جست‌وجوی استاد و پژوهشگر

Katharina Thomaمشاهده پروفایل

استاد

• Opera Directing
• Classical Music
• Scenic Arts
• +۳ مورد دیگر

Prof. Katharina Thoma is a renowned opera director currently serving as Head of the Opera School at the University of Music Würzburg . She also holds the positions of Deputy Chair of the Music Academy and Dean of Studies . With a career spanning major European opera houses including the Royal Opera House Covent Garden and Glyndebourne Festival, she specializes in blending historical accuracy with modern theatrical innovation. Studied piano at Lübeck University of Music Resident director at Dortmund Opera (2011-2014) Visiting professor at Graz University of Music (2018) Freelance director since 2008 Katharina Thoma's research and practice focus on opera stage direction , scenic training for singers , and historical opera interpretation . Her work spans from Baroque masterpieces to contemporary political operas, emphasizing: Contextual authenticity in period-specific productions Modern reinterpretation of classical works Interdisciplinary approaches to staging Integration of visual and musical elements Training of next-generation opera performers Exploration of war-related themes in opera Notable productions include: 2024: Johann Strauss' The Bat (University of Music Würzburg) 2023: De Falla's El retablo de Maese Pedro 2022: Britten's The Rape of Lucretia 2019: Schönberg's Pierrot lunaire 2007: European Opera Directing Competition Finalist Her artistic contributions have been recognized with: Second Prize at the European Opera Directing Competition 'Camerata Nuova' (2007) Katharina Thoma actively mentors young singers and develops innovative opera productions at the University of Music Würzburg's Opera School. Her recent work includes: Wagner operas debut (2019/20 season) Collaboration with composers like Richard Jones and Christof Loy Participation in renowned festivals (Munich Biennale, Glyndebourne) The Opera School under her leadership focuses on comprehensive training combining: Historical performance practices Contemporary staging techniques Technical vocal training Interdisciplinary collaboration

Magdalena Fischerمشاهده پروفایل

مدرس

• Vocal Performance
• Vocal Pedagogy
• Music Education
• +۳ مورد دیگر

Magdalena Fischer is a German mezzo-soprano and lecturer at the State University of Music and Performing Arts Stuttgart (HMDK Stuttgart) since April 2024, where she heads the singing class and early talent development program at Eberhard-Ludwigs-Gymnasium Stuttgart. She is a permanent member of the Gaechinger Cantorey and Stuttgart Chamber Choir, performing under renowned conductors including Hans-Christoph Rademann and Frieder Bernius across Europe, the USA, China, South America, and New Zealand. Her educational background includes: Singing and music education studies at Detmold University of Music Advanced training with Paula de Wit in Amsterdam Master classes with Margreet Honig and artistic collaborations with Eric Schneider, Bernhard Heinrichs, and other distinguished musicians Ms. Fischer's professional focus centers on vocal performance and pedagogy, with deep expertise in choral singing, opera, and oratorio. Her teaching methodology emphasizes vocal discovery for singers and speech professionals, integrating performance practice and artistic interpretation developed through decades of stage experience. She actively bridges academic training with professional performance contexts through her dual career. As an academic mentor, she has supervised vocal pedagogy students at Detmold and Freiburg University of Music while lecturing at the Free College of Social Pedagogy. Her educational leadership extends to the International Bach Academy Stuttgart's programs including BachBewegt!Singen! and the Junges Stuttgarter Bachensemble master classes. Her primary artistic affiliations include the Gaechinger Cantorey ensemble and Stuttgart Chamber Choir, with significant contributions to the International Bach Academy Stuttgart's educational ecosystem through voice coaching, choir direction, and workshop leadership for corporate and institutional clients.

Holger Speckمشاهده پروفایل

استاد

• Vocal Music
• Choral Conducting
• Baroque Music
• +۳ مورد دیگر

Prof. Holger Speck is a Professor of Singing and Director of the Vocal Ensemble at the Karlsruhe University of Music. He leads the Grammy-nominated Vocalensemble Rastatt, renowned for its authentic performances and stylistically precise interpretations. His work emphasizes historical context and sensuous sound production, praised by critics like American Record Guide and Fanfare for 'sound akin to pure gold.' He directs the baroque orchestra Les Favorites and collaborates internationally with ensembles such as the Radio Choir Zagreb, Slovenian Philharmonic Orchestra, and Festspielhaus Baden-Baden. Guest engagements include teaching at the Brazilian-German Music Festival in Rio de Janeiro and conducting major productions like John Neumeier's Dona nobis pacem at the Hamburg State Opera. His discography on labels like Deutsche Grammophon and Carus has garnered global acclaim, with extensive media coverage in Grammophone , Fono Forum , and others. Speck's artistic direction bridges pedagogy and performance, preparing students for professional careers in theater, radio, and independent ensembles.

