جست‌وجوی استاد و پژوهشگر

Steffen Marburgمشاهده پروفایل

استاد

• Numerical Methods in Vibroacoustics
• Aeroacoustics
• Structural Optimization
• +۶ مورد دیگر

Prof. Dr. Steffen Marburg is a Full Professor at the Chair of Acoustics of Mobile Systems within the TUM School of Engineering and Design at the Technical University of Munich. His research focuses on numerical methods in vibroacoustics, structural optimization, and acoustic modeling for applications in automotive, maritime, and musical instrument domains. Education: PhD from Technical University of Dresden (1998). Academic Career: Junior Professor at TU Dresden (2004), Chair of Technical Dynamics at University of the Federal Armed Forces Munich (2010), Full Professor at TUM (2015–present). Editorial Roles: Co-Editor-in-Chief of Journal of Theoretical and Computational Acoustics, Associate Editor of Journal of the Acoustical Society of America, Editor of Acoustics Australia and Mechanical Systems and Signal Processing. His research integrates computational acoustics, boundary element methods, and machine learning to address noise control and structural optimization challenges. Recent work explores acoustic metamaterials, viscothermal losses, and data-driven modeling. He has co-authored over 150 publications and led advancements in multifrequency solution methods and noise-insulating structures. Scientific awards include the Innovation Award of the Industrieclub Sachsen e.V. (1999). His editorial contributions and leadership in journals highlight his influence in computational acoustics and structural dynamics.

Enrique Sánchez Lanschمشاهده پروفایل

استاد

• Documentary filmmaking
• Music visualization
• Media dramaturgy
• +۳ مورد دیگر

Enrique Sánchez Lansch is a Professor of Media Dramaturgy at the Institute for Music and Media at Robert Schumann University of Düsseldorf, appointed in 2018. Born in Gijón, northern Spain, and raised in Cologne, he has established himself as a prominent documentary filmmaker with a strong focus on music-related subjects. His educational background includes studies in music with a focus on singing, Romance languages, philosophy, and German studies. He completed his master's thesis on adaptation of literature into music films. After gaining professional experience in fictional series production, he pursued further studies in film and screenwriting at Columbia University and UCLA. Sánchez Lansch's research and creative interests center on the intersection of music and visual media. His work explores how musical experiences can be effectively translated to film, examining the relationship between sound and image. He has particular expertise in documenting musical institutions, historical contexts of music, and the educational aspects of musical performance. His approach combines rigorous historical research with innovative visual storytelling techniques that respect the integrity of musical performance while creating compelling cinematic narratives. His filmography reveals a consistent focus on music documentaries that bridge cultural and historical contexts. Early works focused on major musical institutions and figures, while more recent projects have expanded to examine the relationship between music and broader social, political, and cultural phenomena. His films consistently demonstrate a sophisticated understanding of both musical content and cinematic storytelling. His notable awards include: German Film Award German Documentary Film Award Bavarian Film Award German Critics' Award German Kinogilde Award Franz Hofer Prize Best Documentary Film at Los Angeles Latino International Film Festival Best Documentary Film at SEMINCI Festival de Valladolid Diapason d'Or Emmy nomination for "A Celebration for Gershwin" Sánchez Lansch has served as a mentor to young filmmakers, notably curating and presenting music short films by young talents for the Beethovenfest Bonn from 2006 to 2013. His professional activities extend beyond filmmaking to include teaching at institutions such as the dffb (German Film and Television Academy Berlin) and his current professorship at Robert Schumann University. He is an active member of both the German Film Academy and the European Film Academy, contributing to the broader film community through these organizations. As Professor of Media Dramaturgy, Sánchez Lansch contributes to the academic framework of the Institute for Music and Media, bringing his extensive professional experience to bear on the education of future media creators. His work bridges the gap between academic study and professional practice in the field of music-related visual media.

