جست‌وجوی استاد و پژوهشگر

Nicola Pennillمشاهده پروفایل

پژوهشگر ارشد

• Organizational Behaviour
• Music Psychology
• Ensemble Rehearsal Processes
• +۳ مورد دیگر

Dr Nicola Pennill is an Honorary Research Fellow at the University of Sheffield , affiliated with the Department of Music under the School of Languages, Arts and Societies. She contributes to teaching on the MA Music Management and MA Psychology of Music programs and serves as a postdoctoral Research Associate on the Mapping Music for Health and Wellbeing project, funded by Research England. Her research bridges music psychology and organizational behavior , focusing on coordination, leadership, and interaction patterns in self-organized music ensembles. PhD in Music and Organisation Studies (University of Sheffield, 2019) MSc in Performance Science (Royal College of Music) BA Hons , BSc Hons (University of Nottingham), LRSM (Licentiate of Royal Schools of Music), DMS (Diploma in Management Studies), DipM (Diploma in Marketing) Her research explores how verbal and nonverbal interactions evolve in ensembles preparing for performance. She analyzes implicit and explicit communication , rehearsal phases , and team dynamics through longitudinal case studies. Her work incorporates organizational theories like the punctuated equilibrium model and semistructure concepts to explain ensemble coordination. Her publications span music psychology , performance science , and organizational dynamics , with recent articles addressing creativity training , intonation in vocal ensembles , and time management in rehearsals . She received a WRoCAH scholarship for her PhD and has delivered guest lectures at institutions like Royal Birmingham Conservatoire and University of New South Wales. Notable contributions include: Longitudinal studies on rehearsal interaction patterns in vocal and instrumental ensembles Research on pitch accuracy and tuning strategies in a cappella singing Interdisciplinary analysis linking organizational science to creative collaboration in music Her teaching and research emphasize practical applications of ensemble coordination theories, informed by her dual expertise in music performance and management consultancy.

• Cybersecurity
• Cloud Computing
• Information Security
• +۶ مورد دیگر

Mehmet Tahir Sandıkkaya is an Assistant Professor in the Department of Computer Engineering at Istanbul Technical University (ITU), Faculty of Computer and Informatics. He holds a Ph.D. in Computer Sciences from ITU and has been actively contributing to academia since 2002, progressing from Research Assistant to his current faculty position. He also served as a Doctoral Teaching Staff member at Institut National Polytechnique de Grenoble (Drakkar Lab) from 2018 to 2019. His educational background includes: B.Sc. in Electrical Engineering, Istanbul Technical University (1998–2002) M.Sc. in Computer Sciences (Thesis), Istanbul Technical University (2002–2006) Ph.D. in Computer Sciences, Istanbul Technical University (2006–2016) Dr. Sandıkkaya's research is centered on cybersecurity , cloud computing , information security , and cryptography . His work extends into Internet of Things (IoT) security , malicious behavior detection , and privacy-preserving systems . He employs machine learning techniques for intrusion detection, particularly in web sessions and avionic platforms. His research also addresses security challenges in e-commerce, SMEs, and national critical infrastructures. The analysis of his recent publications reveals a strong focus on practical security solutions, including lightweight authentication for IoT, DDoS detection using network features, and secure cloud architectures. His work increasingly integrates AI and cyber-physical systems for environmental monitoring and sustainable resource management. His scientific recognition includes: IEEE Member since 2001 Principal Investigator on multiple TTO and TÜBİTAK-funded research projects h-index of 8 with over 215 citations (Scopus) Dr. Sandıkkaya actively supervises students and leads significant research initiatives. He has served as Program Chair at ITU in 2018 and is the Principal Investigator (PI) on nine research projects, including "National Critical Infrastructure Cyber Attack System (SİNERJİ SALDIRI)" and "AI-Based Sustainable Basin Management via IoT" . His grants span cybersecurity, cloud design, and embedded systems, reflecting a robust research portfolio with real-world applications. He is affiliated with the Drakkar Research Lab at Institut National Polytechnique de Grenoble and leads cybersecurity research teams at ITU focusing on cloud security, IoT authentication, and avionic system protection. His lab integrates machine learning, formal methods, and system-level security engineering.

