جست‌وجوی استاد و پژوهشگر

• Human-Computer Interaction (HCI)
• Artificial Intelligence
• Digital Humans
• +۴ مورد دیگر

Dr. Mike Seymour is a Senior Lecturer at the University of Sydney Business School, specializing in Human-Computer Interaction (HCI), Digital Humans, and AI ethics. He holds a BSc, MBA, and PhD from the University of Sydney. His research focuses on photorealistic digital faces for immersive interfaces, blockchain socio-technical systems, and agile project management in creative industries. Dr. Seymour is a member of the Sydney Nano Institute and leads the Motus Lab. He has published in top journals like *Harvard Business Review*, *Communications of the ACM*, and *Information Systems Research*. His current projects include ARC-funded research on digital humans for anti-racism initiatives and adaptive AI for brain injury patients. He has received awards such as the SOAR Prize and ECR Researcher of the Year. His teaching spans CX, UX, and project management courses (e.g., INFS2040, INFS3080). Media engagements include ABC News, Sky News, and *The Australian Financial Review* for commentary on AI ethics and film industry trends. Education: BSc (University of Sydney) MBA (University of Sydney) PhD (University of Sydney) Research Themes: Real-time photorealistic avatars Deepfake ethics Agile methodologies in VFX Grants: A$450K ARC DP25 grant for anti-racism digital humans Earned $200K in industry partnerships (e.g., Epic Games) Labs/Teams: Leads the Motus Lab and collaborates with the Digital Human Research Group.

Kartik Nairمشاهده پروفایل

استادیار

• Cinematic Infrastructures
• Genre Cinemas
• Visual Space in Film
• +۵ مورد دیگر

Kartik Nair is an Assistant Professor of Film Studies in the Department of Film and Media Arts at Temple University, affiliated with the School of Theater, Film and Media Arts. His research focuses on cinematic infrastructures, genre cinemas, and visual space in film, with a particular emphasis on Indian horror cinema and digital production technologies. Prior to Temple, he was a Visiting Assistant Professor of Cinema Studies at Purchase College, SUNY (2016-2018). Education includes a PhD in Cinema Studies from New York University (2018), an MPhil from Jawaharlal Nehru University's School of Arts and Aesthetics (2010), and an MA in English from Delhi University (2008). His current book project, Seeing Things , examines material traces of film production in 1980s Indian horror films, to be published by UC Press in 2024. He co-edits Bioscope: South Asian Screen Studies and has published widely in journals like Journal of Cinema and Media Studies and Discourse . Research interests bridge film materiality, digital aesthetics, and labor histories, analyzing how production infrastructures shape expressive forms. Recent work explores VFX software's impact on global genre cinema and the perceptual intersections of algorithmic and human creativity in digital spaces. Teaching includes graduate seminars, writing-intensive courses, and introductory lectures, with a focus on methodological innovation in cinema studies. Public-facing writing appears in Los Angeles Review of Books , Film Quarterly , and India Today . Collaborative projects include a co-edited volume with Karen Redrobe on pedagogical approaches in Cinema and Media Studies.

• Computer Graphics
• 3D Animation
• Visual Effects
• +۳ مورد دیگر

Craig Van Dyke is an Adjunct Associate Professor at ArtCenter College of Design, where he has been teaching since 2018. He also taught film and animation courses at Chapman University starting in 2017. His professional career spans over two decades in visual effects (VFX) and animation, with roles at Digital Domain, DreamWorks, and Netflix Animation. Van Dyke specializes in layout design, visualization, and 3D animation, contributing to major films like Pirates of the Caribbean 3 , The Curious Case of Benjamin Button , and How to Train Your Dragon 2 . He currently serves as a layout lead on Netflix’s animated feature Over the Moon . His expertise includes 3D modeling, animation, and technical direction, with notable experience at studios such as Disney, Method, and Mirada. Van Dyke’s work bridges artistic creativity and technical proficiency, focusing on the intersection of storytelling and visual technology.

