جست‌وجوی استاد و پژوهشگر

Jonathan Coleمشاهده پروفایل

استاد

• Contemporary Music
• Experimental Composition
• Music-Theatre
• +۴ مورد دیگر

Professor Jonathan Cole is a composer, teacher, and conductor at the Royal College of Music (RCM), where he has taught since 2005 and served as Head of Composition since 2022. His work bridges experimental composition, music-theatre, and site-specific pieces, earning acclaim from the London Sinfonietta, which premiered three of his works and recorded Testament with Oliver Knussen. Born 1970, Cole studied under Simon Bainbridge, Malcolm Williamson, and Louis Andriessen 1997-2006: Works like Ouroboros II and Testament nominated for RPS Awards 2006: Shift toward Luigi Nono-inspired works, exploring score-performer dynamics and London's environmental sounds 2009-2013: Composer-in-association with London Contemporary Orchestra, premiering burburbabbar za (wordless opera) Co-founded re:sound collective in 2012 for unconventional venue performances Cole’s compositions, such as Lucier Clock (2021) and 50 Florentine Breaths (2016), emphasize spatialization, breath techniques, and the tension between structure and decay. His 2025 co-authored article Personal realities I examines artistic identity in conservatoires. Scientific Awards: Royal Philharmonic Composition Prize (1999) RCM Fellowship (2018) RPS Award Nominations for Ouroboros II and Testament Cole mentors research students like Daniel Musashi and has led educational grants such as the Leverhulme LPO Young Composers Scheme (2007-2012). He collaborates with ensembles including the London Sinfonietta, BBC Philharmonic, and Chicago Symphony Orchestra.

• Piano Performance
• Chamber Music
• Spanish Piano Literature
• +۳ مورد دیگر

Natalia Ricci is a Senior Lecturer in Piano at the Sydney Conservatorium of Music, part of the University of Sydney. She holds dual appointments in the Piano and Ensemble departments and has also served as Keyboard Coordinator for the Chamber Music Program. Her teaching spans tertiary and pre-tertiary levels, including leadership of the Open Academy Rising Stars Piano Division. Education: BMus University of Cincinnati (USA), MMus Royal Northern College of Music (UK) Research Focus: Spanish piano literature (Albeniz, Granados, de Falla), Janáček's works, and chamber music performance practice She pioneered the Encuentros Españoles Festival (2013-2022), a landmark event showcasing Spanish music through concerts, workshops, and scholarly symposia. Her pedagogical approach integrates biomechanical efficiency with artistic expression, emphasizing technical mastery, sound production, and interpretive depth across diverse repertoires. Notable achievements include performances at major international festivals (Banff, London Objective, Sydney Festival), recordings for BBC/ABC radio, and mentoring students who've won top prizes in competitions like the Sydney International Piano Competition, Chopin in Wavel, and Franz Liszt Youth Competitions. Her students consistently excel in national competitions including Lev Vlassenko and Sydney Eisteddfod events. Ricci's professional engagements include adjudicating international competitions and delivering masterclasses globally, with upcoming appearances at the 2025 International Festival of Music in Iasi, Romania. She maintains active links with institutions across Australia, Europe, and Asia through teaching, performance, and research collaborations.

• Classical Music Performance
• Music Interpretation
• Contemporary Music
• +۳ مورد دیگر

Associate Professor Daniel Herscovitch is a renowned pianist and academic at the Sydney Conservatorium of Music, University of Sydney. He holds an Associate Professorship in Piano and has lectured on chamber music and piano pedagogy. His career spans extensive performances across Europe, Asia, and Australia, including collaborations with leading ensembles like the Australia Ensemble and Sydney Spring Festival of New Music. Education: Bachelor of Music (DSCM, Honours) Künstlerische Reifeprüfung (Munich) Meisterklassendiplom (Munich) Research Interests: Specializes in Baroque and Classical performance interpretation, particularly Bach’s Art of Fugue and Beethoven ornamentation. Active in commissioning contemporary works by Australian and international composers. His recordings span 17th to 21st century repertoire, with notable releases on Toccata Classics and ABC Classics. Performance Highlights: Includes tours in the USA, Indonesia, and Europe, with residencies at institutions like the Royal Northern College of Music. Notable performances include Hindemith’s Ludus Tonalis and Bartók’s Two-Piano Concerto. Awards: 2019 Gramophone Editor’s Choice for the Roger Smalley CD. Internationally acclaimed releases include works by Don Banks and Peter Dart. Grants & Collaborations: Supported by DAAD scholarships and has led projects with Musica Viva, the Seymour Group, and Sydney Southeast Asia Centre. His research bridges historical performance practices with contemporary composition. Labs/Teams: Involved in the Sydney Conservatorium’s chamber music programs and pedagogical initiatives. Regularly presents at conferences on topics like Bach interpretation and 20th-century piano techniques.

