جستجوی استاد راهنمای دانشگاهی

Paola Trevisanمشاهده پروفایل

استادیار

• Management Accounting
• Organizational Theory
• Creative Industries
• +۴ مورد دیگر

Paola Trevisan is an Assistant Professor at Copenhagen Business School, specializing in the Department of Operations Management. Her research intersects with the United Nations Sustainable Development Goals (SDGs), focusing on management accounting and organizational theory within creative industries. Current position: Assistant Professor, Copenhagen Business School Department: Operations Management Her research explores controversies in craft communities and decision-making processes in creative organizations, offering alternative frameworks for organizing cultural and artistic practices. Key themes include sustainable development, financial modeling in the arts, and the balance between tradition and innovation. Recent publications, such as Agree to Disagree on Gondola Making (2025) and Compromises and Compromising (2023), analyze how creative sectors navigate financial, ethical, and operational challenges. These works align with broader efforts to integrate sustainability into artistic and business practices. Her research outputs span multiple formats, including peer-reviewed journal articles, teaching cases, and computer programs, reflecting interdisciplinary engagement with cultural economics, opera production, and management accounting systems.

Benedicte Christiansenمشاهده پروفایل

دانشیار

• Opera
• Classical Music
• Italian Language for Singers
• +۵ مورد دیگر

Benedicte Christiansen serves as Associate Professor at the Danish National Academy of Music (DKDM), where she has taught Italian for singers since 1997 and conducts writing courses for all BA students. Her academic career is deeply intertwined with professional practice in opera, journalism, and cultural policy. Christiansen graduated as a singer from the Danish Academy of Music in 1995, with further education in Italian at the University of Copenhagen and classical philology at Aarhus University. She also trained as a journalist at the Danish School of Journalism. Her international experience includes living and working in Rome and Trieste, where she studied Italian repertoire with Prof. Marta Lantieri, former head of the Opern Studio at the Vienna State Opera. Her research and professional interests span opera studies, cultural policy, music education, and the intersection of music with democratic society. Christiansen has conducted Italian courses for prestigious institutions including the Danish National Radio choir, the Royal Danish Opera, and the Jutland Opera. She has been instrumental in developing music education initiatives, particularly as the initiator and project manager of OrkesterMester, a nationwide program connecting music schools with school orchestras. Her publications reveal consistent engagement with the economic and social value of opera and symphonic music, cultural diplomacy, and the relationship between arts participation and democratic citizenship. Christiansen approaches these topics through both academic analysis and practical experience, often highlighting international perspectives from Europe and Asia. Speaker at DKDM's music education conference on OrkesterMester (2019) Conference participation at Opera Europe, Antwerp (2019) Co-organizer of Nordic Music and Culture School Union's conferences (Oslo 2017, Finland 2016, Aalborg 2015) Nordic Children's Culture Conference in Nuuk (2014) 2018: Scholarship to the Danish Institute in Rome for research on 'La pronunzia ecclesiastica' Christiansen has held leadership positions including head of the secretariat for music schools' trade association (2013-2018), head of administration for the Jutland Opera (2019), and head of Bornholm's Cultural School (from 2021). She has been elected to the Study Board and Conservatory Council at DKDM for multiple election periods and serves on the sector board for leaders in the Danish Association of Masters since 2019.

Marianne Lykkeمشاهده پروفایل

استاد

• Information Architecture
• Knowledge Organization Systems
• User-Centered Design
• +۳ مورد دیگر

