جست‌وجوی استاد و پژوهشگر

• 18th-century music
• Aesthetics
• Criticism
• +۳ مورد دیگر

Annette Richards is the Given Foundation Professor of the Humanities at Cornell University, where she has taught since 1995, holding various ranks from Assistant Professor to Full Professor. She also serves as University Organist and has founded the Center for Historical Keyboard Studies at Cornell. Her research spans 18th-century music, aesthetics, and criticism, particularly in Germany; interdisciplinary intersections of music and visual culture; and keyboard studies, especially organ performance and history. 1984-1987: English Language and Literature, Corpus Christi College Oxford 1987-1991: Uitvoerend Musicus in Organ Performance, Sweelinck Conservatorium Amsterdam 1987-1995: Graduate studies in Music, Stanford University (M.A. 1989, Ph.D. 1995) Richards' research focuses on interdisciplinary approaches to music and visual culture, exploring how musical practices reflect and shape Enlightenment and Gothic aesthetics. She has pioneered studies on the glass harmonica and the cultural symbolism of Handel's works, with a strong emphasis on historical keyboard studies and organ historiography. Her recent publications highlight C.P.E. Bach's influence on music history, the physiognomy of musical portraiture, and the interplay between sound and visual representation in the 18th century. Trends in her work include music's role in social networks, speculative criticism, and the material culture of keyboard instruments. Marta Sutton Weeks Fellowship, Stanford Humanities Center (2018-2019) Humboldt Foundation Fellowship (2004) Mellon Foundation 'New Directions' Fellowships (2002-2005) Ingolf Dahl Award, American Musicological Society (1994) First Prize, International Organ Competition for positiv organ duo (1994) Richards has led the Westfield Center for Historical Keyboard Studies (2008-2018) and established Cornell's Center for Historical Keyboard Studies (2017). She has received grants from the Getty Center, Mellon Foundation, and Stanford Humanities Center, supporting her interdisciplinary work and organ historiography projects. Her current monographs in progress address the 'dark side' of 1800 and the C.P.E. Bach Circle's portrait culture.

• Music
• Keyboard Instruments
• Conducting
• +۳ مورد دیگر

Matthew Halpin is a Professor at the Music and Arts University of the City of Vienna, affiliated with the Faculty of Music. He has been serving since February 2023. His expertise spans various musical disciplines including Keyboard Instruments, Conducting, Composition, Jazz Studies, and Early Music. As part of his role, he contributes to academic programs such as Piano Accompaniment, Jazz Composition & Arrangement, and Historical Instrument instruction. Dr. Halpin is involved in the supervision of doctoral candidates through the university's doctoral programme, focusing on artistic-scholarly research in music. He is also engaged in international academic collaborations through the Erasmus+ programme and other exchange initiatives. While specific grants or lab affiliations are not detailed in the text, his teaching and research activities reflect a commitment to both traditional and contemporary musical practices. His work bridges performance, pedagogy, and historical musicology, contributing to the university's interdisciplinary academic profile.

Doris Adamمشاهده پروفایل

مدرس

• Keyboard Instruments
• Classical Music Performance
• Chamber Music
• +۳ مورد دیگر

Doris Adam is a Lecturer in Keyboard Instruments at the Music and Arts University of the City of Vienna (MUK), Faculty of Music, since 1999. She holds a Konzertdiplom with distinction from the Vienna University of Music and Performing Arts, studying under Prof. Heinz Medjimorec, Prof. Hilde Langer-Rühl, and Prof. Renate Kramer-Preisenhammer. Her career includes performances since 1986 as a soloist and chamber musician in major venues like the Wiener Konzerthaus, Musikverein, and international tours (Japan, Europe). Notable collaborations include the City of Birmingham Symphony Orchestra, Royal Philharmonic Orchestra Liverpool, and conductors like Walter Weller and Carlos Kalmar. She co-founded a concert series in Kottingbrunn with violinist Karin Adam since 2008. Her discography includes recordings for Camerata Tokyo, earning the 2003 Pasticcio Prize for her Beethoven Diabelli Variations CD. Awards include the 1993 Bösendorfer Competition First Prize and 1989 Clara Haskil Competition Finalist title. Teaching focuses on piano performance and pedagogy, blending artistic excellence with scholarly engagement in classical repertoire interpretation.