• Collaborative Piano
• Music Accompaniment
• Chamber Music Performance
• +۳ مورد دیگر

David Howie is a Lecturer in Collaborative Piano at the Sydney Conservatorium of Music, University of Sydney, where he has been affiliated since 1992. He holds a BMus and GradDipMus(Acc) in accompaniment. Prior to returning to Australia, he was Head of Keyboard Studies at King's College in Somerset, England. His career spans over three decades of teaching and performing internationally. Education: Studied piano under Sonya Hanke and Gordon Watson, later specializing in accompaniment with David Miller and Paul Hamburger. Affiliations: Sydney Conservatorium Ensemble Unit member since 1992. Research interests focus on collaborative piano techniques, chamber music performance practices, and promoting Australian contemporary repertoire through his HD Duo partnership with saxophonist Michael Duke. They released Australian Portrait (2012) and The Fairer Sax , exploring Australian composers and female composers' works. Performance highlights include collaborations with artists like Stanley Drucker, Kamahl, and Dominica Matthews across Europe, America, Asia, and Australia. Recent recordings include Bird Spirit Dreaming (2024) and Music of the Commonwealth (2021), showcasing cross-cultural musical fusions. Grants: 2017 Australian Elizabethan Theatre Trust grant for commissioning new works with HDDuo. Labs/Teams: Co-founder of HD Duo, pioneers of Australian music for saxophone and piano.

Mike Truesdellمشاهده پروفایل

دانشیار

• Percussion Performance
• World Music Traditions
• Contemporary Classical Music
• +۳ مورد دیگر

Mike Truesdell serves as Associate Professor of Music Performance at Ithaca College's School of Music, Theatre, and Dance, specializing in Sound. An accomplished percussionist, he has performed globally with ensembles including the New York City Ballet, International Contemporary Ensemble, and Lucerne Festival Ensemble under Pierre Boulez. His academic background includes: Bachelor's degree from Lawrence University (studying under Dane Richeson) Master of Music and Doctor of Musical Arts from The Juilliard School (with Dan Druckman, Greg Zuber, Markus Rhoten, and Gordon Gottlieb) Truesdell's research integrates percussion performance with global musical traditions from Africa, Latin America, and the Middle East, alongside deep analysis of collaborative works such as Stravinsky's Histoire du Soldat . His doctoral dissertation on Stravinsky was supported by a Presser Award for archival research in Switzerland. His recent blog articles demonstrate a commitment to bridging historical and contemporary music, practical pedagogy, and social issues. Topics range from Baroque fugues to pandemic-era remote teaching, reflecting a versatile scholarly and artistic practice. Notable honors include: Second prize at the TROMP International Percussion Competition Grammy nominations for recordings with Vanguard Jazz Orchestra and Gil Evans Project Presser Award for Stravinsky research As an educator, Truesdell has shaped curricula at University of Northern Colorado, Rutgers University, Columbia University, and Juilliard's Music Advancement Program. He founded Wildcat Percussion Camp to introduce young musicians to diverse percussive techniques. His summer teaching includes the Zeltsman Marimba Festival and Interlochen Arts Academy. Co-founder of Spectrum Trio, Truesdell explored cross-genre fusion of Western classical, jazz, rock, and global traditions. The ensemble presented innovative clinics at the Percussive Arts Society International Convention, demonstrating integrative approaches to musical styles.

• Piano Performance
• Music Education
• Chamber Music
• +۳ مورد دیگر

Bernadette Harvey is a Senior Lecturer in Piano and Piano Pedagogy at the Sydney Conservatorium of Music, part of the University of Sydney. She is a renowned pianist and pedagogue, celebrated for her contributions to Australian music and contemporary compositions. Her career spans international performances with orchestras, chamber music festivals, and solo recitals. Education: Completed a Master of Music and Doctor of Musical Arts at the Eastman School of Music, Rochester, NY, under Nelita True. Further studies included Tanglewood Summer Music Festival fellowships and teaching roles at Boston's New England Conservatory and Longy School of Music. Research interests focus on injury-preventive keyboard techniques and neuroplasticity in musical training, collaborating with the University's Brain and Mind Centre. She actively commissions new works from Australian and international composers, including Ross Edwards and Carl Vine. Performance highlights include collaborations with Jian Wang, the Shanghai Quartet, and the Sydney Soloists. Awards include the Centenary Medal (2000) and Australian Music Centre accolades. She directs the Freshwater Chamber Music Festival, fostering new compositions and international collaborations. Grants and funding include Australia Council for the Arts support for commissioning solo piano sonatas. Bernadette's discography includes recordings for Tall Poppies and Marquis Classics labels, emphasizing contemporary Australian and American works.