Marianne Lykke is a Professor and Research Section Leader in the Department of Communication and Psychology at Aalborg University, within The Faculty of Social Sciences and Humanities. She specializes in Information Architecture and Knowledge Organization Systems, emphasizing user-centered design methodologies and their application in professional contexts. Education: PhD in Communication and Informatics from Åbo Akademi University (2002). Research focuses on user practice studies, design methodologies, and societal impact measurement through taxonomies. Key areas include science communication in museums and digital tools for environmental education. Research interests span knowledge organization systems, user-centered design, and societal impact assessment. Her work bridges academic research with practical applications in public and private sectors. Notable projects include developing taxonomies for societal problem-solving and virtual role model platforms for education. Received the ECIR 2020 Honorable Mention Award and a 2014 award for innovative teaching using LEGO robots. Active in consultancy, conference organization, and public speaking on topics like information search behavior and open research evaluation. Leadership roles include directing the Human-centered Science and Digital Technology research group and managing the Humanomics Research Group and Purposeful Technology Lab. Supervised 5 PhD students focusing on information systems and design methodologies. Grants and projects include DEFF OPERA (2018-2020) and recent initiatives like Venner med Naturen (2024-2025), exploring digital tools for nature engagement. Her work aligns with UN SDG 4 (Quality Education) through educational technology and science outreach.

Elizabeth Jochumمشاهده پروفایل

دانشیار

• Human-Robot Interaction
• Health Technology
• Art and Technology
• +۴ مورد دیگر

Elizabeth Jochum is an Associate Professor at the Department of Communication and Psychology, Aalborg University, within the Faculty of Social Sciences and Humanities. She heads the Research Laboratory for Art and Technology (RELATE) and coordinates projects like the European ABRA initiative on Artificial Biology, Robotics, and Art, and the ImprovAIze project linking machine learning with dance and wearables. Her research bridges visual/performing arts with robotics and assistive technologies to foster human-centered, value-sensitive designs addressing societal needs. Education: PhD in Theatre (University of Colorado Boulder, 2013), MA in Theatre (2008), BA in Theatre and Italian (Wellesley College, 2001). Research focuses on transdisciplinary collaboration in human-robot interaction, health, and engineering. Notable projects include CRERoB (Center for Rehabilitation Robotics) and AHH (Arts, Health, and Humanities cluster). She also serves as a Part-Time Lecturer at IT University of Copenhagen (2016). Awards: Recognized among the Top 50 Women in Robotics by Robohub (2021). Key contributions span creative robotics in theatre, socially assistive robots for mental health, and AI-driven dance improvisation. Administrative roles include Semester Coordinator for Art and Technology, Study Board Member for KUNST (Art, Health, and Technology), and coordinator for Erasmus Mundus Joint Masters in Media Arts Cultures. Her work emphasizes ethical, inclusive, and artistic approaches to technology.

Siri Agnete Schwabeمشاهده پروفایل

دانشگاهی

• Memory Studies
• Atmosphere Studies
• Ethnography
• +۷ مورد دیگر

Siri Agnete Schwabe serves as a Teaching Associate Professor at the SAXO-Institute within the Faculty of Humanities at the University of Copenhagen. Her academic career spans multiple Scandinavian institutions including Stockholm University and Roskilde University where she has taught since 2015 across ethnology, anthropology, and interdisciplinary social sciences. Her primary research focuses on memories and atmospheres as both mundane and political phenomena, explored through ethnographic fieldwork in Scandinavian countries and Chile. Schwabe investigates transnational political engagement, urban development, and increasingly examines human-environment relations with specific attention to people's relationships with extreme weather caused by climate change. Her work bridges sensory studies, political anthropology, and urban studies through innovative methodological approaches. Her publication record demonstrates consistent scholarly output with recent works examining atmospheric politics in urban settings, transnational memory connections between Chile and Palestine, and the sensory dimensions of climate change. Schwabe's research shows particular strength in connecting micro-level atmospheric experiences with macro-level political structures. As an educator, Schwabe has supervised diverse student projects covering topics ranging from kinship in urban Vietnam, policing in Stockholm suburbs, gender politics in India, and spatial organization of the Burning Man festival to various aspects of everyday life in the Nordic region. Her teaching emphasizes ethnographic methods, theoretical foundations, and philosophies of science alongside specialized courses on urban design and development. Her academic journey includes a PhD from Stockholm University awarded on February 15, 2017. Beyond her university position, Schwabe maintains external engagement as a Consultant in Quality Assurance and Sustainability for Byggeri København and previously served as an Assistant Professor at Roskilde University.