Berit Greinkeمشاهده پروفایل

استادیار

• Wearable Computing
• Electronic Textiles (E-Textiles)
• Smart Materials
• +۴ مورد دیگر

Berit Greinke is an Assistant Professor of Wearable Computing at the Berlin University of the Arts (UdK) and the Einstein Center Digital Future (ECDF) since 2018, previously serving as a researcher at UdK's Design Research Lab and DFKI (2016-2018). Her academic foundation includes a PhD from Queen Mary University of London (2017), an MA from Central St Martins (2009), and a Diploma from Weissensee Academy of Art Berlin (2007). Her educational trajectory: PhD in Media and Arts Technology, Queen Mary University of London (2017) MA in Design for Textile Futures, Central St Martins College of Art and Design (2009) Diploma in Textile and Surface Design, Berlin Weissensee School of Art (2007) Greinke's research pioneers the convergence of craft, textile design, and digital technology, with core expertise in electronic textiles and smart materials. She investigates metamaterial-based 'metatextiles' for electromagnetic applications and explores transdisciplinary collaboration between designers and scientists, particularly regarding 'negative data' in creative and scientific workflows. Her current UdK work focuses on four interconnected domains: performing materials for expressive textile/fashion design; multi-modal sensing converting visual processes into haptic/audible experiences; micro-to-macro material design spanning nanostructures to final products; and transdisciplinary processes for technology-art-science collaboration. Analysis of her 2020-2025 publications reveals dominant trends in sustainable textile electronics, with emphasis on knitted/folded sensor structures, origami-inspired capacitive shape estimation, and social sustainability in e-textile communities. Her work uniquely bridges fundamental material science (e.g., textile metamaterials) with artistic applications (e.g., interactive orchestra garments) and industrial production challenges. Berit Greinke supervises PhD students including Giorgia Petri. Her junior professorship is co-financed by SAP under a public-private partnership model, supporting projects like WEAR (Wearable technologists engage with artists for responsible innovation) and STELEC (Sustainable Textile Electronics), which emphasize ethical co-design and industry-academia collaboration. She leads research within UdK's Institute for Product and Process Design and collaborates with the Design Research Lab (formerly part of Connected Textiles group), focusing on sustainable industrial production of electronic clothing and transdisciplinary innovation frameworks.

Konstantin Voigtمشاهده پروفایل

استاد

• Medieval Music History
• Latin Song Traditions
• Music Theory (Antiquity & Middle Ages)
• +۷ مورد دیگر

Konstantin Voigt, Professor of Musicology II , serves at the University of Würzburg within the Faculty of Philosophy and Institute of Music Research. His research spans medieval Latin song traditions, music theory, notation systems, and digital humanities applications. He also explores 20th-century composers like Arnold Schoenberg and the reception of medieval music in popular culture. Current: Chair of Musicology II, University of Würzburg (2024–) Previous: Tenure-track Professor, University of Freiburg (2020–2024) Education: PhD (Würzburg), MA (Erlangen-Nürnberg), Musicology & Art History Voigt's research bridges premodern music history with digital methodologies, focusing on: Medieval Latin song structures (9th–13th centuries) Development of musical notation and visualization Digital editions as tools for manuscript analysis Intermedial relationships in postmodern composition Stefan George’s poetry in Schoenberg’s works His recent publications analyze scribal practices in Paris 1139 manuscripts and digital approaches to monophonic music. He co-leads the Weave Lead project on French music reception in Central Europe before 1350 and contributes to the Corpus monodicum digital edition. Collaborations include PD Dr. Hana Vlhova-Wörner (Prague) and institutions like the Schola Cantorum Basiliensis.