Philippine Duchâteauمشاهده پروفایل

مدرس

• Jazz Piano
• Music Education
• Piano Pedagogy
• +۳ مورد دیگر

Philippine Duchâteau is a Lecturer in Piano at the Faculty of Music Education at JAM MUSIC LAB Private University for Jazz and Popular Music. She holds a Bachelor of Music in Jazz Piano Performance (summa cum laude) from Berklee College of Music (2001) and dual diplomas from MUK Private University Vienna in Jazz Piano and State Teaching Qualifications. Her career combines teaching, performance, and composition across diverse genres. Research interests include jazz pedagogy, cross-cultural musical fusion (e.g., Latin jazz, soul/blues), and collaborative ensemble work. Her projects often emphasize socially engaged music education, such as jazz workshops for Roma communities in Romania. Recent creative outputs include the 2022 album The Viennese Ladies (soul/blues) and work with the L.A. Big Band. Award-winning pianist, she has received the Teri Lyne Carrington Award and multiple grants. Her teaching spans institutions like the Friedrich Gulda School of Music, Vienna Music Schools, and the Gustav Mahler Conservatory. She leads or co-leads several bands including 'Offstage Life', 'December Nightflight', and 'The Viennese Ladies', blending original compositions with collaborative storytelling in formats like the Loriot evening das Ei ist hart . Teaching focus: Jazz/pop/rock piano, ear training Key collaborations: Anton Mühlhofer, Lorenz Raab, Lisa Haag Pedagogical innovation: 'Swinging Piano for Kids' program (2006-2010)

Paul L Buyerمشاهده پروفایل

استاد

• Music Education
• Percussion Performance
• Marching Percussion
• +۳ مورد دیگر

Dr. Paul L Buyer is a Professor of Music and Director of Percussion at Clemson University, where he also serves as Acting Associate Dean for Research and Faculty Affairs in the College of Arts and Humanities. He holds a DMA and MM in Percussion Performance from the University of Arizona and a BS in Music Education from Ball State University. His research focuses on percussion pedagogy, ensemble excellence, and interdisciplinary approaches to music education. Key contributions include books like World Music and Drumline Gold , which explore cultural diversity in music and precision ensemble techniques. Dr. Buyer is a PAS Co-Editorial Director and former PAS Second Vice President. He has received the 2019 PAS Outstanding Service Award and is endorsed by Yamaha, Vic-Firth, Remo, Sabian, Grover Pro, and Balter Mallets. His articles address topics like stress management in ensembles, rehearsal systems, and cross-disciplinary leadership insights from sports and business. As a performer, he competed in Drum and Bugle Corps, placing 2nd in DCI Keyboard Individuals. His speaking engagements and workshops emphasize excellence through values like consistency, leadership, and quality. He actively contributes to professional journals such as Percussive Notes and maintains an active blog with resources for percussionists and educators.

Jeffrey Calissiمشاهده پروفایل

دانشیار

• Ancient Rudimental drumming
• Cultural and musical life of 18th century Colonial America
• 18th and 19th century American history and musical history
• +۳ مورد دیگر

Jeffrey Calissi is an Associate Professor of Music at Eastern Connecticut State University, where he directs the Eastern Percussion Studio, teaches music theory and history, and explores the intersections of music with mathematics, communication, and U.S. cultural history. Education B.M., Radford University M.M., University of North Carolina at Greensboro D.M.A., University of North Carolina at Greensboro Dr. Calissi's research focuses on the communicative processes of Ancient Rudimental drumming, the musical culture of 18th-century Colonial America, and historical connections between American music and broader cultural narratives. His compositions and arrangements, published by C. Alan Publications and Garden State Publications, reflect his scholarly interests in percussion pedagogy and historical interpretation. His recent works emphasize Colonial American drumming techniques, modern percussive composition, and interdisciplinary links between music and history. Publications include Heraldic Moments and Oceanus , showcasing his exploration of percussion as a cultural and artistic medium. Scientific Awards Pi Kappa Lambda national music honor society Dr. Calissi actively participates in academic societies (ASCAP, College Music Society, Percussive Arts Society), where he has chaired the Scholarly Research Committee and served as associate keyboard editor for Percussive Notes Journal . He also contributes to music education through partnerships with Vic Firth sticks/mallets and Marimba One instruments. Labs & Teams Dr. Calissi directs the Eastern Connecticut State University Percussion Studio, fostering interdisciplinary studies that connect percussion with mathematics, communication, and historical analysis.