Giordano Bellincampiمشاهده پروفایل

دانشیار

• Orchestral Conducting
• Opera Direction
• Music Education
• +۳ مورد دیگر

Giordano Bellincampi is an Associate Professor and Subject Coordinator at the Danish National Academy of Music, where he has been responsible for conducting education since 2009. Born in Rome in 1965, he trained at the Danish Academy of Music (1985-1991) under renowned instructors like Jorma Panula after establishing himself as a professional trombonist with the Royal Danish Orchestra. His research focuses on orchestral conducting methodologies, opera direction, and the interpretation of classical, romantic, and modern repertoires. His artistic practice spans global engagements with leading orchestras including the Berliner Philharmoniker, Royal Stockholm Philharmonic, and Cincinnati Opera. Bellincampi has received distinguished honors including: Knight of the Order of Dannebrog (2010) Danish Musicians' Union Honorary Award (2008) Franco Prize (1998) Gladsaxe Music Prize (1998) Art Critics' Circle Artist Prize (1998) As Chief Conductor of the Auckland Philharmonia Orchestra since 2019, he premiered Hans Abrahamsen's Concerto for Horn and Orchestra (2020). He maintains active leadership roles including juror for international conducting competitions and previously chaired Denmark's State Art Council Music Committee (2007-2011).

• Cultural Sociology
• Educational Inequality
• Social Stratification
• +۵ مورد دیگر

Mads Meier Jæger is an academic affiliated with the University of Copenhagen as the Associate Dean of Research at the Faculty of Social Sciences. His work spans cultural sociology, educational inequality, and social stratification, with a focus on cultural capital, family influence, and behavioral economics. Research trends show a consistent exploration of Cultural taste hierarchies Heritability of cultural preferences Impact of socioeconomic factors on education Post-pandemic cultural participation His articles often intersect sociology, economics, and genetics.

Helene Gjerrisمشاهده پروفایل

استاد

• Classical Vocal Performance
• Opera Education
• Artistic Research
• +۳ مورد دیگر

Helene Gjerris serves as Rector of the Royal Danish Academy of Music (DKDM) since 2024, previously holding a professorship in singing and leading vocal subject groups. She bridges artistic practice and pedagogical innovation, with a focus on developing contemporary classical music education. Her research interests span classical vocal performance opera education artistic research methodologies interdisciplinary performance techniques graphic notation interpretation text-based musical expression She has contributed to major projects like Operaakademiet and co-founded FIGURA Ensemble, pioneering new concert formats. Her 2016 publication on interdisciplinary performance methods demonstrates her educational philosophy. Scientific awards include Aksel Schiøtz Prize Reumert Talent Prize Tagea Brandt Travel Grant Gladsaxe Music Prize Musikanmelder Ring's Artist Prize Danish Society of Composers' Honorary Prize With over 20 years of teaching experience and extensive international collaborations, she continues to shape vocal education while maintaining an active performance career.

• Rheumatoid Arthritis
• Magnetic Resonance Imaging in Rheumatology
• Disease-Modifying Antirheumatic Drugs
• +۴ مورد دیگر