Mikayel Balyanمشاهده پروفایل

استاد

• Historical Music Performance
• Early Music
• Piano Pedagogy
• +۳ مورد دیگر

Mikayel Balyan is a Professor of Fortepiano at the Music and Arts University of the City of Vienna (MUK), a role he has held since 2014. He also serves as a lecturer for fortepiano at the University of Music and Performing Arts Vienna since April 2019. His expertise spans historical keyboard instruments, basso continuo, and aural training. Born in Yerevan, Armenia in 1981, he earned a concert diploma from the Basel Music Academy and advanced studies at Bremen and Hamburg universities. His research focuses on Baroque performance practices, historical improvisation, and early music interpretation. He has performed internationally with renowned ensembles and artists, including cellist Davit Melkonyan, resulting in acclaimed recordings with Sony Music/Deutsche Harmonia Mundi and upcoming releases on Vivat. Awards include the 2008 International Johann Heinrich Schmelzer Competition and the Bremen Music Festival's sponsorship prize. Balyan's pedagogical activities include master classes at the Salzburg Summer Academy and Winter Academies in Bremen. He is also an active composer, creating works in historical styles. His dual roles at Vienna’s leading music institutions underscore his contributions to both education and performance in early music.

• Music Education
• Jazz Performance
• Early Music
• +۳ مورد دیگر

Adrian Eröd is a Lecturer at the Music and Arts University of the City of Vienna (MUK), serving since September 2020. His affiliation is listed under the broader faculty structures encompassing disciplines such as Keyboard Instruments, Jazz, and Early Music. While specific teaching roles or departments are not explicitly detailed in the provided text, his presence in the 'Lecturers' section across multiple program categories suggests involvement in diverse music education and performance fields. Areas of engagement may include piano accompaniment, jazz composition, historical instrument pedagogy, and ensemble training, as implied by the faculties and programs listed under his affiliation. No doctoral supervision, grants, or specific research projects are mentioned in the text provided.

Ralf Heiberمشاهده پروفایل

استاد

• Piano Performance
• Art Song Accompaniment
• Music Education
• +۳ مورد دیگر

Univ.-Prof. Mag. Ralf Heiber is a Professor of Piano at the Music and Arts University of the City of Vienna (MUK), where he teaches piano classes since September 2018. Previously, he served as head of the keyboard department at the Joseph Haydn Conservatory in Eisenstadt until 2017. His expertise spans piano performance, art song accompaniment, and music education. He has performed globally as a soloist, piano duo partner, and accompanist, collaborating with renowned artists like Barbara Hölzl and Georg Nigl. His performances include prestigious venues such as Vienna's Konzerthaus, Musikverein, and London's Wigmore Hall, as well as festivals like Wien Modern. He has released recordings on CD, radio, and television, earning critical acclaim. Prof. Heiber’s pedagogical contributions are significant: his students have won major international competitions, including the Olivier-Messiaen Concours and Reine Elisabeth Musical Competition. He serves as a jury member worldwide and leads masterclasses in Europe, Japan, Korea, and China, focusing on song and piano techniques. His research interests include interpretations of classical and contemporary repertoire, with a particular emphasis on art song and the New Viennese School. Prof. Heiber’s career highlights include awards from the International Johannes Brahms Competition and International Schubert Lied Competition. His teaching extends to pedagogical study programs at MUK, though no specific labs or teams are mentioned. He actively engages in artistic-scholarly research through MUK’s doctoral program, supervising projects in performance and musicology.

• Piano Performance
• Chamber Music
• Music Education
• +۳ مورد دیگر

Miyuki Schüssler is a Lecturer at the Music and Arts University of the City of Vienna (MUK), specifically within the Faculty of Music, since 2003. Her career includes extensive roles as a pianist and educator. She holds degrees from Kunitachi College of Music (under Prof. Kiyoko Nishikawa) and the Hochschule für Musik und darstellende Kunst Wien (studying piano under Prof. Alexander Jenner and chamber music under Prof. Georg Ebert). Former engagements: Wiener Kammerorchester (1993–1996), Klangbogen Wien (2003, including Korrepetition), Carinthischer Sommer (2004, including Korrepetition). Teaching roles: Prayner Konservatorium (1992–1996), Franz Schubert Konservatorium (1996–1999), Gustav Mahler Konservatorium (1999), Jugendzentrum Wien (1991–1997), Performing Center Austria (2000), Jeunesse Music Camp (1999–2002). Her expertise spans piano performance, accompaniment, and pedagogical training in classical and chamber music contexts. She has contributed to youth music education initiatives and ensemble programs across Vienna and Austria.