Anna Bonifaziمشاهده پروفایل

استاد

• Discourse Analysis
• Pragmatics
• Cognitive Linguistics
• +۴ مورد دیگر

Prof. Anna Bonifazi holds a Professorship in Discourse Studies at the Department of Linguistics, University of Cologne. Her research spans Discourse Analysis, Pragmatics, Cognitive Linguistics, and Multimodal Communication with a focus on Ancient Greek Linguistics and Oral Epic traditions. She investigates phenomena like anaphoric cohesion in long texts, multimodal storytelling in film and oral traditions, and ancient Greek particles' discursive functions. Her work explores how multimodal elements (e.g., visual, musical, gestural) interact in communication, particularly analyzing films (e.g., mystery genres), ancient texts (e.g., Homeric epics), and South Slavic oral narratives. She examines cross-modal iconicity, viewpoint blending, and the cognitive underpinnings of discourse structures. Recent publications address topics like anaphoric strategies in crime stories and syntactic patterns in ancient Greek conversational frameworks. Prof. Bonifazi's research often bridges classical philology and modern cognitive theories, emphasizing embodied cognition and the interplay between language and other semiotic systems. She collaborates internationally on projects involving gesture analysis in storytelling and ancient papyrological studies. Her interdisciplinary work integrates linguistics with musicology, film studies, and cognitive science. Administratively, she oversees the Discourse Studies research group at Cologne and mentors assistants like Dr. Sandra Debreslioska and Madeleine Frings. Her lab focuses on multimodal discourse analysis using experimental and corpus-based methods.

Nicola Jürgensenمشاهده پروفایل

استاد

• Clarinet Performance
• Chamber Music
• Orchestral Performance
• +۵ مورد دیگر

Prof. Nicola Jürgensen is a distinguished German clarinetist and Professor of Clarinet at Faculty 1 of Folkwang University of the Arts in Essen, Germany. She also serves as Dean of Faculty 1 and is a Confidential Lecturer for the German Academic Scholarship Foundation. Her career seamlessly integrates performance, education, and artistic leadership. She is the Artistic Director of WDR 3 Campus Concerts and a board member of the Folkwang University Foundation. Professor of Clarinet, Folkwang University of the Arts (2018–present) Dean, Faculty 1 Artistic Director, WDR 3 Campus Concerts Board of Directors, Folkwang University Foundation Principal Clarinet (former), WDR Symphony Orchestra Cologne (2001–2018) Regular coach, German National Youth Orchestra (2020–present) Nicola Jürgensen's research and artistic interests center on clarinet performance, chamber music, and contemporary repertoire. She is deeply committed to historical performance practice, evidenced by her recordings on basset clarinet, and to expanding the global reach of classical music through international masterclasses and festivals. Her work bridges traditional European repertoire and modern experimental works, including performances in avant-garde operatic productions. She has collaborated with leading orchestras and ensembles worldwide, from Berlin and Leipzig to New York, Bangkok, and Auckland. Her recent artistic output reveals a strong focus on rediscovered works (e.g., Wilms' concerto), contemporary compositions (e.g., Kancheli, Zwilich), and cross-cultural collaborations (e.g., German Masters Music Festival in Thailand). She emphasizes pedagogical innovation and performance excellence, mentoring students who now hold principal roles in Germany’s top orchestras. Her recordings and performances consistently highlight expressive depth, technical mastery, and scholarly engagement with historical instruments and arrangements. Scientific and Artistic Awards: Mozart Prize, Wiesbaden Mozart Society German Music Competition Soloists' Prize (1999) Germany Radio Promotion Prize (2002) Nicola Jürgensen has been instrumental in guiding numerous students into prestigious orchestral positions and leads the ensemble 'Folkwang Clarinets' with her students. She holds multiple leadership roles in academic and artistic institutions and continues to perform as a guest principal clarinetist with major orchestras like the Mahler Chamber Orchestra and NDR Elbphilharmonie Orchestra. Her involvement in grants and funding appears indirect through institutional roles and festival organization. She is actively involved with several artistic initiatives, including the 'Spannungen' festival, WDR 3 Campus Concerts, and international masterclass programs. Her ensemble collaborations and educational outreach reflect a sustained commitment to excellence, innovation, and accessibility in classical music.