Knut Andreasمشاهده پروفایل

استاد

• Musicology
• Cultural Education
• Aesthetics
• +۷ مورد دیگر

Prof. Dr. Knut Andreas is an Honorary Professor of Music History and Music Management in the Cultural Work programme at the University of Applied Sciences Potsdam . A conductor and musicologist, he bridges theory and practice through teaching, orchestral leadership, and international cultural exchange. Education: University of Potsdam (Music Education, German Language/Literature), University of Music and Theatre "Felix Mendelssohn Bartholdy" Leipzig. Doctorate at Ludwig Maximilian University Munich on Paul Graener. His research focuses on 20th and 21st-century music , German-Brazilian cultural exchange , film music , orchestral management , and music education for vulnerable groups . Courses include Music and Film – The Qatsi Trilogy and Music in Totalitarian Systems . Publications span Paul Graener's works, cross-cultural projects, and socio-cultural initiatives like Sinfonieorchester für Senioren . His 15 most recent publications highlight intercultural musicology , 20th-century German composers , and Brazilian-German artistic collaboration , often analyzing orchestral practices, film scores, and educational methodologies. Scientific Awards : Order of Cultural Merit (2012, Rio de Janeiro), Honorary Service Award for Cultural Commitment (2012, Potsdam). He directed the Collegium musicum Potsdam since 1998, initiated Klassik am Weberplatz open-air festival, and led the Youth Symphony Orchestra Berlin . His socio-cultural projects include intercultural exchanges with Brazil and music programs for seniors and socially vulnerable youth.

Anne Greilingمشاهده پروفایل

مدرس

• Vocal Performance
• Baroque Music
• Classical Opera
• +۳ مورد دیگر

Anne Greiling is a distinguished vocalist and vocal instructor at Stuttgart University of Music and Performing Arts since 2023. She has established herself as a prominent figure in classical vocal performance with an extensive international career spanning opera, oratorio, and concert performances across major European venues and festivals. Her educational background includes studies at the Frankfurt and Mannheim Music Academies under Prof. Karl Markus and Prof. Katharina Dau, complemented by master classes with Anna Reynolds, Graham Johnson, and Brigitte Fassbaender. Greiling's artistic focus centers on vocal performance with specializations in Baroque music (particularly the works of J.S. Bach), classical opera, and contemporary vocal compositions. Her repertoire spans from early Baroque to modern works, demonstrating exceptional versatility in solo performance, ensemble singing, and interpretation of diverse vocal literature. She has performed extensively in Bach's vocal works, including complete cycles at Stiftskirche Stuttgart. As an educator, Greiling serves as a vocal instructor at Stuttgart University of Music and Performing Arts and as a regular instructor for ensemble singing at Saar University of Music's summer school. She also teaches at Bad Königshofen Vocal School, contributing significantly to vocal pedagogy in Germany. Opera engagements: Bonn Opera House, Mannheim National Theater, Cologne Opera Major collaborations: Balthasar Neumann Choir under Thomas Hengelbrock, SWR Vocal Ensemble Prestigious venues: Berlin Philharmonic, Salzburg Festival, Concertgebouw Amsterdam, Elbphilharmonie Hamburg Her performance career includes recordings under composers' direction, such as Aribert Reimann's 'Eingedunkelt' cycle for NDR, and participation in significant productions including Bach's St. John Passion at the Stuttgart State Opera. Her upcoming engagements for 2024-2025 include performances across Europe in major works by Bach, Handel, Mozart, and Haydn.

Richard Wienمشاهده پروفایل

استاد

• Conducting
• Choral Music
• Orchestral Performance
• +۲ مورد دیگر

Richard Wien serves as Professor and Head of the Institute for Conducting, Choir and Orchestra, with an active career spanning major European opera houses and concert orchestras. His leadership includes temporary musical direction of the Graz Opera and significant guest conducting roles across Germany and continental Europe. His academic foundation was built through studies at institutions in Mannheim, Heidelberg, and Stuttgart, followed by immediate engagement at the Stuttgart State Opera after graduation. Key developmental experiences included directorship roles at the Salzburg Festival and Granada Festival. Professionally focused on conducting pedagogy and performance practice, his work integrates choral training, orchestral direction, and opera production. Influenced by Daniel Barenboim and mentored through masterclasses with Esa-Pekka Salonen, Sir Colin Davis, and Gianluigi Gelmetti, his approach emphasizes collaborative musical interpretation. Notable recognitions include: Karajan scholarship recipient German Music Council support As institute head, he oversees comprehensive training programs for conductors across choral and orchestral disciplines, maintaining active connections with premier performance venues while shaping next-generation musical leadership through structured academic mentorship.

