جست‌وجوی استاد و پژوهشگر

• Film Editing
• Documentary Film Making
• Feature Film Production
• +۲ مورد دیگر

Mateusz Wojtyński is a Lecturer and PhD student at the Film and Television Directing Department of The Leon Schiller National Film School in Łódź, where he also graduated in Film Editing in 2017. He is an active member of the Polish Association of Film Editors (PSM). Wojtyński's career spans both academic and professional domains, with extensive work in film editing across feature films, documentary films, and television series. His research interests focus on visual narrative techniques, documentary filmmaking, and the intersection of academic film study with professional practice. His recent work shows a strong emphasis on documentary filmmaking, particularly with "FLOWERS OF UKRAINE" which received multiple international awards. His editing style emphasizes emotional depth, narrative coherence, and humanistic storytelling that connects with audiences on a profound level. The trends in his work demonstrate progression from student etudes to professional productions, with growing recognition for his contribution to Polish cinema. His work often explores human stories and social realities through careful visual storytelling. Warsaw (International Film Festival WATCH DOCS "Human Rights in Film") Award of the Association of Film Schools Warsaw (International Film Festival WATCH DOCS "Human Rights in Film") Distinction Łódź (Media Festival "Man in Danger") Jury Distinction Kyiv (International Film Festival "Mołodist") Award for Best Documentary Film Kraków (International Film Festival "Etiuda & Anima") "The Great Underrated" Award As an educator at one of Poland's most prestigious film institutions, Wojtyński contributes to the next generation of filmmakers while maintaining an active professional practice. His dual role as practitioner and educator positions him at the forefront of contemporary Polish film education and production.

J. Scott Christiansonمشاهده پروفایل

عضو هیئت علمی

• Artificial Intelligence
• Blockchain Technology
• Entrepreneurship
• +۴ مورد دیگر

J. Scott Christianson is an Associate Teaching Professor in the Management Department and Director of the Center for Entrepreneurship and Innovation at the University of Missouri’s Robert J. Trulaske, Sr., College of Business. He specializes in emerging technologies, project management, and educational innovation, with a focus on integrating AI, blockchain, and IoT into curricula. Christianson has held faculty roles since 2014 and previously owned Kaleidoscope Consulting (1998–2019), a firm specializing in videoconferencing solutions. Education: MA in Education and Human Development from The George Washington University (1999) and BA in Biology from the University of Missouri (1991). Research & Teaching: Develops courses on management information systems, entrepreneurial ventures, and digital transformation. His work emphasizes critical thinking about technologies like blockchain and AI, and he has authored textbooks and numerous articles on these topics. Awards: Multiple teaching honors including the Raymond O’Brien Award (2017), Distance Learning Leadership Award (2009), and Top 20 Under 40 (2007). Recognized for contributions to edtech, including pioneering work in interactive television and videoconferencing. Grants & Leadership: Secured grants for integrating clinical simulations into courses and improving project management education. Served on boards such as the State Technical College of Missouri and Boone County Industrial Development Authority. Active in community initiatives like broadband planning and K–12 technology advocacy. Publications: Over 100 works, including books on certification, project management, and educational tech, plus peer-reviewed articles in vision science and computer security. Regular contributor to media discussions on AI, cryptocurrency, and digital ethics.

• Film and Television
• Digital Culture
• Digital Media
• +۱۰ مورد دیگر

Nina Köll is an Assistant Professor at University College Utrecht and a researcher at Utrecht University's Institute for Cultural Inquiry (ICON). Her work bridges Cinema Studies , Digital Culture , and Critical Cultural Critique , with a focus on race, gender, and class dynamics. Education: MA in Media Studies (The New School), Magistra philosophiae in Comparative Literature & American Studies (University of Innsbruck) Affiliations: Fellow of the Media Studies track, co-founder of the Diversity Committee at UCU Her research explores digital media's societal impact , decolonizing education , and media industry infrastructures . She has taught interdisciplinary courses on visual culture, digital citizenship, and Black cultural production. Key article trends include critiques of techno-solutionism , analyses of participatory cinema , and explorations of media's role in social justice movements like Black Lives Matter. Scientific Awards : Fellow of the Media Studies track at University College Utrecht She has served on institutional committees for Equality, Diversity, and Inclusion , advised cultural organizations, and moderated panels at events including the International Documentary Film Festival Amsterdam.