Penny Holton Craigمشاهده پروفایل

مدرس ارشد

• Animation
• Visual Effects
• Film Production
• +۳ مورد دیگر

Penny Holton Craig is a Senior Lecturer (Learning & Teaching) in the Department of Digital Arts and Animation at Teesside University, where she has been a full-time faculty member since 2009. She currently leads the Computer Character Animation course and collaborates with industry on visual effects projects for feature films. Previously, she co-founded Skaramoosh, an independent animation and design company, which produced work for BBC, Discovery, and Disney Channels. Her career spans over two decades in animation, including roles as a senior animator, company director, and freelance artist. Her research interests focus on integrating academic and commercial animation practices, particularly in visual effects (VFX) for documentaries and historical narratives. She has contributed to films like Last Man on the Moon and Mission Control , blending technical animation skills with storytelling. Her recent projects include title sequences and motion graphics for documentaries, emphasizing dynamic visual storytelling. Penny’s work bridges creative design, technical animation, and educational innovation in digital arts.

Niki Wakefieldمشاهده پروفایل

مدرس ارشد

• Visual Effects
• Virtual Production
• Real-time Compositing
• +۵ مورد دیگر

Niki Wakefield is a Senior Lecturer at the University of Portsmouth, affiliated with the Faculty of Creative & Cultural Industries and the School of Film, Media and Creative Technologies. She is also a member of the Centre for Creative and Immersive XR, where she contributes to advancing creative applications of extended reality and virtual production technologies. Her educational background includes: MA in Creative Writing, University of Surrey (2016–2018) Fellow of the Higher Education Academy (awarded 2018) Niki's research and teaching focus on the intersection of narrative and technology. Her primary research interests include: Visual effects (VFX) and photo-realistic compositing Real-time compositing and virtual production Mixed media animation aesthetics Immersive and interactive art experiences She actively explores how emerging technologies such as AI and XR can enhance creative storytelling and artistic expression. Her recent research output centers on virtual production pipelines and mixed-media animation, reflecting a strong trend toward real-time, immersive content creation. These works contribute to broader fields of digital media, creative technology, and virtual arts, with applications in film, education, and cultural exhibitions. Scientific awards and recognitions include: UK Film Festival 2018 3 Minute Script Competition (awarded 2019) Niki is deeply involved in student development and industry engagement. She teaches visual effects and compositing across undergraduate and postgraduate programs, particularly on the BSc (Hons) Computer Animation and Visual Effects course. She fosters resilience and adaptability in students by encouraging problem-solving and exploration of new specializations. She actively develops industry projects, work placements, and employment opportunities, currently collaborating with Dark Cosmos Creative to provide students with real-world client briefs. Additionally, she has served as an external advisor for the BA (Hons) Post Production and VFX program at the University of Salford and as an external examiner at the University of Suffolk. Niki leads and contributes to several innovation and research projects, including: Sprint Project: VFX in-camera workshop with Dark Cosmos Creative Enabling XR Enterprise (collaborative innovation in immersive technology and tourism) Photorealistic Asset Creation (AI-enhanced film production assets) House and Garden virtual production projects She is a key figure in the XR Network+ initiative, exploring AI and virtual production in content creation, and has presented at events such as 'Unbuilding Animated Spaces' and 'Unveiling the Silent Senses', focusing on generative art and sensory impairment.