James Winnمشاهده پروفایل

استاد

• Piano Performance
• Composition
• Chamber Music
• +۳ مورد دیگر

James Winn, DMA is a Professor of Music and Piano at the University of Nevada, Reno since 1997, serving as Director of Keyboard Studies and Director of Compositional Studies. He performs internationally with renowned ensembles like Argenta Trio and the Chamber Music Society of Lincoln Center. Winn specializes in new music, collaborating with Pulitzer Prize-winning composers and recording over three dozen CDs as soloist, chamber musician, and composer. Education: Doctor of Musical Arts (DMA) in Piano Performance His research focuses on contemporary classical music performance, composition pedagogy, and historical performance practices. Notable works include compositions for solo violin, piano trios, and multimedia collaborations. He has pioneered new approaches to teaching composition through the university's Nevada Chamber Music Festival. Winn's recording career highlights include world premiere recordings of works by Charles Wuorinen, David Felder, and Mario Davidovsky. His performances emphasize technical precision paired with deep interpretive insight, as noted by Musical America's comparison to the Lhevinne duo. Awards: Nevada State Council of the Arts Artist Fellowship (Year?), Governor's Award for Excellence in the Arts (Year?) He leads Argenta Trio, directs university ensembles, and mentors emerging composers through collaborative projects. Current initiatives include expanding the university's chamber music curriculum and developing new works for contemporary instrumentation.

Patrick Rouletمشاهده پروفایل

استاد

• Percussion Performance
• World Music Studies
• Keyboard Percussion Arrangements
• +۳ مورد دیگر

Patrick Roulet is a Professor of Percussion and Percussion Area Coordinator at Western Washington University. He holds a Doctor of Musical Arts (DMA) from the University of Washington, a Master of Music from Boston University, and a Bachelor of Music from the University of Michigan. His research interests include global music pedagogy, particularly West African Gyil methodologies applied to marimba, and interdisciplinary collaborations with composers, dancers, and visual artists. He has authored arrangements for keyboard percussion, including works inspired by Ghanaian music, Disney classics, and church hymns. Notable performances include his tenure as principal timpanist with the Bellingham Festival Orchestra and collaborations with the Seattle Symphony. His work has been featured at the Percussive Arts Society International Convention (PASIC) and the Midwest Band and Orchestra Clinic. Education: DMA (University of Washington), MM (Boston University), BM (University of Michigan) Key Roles: Director of WWU Percussion Ensemble, Percussion Instructor at Towson University and Southern Utah University His research on jazz vibraphonist Milt Jackson was highlighted in Percussive Notes , and he has been endorsed by Yamaha, Grover Pro Percussion, and Vic Firth. Roulet emphasizes core percussion competencies, enabling students to excel in diverse musical fields.

Kui Dongمشاهده پروفایل

استاد

• Musical Composition
• Contemporary Music
• Improvisation Performance
• +۳ مورد دیگر

Kui Dong is a Professor of Music at Dartmouth College. His work bridges traditional composition with contemporary experimental techniques, frequently incorporating electroacoustic elements and interdisciplinary collaborations. Recognized internationally, his music has been performed by ensembles like the Arditti Quartet and Tanglewood Music Center, and supported by grants from institutions including the Fromm Music Foundation and Library of Congress. Education: B.A. Central Conservatory of Music, Beijing (China) M.A. Central Conservatory of Music, Beijing (China) D.M.A. Stanford University (USA) Research focuses on contemporary composition methodologies, improvisation performance practices, and the intersection between acoustic instruments and electronic media. Recent works explore migratory narratives through soundscapes and motion-synchronized compositions. Awards include the USA Commissioning Award and Grammy-nominated recordings on Sono Luminus Records. Key Commissions: National Centre for the Performing Arts of China Hong Kong’s Phoenix Television Arditti Quartet Tanglewood Music Center Active in both academic and performance spheres, Dong’s output includes full-length orchestral works, chamber pieces, and multimedia installations. Current projects involve AI-driven compositional frameworks and cross-cultural performance collaborations.