Michael Mossمشاهده پروفایل

استادیار

• Music Production
• Audio Engineering
• MIDI Technology
• +۷ مورد دیگر

Michael Moss is an Assistant Professor in the Department of Electronic Production and Design (EPD) at Berklee College of Music. He holds advanced degrees in Jazz Performance from the New England Conservatory of Music and brings decades of professional experience in music production, performance, and sound design for education, advertising, and media. Master of Music, Jazz Performance – New England Conservatory (1984) Bachelor of Music, Jazz Performance – New England Conservatory (1981) His research and creative interests span music technology, audio engineering, MIDI, sound design for educational and industrial applications, audiobook scoring, and jazz performance . He emphasizes real-world skills in his teaching, drawing directly from his work at Soundscape Productions, his studio in Boston. His creative output includes over 130 audiobook scores, work for major clients like Coca-Cola, Gillette, Warner Bros., and National Public Radio, and performances with legends such as Aretha Franklin and Cab Calloway. His work blends technical precision with artistic expression. Notable honors include: Audie Award Oppenheim Platinum Certificate Three Grammy Award nominations Moss actively mentors students, often hiring Berklee graduates into his studio. He runs an associate engineer program each summer, integrating students into professional workflows. He has secured contracts and grants through client work with major publishers and corporations, though specific grant titles are not listed. He is the founder and owner of Soundscape Productions , a Boston-based studio serving education, medical, and technology sectors. The studio functions as both a creative hub and a training ground for emerging audio engineers.

Jonathan Salcedoمشاهده پروفایل

عضو هیئت علمی

• Jazz Performance
• Trombone Performance
• Classical Music
• +۵ مورد دیگر

Jonathan Salcedo is an award-winning trombonist, composer, and Adjunct Instructor of Trombone at the Blair School of Music, Vanderbilt University. He performs extensively across classical, jazz, and commercial music domains, with credits in major video games, television broadcasts, and live performances at iconic venues such as the Ryman Auditorium and Schermerhorn Symphony Center. He has collaborated with the Nashville Symphony and toured with country artist Brett Eldredge. Research and Artistic Interests: Salcedo’s work bridges performance and composition in jazz and contemporary music. His creative output spans original compositions performed by the Downbeat Award-winning Blair Big Band, Commercial Break ensemble, and Vanderbilt Trombone Ensemble. He is particularly active in small group jazz composition and cross-genre performance. Scientific and Artistic Awards: Yamaha Young Performing Artists Program (2023) American Trombone Workshop Solo Competition - Division 1 Winner Robert Marsteller Competition Winner Downbeat Award for Small Group Composition (2022) Premiere of 'Aeonic Spirits' at Prague Spring International Music Competition Advising and Grants: While no formal advisees are listed, Salcedo mentors through performance ensembles and private instruction as an adjunct faculty member. His participation in national programs and performances suggests ongoing support through artistic grants and institutional funding, though specific grants are not detailed. Labs, Ensembles, and Performance Groups: He is affiliated with the Blair Big Band, Latin Jazz Ensemble, Vanderbilt Trombone Ensemble, and Commercial Break combo. These ensembles serve as creative laboratories for jazz innovation and performance excellence.

Jim Ruppمشاهده پروفایل

مدرس

• Jazz Drum Set
• Music Education
• Orchestral Percussion
• +۲ مورد دیگر

Jim Rupp is an Associated Faculty member in Jazz Drum Set at The Ohio State University School of Music. He is actively involved with the Cleveland Jazz Orchestra, Cleveland Pops Orchestra, and has toured with notable artists such as Woody Herman, Maynard Ferguson, and Diane Schuur. His career spans performances with Tony Bennett, Ray Charles, and others, alongside orchestras in major cities like Boston, Dallas, and Nashville. As an educator, Rupp has taught at Indiana University and the University of Michigan. He co-authored the drum set method book Baby Steps to Giant Steps and received the 2021 Outstanding Alumni Award from his alma mater’s School of Music. He is a former chair of the Percussive Arts Society’s Drum Set Committee and a board member of NAMM. Currently, he serves as president of Columbus Pro Percussion Inc. and endorses Zildjian, Remo, Noble & Cooley, and Pro Mark. Rupp emphasizes jazz and drum set techniques rooted in Joe Morello’s methodologies, alongside Latin, funk, and modern styles. His teaching philosophy integrates musical and business skills to prepare students for professional success. He collaborates with the concert percussion department and invites industry professionals like Jeff Hamilton and Carl Allen for masterclasses. Awards: 2021 Outstanding Alumni Award (OSU School of Music) Endorsements: Zildjian, Remo, Noble & Cooley, Pro Mark Labs/Teams: Jazz Studies small combos, Columbus Pro Percussion Inc. Rupp’s roles include curriculum development, ensemble direction, and community outreach, leveraging his extensive performance and industry experience to mentor students in both artistic and practical aspects of music careers.

