جست‌وجوی استاد و پژوهشگر

Bonnie Nobleمشاهده پروفایل

دانشیار

• Northern Renaissance Art
• Art and Devotion in the German Reformation
• Linear Perspective
• +۳ مورد دیگر

Dr. Bonnie Noble is an Associate Professor of Art History at the University of North Carolina at Charlotte, where she has taught since 1999. She specializes in Northern Renaissance art, particularly the intersection of religious devotion and artistic practice during the German Reformation. Her research focuses on Lucas Cranach the Elder, Albrecht Dürer, and Hans Baldung Grien, with a focus on how images functioned in devotional and ideological contexts. Noble received her Ph.D. in Art History from Northwestern University, an M.A. from the University of Pennsylvania, and a B.A. in Religious Studies from Northwestern. Her notable works include the book *Lucas Cranach the Elder: Art and Devotion of the German Reformation* (2009) and the award-winning article on Cranach's Schneeberg Altarpiece. Current projects explore the relationship between linear perspective, melancholia, and visual perception in early modern art. She has been awarded grants from the Kress Foundation, DAAD, and NEH, and her work appears in journals like *Reformation* and *Sixteenth Century Journal*. Noble teaches courses on Northern Renaissance, Baroque, and Gothic art, as well as introductory art history surveys. Her research emphasizes material culture, iconography, and the role of art in religious and social transformation. Education: Ph.D. Art History, Northwestern University M.A. Art History, University of Pennsylvania B.A. Religious Studies, Northwestern University Awards & Grants: Harold J. Grimm Prize (2003) Kress Foundation Grant German Academic Exchange Service (DAAD) Grant National Endowment for the Humanities (NEH) Grant Research Focus: Northern Renaissance art, Reformation iconography, Cranach workshop studies, and the intersection of visual perception and melancholia in early modern Europe.

Felix Mundtمشاهده پروفایل

مدرس

• Augustan poetry
• Epistolary literature
• Augustan History
• +۳ مورد دیگر

Prof. Dr. Felix Mundt is a prominent scholar in Classical Philology, specializing in Latin studies at the Humboldt University of Berlin. Currently serving as a private lecturer in Latin studies, he has held academic roles including junior professor (W1) from 2008–2017 and visiting professorships at the University of Vienna (2012, 2015), University of Graz (2015), and LMU Munich (2016). His research focuses on Augustan poetry, epistolary literature, and ancient representations of Carthage. He has led projects such as The Image of Carthage in Ancient Literature and edited works like Cityscaping . Notable publications include Römische Klassik und griechische Lyrik (2018) and Berolinum Latinum (2011). Mundt’s work bridges classical texts with modern scholarship, emphasizing textual criticism and cultural reception. He has contributed to interdisciplinary initiatives, including the DFG-funded project on Melanchthon’s writings and organized conferences on ancient medicine and communication spaces. Education & Academic Milestones - Born in Frankfurt/Main (1973) - Abitur (1992) from Arndt-Gymnasium Berlin - State examination (2002) in Latin and History (Free University) - MA in Greek Philology (2007) - PhD (2007), Habilitation (2015) in Classical Philology (Humboldt University) Research Interests His primary fields include Roman literature, Greek lyric poetry, and the reception of classical texts in Neo-Latin works. Mundt explores how Augustan-era writers reinterpreted archaic Greek traditions, particularly in panegyric and urban discourse. Recent work examines the interplay between Christian and classical elements in late antique historiography. Grants & Collaborations - Co-leads DFG proposal for Melanchthon’s writings on soul doctrine - Collaborates with institutions like the Akademie für historische Aufführungspraxis on musical adaptations of classical plays - Active in Berlin’s academic networks, including the Topoi research center Labs & Teams Mundt contributes to the Institute of Classical Philology’s research on ancient medicine via projects like Galen’s commentary on Hippocratic Aphorisms. He co-organizes workshops on topics like Galen as Commentator and Medical Puzzles of Alexander of Aphrodisias .