Rook Bridsonمشاهده پروفایل

استاد مدعو

• Computer Graphics
• Fluid Simulation
• Physical Simulation
• +۳ مورد دیگر

Rook Bridson is an Adjunct Professor in the Department of Computer Science at the University of British Columbia (UBC), affiliated with the Imager and SCL labs. He holds a PhD from Stanford University (2003) and degrees from the University of Waterloo (MMATH '99, BMATH '98). His research focuses on fluid simulation, physical effects in computer graphics, and computational physics, with applications in visual effects and animation. Bridson has contributed to industry through co-founding Exotic Matter AB, creators of the Naiad fluid simulation software acquired by Autodesk. He has been recognized with an Oscar Technical Achievement Award and multiple teaching awards at UBC. Education: PhD in Computer Science, Stanford University, 2003 Master of Mathematics (MMATH), University of Waterloo, 1999 Bachelor of Mathematics (BMATH), University of Waterloo, 1998 Research Interests: Bridson’s work spans fluid dynamics, computational physics, and their applications in film and animation. His research emphasizes realistic simulation techniques, including fluid animation with explicit surface meshes, particle-based methods, and numerical algorithms for handling complex physical phenomena. He has developed influential tools like Naiad, used in major films such as Avatar and Harry Potter . Industry Contributions: Co-founder of Exotic Matter AB (developer of Naiad) Senior Principal Research Scientist at Autodesk Contributions to studios like Weta Digital and Double Negative VFX Grants & Awards: Oscar Technical Achievement Award (Academy of Motion Picture Arts and Sciences) 2012 and 2008 CS Department Teaching Awards (UBC) Best Technical Paper Award (ACM SIGGRAPH/Eurographics Symposium on Computer Animation) Labs & Teams: Active in UBC’s Imager Lab and SCL Lab, focusing on fluid simulation, geometric modeling, and real-time animation techniques. Collaborates with industry partners on advancing visual effects technology.

• Design Theory
• Character Design and Development
• Character Believability
• +۱۳ مورد دیگر

Dr. Henry Melki is a Lecturer in Animation and VFX at the Belfast School of Art , Ulster University , where he co-directs the undergraduate animation course. He holds a PhD in Design (2019) focusing on enhancing creative processes for believable 3D characters in film and VFX, and is a member of the Society for Animation Studies and the Ulster University Researcher Development Centre . Research Interests: Henry’s work centers on design theory , character believability , 3D modeling , and virtual production . He explores photorealism , perception theory , and empathy in character design , with applications in theater, heritage engagement, and ecotourism. His projects often bridge digital and physical environments using real-time rendering and motion capture. Recent Research Outputs: His recent work includes a 2025 web publication on green digital transition for sustainable tourism, two 2024 performances of 'Aurora: A Modern Myth', and a 2024 conference abstract on virtual production pipelines for theater. He also contributed a 2021 chapter on character design theory and published a 2020 journal article comparing Gothic architecture to VFX workflows. Scientific Awards: Best Poster Prize in Design (2018). Collaborations and Grants: Henry leads the EPSRC-funded project on VP pipelines for theater (2023-2024) and collaborates on AHRC projects including Future Island-Island (2023-2025) and IAA - Re-encountering Heritage (2023-2025). He organizes Virtual Production Training Workshops and contributes to Saudi Film Festival events. Community and Education: Henry founded 3D Dojo , a community animation course, and co-founded Toody Threedy , a local animation group. He delivers workshops on 3D sculpting , photogrammetry , and real-time rendering , and advocates for inclusive teaching methods in animation curricula.

Joey Cadeمشاهده پروفایل

استادیار

• Creative Producing
• IP Development
• Visual Effects (VFX)
• +۴ مورد دیگر

Joey Cade (she/her) is an Assistant Professor of Practice in Animation & Games at the Harry W. Bass Jr. School of Arts, Humanities, and Technology, University of Texas at Dallas. With a BA in History from UT Austin (1997), she brings over 25 years of experience in producing VFX, animation, live-action, and new media for studios like Disney, Amazon Prime, and Reel FX. Her expertise spans creative development, IP management, and executive producing for projects such as Enchanted , Rise of the Guardians , and Halo 2 . Research focuses on tech-driven content production, studio management, and innovative project development. Active in industry leadership, she serves on the Visual Effects Society (VES) Texas Section Board and mentors indie filmmakers through workshops like her 2025 presentation on affordable VFX techniques for independent productions. Current roles include VFX consulting, original IP production, and academic mentorship of undergraduate students.

