Salome Voegelin

Salome Voegelin is a Professor of Sound Art at the London College of Communication, University of the Arts London. She is a leading figure in sound studies, focusing on listening as a socio-political practice and the transversal potential of sound across disciplines. Her research explores the intersections of sound with politics, feminism, and pedagogy, and she leads projects like Listening across Disciplines II (LxDII), funded by the AHRC, which investigates listening as a research methodology.

• Education:
• PhD in Sound Art, Goldsmiths, University of London (2000–2004)
• BA (Hons) Fine Art Film and Video, Central Saint Martins (1994–1997)
• PGCertHE, Middlesex University
• Research Interests:
• Sound Studies, Sonic Pedagogy, Feminism, Interdisciplinary Knowledge Production, Sonic Methodologies

Her work bridges artistic practice and theory, including collaborations with David Mollin and co-convening Points of Listening. Key books include Listening to Noise and Silence (2010), The Political Possibility of Sound (2018), and Sonic Possible Worlds (2021). She is a member of the Creative Research into Sound Arts Practice (CRiSAP) and leads the Sounding Knowledge Network.

Recent articles and presentations highlight themes like transversal sound studies, the ethics of listening, and curatorial practices. Her projects emphasize participatory engagement and the socio-political dimensions of sound.