Kimberlianne Podlasمشاهده پروفایل

استاد

• Law and Media
• Legal Consciousness
• Media Law
• +۴ مورد دیگر

Dr. Kimberlianne Podlas was a Professor and Department Head of Media Studies at the University of North Carolina at Greensboro (UNCG) from 2016 until her passing in 2023. A legal scholar with a J.D. from the University of Buffalo School of Law, she transitioned from criminal appellate practice in New York to academia in 2004. Her research focused on the intersection of law and media, particularly legal consciousness shaped by television narratives, emerging media legal issues, and accessibility standards. Education: J.D., University of Buffalo School of Law Her influential scholarship addressed topics like copyright infringement in digital media, ADA compliance for television accessibility, and the societal impact of legal dramas such as the “CSI Effect.” She authored over 50 journal articles and book chapters, earning national conference awards and citations by appellate courts and media outlets. Podlas was widely respected for her teaching in media law and television studies, fostering a supportive academic environment as a department leader. Legacy: Her work bridged legal theory and media practice, emphasizing ethical challenges in contemporary communication. Colleagues and students praised her dedication to faculty and student welfare. Podlas’ untimely passing in 2023 left a profound impact on the UNCG community and media law scholarship.

Stanley Liebowitzمشاهده پروفایل

استاد

• Copyright Law
• Digital Piracy
• Economics of Technology
• +۳ مورد دیگر

Stanley Liebowitz is the Ashbel Smith Professor of Managerial Economics at the Naveen Jindal School of Management, University of Texas at Dallas. He specializes in digital piracy, copyright law, and technology markets. He holds a PhD in Economics from UCLA (1978) and a BA from Johns Hopkins (1971). His research focuses on piracy’s impact on industries, internet-television competition, and mortgage crises. Notable works include analyzing file-sharing’s effect on music sales and debunking myths about subprime loans causing the 2008 crisis. He has advised policymakers globally and testified before Congress on copyright and financial regulations. Awards: Ashbel Smith Chair, Bradley Fellowship, John Olin Faculty Fellow Roles: Editor for Journal of Media Economics , Society for Research on Copyright Issues President (2006–2008) Keynote Talks: Association for Cultural Economics (2012), George Mason University (2011) Liebowitz’s work spans academia and policy, with affiliations at think tanks like the Cato Institute and Competitive Enterprise Institute. His recent focus includes internet market dynamics and intellectual property frameworks.

Enrique Guerrero Pérezمشاهده پروفایل

دانشیار

• Media Management
• Television Studies
• Audiovisual Industry
• +۱۱ مورد دیگر

Enrique Guerrero Pérez is a tenured Associate Professor in the Department of Culture and Audiovisual Communication at the School of Communication, University of Navarra. He is an active researcher, editor of the journal Communication & Society , and a member of the GIMECO research group focused on media markets and companies. His academic journey includes international fellowships at UCLA, Bournemouth University, and the University of Texas at Austin. PhD in Communication, University of Navarra (2009) Specialization in Entertainment and Media Management, UCLA (2007) FPU and José Castillejo Fellowships, Spanish Government Two evaluated research six-year terms (CNEAI) His research centers on the audiovisual industry, media management, production processes, audience behavior, transmedia strategies, and the application of neuroscience in content development. He explores how technological innovation affects television and streaming services, the evolution of entertainment formats, and audience engagement through data and emotional design. The analysis of his recent publications reveals a consistent focus on media transformation in the digital age, particularly the shift to multiplatform distribution, evolving audience habits across devices, and the integration of scientific methods like neuromarketing to improve narrative and emotional impact in fiction series. His work bridges academic research and industry practice, emphasizing quality signals in programming, strategic content development, and the business implications of digital convergence. Extraordinary PhD Award, University of Navarra FPU Fellowship José Castillejo Mobility Fellowship Two CNEAI research six-year terms Enrique Guerrero Pérez has co-directed two theses and has been involved in seven research projects, four of which were part of working groups and five funded through competitive public calls. He has also served as a quality evaluator for AQU and regularly participates in international conferences and industry knowledge transfer forums. His research group, GIMECO, focuses on communication markets and media enterprises, aligning with his expertise in media management and business models. His professional background in Spanish media (Telecinco, Antena 3, Onda Cero) enriches his academic perspective with practical industry insights.