Thomas Bonseمشاهده پروفایل

استاد

• Media Engineering
• Video Signal Processing
• High Dynamic Range (HDR) Imaging
• +۳ مورد دیگر

Prof. Dr.-Ing. Thomas Bonse is a Professor in the field of Bildtechnik (Image Technology) at the Hochschule Düsseldorf (University of Applied Sciences Düsseldorf), Faculty of Media since 2000. His career includes roles as project leader at ITK Telekommunikation AG , group leader at the Forschungsinstitut für Telekommunikation , and R&D engineer at Grass Valley and Panasonic in the domain of advanced TV systems. Education: Diplom-Ingenieur (Dipl.-Ing.) and Doctorate (Dr.-Ing.) in Electrical Engineering from the University of Dortmund. Current Role: Teaching and research in image technology, supervising 15+ theses annually, and leading projects in HDR, broadcast workflows, and real-time video systems. His research focuses on media engineering , particularly in high dynamic range (HDR) imaging , video signal processing , and real-time broadcast systems . Key areas include: Quantisierung von Videoformaten ACES color workflow optimization Wireless video transmission AI-driven object detection IP-based broadcast infrastructures Photovoltaic soiling measurement via drones Recent research trends show emphasis on IP-based video transmission (2016-2023), HDR/SDR workflows (2021-2023), and automated studio systems (2018-2023). He has collaborated with institutions like the Institut für Rundfunktechnik (IRT) , Sportcast GmbH , and Ericsson . As a supervisor, he has guided students in: Automated camera control (Scheunert, 2020) Photovoltaic soiling detection (Mikulaschek/Scheunert, 2020) Sports broadcasting analytics (Mikulaschek, 2022) LED studio lighting systems (2023) Contact: thomas.bonse@hs-duesseldorf.de | Room 04.2.006, HSD Campus

Ruth Dalyمشاهده پروفایل

استادیار

• Animation
• Computer Graphics (CG)
• Visual Effects (VFX)
• +۳ مورد دیگر

Ruth Daly is an Assistant Professor at the Dodge College of Film and Media Arts at Chapman University. As a veteran of both traditional and CG animation, she brings extensive industry experience from institutions like Warner Bros. Feature Animation and Rhythm and Hues Studios. Her expertise spans animation techniques, visual effects, and team training for high-profile projects. She contributed to critically acclaimed films such as The Iron Giant , The Lion the Witch and the Wardrobe , and the Academy Award-winning The Golden Compass . Daly also played a key role in expanding Rhythm and Hues' animation teams in India and Malaysia, mentoring animators for films like Life of Pi and Snow White and the Huntsman . She has collaborated with companies like The Third Floor on Disney, Marvel, and Lucas Films' previsualization projects. Scientific Awards: Academy Award for VFX in 2008 (for The Golden Compass)

Phoebe Hyderمشاهده پروفایل

مدرس

• Puppetry
• Motion Capture (Mocap/Pcap)
• Visual Effects (VFX)
• +۲ مورد دیگر

Phoebe Hyder is a Lecturer in Puppetry at the University of West London , affiliated with the London College of Music . Her expertise spans actor-puppeteering, motion capture (mocap/pcap), VFX puppetry, and movement direction, with a focus on innovative performance technologies. Lecturer in Puppetry at University of West London Emerging artist at Chichester Festival Theatre Founder of performance capture puppetry company 'Tracked Illusions' Her research interests center on: Puppetry : Traditional and digital hybrid forms Motion Capture : Integration of mocap/pcap techniques into live performance Visual Effects : Real-time VFX puppetry applications Immersive Technologies : VR game development through puppeteered creatures Phoebe's work bridges physical theatre and digital innovation, exemplified by her debut production 'Moon River' at Chichester Festival Theatre and her 2024 launch of 'Tracked Illusions'.