Gaetana Morganteمشاهده پروفایل

استاد

• Criminal Law
• Organized Crime
• Corporate Liability
• +۶ مورد دیگر

Professor Gaetana Morgante specializes in Criminal Law with a focus on public and private corruption, criminal labor law, corporate liability models, and legal tools against illegal markets. Her research also addresses organized crime, terrorism, gender-based victimization, and cultural heritage protection. She explores topics such as defensive bureaucracy, cybersecurity in organized crime contexts, and compliance frameworks in corporate governance. Her work bridges theoretical criminal law principles with practical applications in international and European justice systems. Her recent publications analyze contractual chains in corruption networks, statistical methods for studying illegal events, and legal extensions against cybercriminality. She critically evaluates regulatory frameworks like the MICA Regulation and anti-money laundering packages. Morgante contributes to legal commentary on laws addressing informal labor, workplace safety, and cultural asset protection. Her research trends emphasize interdisciplinary approaches combining legal analysis with data-driven methodologies, particularly in combating cybercrime and financial crimes involving cryptocurrency. She advocates for robust compliance standards to mitigate risks in corporate and public sectors while addressing modern challenges in criminal law enforcement. No scientific awards are listed, though her extensive publications reflect scholarly engagement. She has no reported advisees or grants in the provided data. Her work is anchored in academic legal discourse without specific lab affiliations mentioned.

Kevin van Bladelمشاهده پروفایل

استاد

• Near Eastern Philology
• Late Antiquity
• Classical Near East
• +۱۷ مورد دیگر

Kevin van Bladel is Professor of Near Eastern Languages and Civilizations at Yale University, where he teaches in the Department of Near Eastern Languages and Civilizations within the Faculty of Arts and Sciences. He has previously held faculty positions at The Ohio State University and the University of Southern California, where he co-founded the Middle East Studies Program. He earned his PhD and MPhil from Yale University and holds a BA and MA from the University of Illinois at Urbana-Champaign. His research centers on the philology and history of the Near East between 200 and 1200 CE, with a focus on the sociolinguistic and cultural transitions during the Arab conquests, the transmission of scholarly traditions across languages (especially Arabic, Persian, Syriac, Greek, and Sanskrit), and the intellectual history of late antiquity. He is particularly known for his work on the Arabic reception of Hermes Trismegistus and the origins of Mandaeism. His recent publications reflect a broad engagement with the classical traditions of the Near East, including studies on Middle Persian literature, the translation movement in Baghdad, Arabicization and Islamization, and the institutional history of Islamic studies. His work often bridges philology, history, and religious studies, advocating for an integrated 'Classical Near East' framework. His scholarly contributions include influential monographs such as The Arabic Hermes and From Sasanian Mandaeans to Ṣābians of the Marshes , and numerous articles in top journals and edited volumes. He has also contributed reference entries to the Encyclopaedia of Islam . Professor of Near Eastern Languages and Civilizations, Yale University (2017–present) Associate Professor and Chair, Near Eastern Languages and Cultures, The Ohio State University (2013–2017) Assistant/Associate Professor of Classics, University of Southern California PhD, Yale University (2004) He has taught a wide range of ancient languages and courses on the empires of ancient Iran, the history of the Near East, and the cultures of late antiquity. His academic service includes participation in major research initiatives and scholarly networks, and he maintains an active presence through publications and digital scholarship.