Elizabeth Ogonekمشاهده پروفایل

دانشیار

• Orchestral Music
• Chamber Music
• Contemporary Classical Composition
• +۳ مورد دیگر

Elizabeth Ogonek is an American composer and Associate Professor of Composition at the Eastman School of Music, University of Rochester, where she also serves as Chair of the Composition Department, effective Fall 2024. Previously, she held academic roles as Assistant Professor of Composition at Oberlin Conservatory (2015–2021) and Cornell University (from 2021 onward). Her work bridges avant-garde techniques with traditional orchestration, exploring complex harmonies and dynamic textures in both chamber and orchestral settings. Educationally, she holds degrees from Indiana University (BM, 2009), University of Southern California (MM, 2012), and Guildhall School of Music and Drama (DMus, 2017). Her research focuses on expanding the boundaries of contemporary classical composition through innovative instrumental combinations and narrative-driven structures. Her awards include recognition from the ASCAP Foundation, Royal Philharmonic Society, and American Academy of Arts and Letters. Notable commissions include works for the Chicago Symphony Orchestra, London Symphony Orchestra, and BBC Proms. She has held residencies at the Music Academy of the West and Lakes Area Music Festival, co-commissioning orchestral pieces like Starling Variations . Her artistic output spans orchestral works like Cloudline (2021) and chamber pieces such as Darkenings (2021), reflecting explorations in timbral experimentation, rhythmic complexity, and interdisciplinary collaborations. Grants and residencies have supported her innovative approaches to composition and pedagogy.

John Whynotمشاهده پروفایل

دانشیار

• Music Production
• Audio Engineering
• Sound Mixing
• +۶ مورد دیگر

John Whynot is an Associate Professor in the Music Production and Engineering (MP&E) department at Berklee College of Music, where he actively teaches and mentors students in audio engineering, music production, and sound mixing. He integrates decades of professional experience into his pedagogy, emphasizing hands-on learning, artistic inquiry, and technical mastery. His research and professional interests span Music Production , Audio Engineering , Sound Mixing , Film Scoring , and Recording Technology . He advocates for a holistic understanding of music creation, asking students to reflect on the purpose and audience of their recordings. His teaching blends storytelling, theory, and live demonstrations to make technical concepts engaging and practical. The 15 most recent articles reflect a consistent focus on high-profile film and album projects, particularly in sound mixing and audio engineering . These works demonstrate expertise in cinematic sound design, narrative audio, and hybrid analog-digital production. Subfields such as score-to-picture synchronization , spatial audio engineering , and acoustic clarity in vocal-centric albums recur, indicating a deep engagement with both technical precision and emotional impact in sound. Grammy-winning work on 'Timeless: A Hank Williams Tribute' by Lucinda Williams John Whynot has advised numerous artists in professional settings and contributed to major recording projects, though formal student advisees are not listed. He has been involved in grants and collaborations through film and album productions. He leads no formal lab but operates as a core faculty member in Berklee’s MP&E program, influencing curriculum and student development through direct instruction and industry integration.

Drew Dolanمشاهده پروفایل

استاد

• Music Composition
• Percussion Performance
• Improvisation
• +۳ مورد دیگر

Drew Dolan is a composer and educator actively engaged in contemporary music creation and performance. Currently teaching at the University of Cincinnati and previously at Kennesaw State University, he specializes in courses related to Music Theory, World Music, and 20th Century Music & Politics. Doctoral studies at University of Cincinnati College-Conservatory of Music Master's and Bachelor's degrees from Bowling Green State University and Georgia State University Dolan's research and creative practice centers around instrumental composition, interdisciplinary collaboration, and experimental performance techniques. His work explores: Cultural ritual integration in music Improvisation with unconventional instruments Visual-art inspired sound structures Mechanical/robotic musical tools Cross-disciplinary multimedia performance Historical narrative musicalization His recent publications demonstrate a focus on: Expanded percussion techniques Chamber ensemble innovation Temporal manipulation in composition Hybrid instrumental use Performance space acoustics Instrument adaptation experiments Dolan's teaching emphasizes both traditional theoretical frameworks and contemporary performance practices, though specific student advising details remain unrecorded.