Nelson Limمشاهده پروفایل

دانشیار

• Computer Graphics
• Visual Effects
• Real-time Graphics
• +۷ مورد دیگر

Nelson Lim serves as an Associate Professor of Practice at the University of Texas at Dallas within the Harry W. Bass Jr. School of Arts, Humanities, and Technology. A creative technologist with 15+ years of industry experience, he bridges academic instruction with professional practice in computer graphics and visual effects. He holds a Bachelor of Computing - Communications and Media (Honours) from the National University of Singapore (2009). His career spans Industrial Light and Magic, Brazen Animation, and Lucasfilm, where he contributed to major Hollywood productions and commercial projects. Lim's research focuses on Computer Graphics, Visual Effects, and Real-time Graphics with applications in Animation, Games Development, and XR technologies. He actively integrates industry workflows into pedagogy, emphasizing VFX, Houdini, and real-time engines to prepare students for technical art careers. As founder of Tech Arts Meetups and co-chair of the Visual Effects Society Texas Section Education Committee, Lim mentors students through industry-academia partnerships. His professional service includes organizing educational initiatives and consulting for institutions on visual effects curriculum development.

Matt Wallinمشاهده پروفایل

استاد

• Visual Effects
• Digital Technology
• Film Production
• +۳ مورد دیگر

Matt Wallin is a tenured full Professor and Chair in the Department of Communication Arts at Virginia Commonwealth University's School of the Arts in Richmond, Virginia. He specializes in 3D computer graphics, visual effects, and the creative application of emerging digital technologies. Wallin earned a Cinema degree from San Francisco State University in 1992 and spent nearly a decade at Industrial Light and Magic before working globally at top visual effects houses like Weta Digital and Sony Pictures Imageworks. His film credits include The Mummy , Matrix films, King Kong , and collaborations with artist Matthew Barney on the Cremaster Cycle and Drawing Restraint 9 . He co-hosts the VFX Show podcast and hosts the 8111 (Eighty-one Eleven) podcast, which documents the careers of Industrial Light and Magic alumni. His teaching and creative work bridge academic instruction with industry expertise in digital visual effects and technology.

Scott Bukatmanمشاهده پروفایل

استاد

• Cyberculture
• Media Theory
• Science Fiction
• +۵ مورد دیگر

Scott Bukatman is a cultural theorist and Professor of Film and Media Studies at Stanford University , specializing in the interplay between popular media and technological experience. His work bridges film, comics, animation, and digital culture. Key Research Areas Cyberculture and Virtual Identity Science Fiction Media Animation and Visual Culture Special Effects in Cinema Comic Book Aesthetics Recent publications include Black Panther (2022), analyzing the film's cultural impact, and Hellboy's World (2016), exploring comics' materiality. His scholarship appears in journals like October , Critical Inquiry , and Journal of Cinema and Media Studies . Scientific Awards Guggenheim Fellowship Bukatman's office is located in McMurtry Rm. 338 at Stanford, with research interests spanning Comics, Film/Cinema, Media, and Television.

Stewart Jonesمشاهده پروفایل

مدرس

• Creative Industries
• Project Management
• Media and Entertainment
• +۵ مورد دیگر

Stewart Jones is a Lecturer at the School of Arts and Creative Technologies, University of York, and a higher education lecturer with an international career spanning over twenty years. He holds a PhD in Creative Process Management and is an MBA graduate, integrating business and creative disciplines in his research and practice. His research interests focus on the Screen Industries, including creative project management management process frameworks operational effectiveness intellectual property rights business management His work bridges gaps between academia and industry, emphasizing interdisciplinary collaboration. Stewart's publications highlight expertise in digital creature rigging 3D animation screenwriting technical production setups project management methodologies His recent articles analyze creative processes across film, television, and video games, advocating for structured frameworks to enhance competitive advantage. As a consultant and leadership coach, he has held roles such as Executive Leadership Coach Consultant Producer Chief Executive Officer CG Supervisor spanning the UK, EU, USA, Australia, and New Zealand. He actively advocates for accessibility in business and the Screen Industries, mentoring organizations to reduce barriers for people with disabilities.