Marcin Ryszard Kowalski is a Physician Scientist and Ledende overlæge (Chief Physician) at North Denmark Regional Hospital, affiliated with The Faculty of Medicine. His clinical and research work focuses on rheumatology with particular expertise in rheumatoid arthritis and spondyloarthritis management. His research interests span multiple areas within rheumatology, with primary focus on Rheumatoid Arthritis , Magnetic Resonance Imaging applications in rheumatic diseases, and Disease-Modifying Antirheumatic Drugs . His work also extensively covers Ankylosing Spondylitis , Spondyloarthritis , and clinical trial methodologies in rheumatology research. His fingerprint analysis shows strong emphasis on rheumatoid arthritis (100%), magnetic resonance imaging (75%), disease activity (39%), and disease-modifying antirheumatic drugs (27%). Dr. Kowalski's publication trends show consistent research output from 2012 through 2022, with significant contributions to major clinical trials including the IMAGINE-RA and OPERA trials. His research primarily focuses on treatment strategies for rheumatoid arthritis, MRI assessment of disease activity, and comparative effectiveness of biologic versus conventional therapies. His 2019 JAMA publication on MRI-guided treatment strategies has been particularly influential with over 80 Scopus citations. His research has garnered significant attention, with publications referenced in clinical guidelines, policy sources, and covered by multiple news outlets. His 2019 JAMA article was highlighted by 1 platform, appeared on 3 Facebook pages, and was posted by 18 X users, demonstrating substantial impact in both academic and public spheres. Dr. Kowalski has been active in professional activities, including participation in the EULAR conference in 2007. His work has been cited across multiple platforms with significant readership on Mendeley, indicating broad scholarly engagement with his research.

Anders Eskildsenمشاهده پروفایل

استادیار

• Music Technology
• Sound Design
• Human-Computer Interaction
• +۴ مورد دیگر

Anders Eskildsen is an Assistant Professor at the Department of Communication and Psychology, Aalborg University (AAU), affiliated with The Faculty of Social Sciences and Humanities. He is part of the Research Laboratory for Art and Technology and the Music & Sound Knowledge Group. His research focuses on intersections between music, technology, and human interaction, including haptic feedback systems, musical interfaces, and collaborative improvisation. Eskildsen holds a PhD and MA in relevant fields. His work bridges artistic and technological domains, with projects exploring mid-air musical interfaces, public space soundscapes, and post-pandemic interaction design. He has published books on soundpainting and SuperCollider sound production, and his research has been featured in conferences like MOCO and NIME. He actively contributes to academic discourse through peer reviews for journals like Computer Music Journal and serves on committees such as the Musisk-æstetisk faggruppe. His interdisciplinary approach integrates systems theory, design frameworks, and creative collaboration, addressing both technical and sociocultural dimensions of sound and art. Labs/Teams: Research Laboratory for Art and Technology, Music & Sound Knowledge Group Media Engagement: Discussed diversity in opera singing in 2015 media coverage Grants/Activities: Organized workshops, delivered talks on sound synthesis, and reviewed manuscripts for multiple conferences/journals