Mina Kimمشاهده پروفایل

مدرس

• Cello Performance
• Chamber Music
• Music Education
• +۲ مورد دیگر

Mina Kim serves as Music Lesson Instructor in Cello at College of the Holy Cross and Phillips Exeter Academy, actively contributing to Boston's musical landscape since 2010 through performance and education. Her educational background includes: Doctor of Musical Arts (D.M.A.) from New England Conservatory of Music (2023) with minor in Musicology Specializing in cello performance and pedagogy, Dr. Kim explores intersections between classical and folk traditions through ensembles like Rasa String Quartet and ROSIN. Her artistic focus emphasizes mentorship for emerging cellists and amplifying marginalized voices through projects like the Queer Ensemble Project, reflecting deep commitment to musical identity development and inclusive artistry. Her accolades include: Grammy Award for Best Chamber Music/Small Ensemble Performance (2024) as performer on Roomful of Teeth and A Far Cry's 'Stillpoint' album As an educator, Dr. Kim teaches cello lessons while mentoring students' artistic development, inspired by her own mentors Yeesun Kim, Mike Block, and Terry King. Her performance career spans Carnegie Hall debuts, orchestral collaborations with USP Chamber Orchestra and Busan Philharmonic, and festival appearances at Tanglewood Music Center. Dr. Kim co-founded the Queer Ensemble Project (2024) with Sam Kelder to celebrate queer artistry in Boston, while maintaining active roles in Rasa String Quartet, Trio Oko, and ROSIN, where she explores innovative musical spaces beyond traditional classical boundaries.

• Music Theory
• Jazz Piano
• American Popular Song
• +۷ مورد دیگر

Richard Iacona is an Adjunct Professor of Music Theory, Jazz Piano, and the American Popular Song at Long Island University, affiliated with the School of Performing Arts. He holds a B.S. from the University of North Carolina at Pembroke and an M.A. from Long Island University. Educations: B.S., University of North Carolina at Pembroke M.A., Long Island University His expertise spans music theory, jazz piano, American popular song, composition, and orchestration. As a composer, arranger, conductor, and pianist, he has contributed extensively to film, television, recordings, and live performance. His work reflects deep engagement with the Great American Songbook, jazz traditions, and contemporary commercial music. His body of creative works includes choral arrangements, big band recordings, film scores, and commercial jingles. He has composed for television (e.g., 12 Corazones ), arranged for major artists (Celine Dion, Chaka Khan), and contributed to Woody Allen films. His publications with Carl Fisher, Smart Chart Music, and CL Barnhouse reflect national recognition. Professional Affiliations: Member, ASCAP Member, Local #802 American Federation of Musicians Richard Iacona leads The Bad Little Big Band and has served as arranger for The Rainbow Room Orchestra and Omni Music Library, producing jingles for K-Mart, Sears, Acura, and Telemundo. His lectures, such as 'Riding The Rainbow' on Yip Harburg, highlight his scholarly engagement with American songwriters. Though no formal advisees are listed, his influence extends through performance, mentorship, and industry leadership. He has no listed scientific awards, but his career is marked by sustained artistic excellence and cross-medium impact.

Andrew Bonnemaمشاهده پروفایل

دانشیار

• Music Education
• Choral Conducting
• Instrumental Music
• +۵ مورد دیگر

Andrew Bonnema is an Associate Professor in the Department of Music at Maranatha Baptist University, jointly affiliated with the School of Education and the College of Arts and Sciences. He joined the faculty in 2021, bringing experience from prior music and academic teaching roles since 2015. Master of Music in Performance – University of South Carolina Bachelor of Science in Music Education – Bob Jones University Dr. Bonnema's professional focus centers on music education and performance, particularly within a Christian educational context. His expertise includes directing bands and choirs, coaching competitive ensembles, and integrating faith with music instruction. He emphasizes excellence in musical training as an act of worship, inspired by the motto 'Soli Deo gloria'. His broad academic background also includes teaching Bible and geometry, reflecting a commitment to holistic education. While no formal research publications are listed, his active participation in music education through conducting and presentations indicates ongoing professional engagement in the field of music pedagogy and Christian school music practices. Illinois Association of Christian Schools (2022) – Presenter Minnesota Christian School Band Festival, Minneapolis (2023) – Conductor Dr. Bonnema is involved in advising and mentoring students through his role as Assistant Director of the Symphonic Band and by hosting events such as Christmas parties for Music Education majors. He has not received any listed scientific awards or major grants, but his educational philosophy emphasizes character development and service through music. He contributes to music life beyond campus as an active participant in his local church’s music ministry, where he sings in choirs and small groups, performs in orchestral ensembles, and directs the Patch Club choir.