Grzegorz Stopaمشاهده پروفایل

استاد

• Accordion Performance
• Music Pedagogy
• Chamber Music
• +۳ مورد دیگر

Univ.-Prof. Grzegorz Stopa is a renowned accordionist and educator at the Music and Arts Private University of the City of Vienna (since 2005, as a full professor since 2013). He also held positions at Detmold University of Music (2009–2018), Folkwang University of the Arts (2003), and Graz University of Music (2007–2009). He was awarded a Guest Professorship at Tianjin Conservatory of Music (China, 2018). His education includes a Master's degree from the Fryderyk Chopin Academy of Music in Warsaw and postgraduate studies with DAAD funding at Folkwang University in Essen, followed by a concert examination at Detmold University of Music. His research focuses on accordion performance, pedagogy, and interdisciplinary collaborations with composers of contemporary music (e.g., K. Aho, Q. Chen, S. Gubaidulina). Stopa's achievements include first prizes in major international competitions (Tokyo, Warsaw) and solo appearances at prestigious venues like Vienna Musikverein and Carnegie Hall. He founded the Formation Neues Akkordeon (FONA), a project exploring new interpretive possibilities of the concert accordion through performances with students and graduates. His students have excelled globally, winning competitions (Arrasate, Klingenthal) and securing academic appointments at institutions like Warsaw and Zhejiang Conservatories. He frequently serves on juries for international competitions and teaches masterclasses worldwide.

• Music Education
• Keyboard Instruments
• Conducting
• +۳ مورد دیگر

Ivan Calestani is a Lecturer at the Music and Arts University of the City of Vienna (MUK), effective since September 2023. His affiliation spans multiple academic units, including the Faculty of Music and the Faculty of Performing Arts. He contributes to programs such as Keyboard Instruments, Conducting, Composition, Jazz Studies, and Early Music, reflecting his expertise in diverse musical disciplines. While specific educational background and research interests are not detailed in the provided text, his lecturing roles suggest specialization in areas like Piano Accompaniment, Jazz Composition, and Historical Performance Practices. He may also be involved in pedagogical initiatives related to music education, given the university's emphasis on teaching programs like the Music Education - Voice and Instruments (IGP) and Master of Arts Education (MAE). No scientific awards, published articles, or doctoral supervision roles are explicitly mentioned. His professional activities likely focus on teaching and ensemble performance training, as indicated by listings under Certificate of Ensemble Playing and Jazz program offerings.

• Music Performance
• Keyboard Instruments
• Conducting
• +۴ مورد دیگر

Prof. Martin Niedermair is a faculty member at the Music and Arts University of the City of Vienna (MUK), holding the title of Professor. He is affiliated with the MUK Faculty of Music, where he contributes to teaching and scholarly activities across disciplines including Keyboard Instruments, Conducting, Composition, Jazz, and Early Music. His expertise spans performance, pedagogy, and historical musical practices. His research and teaching encompass diverse areas such as piano accompaniment, jazz composition, and historical instruments like harpsichord and fortepiano. He is involved in academic diploma programs such as Classical Operetta and Certificate of Ensemble Playing, reflecting his commitment to both traditional and contemporary musical education. Prof. Niedermair's affiliation with the MUK's doctoral program suggests involvement in supervising artistic-scholarly research, though specific projects or grants are not detailed in the provided text. He contributes to the institution’s international collaborations through Erasmus+ and other exchange programs.

• Music Composition
• Keyboard Instruments
• Music Education
• +۳ مورد دیگر

Univ.-Prof. Irmtraut Freiberg is a professor in the Department of Music Direction and Composition at MUK. Her contact details include email i.freiberg@muk.ac.at and consultation hours on Thursdays from 9-9:45 a.m. in Room 506. She is affiliated with the 'Keyboard Instruments, Music Direction and Composition' organizational unit. Address: Johannesgasse 4a, 1010 Vienna Her expertise spans music composition, keyboard instruments, and music education. No specific research awards or articles are listed, but her role suggests active involvement in music pedagogy and performance.

