfinished Tenth Symphony (1988), edited Beethoven's 35 Piano Sonatas (2007), discovered 'Tantum ergo' hymn (2012), awarded honorary doctorate (University of Tucumán, 2017) His research output includes 71 publications, with recent works analyzing Beethoven's sketchbooks, performance practices, and cross-cultural influences (e.g., Ukrainian connections in Opp. 105/107). The 2024 publication The Creation of Beethoven's Nine Symphonies consolidates decades of symphonic analysis. Scientific Awards : Doctor honoris causa (University of Tucumán, 2017) Huésped de Honor (National University of Paraguay, 2017) Visiting Professor (National University of Paraguay, 2017) Cooper actively supervises PhD students and collaborates with the Creative Manchester research initiative on historical musicology projects.

Silvia Malcovatiمشاهده پروفایل

استاد

• Architecture
• Urban Planning
• Architectural Design
• +۳ مورد دیگر

Prof. Dr. Silvia Malcovati is a prominent academic and architect specializing in architectural design, urban planning, and the history of architecture. She currently holds the position of Professor in the Department of Design and Urban Planning at the Potsdam School of Architecture, part of the University of Applied Sciences Potsdam. Her academic journey includes roles as Junior Professor (2003–2015) and Associate Professor (2015–2016) at the Politecnico di Torino, where she taught architectural and urban composition. She has also served as Visiting Professor at international institutions like the Technische Universität Dortmund and the University of East London. Her research focuses on urban history, architectural realism, and the intersection of architecture with urban sociology. Notable works include publications on Berlin urban reform, the Humboldt Forum project, and the legacy of architects such as Giorgio Grassi and Peter Behrens. She has led projects like the Block Reform Berlin and contributed to urban planning strategies for cities like Schwedt an der Oder. Malcovati’s academic leadership includes heading the Architecture and Urban Planning program (2017–2023) and serving on editorial boards for journals like AIÓN and book series like Maestri Di Architettura . Her work bridges historical analysis with contemporary urban challenges, emphasizing the revival of urban architecture through interdisciplinary approaches. Her professional practice includes collaborations with renowned architects and institutions, alongside independent work in Milan. She has curated exhibitions on architectural history and participated in international conferences, showcasing her global influence in architectural discourse.

Julius Sebastian Kircherمشاهده پروفایل

استاد

• Music Performance
• Chamber Music
• Orchestral Studies
• +۳ مورد دیگر

Prof. Julius Sebastian Kircher is a Professor of Clarinet at the University of Music Karlsruhe since October 2019. He is a renowned performer and chamber musician, with affiliations to major orchestras including the Bavarian Radio Symphony Orchestra, Frankfurt Radio Symphony, and Bavarian State Orchestra. Research & Artistic Focus: His work centers on Woodwind performance techniques Chamber ensemble dynamics (notably with the Acelga Quintet) Orchestral repertoire spanning classical to contemporary compositions Historical interpretation of early 20th-century European works Interdisciplinary collaborations in wind quintet formations Selected Scientific Awards: He has received prestigious honors including 13th Walter Gieseking Competition First Prize German Music Council Scholarship (2013) ARD International Music Competition Third Prize (2014) As a founding member of the Acelga Quintet, he has performed extensively across Europe, while maintaining an active role as a guest clarinetist in leading German orchestras since 2008.