Melody Steinbartمشاهده پروفایل

استادیار

• String Pedagogy
• Suzuki Method
• Music Education
• +۴ مورد دیگر

Melody Steinbart is an Assistant Professor in the Department of Music within the College of Arts and Sciences at Maranatha Baptist University (MBU), where she has been a faculty member since 2017. She teaches private string lessons, group classes, and academic courses, and serves as the Director of the MBU Orchestra. Her background includes prior teaching experience in MBU’s String Prep program and as a Suzuki Outreach Teacher at another university. Education: MM in Performance/String Pedagogy, East Carolina University BA in String Pedagogy, Maranatha Baptist University Melody Steinbart is deeply engaged in music pedagogy, particularly through the Suzuki method. Her expertise spans violin and cello instruction, with formal training in Suzuki Violin Books 1–20 under Joanne Bath and Kimberly Meier-Sims, and Suzuki Cello Book 1 with Heather Hadley. Her teaching philosophy emphasizes personal growth and skill development in students, both individually and in group settings. She is actively involved in professional and community music education. She is a member of the Suzuki Association of the Americas and the American String Teachers Association, and serves as Director and Teacher of Lake Country Strings in the community. Scientific Awards: No awards listed Melody mentors students through private instruction and ensemble leadership, though no formal graduate advisees are listed. She contributes to academic governance as a member of the Academic Committee (2023–24) and leads small groups on campus. She also coordinates music ministry at her church, plays for congregational hymns, and assists in church kitchen operations. Labs, Teams, and Programs: She directs the MBU Orchestra and is a key leader in the Maranatha String Prep Program, fostering early music education and community engagement in string performance.

Daniel Woodمشاهده پروفایل

استاد

• Composition
• Chamber Music
• Horn Performance
• +۵ مورد دیگر

Daniel Wood is a Professor at the San Francisco Conservatory of Music (SFCM), serving as Chair of Musicianship and Composition for the Pre-College Division and affiliated with the Continuing Education department. He is a composer, performer, and educator specializing in chamber music, horn performance, and music education. Mr. Wood emphasizes holistic musician development, teaching technical proficiency alongside musicality and stage presence. His compositions focus on small ensembles like brass, wind, and string chamber groups, steel drum ensembles, and jazz combos. Education: Training received from the University of California, Los Angeles (UCLA) Mr. Wood’s professional activities include: Founding member of the Quadre horn quartet (toured since 1998) Member of Avenue Winds and Teal Crane Trio, championing new works Founder of Solid Wood Publishing Recent commissions for Ceora Winds, Presidio String Trio, and Avenue Winds Lectures on the Business of Music at institutions like Eastman School of Music and University of Oregon He welcomes students at all levels (beginning, intermediate, advanced) and stresses mutual commitment in music education.

Thomas Ludesمشاهده پروفایل

استاد

• Chamber Music
• Woodwind Performance
• Musical Pedagogy
• +۱ مورد دیگر

Thomas Ludes serves as a Professor at Folkwang University of the Arts, currently affiliated with Faculty 1. His teaching specialization is explicitly defined as Chamber music (woodwind), positioning him within the university's arts-focused academic structure across campuses in Essen-Werden, Duisburg, Bochum, and Dortmund. His research and artistic interests center on collaborative music performance and woodwind instrument mastery, with key areas including: Historical interpretation of chamber music repertoire Woodwind ensemble pedagogy and technique development Contemporary chamber music practices Interdisciplinary artistic collaboration Performance-based music education Woodwind instrument specialization in small-group settings No scientific awards, student advisees, or grant details were specified in the profile. His work appears institutionally contained within Faculty 1 without reference to external research teams or laboratories.

Zacc Harrisمشاهده پروفایل

مدرس

• Jazz
• Blues
• Guitar Performance
• +۳ مورد دیگر

Zacc Harris serves as a Lecturer in Jazz and Blues Guitar at Carleton College's Department of Music, holding this position continuously since 2014. He teaches across all academic terms with a comprehensive course load spanning jazz guitar performance, improvisation, and ensemble work. Harris earned his Bachelor of Arts from Southern Illinois University Carbondale. His pedagogical foundation integrates both theoretical and practical musicianship through structured curriculum development. His research and teaching focus centers on: Historical evolution of blues guitar techniques Modal and harmonic frameworks for jazz improvisation Chamber music dynamics in small jazz ensembles Differentiated instruction for juried vs. non-juried performance assessment Contemporary applications of traditional blues forms Cross-genre stylistic synthesis in guitar performance Harris maintains an active teaching schedule through Spring 2026, offering courses including Jazz and Blues Guitar (MUSC 177/277), Jazz Improvisation (MUSC 179/279), Jazz Chamber Music (MUSC 195), and Class Guitar (MUSC 197) across multiple academic terms.