• Computer Music
• Mobile Device Interfaces
• Bio-Technology
• +۷ مورد دیگر

Dionisios Politis serves as an Assistant Professor at the Department of Informatics, School of Sciences, Aristotle University of Thessaloniki, where he has established a distinguished interdisciplinary career since his appointment in 2009. His academic foundation includes a BS in Physics (1992), MSc in Physical Electronics (1990), Graduate Diploma in Computing Studies from Royal Melbourne Institute of Technology (1991), and a PhD in Informatics (1998), all from Aristotle University except for the Australian diploma. His professional journey demonstrates steady progression within the university: 1993-2002: Laboratory Teaching Staff at Aristotle University 1993-2002: Research Associate & Programmer at Center of International and European Economic Law 1999-2006: EU Expert on Computer Law for South Eastern Europe & Cyprus 2002: Lecturer at Department of Informatics 2009-Present: Assistant Professor at Aristotle University Dr. Politis's research creates a unique synthesis across computer science, musicology, and law. His primary interests include Computer Music, Mobile Device Interfaces, Bio-Technology applications for Special Education, Interactive Multimedia, and Computer Law. A distinctive hallmark of his work is the connection between ancient musical traditions and modern technology, particularly through groundbreaking projects like ARION for Ancient Greek Music synthesis, Byzantine Server, and various interfaces for Byzantine music notation. Analysis of his scholarly output reveals several converging research trajectories: chromaticism in music theory with mathematical classification methods; digital music libraries and their ethical/legal frameworks; brain-computer interfaces with growing biomedical applications (particularly cochlear implants); and computer law with emphasis on e-justice. His recent publications show an increasing integration of medical technology with music interfaces, demonstrating the evolution of his interdisciplinary approach. Among his significant scholarly contributions is a Best Short Paper Award for his innovative work on variPiano™. He has edited major publications including "Digital Tools for Computer Music Production and Distribution" (2016), "E-Socioeconomic and Legal Implications of Electronic Intrusion" (2009), and "E-Learning Methodologies and Computer Applications in Archaeology" (2008), establishing himself as a thought leader in multiple domains. Dr. Politis has made substantial contributions to educational technology across diverse fields. Through the SEEArchWeb project, he developed virtual learning environments for archaeology incorporating mobile displays and GIS implementations. In medical education, he has pioneered otorhinolaryngology e-learning textbooks and specialized interfaces for healthcare practitioners. His research group, frequently collaborating with M. Tsaligopoulos, G. Kyriafinis, and D. Margounakis, continues to push boundaries at the intersection of music technology, human-computer interaction, and biomedical applications while maintaining strong connections to cultural heritage preservation through projects like Mediterranean Colors, Kalliope Server, and Meteora Server.

Maria Michalisمشاهده پروفایل

استاد

• Communication Policy
• Public Service Media
• Internet Regulation
• +۵ مورد دیگر

Maria Michalis is Professor of Communication Policy and Deputy Director of the Communication and Media Research Institute (CAMRI) at the University of Westminster's School of Media and Communication. She serves as Course Leader for Masters programmes in Communication, Communication Policy and Global Media, while leading specialized modules including 'Technology & Communications Policy' and 'Policies for Digital Convergence'. Her research expertise spans communication policy and regulation, with particular focus on how technological, market, social, political and ideological changes impact policy frameworks, primarily within the European Union context. Her current research interests include public service media regulation, internet governance, and the interplay between technological convergence of television and telecommunications/internet with policy and business models. Michalis has recently collaborated with the Council of Europe (CoE) on a project to identify and address systemic threats to public service media across Europe, resulting in the publication of alerts concerning independence, governance and funding of public service media in several European countries. Her scholarly work demonstrates consistent focus on European communications policy evolution, digital convergence challenges, and the sustainability of public service media in the digital age. General Secretary of the International Association for Media and Communication Research (2012-present) Member of editorial boards for Journal of Information Policy, International Journal of Digital Television, and Comunicação e Sociedade Author of 'Governing European Communications' (2007) and numerous peer-reviewed articles Represented Voice of the Listeners and Viewers on European Alliance of Listeners' and Viewers' Associations Michalis actively supervises doctoral research on new forms of regulation in communications, digital television, mobile telecommunications, and internet regulation. Her work with the Council of Europe directly contributes to United Nations Sustainable Development Goal 16: Peace, Justice and Strong Institutions, reflecting her commitment to strengthening democratic media institutions.