James C. Davisمشاهده پروفایل

استادیار

• Empirical software engineering
• Security
• Safety
• +۷ مورد دیگر

James C. Davis is an Assistant Professor in the Elmore Family School of Electrical and Computer Engineering at Purdue University. He leads the Duality Lab, which focuses on the engineering of software-intensive computing systems with particular interest in how these systems fail and how those failures can be mitigated. His research takes a socio-technical approach, considering both human and technical perspectives in system engineering. Dr. Davis received his PhD in Computer Science from Virginia Tech, where he was advised by Dongyoon Lee. His research interests span empirical software engineering, security, safety, testing, and web technologies, with a strong emphasis on practical impact and measurement. He applies a socio-technical philosophy to his work, believing high-quality systems must be engineered considering both human and technical perspectives. His recent research focuses on software supply chain security, regular expression vulnerabilities (particularly ReDoS), pre-trained model security, and failure analysis in software systems. His work often involves empirical studies of real-world software systems and security practices, with a strong emphasis on practical impact and measurable results. Dr. Davis has received significant funding from the National Science Foundation, Google, Cisco, and Rolls Royce for his research. His publications appear in top-tier venues including ICSE, FSE, ASE, and USENIX Security. He has served on program committees for many major software engineering and security conferences. Among his notable achievements are being elevated to IEEE Senior Member in 2022, receiving the Ruth and Joel Spira Outstanding Teacher Award from ECE@Purdue in 2022, and multiple Best Paper and Best Poster awards. He has successfully mentored numerous PhD and Master's students, with several completing their theses on topics related to software security and engineering. Dr. Davis actively recruits graduate and undergraduate research assistants for his Duality Lab, which has produced influential work on software failure analysis, regular expression security, and machine learning supply chain security. His lab is supported by multiple federal and industry grants focused on improving the security and reliability of software systems.

• Computational Humanities
• Music Information Retrieval
• Audio Analysis
• +۷ مورد دیگر

Christof Weiß is a Professor for Computational Humanities at the CAIDAS / Institute of Computer Science, Julius-Maximilians-Universität Würzburg (JMU), Germany. He serves as Head of the DFG-funded Emmy Noether group on Computational Analysis of Music Audio Recordings: A Cross-Version Approach. His academic journey includes previous positions as Visiting Researcher at University Télécom Paris (2021), Visiting Lecturer at Karlsruhe University of Music (2020, 2021), and Research Assistant at International Audio Laboratories Erlangen (2015-2022) and Fraunhofer Institute for Digital Media Technology (2012-2015). His educational background encompasses a PhD in Media Technology from University of Technology Ilmenau (2017), Concert Diploma in Composition from Würzburg University of Music (2012), Physics Diploma from University of Würzburg (2012), and Music Diploma in Composition from Würzburg University of Music (2011). This unique combination of technical and artistic training forms the foundation of his interdisciplinary research approach. Weiß's research operates at the critical intersection of computer science and musicology, developing novel computational methods for analyzing musical structures in audio recordings. His work bridges technical audio processing with musicological insights, creating methodologies for tonal analysis, key estimation, and cross-version comparison of musical performances. His approach combines deep learning techniques with music theory to extract meaningful patterns from large music corpora, enabling new forms of musicological corpus studies that were previously impossible. His recent publications reveal a clear research trajectory toward integrating advanced machine learning with fundamental musicological questions. The consistent theme across his work involves analyzing classical music structures through computational lenses, with particular emphasis on cross-version consistency in performances, tonal complexity measurement, and developing datasets that support computational musicology. His publications span both highly technical audio processing journals and musicology-focused venues, demonstrating his commitment to bridging these disciplines. Best paper award at the 4th conference on Computational Humanities Research (CHR), 2023 KlarText award for science communication of the Klaus Tschira Foundation, 2018 2nd prize at Festival Pablo Casals composition competition, Prades (France), 2013 Youth Cultural Advancement Award (Kulturförderpreis) of the city of Amberg, Germany, 2011 As principal investigator of the DFG Emmy Noether group, Weiß leads a multidisciplinary research team investigating computational analysis of music audio recordings through a cross-version approach. His research has secured significant funding including the prestigious Emmy Noether program, supporting doctoral and postdoctoral researchers working on various aspects of music information retrieval and computational humanities. His collaborative network spans institutions across Europe, including University Télécom Paris, Queen Mary University of London, and multiple German research centers. Weiß leads the Computational Humanities research group at CAIDAS, which focuses on developing computational methodologies for music analysis with particular emphasis on classical repertoire. The lab creates specialized datasets (including the Wagner Ring Dataset and Schubert Winterreise Dataset), develops algorithms for structural music analysis, and applies these tools to address musicological questions that require computational scale and precision. Their work bridges the gap between technical audio processing capabilities and humanities research questions, creating new pathways for understanding musical structure and evolution.