• Choral Conducting
• Choral Voice Training
• Music Education
• +۳ مورد دیگر

Andreas Cessak serves as a Lecturer in Choral Conducting and Choral Voice Training at the University of Kassel's Department of Music, where he directs the university choirs Cantiamo and Cantiamo Piccolo. His role integrates performance leadership with pedagogical innovation, fostering collaborations with institutions like Staatstheater Kassel and the Museumslandschaft. His educational background includes advanced studies in piano and trombone at the Hochschule für Musik und Theater Hamburg, specializing in historical performance practice on baroque trombone, with first and second state examinations completed with distinction. Cessak's research focuses on practical choral methodologies, emphasizing accessible vocal training for diverse age groups and ensemble settings. His work bridges historical performance techniques with contemporary educational frameworks, particularly in school and youth choir contexts, to enhance musical engagement through structured yet creative approaches. His publications reveal a consistent emphasis on demystifying choral leadership—transforming technical vocal training into engaging, student-centered experiences while preserving artistic integrity across educational and professional ensembles. Notable awards include dual 1st prizes for contemporary work premieres and opera program design from Hamburg State Opera, plus the 2016 VdKC prize for innovative concert programming. He mentors through ensemble direction rather than formal graduate advising, leading Cantiamo Kassel and Cantiamo Piccolo while organizing masterclasses with groups like The Kings Singers. His projects prioritize community integration, such as collaborations with NDR Bigband and regional cultural institutions to expand choral music's public reach. Cessak maintains active artistic networks through the Association of German Concert Choirs and German Center for Choral Music, driving initiatives that connect university choirs with professional stages and educational outreach programs.

Sabine Layerمشاهده پروفایل

مدرس

• Choral Conducting
• Vocal Coaching
• Music Education
• +۲ مورد دیگر

Sabine Layer is a lecturer at the Stuttgart Academy of Music and Performing Arts and served as musical director of the Staufer Festspiele Göppingen from 2012 until 2021. She has conducted the Esslingen Philharmonic Choir since May 2000 and regularly collaborates with the International Bach Academy on educational initiatives. Her professional focus centers on choral conducting and vocal pedagogy, with innovative projects spanning traditional oratorio literature to staged productions like "OPERA!" (2017) and "Night and Dream" (2023). Layer is particularly renowned for large-scale music education projects, having directed over 1,500 children in Baden-Württemberg's "Creation - Earth to Future" (2022/23) and adapting classical works by Bach, Handel, and Haydn for youth performers. Layer's educational contributions include directing school rehearsals and final concerts for International Bach Academy projects involving 250+ children per initiative. She has recorded piano reductions for the globally distributed "Choral Singing Made Easy" CD series (Peters Verlag) and conducted major productions including Mozart's "Die Zauberflöte" and Humperdinck's "Hansel und Gretel". She currently leads the Esslingen Philharmonic Choir and maintains active collaborations with ensembles like the Gaechinger Cantorey under Hans-Christoph Rademann, focusing on community engagement through thematic concert projects and children's music education.

• Vocal Pedagogy
• Classical Singing
• Popular Music Singing
• +۲ مورد دیگر

Eva Herzig serves as a Lecturer in the Department of Music at the University of Kassel since October 2019, teaching vocal instruction across all degree programs and directing performance initiatives including the weekly Workshop Performance and semester-end Musizierstunde concert series. Her academic background includes: Vocal pedagogy studies at Hochschule der Künste Bern Distinguished opera solo studies in Leipzig Certificate of Advanced Studies (CAS) in Singstimme (voice physiology and dysfunction management) BDG certification in Pedagogy of Popular Singing (2018/19) Her research integrates classical and contemporary vocal techniques, emphasizing voice physiology, genre-adaptive pedagogy, and choral literature. She applies CVT (Complete Vocal Technique) and speech therapy principles to address vocal health across musical styles, drawing from 15+ years of professional performance experience including Zurich Opera House engagements and Gächinger Kantorei membership. As an active mentor, she provides individual vocal coaching and performance preparation through structured workshops. She also contributes to institutional governance through the AG Modulprüfungsordnungen committee for examination regulations, while maintaining an open-door policy for voice department student consultations.