Anna Cornelia Plougمشاهده پروفایل

پژوهشگر ارشد

• Modern European Philosophy
• Hegel Studies
• French Philosophy
• +۵ مورد دیگر

Anna Cornelia Ploug is a Postdoctoral Research Fellow in Philosophy of the Humanities at the Department of Nordic Studies and Linguistics, Faculty of Humanities, University of Copenhagen. She concurrently serves as an external lecturer at Roskilde University (2023-2024) and is a core member of the international research network 'Histories and Futures of French Travelling Concepts' (2025-2028), funded by the Independent Research Fund Denmark. Her educational background includes: PhD in Philosophy from Roskilde University MPhilStud in Modern European Philosophy from Kingston University Bachelor in Philosophy with Greek/Latin components from University of Copenhagen and Sorbonne Paris-IV Dr. Ploug's research centers on Modern European Philosophy with specialized focus on Hegel's dialectical logic and its 20th-century French receptions. She pioneers methodological innovations in challenge-based inquiry for transdisciplinary humanities, examining how problem-oriented frameworks generate critical knowledge. Her work uniquely bridges continental philosophy with feminist epistemology and historical epistemology, particularly through unexplored trajectories of Hegelian logic in interwar French thought. Recent publications (2024-2025) reveal a cohesive trajectory: foundational work on Kantian epistemology evolved into feminist dialectics (Beauvoir studies), Wagnerian aesthetics, and temporal-madness phenomenology. This corpus demonstrates rigorous engagement with concrete logic applications across gender theory, opera philosophy, and cultural mythology—consistently advancing transdisciplinary critique through historical philosophical frameworks. Her scientific recognition includes: The Patterson Prize (2024) Årets filosofiske initiativ (2023) Multiple research grants: Augustinus Fonden, Niels Bohr Fondet, Cayx-legatet (2021), Collstrops Fond (2023) Willers videnskabshistoriske rejselegat (2024) Dr. Ploug actively shapes philosophical discourse as external examiner for Danish universities (2022-2026) and member of The Danish Society for Philosophy (2020-2025). Her grant portfolio reflects strategic institutional support for innovative humanities methodologies, particularly her current book project tracing Hegelian logic in 1930s-50s French philosophy. Media engagements (12+ features since 2023) demonstrate public intellectual impact on gender theory and philosophical relevance. She operates within the Nordic Humanities Center's collaborative ecosystem, directing the 'Challenging Times' project that develops problem-oriented research frameworks. Her international network positions her at the forefront of reimagining humanities methodologies through concrete dialectical logic, with upcoming collaborative outputs from the French Travelling Concepts network.

Erik Steinskogمشاهده پروفایل

دانشیار

• Afrofuturism
• Popular Music (African American)
• Opera (Post-Wagner)
• +۵ مورد دیگر

Erik Steinskog serves as an Associate Professor within the Department of Arts and Cultural Studies at the Faculty of Humanities, University of Copenhagen. His academic profile centers on interdisciplinary cultural studies approaches to twentieth and twenty-first century music, with particular emphasis on critical intersections of musical expression with identity politics and technological mediation. His research interests span multiple interconnected domains: Afrofuturism across musical genres from Sun Ra to contemporary African American artists Opera studies focused on post-Wagnerian developments and monotheistic themes Gender and sexuality dynamics in popular music cultures Music aesthetics grounded in continental philosophy after Nietzsche Technological mediation of musical expression and reception Race, ethnicity, and cultural power structures in music history Analysis of Steinskog's recent publications reveals a concentrated scholarly trajectory exploring afrofuturist manifestations in mainstream popular culture, particularly through Beyoncé's Lemonade and Janelle Monáe's cybernetic feminism. His work consistently examines how musical forms engage with historical trauma, political resistance, and speculative futures, while maintaining rigorous connections between sonic analysis and broader cultural theory. The publications demonstrate methodological sophistication in bridging musicology with critical race theory, gender studies, and urban geography. Steinskog maintains active scholarly engagement through conference presentations and organizational roles, having contributed to events examining Michael Jackson's cultural legacy, Lady Gaga's artistic politics, and adaptations of musical narratives across media platforms. His ORCID profile (0000-0003-2276-4020) documents extensive scholarly output including 82 research items and 15 academic activities.