Tina Kendallمشاهده پروفایل

مدرس ارشد

• Film Theory
• Media Studies
• Affect Theory
• +۷ مورد دیگر

Tina Kendall is a Senior Lecturer in Film & Media at Anglia Ruskin University's Cambridge School of Creative Industries, Faculty of Arts, Humanities, Education and Social Sciences. She serves as Director of Research Students for her faculty and maintains an active research profile in contemporary media studies. Her educational background includes a PhD in French Studies with a Designated Emphasis in Critical Theory from the University of California, Davis, and a BA (Hons) in French & Comparative Literature from the University of California, Irvine. Kendall's research centers on negative or minor affects in contemporary media, particularly boredom and disgust. Her work bridges critical and media theory, affect theory, and continental philosophy. She has made significant contributions to the study of extreme cinema spectatorship and has pioneered research on boredom in networked media environments. Her recent work explores the attention economy of digital platforms and the chronopolitics of contemporary media experiences. Her publication record from 2010-2021 reveals consistent scholarly output focused on the intersections of affect, temporality, and media platforms. Her work demonstrates a clear trajectory from early research on extreme cinema toward contemporary investigations of digital boredom, platform studies, and the biopolitics of gesture in social media environments. Kendall is an active member of multiple scholarly associations including the Society for Cinema and Media Studies (SCMS), the British Association for Film, Television and Screen Studies (BAFTSS), the Media, Communication and Cultural Studies Association (MeCCSA), and the European Network for Cinema and Media Studies (NECS). She holds the status of Senior Fellow with the Higher Education Association (HEA). She teaches modules including Classical Hollywood Cinema, Theorising Spectatorship, Digital Media Theory, Contemporary Hollywood Cinema, and Professional Practice in Film. Her supervision interests include contemporary cinema aesthetics, extreme cinemas, networked media, and affect studies in film. Notably, she collaborated with Chelmsford Young Creatives and the British Science Association on The Boredom Project during the 2020 Covid-19 lockdowns.

Alexa Scarlataمشاهده پروفایل

مدرس

• Internet-Distributed Television
• Content Production
• National Screen Policy
• +۵ مورد دیگر

Dr. Alexa Scarlata is a Lecturer in Digital Communication at RMIT University, based at City Campus, Australia. She holds a PhD from the University of Melbourne (2022), focusing on the impact of online TV on Australian drama production (2015–2020). Her research explores internet-distributed television, content production, and national screen policy, with a focus on platform ecosystems and cultural policy dynamics. Dr. Scarlata has contributed to major research projects, including the Australian Research Council Discovery Project on 'Internet-Distributed Television: Cultural, Industrial and Policy Dynamics' (2019–2022) and the ARC Future Fellowship Project 'Television in the platform ecosystem' (2020–2024). These projects examined SVOD platforms' impact on national industries, consumer responses, and policy development. Her research interests span cultural studies, digital media, communication studies, and policy analysis. She currently serves as Reviews Editor for the Journal of Digital Media and Policy and has held roles as a sessional tutor/guest lecturer in TV and Screen Culture at RMIT and as a course convenor/sessional tutor at Swinburne University. She was awarded the CHOICE/ADM+S Consumer Advocacy Placement in 2022. Dr. Scarlata’s work bridges academic research and industry practice, addressing contemporary challenges in media distribution, audience behavior, and policy frameworks.

Hollis Griffinمشاهده پروفایل

دانشیار

• Critical Media Studies
• Queer Theory
• Gender Studies
• +۴ مورد دیگر

Hollis Griffin is an Associate Professor in the Department of Communication and Media at the University of Michigan's College of Literature, Science, and the Arts. His research focuses on the cultural politics of television, internet, and social media with emphases on affect, sexuality, and spatial dynamics. He holds a Ph.D. from Northwestern University, an M.A. from the University of Texas at Austin, and a B.S. from Cornell University. Griffin authored Feeling Normal: Sexuality and Media Criticism in the Digital Age (2017), which received the Outstanding Academic Title award from Choice magazine, and edited Television Studies in Queer Times (2023). His current book project examines New York City's cultural imaginary through mediated representations across cinema, TV, and digital platforms. Research Interests: Queer media studies, digital media cultures, LGBTQ+ representation, spatial theory, streaming platforms, and cultural historiography Editorial Roles: Editorial board member for Television & New Media , Journal of Cinema and Media Studies , and others Professional Service: Served on Society for Cinema and Media Studies Board (2018–2021) His work bridges media criticism with queer theory, interrogating how digital platforms reshape LGBTQ+ cultural engagement. Recent articles explore streaming TV's impact on queer representation and the intersection of reality TV with art museum data practices.

