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Henry K. Miller is a Lecturer at Anglia Ruskin University's Cambridge School of Creative Industries within the Faculty of Arts, Humanities, Education and Social Sciences. He also holds positions as an Affiliated Lecturer at the University of Cambridge and an Honorary Senior Research Fellow at the Slade School of Fine Art, University College London. Miller has taught at Anglia Ruskin University since 2011 and previously served as a senior research fellow on the AHRC-funded Legacies of Stephen Dwoskin project at the University of Reading.
Miller earned his PhD in Film Studies from Birkbeck College, University of London in 2013 and holds a BA (Hons) from the University of Oxford (2001).
As a film historian and critic specializing in British film culture, Miller's research focuses on Alfred Hitchcock, Stephen Dwoskin, British avant-garde cinema, and the history of film criticism. His work explores the intersections between film history, cultural studies, and artistic practice, with particular attention to marginalized figures and movements. Miller has made significant contributions to understanding the British film underground of the 1960s-70s and the development of British film criticism.
Miller's recent publications reveal a consistent focus on British film culture with particular emphasis on experimental cinema, film history, and critical theory. His work demonstrates deep engagement with archival materials and previously overlooked aspects of film history, particularly regarding the London Film-Makers' Co-op and British avant-garde movements. He frequently examines the relationship between film theory and practice, as well as the institutional contexts that shape film culture.
- Shortlisted for the Kraszna-Krausz Book Awards (2023) for DWOSKINO: the gaze of Stephen Dwoskin
Miller co-directs the Slade Film Project with Brighid Lowe, through which they have produced documentary films including Together with Lorenza Mazzetti (2023). He has been a regular contributor to Sight and Sound magazine and has written for publications including the Guardian. His teaching encompasses Classical Hollywood Cinema, Gender and Popular Cinema, History of Global Cinema, and Theorising Spectatorship. Miller's collaborative work with artists and filmmakers demonstrates his commitment to bridging academic research with creative practice.