Eva Hess Thaysenمشاهده پروفایل

استاد

• Voice Pedagogy
• Opera Performance
• Lied Genre
• +۳ مورد دیگر

Eva Hess Thaysen is Professor and Head of the Voice Department as well as Head of Artistic Research Studies at The Royal Danish Academy of Music in Copenhagen. She has served as faculty at Florence's Bel Canto Institute since 2006 and conducted masterclasses globally including Beijing, Milan, and Vilnius. Education Bachelor's in Comparative Literature, Hamilton College, New York (1980) Diploma in Vocal Performance, The Royal Danish Academy of Music (1989) Master's in Elite Voice Pedagogy, The Royal Danish Academy of Music (2008) Research Focus Her work centers on voice pedagogy, vocal diction standards, and artistic research methodologies. She has pioneered phonetic notation systems for Danish art song while exploring text-music relationships in Lied interpretation. Current initiatives include leading DKDM's three-year 'Diversity and Inclusion in Classical Music' theme and the 'The Hidden Language' artistic research project. Publication Trends Her scholarly output demonstrates consistent integration of performance practice with academic research, particularly in vocal diction (2023 book), Danish repertoire standardization (2021), and artistic knowledge production (2017). Publications bridge musicology, linguistics, and pedagogy with emphasis on Scandinavian vocal traditions. Professional Leadership She chairs The Danish Song Society (since 2000) and co-founded the biennial Copenhagen Lied Duo Competition (2015). Her board service spans Else Brems’ Rejsefond (2014-present), Sangfonden af 2013 (2011-present), and Music Confucius Institute (2012-2020). She serves on international juries including Bel Canto Institute competitions and EU project evaluations.

Peter Koch Gehlshøjمشاهده پروفایل

پژوهشگر ارشد

• Music Drama
• Performing Arts
• Street Theater
• +۳ مورد دیگر

Peter Koch Gehlshøj is a Research Fellow at the University of Copenhagen's Department of Arts and Cultural Studies. His PhD research is part of the project 'Voices, Places and Quarrels,' funded by the Augustinus Foundation, Bikuben Foundation, Louis-Hansen Foundation, and ArtEx. This interdisciplinary initiative examines Denmark's music drama heritage (1721–1854) through historical analysis and performative workshops with The Royal Danish Academy of Music, focusing on marginalized historical narratives. Gehlshøj's research explores the capacity of music and performing arts to reshape spatial practices and historical discourse. His work investigates street theater's role in redefining public spaces, music's atmospheric dimensions (analyzing composers like Debussy and Messiaen), and critical reexaminations of opera through practice-based methodologies. Central themes include cultural memory, socio-political conflicts in art, and the intersection of performance with urban environments. His 2025 publications demonstrate consistent engagement with opera criticism, historical reenactment theory, and composer biographies. Works span musicology, cultural studies, and performance theory, with frequent application of practice-based research to decode historical power dynamics in music theatre. Professional activities include membership in the Reumert Jury (2024–present), artistic management for the experimental collective HAUT, music criticism, and primary school opera history instruction. He maintains affiliations with the Theatrical Voice Research Centre and International Federation for Theatre Research. Gehlshøj is funded through the 'Voices, Places and Quarrels' project grants. He has participated in workshops at The Royal Danish Academy of Music and undertaken research residencies at The Danish Institute at Athens and The Danish Academy for Science and Art in Rome.

• Opera Studies
• 19th Century Music
• Cultural Transfer
• +۵ مورد دیگر

Jens Hesselager serves as Associate Professor in the Department of Arts and Cultural Studies at the Faculty of Humanities, University of Copenhagen. His academic profile centers on 19th-century music history with specialization in Nordic opera traditions, cultural transfer mechanisms, and transnational artistic exchanges. Holding Cand.mag. and PhD qualifications, he maintains active research and teaching responsibilities in musicology. His research portfolio demonstrates deep engagement with Scandinavian musical heritage through projects examining French grand opera's influence in Nordic regions, Italian cultural traffic to Scandinavia (including singer migrations and libretti translations), and music's role in Danish democratization processes. Additional scholarly focus areas encompass theater music, melodrama (particularly French boulevard traditions), and music dramaturgy across historical contexts. Publication analysis reveals consistent thematic concentration on Nordic music history, with particular emphasis on Danish composer C.E.F. Weyse and cross-cultural adaptations of Italian/French operatic forms. His scholarly output spans monographs, encyclopedia entries, and peer-reviewed articles investigating 19th-century Scandinavian musical practices within broader European frameworks. Professional activities include workshop collaborations with the Royal Danish Academy of Music (DKDM), conference presentations on Nordic opera history, and media contributions through Danish national radio (DR P1/P2). His 2024 book reception events and 2025 workshop leadership confirm ongoing academic engagement.