Monroe E. Priceمشاهده پروفایل

استاد مدعو

• Media Law and Policy
• Comparative Media Law
• Global Communication
• +۷ مورد دیگر

Monroe E. Price is an Adjunct Full Professor and Director of the Center for Global Communication Study at the Annenberg School for Communication, University of Pennsylvania. He is also a Professor of Law at the Benjamin N. Cardozo School of Law, Yeshiva University, where he served as Dean from 1982 to 1991. He has held leadership roles in global media research, including Director of the Project on Global Communication Studies (PGCS), Director of the Stanhope Centre for Communications Policy Research in London, and Chair of the Center for Media and Communication Studies at Central European University in Budapest. His education includes a law degree from Yale, where he graduated magna cum laude and served as executive editor of the Yale Law Journal. He clerked for U.S. Supreme Court Justice Potter Stewart and held early government roles before transitioning to academia. Monroe E. Price’s research focuses on media law, global communication policy, sovereignty in the digital age, and public service broadcasting. His work bridges law, political science, and media studies, examining how information technologies reshape state power and democratic institutions. He has explored the role of media in peacebuilding, internet governance, and national identity formation, contributing foundational texts in comparative media law and policy. His recent publications reflect a strong trend in interdisciplinary scholarship, combining legal analysis with communication theory and political philosophy. Key themes include the impact of the internet on academic institutions, media reform as a tool for democratization, and the management of media space during international interventions. His work consistently addresses the tension between state control and media freedom in a globalized world. Scientific awards and honors include fellowships at the Institute for Advanced Study in Princeton and the Media Studies Center, though specific awards are not listed. Professor Price has advised major research initiatives and directed international projects, including the Program in Comparative Media Law and Policy at Wolfson College, Oxford, and the Project on Global Communication Studies at Penn. He has secured funding for cross-border media policy research and has collaborated with institutions in Europe and the U.S. His leadership roles suggest a strong record of grant acquisition and institutional collaboration. He has led multiple research centers and collaborative projects, including the Stanhope Centre and the Center for Media and Communication Studies at CEU, fostering interdisciplinary teams focused on media reform, digital rights, and global communication policy.

• Cinema Studies
• Media Theory
• Digital Communication
• +۴ مورد دیگر

María Pilar Álvarez Carrera is a Full Professor in the Department of Communication Studies at Carlos III University of Madrid, where she directs the University Master's Degree in Documentary and Reportage. She leads the research group TECMERIN (Television-Cinema: Memory, Representation and Industry) and is affiliated with the University Institute of Spanish Cinema. Her office is located at 17.2.11 - Ortega y Gasset (Getafe). Her research spans: Cinema and documentary theory, focusing on hybrid genres and reality representation Digital media ecosystems, including transmedia storytelling and social media impacts Journalism ethics and evolving journalist-audience relationships Visual culture, historical memory, and post-truth communication strategies Recent publications (2012-2023) reveal consistent themes: cinematic authenticity in documentary-fiction hybrids, adolescent media consumption patterns, digital society during confinement, and European cultural identity. Her work frequently employs philosophical and sociological frameworks to analyze media transformations. Research Leadership: Principal investigator for multiple EU-funded projects including: MADRIDNIGHT (Researchers and citizens: facing together the European challenges, 2022-2024) Innovation in scientific communication (FECYT-funded projects 2016-2022) Academic Mentoring: Supervised 7 doctoral theses on topics including digital film distribution, romantic love in media, and cinematic criminal chronicles. Regularly teaches graduate seminars on documentary and media theory.