• Radiation Oncology
• Medical Physics
• Computational Physics
• +۵ مورد دیگر

Dr. Yulong Yan is a Professor in the Department of Radiation Oncology at UT Southwestern Medical Center, where he serves as Director of Computational Physics and faculty in the Division of Medical Physics & Engineering. His career spans academic, clinical, and technical domains in radiation oncology and biomedical engineering. Bachelor's & Master's: Nanjing University of Aeronautics and Astronautics Ph.D.: Biomedical Engineering, Southeast University, Nanjing Fellowship/Residency: Stanford University School of Medicine Dr. Yan's research focuses on Medical Physics , Adaptive Radiotherapy , and Deep Learning applications in clinical oncology. Key areas include: Functional lung avoidance techniques (FWAS, virtual bronchoscopy) Deep learning for synthetic CT generation and tumor segmentation Dose verification platforms (ART2Dose) Radiation toxicity modeling for brain and lung treatments Bluetooth-based localization systems for clinical applications MR-only radiotherapy workflows His publications demonstrate expertise in Image-Guided Radiotherapy , Treatment Planning Optimization , and Radiation Dose Modeling , with a 2013–2024 publication record showing sustained contributions to Medical Physics , Radiotherapy and Oncology , and PLOS One . Dr. Yan has served as Associate Editor for Medical Physics and Journal of Clinical Medical Physics , while chairing the Southwest Chapter AAPM Communications and IT Committee since 2014. As an educator since 2013, he mentors medical physics residents and postdoctoral fellows while delivering lectures in the Medical Physics Certificate Program.

Ania Vuمشاهده پروفایل

استادیار

• Music Composition
• Contemporary Music
• Interdisciplinary Arts
• +۴ مورد دیگر

Ania Vu (née Vũ Đặng Minh Anh) is an Assistant Professor of Music at Pomona College since 2025. A Polish-Vietnamese composer and pianist, her work explores the intersection of language, time, and natural soundscapes through multilingual poetry integration. Her compositions have been performed globally at festivals like Tanglewood and the Santa Fe Chamber Music Festival, commissioned by ensembles including JACK Quartet and International Contemporary Ensemble, and conducted by notable figures such as Ken-David Masur. Education: Ph.D. in Music Composition from University of Pennsylvania Graduate of Eastman School of Music (B.M.) with minor in Social Psychology from University of Rochester Vu's research synthesizes ecological soundscapes, contemporary vocal techniques, and interdisciplinary collaborations. Her recent works include Unveiling (2025) for JACK Quartet and small tenderness (2023) at Tanglewood, reflecting her focus on hybrid timbral experimentation and text-music relationships. Scientific Awards & Honors Yaddo Residency (2025) Copland House Residency (2023) Tanglewood Composer Fellow (2022) Boston New Music Initiative Commissioning Competition Winner (2021) As a performer, she premieres both her and her colleagues' contemporary piano works, recently serving as 2024 Composer-in-Residence at Chelsea Music Festival. Vu studied under Vincent Lenti, Irina Rumiancewa-Dabrowski, and her mother Hong Anh Dang.

• Jazz Studies
• Jazz Composition
• Jazz Improvisation
• +۳ مورد دیگر

Kei Akagi is a distinguished Professor of Music at the University of California, Irvine , where he directs the Jazz Studies program . A renowned pianist and composer, he has been a pivotal figure in the international jazz scene for over two decades, most notably as a member of the Miles Davis band in the late 1980s. His career spans collaborations with jazz legends such as Stanley Turrentine , James Newton , and Al DiMeola . Specialization: Jazz Studies, Jazz Composition, Piano Performance Academic Rank: Professor University: University of California, Irvine Contact: kakagi@uci.edu Akagi earned his B.A. from International Christian University, Tokyo . His research interests revolve around Jazz Studies , with a focus on composition , improvisation , and piano techniques . His discography reflects a deep exploration of Jazz Composition , Piano Trio Dynamics , and Collaborative Performance across decades of innovation and cross-cultural exchange.