Giorgio Politiمشاهده پروفایل

پژوهشگر

• Early Modern European History
• Social History
• Peasant Revolts
• +۲ مورد دیگر

Giorgio Politi serves as Senior Researcher in Modern History (M-STO/02) at Ca' Foscari University of Venice's Department of Humanities, where he has been a core member since the department's inception. He previously taught at Milan's Academy of Fine Arts and University of Milan from 1975-1980 while pioneering academic IT infrastructure as departmental webmaster, IT manager, and faculty IT committee coordinator. Politi earned his Philosophy degree from the University of Milan in 1971. His scholarly trajectory bridges traditional historiography with digital innovation, reflecting early adoption of microcomputers for historical text processing and desktop publishing in the 1980s-90s. His research centers on Early Modern European social dynamics, particularly peasant revolts like the 1525 Tyrolean uprising led by Michael Gaismair and urban history of Spanish-era Cremona. Later work explores historical epistemology, cultural memory, and digital humanities methodologies, evidenced by his co-founded academic series em-studi di storia europea protomoderna with Reinhold C. Mueller. Analysis of his 66+ publications (1976-2016) reveals three thematic clusters: foundational studies on Gaismair and Tyrolean revolts (1980s-90s), methodological critiques of historical practice ( History as a Dead Language , 2009), and interdisciplinary explorations of cultural memory ( The Chosen People , 2015). His 2009 thesis-writing manual remains widely used in Italian academia. Though no formal awards are documented, Politi's institutional impact is evident through his leadership in academic technology and the influential publication series he co-directs. His advisory roles are reflected in collaborative editorial projects rather than formal student supervision. Politi co-founded and directs the em-studi di storia europea protomoderna series, creating a dedicated platform for early modern European historical research that bridges Italian and international scholarship through digital publishing frameworks he developed.

• Egyptian religion of the Greco-Roman period
• Women's studies in ancient Egypt
• Horus stelae
• +۳ مورد دیگر

apl. Prof. Dr. Heike Sternberg-el Hotabi has served as Associate Professor (apl. Prof.) in the Department of Egyptology and Coptic Studies at the University of Göttingen since 2000. She previously held visiting positions at the University of Graz (2000-2010) and interim professorships in Basel (1999) while directing the DFG-funded Prosopographical Lexicon of Non-Royal Women of the New Kingdom (1999-2005). Education & academic milestones: 1974-1978: Undergraduate studies in Egyptology, Coptology and Assyriology, Göttingen & Tübingen 1980: M.A. Göttingen 1983: Ph.D. Tübingen 1995: Habilitation, Göttingen Research focus: Her work concentrates on Egyptian religion of the 1st millennium BCE, especially temple texts and decorative programs of the Greco-Roman period, Horus stelae, gender-specific prosopography, and cultural contacts under Persian rule. She combines philological analysis of hieroglyphic, Demotic and Coptic sources with broader questions of religious history and syncretism. Publication profile: Across five monographs and c. seventy articles she has treated royal annals, funerary religion, divine kingship, and the transformation of script and myth in Late Antique Egypt. Recent papers continue her long-term editorial commitment to the Göttinger Miszellen and the TUAT series, illustrating an enduring interest in editing and contextualising primary sources. Editorial & collaborative roles: Co-editor, Texte aus der Umwelt des Alten Testaments (Egyptology section), 1980-2000 Co-editor, TUAT.NF , since 2001 Editorial board, Göttinger Miszellen , since 2004 Member, Graduate School 896 “Images of Gods – Images of God – Worldviews” Advisory Board, journal Abgadiyat , Bibliotheca Alexandrina She currently advises from her office at Heinrich-Düker-Weg 14, 37073 Göttingen, and can be contacted at hsternb@uni-goettingen.de .

