David Mollin

David Mollin serves as an Associate Lecturer for the BA (Hons) Sound Arts course at the London College of Communication, University of the Arts London. Since 2010, he has organized the Swiss Church London arts programme in collaboration with Goldsmiths University of London's MFA curating students, featuring annual exhibitions and international events.

His research critically interrogates contingency within contemporary art systems, focusing on how power consolidation and commodification erase elements of artworks—rendering them 'critically incomplete.' He investigates writing and sound as materialization processes for works existing only in discourse, prioritizing collaborative creation and community empowerment. Key fields include Sound Art, Contemporary Art, Art Discourse, Commodification of Art, Collaborative Art Practices, and Community-based Art.

Mollin mentors Sound Arts students though no specific advisees are listed. His artistic output is defined by partnerships: with Matthew Arnatt (The Lisson Gallery, Lawyer paintings, 100 Reviews) and Salomé Voegelin (since 2008), producing installations and performances at venues like Artisphere (2016), Documenta 14 Radio (2017), Manifesto of Rural Futurism (2018–2019), and Dystopia Sound Art Festival (2021). They are currently developing a five-year participatory sound work for Bern Kleefeld Primary School in Switzerland, commencing in 2022.