Csaba Grünfelderمشاهده پروفایل

مدرس

• Opera Choral Direction
• Vocal Pedagogy
• Music Performance
• +۳ مورد دیگر

Csaba Grünfelder is a Hungarian-born concert pianist, conductor, and singer currently serving as Choir Director at Theater Vorpommern (Stralsund) since 2021/2022 and repetiteur (teaching appointment) at the Vocal Department of the Hochschule für Musik und Theater Rostock since Winter Semester 2021. He holds a Master's degree in Piano from the University of Szeged (2005). Key Roles: Chordirektor (Choir Director), repetiteur, vocal pedagogue Professional History: 2002–2020 with Theater Szeged and Landestheater Linz (opera chorus member and soloist), 2018: Chorus Preparation for Britten's 'Death in Venice' and Wagner's 'Tristan und Isolde' in Linz, 2020: Assistant to Chorus Director & Children's Choir Leader at Frankfurt Opera Artistic Focus: Specializes in opera chorus direction, vocal training for operatic roles, and collaborative piano work with singers. His career emphasizes bridging performance and pedagogy in operatic repertoire. Grants & Awards: None explicitly listed in the provided text. Advising & Leadership: Oversees children's choirs and opera chorus productions; no listed student advisees in current texts.

Lisa Wedekindمشاهده پروفایل

مدرس

• Vocal Pedagogy
• Classical Singing
• Opera Performance
• +۳ مورد دیگر

Lisa Wedekind is a renowned mezzo-soprano and vocal pedagogue affiliated with the State University of Music Trossingen, where she holds a singing class and teaches vocal pedagogy, methodology, and didactics. She also previously held teaching roles at the University of Music, Drama and Media Hannover and the University of Music Saar in Saarbrücken. Her academic career includes assistant roles under notable figures like Judith Lindenbaum and Prof. Arthur Janzen. Her research interests focus on vocal technique, historically informed performance practices, and music education. She emphasizes the integration of pedagogical expertise with human empathy and curiosity about vocal development. Her teaching spans undergraduate and graduate programs, including master's studies in Music Education. Wedekind’s performance career spans major opera houses (Bern, Bonn, Düsseldorf) and concert venues (Berlin Philharmonie, Liederhalle Stuttgart), with notable roles such as Dorabella (Cosí fan tutte), Erda (Das Rheingold), and Ruggiero (Alcina). She is also celebrated for Handel interpretations and chamber music collaborations across Europe and Asia. Her awards include the German National Singing Competition 1st Prize and the GEDOK Song Competition 1st Prize. She regularly conducts masterclasses in Germany and Italy, emphasizing ensemble singing and vocal training. Recent projects include workshops on scenic design and vocal support for professional singers. Labs/Teams: She leads vocal pedagogy initiatives at Trossingen, collaborates with institutions like the Cologne Philharmonic, and directs choral projects such as 'Singing with Class' for primary schools.

Alois Seidlmeierمشاهده پروفایل

استاد

• Conducting
• Opera
• Music Theatre
• +۳ مورد دیگر

Alois Seidlmeier is a Professor of Conducting at the Opera School of the University of Music Karlsruhe. He also serves as Chief Conductor and Musical Director of the Heilbronn Symphony Orchestra since 2017. Born in 1967 in Landsberg am Lech, Bavaria, he received early training in piano, voice, trombone, and organ. His academic journey included studies in church music in Regensburg and conducting at the Würzburg University of Music under Günther Wich and others. His professional career spans roles such as Ballet and Solo Coach (Mainfranken Theater, 1996–2000), Musical Director (2000–2002), and Deputy General Music Director/Principal Conductor at Mannheim National Theatre (2010–present). His repertoire encompasses over 70 operatic works and 150 symphonic pieces, collaborating with renowned artists like René Pape and Jonas Kaufmann. Research interests focus on opera direction, orchestral conducting techniques, and the integration of historical performance practices into modern stage productions. His guest engagements have taken him to major international stages, reflecting his expertise in both classical and contemporary repertoire.