Ya-Fei Chuangمشاهده پروفایل

استاد

• Piano Performance
• Classical Music
• Contemporary Music
• +۳ مورد دیگر

Ya-Fei Chuang is a University Professor of Piano at Mozarteum University in Salzburg, specializing in keyboard performance with a focus on classical and contemporary repertoire. She holds a prominent position in the Department of Keyboard and is renowned for her mastery of both modern piano and historical instruments like the fortepiano. Her career spans international performances with leading orchestras and ensembles, including the Berlin Philharmonic, Academy of Ancient Music, and Philharmonia Baroque. Education includes studies at the Freiburg Conservatory (with Rosa Sabater and Robert Levin), Cologne Conservatory (with Pavel Gililov), and New England Conservatory. She has premiered works by composers such as John Harbison and Yehudi Wyner and has recorded for labels like ECM and Naxos. Teaching roles include visiting professorships at Indiana University’s Jacobs School of Music and Boston Conservatory at Berklee, alongside annual master classes at Mozarteum’s International Summer Academy. Awards include the Basel-Colmar-Freiburg Arts Prize and recognition for her Hindemith chamber works recording. Notable collaborations include duo performances with Steven Isserlis and Robert Levin, as well as jury roles at the Grieg Competition and Telekom Beethoven Competition. Her research interests emphasize historical performance practices and contemporary music advocacy.

Daniel Lowenbergمشاهده پروفایل

مدرس ارشد

• Piano Performance
• Chamber Music
• Classical Music Pedagogy
• +۳ مورد دیگر

Senior Lecturer Daniel Lowenberg holds a Bakk.art. and MA degree, specializing in Piano and Chamber Music at Mozarteum University's Keyboard Department within the School of Music & Art Education (SOMA). His work emphasizes collaborative piano performance and chamber music pedagogy, with a focus on Romantic-era repertoire. Recent recordings include a 2020 Brahms-Dohnányi album and a 2017 project exploring Romantic rarities, both available on streaming platforms. Active in performance and education, he maintains a YouTube presence and contributes to Mozarteum's academic offerings. No formal awards or grants are listed, though his discography highlights artistic achievements. His teaching and research intersect with practical performance, emphasizing technical precision and interpretive depth in classical repertoire.

Alexander Vitlinمشاهده پروفایل

مدرس

• Music Performance
• Opera Conducting
• Piano Pedagogy
• +۳ مورد دیگر

Alexander Vitlin is a Lecturer for Accompaniment at the Department of Keyboard Instruments, Mozarteum University (since autumn 2024). He holds a dual specialization in conducting and piano performance, with a prestigious career spanning opera houses, international concert stages, and academic institutions. Affiliations: Mozarteum University Salzburg (Current) Hanns Eisler School of Music, Berlin (Professor, 1994–?) Komische Oper Berlin (Solo Repetiteur, until 1995) Rubin Music Academy, Jerusalem (Faculty, 1990–1992) Key Roles: Kapellmeister at Staatsoper Berlin (since 2009), Collaborator with Daniel Barenboim at Salzburg Festival, Berlin State Opera, and Teatro alla Scala Milan. His conducting engagements include 'Moses and Aron' and 'Boris Godunov' at Staatsoper Unter den Linden (2004 onward). Artistic Achievements: Renowned for performances in France, Spain, Austria, Italy, USA, China, Japan, and across Germany. Celebrated for opera/ballet leadership and piano mastery, with a focus on classical and operatic repertoire. Awards: 1977 All-Russian Piano Competition Winner Education: Leningrad Conservatory (St. Petersburg College of Music), specializing in piano and conducting.

Barnabas Juhaszمشاهده پروفایل

مدرس

• Piano Pedagogy
• Jazz Studies
• Music Education
• +۳ مورد دیگر

Barnabas Juhasz is a Lecturer for Piano at the Faculty of Music Education at JAM MUSIC LAB Private University for Jazz and Popular Music. He holds a dual specialization in classical and popular keyboard instruments, having completed IGP studies at the University of Music and Performing Arts Vienna (mdw) in 2000 (Classical Piano), 2005 (Popular Keyboard Instruments), and 2010 (I-Pop Institute specialization). His teaching spans over two decades across multiple institutions including the Friedrich Gulda School of Music, Johann Sebastian Bach Music School, and various Volkshochschule locations. His pedagogical focus includes improvisation, vocal accompaniment, songwriting, solfeggio, harmony, and ear training. He has maintained an active artistic career collaborating with international artists such as Louie Austen, Mat Schuh, and Falco Convention Band, alongside extensive performance experience in hotels and event venues since 2000. Juhasz's work integrates classical techniques with contemporary jazz and pop practices, emphasizing didactic methods for diverse musical genres. His teaching portfolio includes ensemble conducting, jazz piano instruction, and classical piano correpetition at institutions like Musikschule Wiener Neudorf (ongoing).