Rafael Gonzalez Fernandezمشاهده پروفایل

استاد

• Ancient History
• Latin Epigraphy
• Roman Archaeology
• +۴ مورد دیگر

Rafael González Fernández is a Professor at the University of Murcia, affiliated with the Department of Prehistory, Archaeology, Ancient History, Medieval History, and Historiographic Sciences and Techniques within the Faculty of Arts and Humanities. His primary research focuses on Roman history, epigraphy, and archaeology, with a particular emphasis on Latin inscriptions, Roman villas, and ancient Mediterranean cultures. He holds a Doctorate from the University of Murcia, awarded in 1991 for his thesis on Justinian's ideological structures in the Codex Justinianus. Key research interests include the study of Roman material culture, funerary archaeology, and the socio-political dynamics of the late Roman Empire. He has conducted extensive fieldwork at sites like the Roman villa of Los Villaricos, where he explored olive oil production facilities and their role in Hispania Tarraconensis. His work often bridges classical antiquity with early medieval history, examining topics such as Herodotean influences in medieval chronicles and the persistence of pagan practices under Christian dominance. His publications span over three decades, covering topics from Republican-era votive inscriptions to the analysis of Severan dynasty political strategies. Collaborations with institutions like the Spanish Archaeological Archive and international scholars highlight his global academic engagement. Though no awards are explicitly mentioned, his contributions to Roman epigraphy and archaeology are widely recognized in academic circles. His research also extends to interdisciplinary projects, such as the analysis of heraldic repertoires and the application of digital methods in archaeological documentation. The article ECHOES OF HERODOTUS IN THE CAPTURE OF MULA exemplifies his interdisciplinary approach, linking classical historiography to early modern Spanish literary traditions.

Adam Hooksمشاهده پروفایل

دانشیار

• Shakespeare
• Book History/Book Studies
• Forgery and Authenticity
• +۶ مورد دیگر

Adam Hooks is an Associate Professor in the Department of English at the University of Iowa, with a joint appointment at the UI Center for the Book. His research focuses on Shakespeare, book history, early modern poetry, and material text studies. He holds a PhD from Columbia University (2009) and an MA from Georgetown University (2003). Key contributions include his book Selling Shakespeare: Biography, Bibliography, and the Book Trade (Cambridge UP, 2016) and the exhibition The Books That Made Shakespeare . Current projects include Faking Shakespeare (a study of authenticity and forgery) and Shakespeare’s Bones (a biographical exploration). He co-directs the Shakespeare Census , a digital humanities project cataloging early modern Shakespeare texts. Teaching interests span Shakespearean studies, material book culture, and early modern poetics. He actively promotes public engagement through online resources and collaborative projects at the UI Center for the Book.

• Medieval Scandinavian art
• Medieval sculpture
• St. Bridget of Sweden
• +۱ مورد دیگر

Alexandra Fried is a Senior Lecturer in Cultural Sciences at the University of Gothenburg, specializing in medieval and modern art history. Her research bridges Scandinavia and the Americas, focusing on religious imagery and contemporary visual culture. University of Gothenburg Department of Cultural Sciences Senior Lecturer Education: BA and MA in Art History from Baruch College and Queens College, New York PhD from University of Leicester (dissertation: "The Swedish Madonnas: A Comparative Study of Wooden Sculptures of the Virgin and Child between 1250 and 1350") Research Interests Alexandra's scholarly work spans two primary domains: Medieval Scandinavian Art: Systematic analysis of wooden religious sculptures, St. Bridget of Sweden's iconography, and Hanseatic League artistic exchanges Modern & Postmodern American Art: Critical examination of 20th-century visual narratives and their cultural implications Selected Publications Her recent output demonstrates a commitment to accessible academic discourse through Konsthistoriepodden, with notable 2024 episodes exploring Japanese printmaking, Renaissance altarpieces, and modernist photography. The 2022 journal article "Fakes matter – as a matter of fakes" in Konsthistorisk Tidskrift represents her peer-reviewed contributions. Conference Participation 2014: Gender and Medieval Studies Conference on St. Bridget's pilgrimage 2014: International Medieval Congress on Baltic/Scandinavian studies 2013: Multiple presentations at South Eastern Art Conference and International Medieval Congress She maintains active academic communication through podcast formats while preserving traditional conference engagement.