• Operatic Performance
• Art Song (Lied)
• Classical Music
• +۳ مورد دیگر

Prof. Christian Elsner is a German tenor and professor of voice at Karlsruhe University of Music (since 2017) and Würzburg University of Music (since 2006). He is celebrated for his versatility in operatic heldentenor roles (e.g., Wagner's Siegmund and Parsifal) and lied recitals, collaborating with renowned pianists like Hartmut Höll and conductors such as Simon Rattle. A winner of the ARD Munich Competition, his discography includes iconic works like Schubert's Winterreise and Beethoven's Missa Solemnis. Beyond performance, he authored children's books like Lennie and the Magic Flute . Education: Studied singing with Prof. Martin Gründler in Frankfurt Coached by Dietrich Fischer-Dieskau (Berlin) and Neil Semer (New York) Research Focus: Specializes in German Romantic lied repertoire, Wagnerian vocal technique, and historical performance practices. Explores interdisciplinary connections between vocal pedagogy and literature through his children's books. Key Collaborations: Performed at major venues: Berliner Philharmonie, Carnegie Hall, Teatro alla Scala Recorded with orchestras including Berlin Philharmonic and Vienna State Opera Awards: ARD International Music Competition Munich (Winner) Teaching: Combines solo career with vocal pedagogy, emphasizing technical precision and artistic expression. Founded voice department curricula at both institutions.

• Music Theatre
• Opera
• Orchestral Conducting
• +۳ مورد دیگر

Matthias Hammerschmitt is affiliated with the Department of Music Theatre at the Karlsruhe University of Music. He holds the role of Academic Staff (Lecturer) and has extensive experience in music theatre, opera, and orchestral conducting. Born in 1957, he began his musical training at age 10, eventually studying with Thomas Ungar and holding roles as répétiteur, Kapellmeister, and conductor across institutions like the Landestheater Coburg, Staatstheater Karlsruhe, and Schlossfestspiele Ettlingen. Since 1990, he has contributed to the Institute for Music Theatre at his current university. His work spans freelance conducting, choral direction, and composing incidental music for opera, operetta, and musical performances. Educational Background: Studied bandmaster under Thomas Ungar in Stuttgart (1977 onward), with early teaching roles in piano and music theory. Research & Creative Work: Specializes in music theatre production, orchestral leadership, and collaborative performance arts. Notably established music theatre programs at the Schlossfestspiele Ettlingen (1986–1991) and Volksschauspielen Ötigheim (1997–2012). His compositional work includes arrangements for diverse genres, alongside piano accompaniment. Guest performances include engagements in Rio de Janeiro, Strasbourg, and Baden-Baden. Additional Activities: Maintained roles as organist, music director, and ensemble leader across various institutions. Active in Jeunesses musicales and other cultural initiatives.

• Choral Conducting
• Orchestral Conducting
• Sacred Music
• +۶ مورد دیگر

Philipp Amelung is the University Music Director (Universitätsmusikdirektor) and a part-time lecturer at the Musikwissenschaftliches Institut, Faculty of Humanities, University of Tübingen. He has held the position of UMD since April 1, 2011, and teaches Satzlehre (musical composition/analysis) at the institute since the winter semester 2011/2012. He leads multiple ensembles, including the Akademischer Chor, Akademisches Orchester, and Camerata Vocalis. His professional focus lies in choral and orchestral conducting, with a deep engagement in sacred and classical repertoire. His work emphasizes historically informed performance, particularly with Baroque ensembles like Ensemble La Banda Augsburg. He has conducted major works by composers such as J.S. Bach, Brahms, Beethoven, Mozart, and Schumann in prestigious venues and festivals across Europe and beyond. Philipp Amelung has led international concert tours to countries including Israel, Brazil, the USA, Italy, and Sweden with Tübingen’s academic ensembles. He has also been invited to perform at renowned festivals such as the Carmel Bach Festival and Herrenchiemsee-Festival. His early career included leadership roles with the Münchener Bach-Chor (2001–2005), Schola Cantorum Leipzig (from 2005), and the Leipziger Vocalensemble (2006–2011). He studied singing, choral conducting, and orchestral conducting at the Musikhochschule München, completing his studies with Meisterklasse distinction. His musical training began at age eight in the Tölzer Knabenchor. He also held teaching positions at the University of Music and Theatre Munich (2001–2005) and the Catholic University of Church Music in Rottenburg (since 2011). There are no listed scientific awards or peer-reviewed publications in the provided texts. Philipp Amelung mentors students through ensemble direction and vocal coaching, though no formal PhD or master’s advisees are named. He has received institutional support for international tours and festival appearances. His work integrates performance, pedagogy, and artistic leadership within the academic environment. He leads the Akademischer Chor, Akademisches Orchester, and Camerata Vocalis at the University of Tübingen. He was also artistic director of the Kammerchor München (2005–2011), which performed at major German and international festivals and undertook cultural missions to Southeast Asia under the Goethe-Institut.