Takebumi Itagakiمشاهده پروفایل

مدرس ارشد

• Digital TV systems
• Digital Signal Processing
• Parallel Processing
• +۶ مورد دیگر

Dr. Takebumi Itagaki serves as a Senior Lecturer in Communications and Computer Technologies within the Electronic and Electrical Engineering Department at Brunel University London's College of Engineering, Design and Physical Sciences. He holds the position of Programme Manager for the Brunel-CQUPT Transnational Education program and serves as TNE-CQUPT Manager. His international research leadership is exemplified by his role as coordinator of the ITU-T Focus Group on Audio Visual Accessibility – Working Group D. Dr. Itagaki earned his academic credentials through a BEng from Waseda University (Japan), a Postgraduate Diploma from City University London, and a PhD in Engineering/Music from Durham University (UK) in 1998. His professional affiliations include membership in IEEE, IET, and the Audio Engineering Society. His research program spans digital television systems (DVB, ISDB), digital signal processing, parallel processing architectures, computer music, and computer architecture. Recent work demonstrates significant expansion into IoT applications for disaster management and healthcare analytics. His research methodology consistently bridges theoretical signal processing with practical implementation in broadcast and communication systems. Analysis of his publication record reveals an evolution from foundational work on transputer networks and granular synthesis in the 1990s to contemporary applications in digital television accessibility, mobile broadcast technologies, and IoT systems. His work maintains consistent focus on multimedia systems while adapting to emerging technological landscapes and societal needs. Dr. Itagaki has secured significant research funding through multiple EU projects including SAVANT (as prime contractor and administrative coordinator), INSTINCT (as project manager), and DTV4All (as coordinator). His current research portfolio includes ICT collaboration between China and Europe, with particular emphasis on IoT techniques for disaster prediction and climate change mitigation. His research group IEHS (Integrated Electronic Health Systems) works at the intersection of communication technologies and healthcare applications, developing systems for emergency response and medical diagnostics. The group's work on the Emergency TeleOrthoPaedics m-health system demonstrates practical implementation of wireless communication links for specialized medical care.

• Cinema
• Television
• Audiovisual
• +۳ مورد دیگر

Filomena Antunes Sobral is a Coordinate Professor in the Communication and Art Department at the School of Education, Polytechnic Institute of Viseu, where she has taught since 1997. Her academic work spans cinema, television, and audiovisual studies with a focus on literary adaptation. She conducts research at the Research Center for Communication and Culture (CECC) of the Portuguese Catholic University and the Center for Studies in Education and Innovation (CI&DEI) at her home institution. Her educational background includes a Post-Doctorate in Communication Sciences (2022), PhD in Cinema and Audiovisual (2011), MA in Sound and Image (2002), and BA in Communication Sciences (1996). Key milestones in her academic journey: Post-Doctorate: Communication Sciences (Media Narratives and Cultural Memory), Portuguese Catholic University PhD: Cinema and Audiovisual, Portuguese Catholic University MA: Sound and Image, Portuguese Catholic University BA: Communication Sciences, NOVA University of Lisbon Professor Sobral's research centers on cinema and television studies with particular emphasis on literary adaptation, especially works by Eça de Queirós. Her scholarship explores the intersection of literature, film, and television within Portuguese cultural contexts. Current work investigates television's evolution in the digital age, media consumption patterns among students, and strategies for combating misinformation. Her research bridges theoretical frameworks with practical media production, examining how traditional narratives transform across media platforms while maintaining cultural relevance. Analysis of her recent publications reveals consistent thematic threads: the transformation of television in digital ecosystems, adaptation of 19th-century literature to contemporary media, and critical examination of student media consumption. Her work demonstrates increasing focus on digital disruption in media industries while maintaining core interest in Portuguese literary adaptations. The research trajectory shows evolution from textual analysis of adaptations toward contemporary media challenges including misinformation and streaming culture. Her scientific recognition includes: Literary prize from Eça de Queirós Foundation (2016) for research on literary adaptations Professor Sobral has supervised over 20 undergraduate and master's students in media production projects, focusing on audiovisual creativity and adaptation studies. Her grant portfolio includes significant projects such as the FCT-funded 'AS ACTUALIZAÇÕES DOS ROMANCES DE EÇA DE QUEIRÓS PARA O PEQUENO ECRÃ' (2007-2009) and institutional research center grants supporting media studies. Current projects examine online content sharing behaviors and digital media pedagogy. She actively contributes to academic infrastructure through leadership in ESEV TV (academic online television) and the Television Nucleus coordination team. Her work integrates practical media production with scholarly research, maintaining strong connections between academic inquiry and professional media practice within the Portuguese context.