Hadrien Damiمشاهده پروفایل

پژوهشگر

• Book History
• Publishing
• Cultural Communication
• +۴ مورد دیگر

Hadrien Dami is a Researcher at the Institute of Reformation History within the Faculty of Arts at the University of Geneva . Since August 2019, he has focused on 17th-century European print culture , particularly Geneva's editorial reputation in navigating religious books and forbidden texts . His work bridges book history , cultural communication , and confessional dynamics through archival research and textual analysis. Research Interests : Genevan printing as a transnational media hub Confessional publishing strategies and censorship False imprints and counterfeit book networks Biographical approaches to printers and authors Political information dissemination before newspapers Article Trends (2023–2025): 2025: Analysis of Arconati Lamberti and the Chouet dynasty 2024: Studies on anonymous pamphlets and Mercure François counterfeits 2023: Typographic addresses as confessional markers Teaching : 2023–2024: “Prints in the Arena” (BA level) 2022–2023: “In Cologne, at Pierre Marteau’s” (BA level) 2021–2022: “Publishing/Censoring Opinions” (BA level) 2020–2021: Co-taught “Bad Thoughts” (MA level)

Austin O'Malleyمشاهده پروفایل

استادیار

• Persian Literature
• Sufism
• Textual Reception Studies
• +۶ مورد دیگر

Austin O'Malley is an Assistant Professor of Persian Literature at the University of Chicago , affiliated with the Department of Near Eastern Languages and Civilizations . He earned his Ph.D. in Persian Literature from the University of Chicago in 2017 and began teaching there in 2024. His research focuses on classical Persian literature, particularly performance and textuality in Sufi contexts didactic verse traditions reception of Sufi homiletic poetry narrative structures in ʿAttar's works literary misattribution in the Timurid period O'Malley's monograph The Poetics of Spiritual Instruction (2023) analyzes Sufi didacticism in Farid al-Din ʿAttar's poetry, while his current project examines forged literary works from the Timurid era.

Elisa Francesconiمشاهده پروفایل

پژوهشگر

• Contemporary Art History
• Art Criticism
• Neo-Avant-Garde Movements
• +۷ مورد دیگر

Elisa Francesconi is a Researcher in Contemporary Art History at the Department of Humanities, University of Catania (RTDB). She holds a PhD in History and Conservation of Art and Architectural Objects from the University of Roma Tre, where she also completed her undergraduate and postgraduate specialization in Art History and Historical-Artistic Heritage. Her academic journey includes research fellowships at Roma Tre University (2015–2020) and a post-doctoral position at Université Rennes 2 (2013–2014), as well as prior teaching roles at the University of Florence (2018–2021) and Roma Tre University (2021–2022). Her research centers on the development of the art system and criticism from the post-World War II period to the 1960s, with a focus on neo-avant-garde languages, Italian-American artistic exchanges, and the history of private art galleries. She also investigates art cinema, contemporary art photography, and photographic archives, with recent scholarly interest in art forgery. She is co-founder and vice-president of the Mario Carbone and Elisa Magri Archive in Rome and collaborates with the cultural association La Salerniana to promote contemporary art in Sicily. She obtained national scientific qualification for second-level teaching in 2018, enabling her to teach at the associate professor level. Her academic advising includes numerous undergraduate and master’s theses on major 20th-century artists and movements, reflecting her strong mentorship in modern and contemporary art studies. Though her full publication list is extensive, specific article titles were not detailed in the source text. She actively supervises student theses with structured guidelines and is accessible during office hours both in person and via MS Teams. Her professional engagement includes participation in national and international research projects, such as the PRIN project on modern art exhibitions in Italian private galleries led by the Scuola Normale Superiore of Pisa.