Aaron Cassidyمشاهده پروفایل

استاد

• Contemporary Music Composition
• Musical Notation Innovation
• Non-Geometrical Rhythm Theory
• +۳ مورد دیگر

Aaron Cassidy is an American composer and conductor based in Berlin and Hannover. He serves as Professor of Composition and Director of Incontri – Institut für neue Musik at the Hochschule für Musik, Theater und Medien Hannover. His work emphasizes innovative graphical notations prioritizing physical sound production and non-geometrical rhythm theory. Cassidy’s compositions have been performed globally across 29 countries, with 12 commercial recordings on major labels like Kairos and NEOS. As a conductor, he specializes in contemporary and historical repertoire, leading over 100 world premieres with ensembles such as Ensemble Musikfabrik and ELISION. Notable engagements include the Munich Biennale and Melbourne Recital Centre. His recent research includes a 2025 reflection on non-geometrical rhythm and collaborative Erasmus+ residencies in Klagenfurt. Current projects include works for bassoon, violin-piano duet, and ANAM residency with ELISION in Melbourne (2025). Cassidy’s academic focus bridges compositional theory and performance practice. His research explores notation’s role in shaping musical interpretation, with particular attention to rhythm’s non-metric frameworks. Recent works like Reassessing Non-Geometrical Rhythm (2025) synthesize a decade of theoretical development. His teaching integrates experimental techniques and historical context, fostering innovation in Hannover’s new music institute.

Stefan Hüfnerمشاهده پروفایل

استاد مدعو

• Pop Music
• Jazz
• Film Music
• +۳ مورد دیگر

Stefan Hüfner is an Adjunct Professor at the College for Music and Art , Folkwang University of the Arts , where he teaches Pop Composition, Pop Theory, and Combo Work since 2016. Previously, he worked as a part-time lecturer (Lehrbeauftragter) at the university from 1996 to 2008 and 2008 onwards in its current form as Folkwang Universität der Künste. Research areas include Pop Music, Jazz, Film Music, Theater Music, Musical Composition, and Advertising & Trailers. He is also a freelance composer, arranger, producer, musical director, and performing musician, notably leading the 10-member ensemble Stefan Hüfner’s ZAPPATA and the Bigband Bandfire. Collaborations span institutions like WDR/ZDF/ARD, Bayreuth Festival Orchestra, and artists such as Silvia Droste, Werner Neumann, and Herbert Knebels Affentheater. Contact: huefner@folkwang-uni.de | huefner@stefanhuefner.de | Phone: +49 (0) 201 4903-263