James Olesمشاهده پروفایل

مدرس ارشد

• Latin American Art
• Modern Mexican Art
• Art History
• +۴ مورد دیگر

James Oles is a Senior Lecturer in the Art Department at Wellesley College, specializing in Latin American art with a focus on modern Mexican art and architecture through museum and academic projects. He also serves as Adjunct Curator of Latin American Art at the Davis Museum. Education: B.A. and Ph.D. in Art History from Yale University; LL.D. from the University of Virginia. His research spans diverse topics including U.S.-Mexican cultural interchange, Mexican surrealism, 1930s political prints, art-deco architecture in Argentina, and Frida Kahlo's contested legacy. Recent curatorial projects include Diego Rivera's America (2022-2023) and the upcoming Mexichrome: Color and Photography in Mexico (2023). He teaches a comprehensive survey of Mexican art from ancient to modern eras and seminars on public art, cinema representation, and exhibition theory. His work emphasizes critical visual analysis and rigorous academic writing, mentoring four students who pursued Ph.D.s in Latin American art. Current initiatives involve advising the Museum of Fine Arts, Houston on a 2025 Frida Kahlo exhibition and advancing his book project Diego Rivera's Heroes .

Darren Hickمشاهده پروفایل

استادیار

• Philosophy of Copyright Law
• Aesthetics
• Ethics
• +۵ مورد دیگر

Darren Hick is an Assistant Professor of Philosophy at Furman University. He holds a PhD from the University of Maryland, College Park (2008), an M.Phil from the University of Wales, Lampeter (1999), and a B.A. from Trent University (1997). His research focuses on philosophical issues in copyright law, aesthetics, ethics, metaphysics, and popular culture. Notable areas include the ethics of artistic appropriation, the ontology of authored works, and the aesthetics of horror and comics. Before academia, Hick worked as a textbook editor, comic-book critic, and graphic designer. His work often bridges legal, artistic, and cultural domains, addressing topics like forgery authenticity, canon formation, and the moral dimensions of creative borrowing. He has authored influential books such as Artistic License: The Philosophical Problems of Copyright & Appropriation (2017) and Introducing Aesthetics and the Philosophy of Art (2023). Recent publications explore art ontology, cultural negotiation, and horror aesthetics. His articles critically analyze legal frameworks surrounding artistic works, the ethics of artistic creation, and the intersection of law with metaphysical concepts of art. Hick’s contributions to philosophy emphasize interdisciplinary approaches, integrating legal philosophy, metaphysics, and cultural studies. His work is characterized by rigorous analysis of modern creative practices and their societal implications.

Peter Keeganمشاهده پروفایل

استاد

• Roman History (Republican/Imperial periods)
• Epigraphy and Graffiti Studies
• Gender and Sexuality in Antiquity
• +۳ مورد دیگر

Professor Peter Keegan holds a prestigious position at Macquarie University's Department of Ancient History within the School of Humanities. His academic journey includes roles such as Associate Dean Learning and Teaching (2015-2021) and interim Department Chair (2022). A Fellow of both the Royal Historical Society (UK) and the Royal Society of New South Wales, he specializes in Roman Republican/Imperial history, epigraphy, and gender studies. His research focuses on Pompeian graffiti, Roman social dynamics, and women's roles in antiquity. Keegan earned his doctorate from Macquarie University (2003) and held successive academic positions: Associate Lecturer (2009), Lecturer (2010-2011), Senior Lecturer (2012-2015), Associate Professor (2016), and full Professor (2021). He has supervised over 30 students across Honours, Masters, and PhD levels. His teaching portfolio includes courses like AHIS3201 Women and Gender in the Ancient World and AHIX8320 Under the Shadow of Vesuvius. Research highlights include two sole-authored books, co-edited collections, and extensive grants ($500k+ secured). Notable awards include a 2012 National Teaching Citation and 2024 Faculty Teaching Excellence Award. His work bridges archaeology and epigraphy, with recent projects analyzing Pompeii's spatial narratives and Roman women's agency in historical texts. Editorial roles include co-editing Brill's Inscriptions in the Private Sphere and contributing to Cultural History of Graffiti series. He has reviewed at institutions like La Trobe University and led projects such as the Macquarie University Archaeological Fieldwork Lab. Current research explores Livy's portrayal of women in Rome's foundational narratives and the socio-spatial dimensions of graffiti in Roman urban contexts.