• Poetry
• Modern and Contemporary Poetry
• Poetry and Theology
• +۷ مورد دیگر

Michael Symmons Roberts is Professor of Poetry at Manchester Metropolitan University, within the Department of English, Faculty of Arts and Humanities. A renowned poet, librettist, and broadcaster, he holds a degree in Philosophy and Theology from Oxford University and was formerly Executive Producer at BBC Religion & Ethics. Full Name: Michael Symmons Roberts Position: Professor of Poetry Institution: Manchester Metropolitan University Department: Department of English Field: Poetry and Creative Writing His research interests center on modern and contemporary poetry, with a particular focus on intersections between poetry and theology, science, music, and broadcast media. He is deeply engaged in exploring how poetic form interacts with spiritual, scientific, and ethical questions, often through collaborative and interdisciplinary projects. Michael’s recent publications and creative works reflect a sustained exploration of spiritual and existential themes. His poetry collections such as Drysalter and Ransom , radio dramas like Paradise Lost and Utopia , and choral works including Quickening and The Birds of Rhiannon demonstrate a consistent engagement with religious symbolism, myth, and the human condition. His works are frequently shortlisted for major literary prizes, highlighting their critical acclaim. Among his many honors are the Forward Poetry Prize (twice), the Costa Poetry Prize, the T.S. Eliot Prize shortlist (five times), the Jerwood Award for Non-Fiction, and the Sandford St. Martin Award. He is a Fellow of the Royal Society of Literature and a trustee of the Royal Literary Fund. Forward Poetry Prize for Best Collection (2013, 2004) Costa Poetry Prize (2013) T.S. Eliot Prize Shortlist (2001, 2004, 2013, 2017, 2021) Fellowship of the Royal Society of Literature (2014) Whitbread Poetry Award (2004) Eric Gregory Award (1988) BBC Audio Drama Awards (2013, 2014) He supervises PhD students in poetry and creative writing, teaches campus and online workshops, and is active in public engagement through performances, radio broadcasts, and commemorative poetry projects. His collaborations with composer James MacMillan have resulted in major commissions for the BBC Proms, Royal Opera House, and Welsh National Opera, underscoring his impact across literature and music. He has not been associated with any formal research lab but leads creative teams in interdisciplinary performance and literary projects.

Katharina Thomaمشاهده پروفایل

استاد

• Opera Directing
• Classical Music
• Scenic Arts
• +۳ مورد دیگر

Prof. Katharina Thoma is a renowned opera director currently serving as Head of the Opera School at the University of Music Würzburg . She also holds the positions of Deputy Chair of the Music Academy and Dean of Studies . With a career spanning major European opera houses including the Royal Opera House Covent Garden and Glyndebourne Festival, she specializes in blending historical accuracy with modern theatrical innovation. Studied piano at Lübeck University of Music Resident director at Dortmund Opera (2011-2014) Visiting professor at Graz University of Music (2018) Freelance director since 2008 Katharina Thoma's research and practice focus on opera stage direction , scenic training for singers , and historical opera interpretation . Her work spans from Baroque masterpieces to contemporary political operas, emphasizing: Contextual authenticity in period-specific productions Modern reinterpretation of classical works Interdisciplinary approaches to staging Integration of visual and musical elements Training of next-generation opera performers Exploration of war-related themes in opera Notable productions include: 2024: Johann Strauss' The Bat (University of Music Würzburg) 2023: De Falla's El retablo de Maese Pedro 2022: Britten's The Rape of Lucretia 2019: Schönberg's Pierrot lunaire 2007: European Opera Directing Competition Finalist Her artistic contributions have been recognized with: Second Prize at the European Opera Directing Competition 'Camerata Nuova' (2007) Katharina Thoma actively mentors young singers and develops innovative opera productions at the University of Music Würzburg's Opera School. Her recent work includes: Wagner operas debut (2019/20 season) Collaboration with composers like Richard Jones and Christof Loy Participation in renowned festivals (Munich Biennale, Glyndebourne) The Opera School under her leadership focuses on comprehensive training combining: Historical performance practices Contemporary staging techniques Technical vocal training Interdisciplinary collaboration

• Medieval Music
• Classical Period Music
• Romantic Era Music
• +۷ مورد دیگر

Ann-Katrin Zimmermann is an apl. Professor (non-tenured professor) at the Musicological Institute within the Faculty of Philosophy at the University of Tübingen. She has held this position since 2018, following her time as a private lecturer from 2012-2018. In addition to her academic work, she serves as a dramaturg at the Gewandhaus Leipzig since 2013 and has teaching assignments at LMU Munich, Felix Mendelssohn Bartholdy University of Music and Theatre, and Leipzig University since 2012. Her educational background includes: Habilitation (2012) on "Forms of slow movements in the classical cycle" Promotion/PhD (2006) on "Studies on medieval three-part harmony" Master's degree in musicology, philosophy and art history from University of Tübingen and University of Oxford (1998-2003) Professor Zimmermann's research spans multiple eras and aspects of music history and theory. Her work focuses particularly on polyphony of the 12th and 13th centuries, keyboard music from the 15th-18th centuries, early German-language music terminology, and the works of Heinrich Schütz, composers of the Viennese classics, and Richard Strauss. She has made significant contributions to the fields of organology, instrumentation, music iconography, and 19th-century symphonies, with particular interest in cross-temporal aspects of genre, form, and composition. Her extensive publication record shows a consistent focus on historical music analysis, particularly examining compositional strategies across different periods. Her recent work has increasingly focused on Richard Strauss and Mozart, while maintaining her longstanding interest in early music traditions and terminology. She has published numerous articles in prestigious journals and contributed to important edited volumes in musicology. Professor Zimmermann is actively involved in the academic community: Member of the Society for Music History in Baden-Württemberg since 2009 Member of the DHV since 2012 Throughout her career, Zimmermann has balanced academic research with practical musical experience. She has been a bassoonist and leader of various vocal and instrumental ensembles since 1998, and served as a church musician from 1997-2014. Her work as a dramaturg at the Gewandhaus Leipzig since 2013 demonstrates her commitment to connecting scholarly research with contemporary musical practice.

Stephan Möschمشاهده پروفایل

استاد

• Music Theatre Studies
• Opera History
• Musicology
• +۳ مورد دیگر

Prof. Stephan Mösch is a Professor at the Karlsruhe University of Music, specializing in Music Theatre Studies. He holds a dual habilitation in musicology and theatre studies, focusing on music theatre. His career includes chair positions at the University of Bayreuth and teaching roles at institutions like the University of Zurich and Seoul's Korean National University of Arts. He has led international projects such as the FWF-funded 'Opera between Hermeneutics and Performativity'. Education: Dual degrees in music, theatre & literature from Berlin/Stuttgart; masterclasses with renowned figures like Elisabeth Schwarzkopf. Awards include the Domgraf-Fassbaender Prize and Gottlob Frick Medal (for Opernwelt). Scholarships from German National Academic Foundation and Richard Wagner Foundation. Research interests span opera history, Wagnerian studies, and the intersection of performance art & cultural theory. He has curated conferences globally and serves as a jury member for prestigious competitions like Bundeswettbewerb Gesang and Concours Suisse Ernst Haefliger. Published extensively in Opernwelt and Frankfurter Allgemeine Zeitung , he also contributes to radio/TV broadcasts of major opera festivals. Current roles include German Academy of Performing Arts membership and advisory board positions for institutions like the German Historical Museum (2019-2022).

Alexander-Sergei Ramirezمشاهده پروفایل

استاد

• Classical Guitar Performance
• Romantic Guitar
• Latin American Guitar Repertoire
• +۳ مورد دیگر

Professor Alexander-Sergei Ramirez is a distinguished classical guitarist serving in the Guitar Department at the Robert Schumann Hochschule Düsseldorf. Born into a family of artists in Lima, Peru, he has established an international career as both performer and educator since joining the faculty in 1997. His research and performance interests center on classical guitar performance with specializations in Latin American guitar repertoire, Spanish guitar music, and historical guitar works. Ramirez has made significant contributions to musicology through his rediscovery and performance of previously unknown works by Peruvian composer Pedro Ximénez de Abrill, bringing important historical compositions to modern audiences. His extensive discography reveals trends across multiple musical traditions, with recent recordings exploring multinational guitar repertoire spanning five continents as featured in his critically acclaimed 'Odyssey' album. Ramirez's work demonstrates exceptional technical mastery combined with deep musical understanding across diverse stylistic periods from Renaissance to contemporary compositions. First prize at the Alhambra International Guitar Competition CD of the month on MusicalWeb CD of the month by Ecos magazine Voted CD of the month by Ecos magazine for 'Odyssey' As an educator, Ramirez mentors the next generation of guitarists while maintaining an active international performing schedule. His recordings with major labels like Deutsche Grammophon and DENON have received enthusiastic reviews, with critics describing his work as 'the most fascinating 75 minutes I have ever heard' and 'Spanish school par excellence.' Ramirez also explores historical performance practices through his work with romantic guitar in a duo with fortepianist Sheila Arnold.