جستجوی استاد راهنمای دانشگاهی

• Piano Performance
• Music Interpretation
• Chamber Music
• +۳ مورد دیگر

Eva Varhaníková serves as an Associate Professor at the Department of Keyboard Instruments within the Faculty of Music at the Academy of Performing Arts in Bratislava, Slovakia. Her role encompasses advanced piano pedagogy and artistic mentorship across bachelor's, master's, and doctoral programs in performing arts. Her research and teaching expertise centers on piano performance techniques , interpretive methodologies , and historical compositional analysis , with specialized focus on chamber music contexts like piano duo and collaborative piano partnerships. She develops curricula examining the interplay between musical structure and expressive interpretation, particularly in dissertation-level artistic research. Professor Varhaníková directs core pedagogical activities including solo repertoire mastery, ensemble collaboration, and doctoral dissertation preparation. Her instructional framework integrates technical proficiency with scholarly analysis of stylistic evolution across musical periods, emphasizing practical application in performance contexts.

Genevieve F. Leeمشاهده پروفایل

استاد

• Piano
• Chamber Music
• Music Theory
• +۱ مورد دیگر

Genevieve F. Lee is the Everett S. Olive Professor of Music at Pomona College, specializing in piano and chamber music performance. She has been affiliated with Pomona College since 1994 and is celebrated for her versatile performances spanning five centuries of music repertoire. Doctor of Musical Arts, Yale University Master of Musical Arts, Yale University Master of Music, Yale University Diplôme Supérieur d'Exécution, École Normale de Musique de Paris Bachelor of Music, Peabody Conservatory of Music Lee's research and performance interests focus on historical performance practices , contemporary music , and interdisciplinary collaborations . Her work bridges classical traditions with modern compositions, often incorporating multimedia elements and experimental instrumentation. Her recordings and performances have been recognized with a Grammy® nomination for Best Chamber Music Performance (2016) and multiple commissions for new works. Recent projects include collaborations with composers like Tom Flaherty and Philippe Bodin. Barlow Endowment for Music Composition (2004) - Commission for new piano pieces Banff Centre for the Arts (1997-98, 1996) - Residency Grants Pomona College Faculty Travel and Research Grants (1995-2008) Lee maintains an active performance schedule globally, having appeared with orchestras such as the São Paulo State Symphony Orchestra and the Vratza State Philharmonic. She is a founding member of the Mojave Trio and has collaborated with leading new music groups like XTET. She teaches courses in Advanced Topics in Performance , Chamber Music , and 20th Century Music History & Theory , while also mentoring students through individual instruction programs.

Julia Kursellمشاهده پروفایل

استاد

• Musicology
• History of Human Sciences
• Music History
• +۳ مورد دیگر

Julia Kursell is a Professor of Musicology in the Faculty of Humanities at the University of Amsterdam, where she has established herself as a leading scholar at the intersection of musicology, history of science, and sound studies. Her research program examines the historical relationships between scientific understanding of sound and musical practice, with particular focus on how concepts from auditory physiology have informed compositional techniques from the 19th century to the present. Her research interests span multiple domains of inquiry: History of auditory physiology and its relationship to musical composition Sound experimentation in the Russian avant-garde Spatial dimensions of musical composition, particularly in John Cage's work Epistemological connections between laboratory science and musical practice Development of acoustic media technologies and their impact on musical perception Kursell's recent publications reveal a consistent focus on how physical phenomena of sound perception—such as combination tones—create multiple layers of musical meaning that operate simultaneously at physiological, memorial, and semantic levels. Her work demonstrates how scientific concepts migrate into artistic practice, transforming both domains in the process. Rather than treating science and art as separate spheres, her research reveals their co-constitution through shared material practices and conceptual frameworks. As a member of the Sound Studies Research Group at the University of Amsterdam, Kursell has organized significant scholarly events including workshops on 'Sounds of Science' that examine the role of sound in configurations among science, technology, and the arts between 1800 and 1930. Her collaborative work with scholars like Myles W. Jackson has helped establish sound studies as a vital interdisciplinary field connecting musicology with history of science, media studies, and sensory anthropology.

Dmitry Abloginمشاهده پروفایل

استاد

• Historical Performance Practice
• Early Music
• Fortepiano
• +۳ مورد دیگر

Dmitry Ablogin serves as Professor of Fortepiano at the Cologne University of Music and Dance since his appointment in October 2024. Renowned as one of the most brilliant and creative musicians of his generation, he specializes in historical keyboard performance on period instruments. His research centers on Historical Performance Practice, exploring the sound world, techniques, and aesthetics of historical keyboard instruments from the late 18th to 19th centuries. He emphasizes immersion in historical sources including treatises, early recordings, and revival of nearly extinct practices such as preluding, free improvisation, and historical ornamentation. His work transforms intellectual understanding of historical contexts into vibrant personal interpretations. Professor Ablogin has received prestigious international recognition: 10. Internationale Deutsche Pianistenpreis Internationale Chopin-Wettbewerb für historische Instrumente Internationale Wettbewerb „Musica Antiqua“ He performs globally at venues including Berliner Philharmonie, Wiener Konzerthaus, and Concertgebouw Amsterdam, collaborating with ensembles like Freiburger Barockorchester and Scottish Chamber Orchestra. His acclaimed discography features Beethoven's Diabelli Variations on period instruments, Chopin's late works, and chamber music by César Franck.

Mariusz Klimsiakمشاهده پروفایل

استاد

• Performance Practice
• Historical Keyboard Instruments
• Chamber Music
• +۱ مورد دیگر

Dr. Mariusz Klimsiak is a Professor of Piano and head of the Piano Department at the Feliks Nowowiejski Academy of Music in Bydgoszcz since 2022. An internationally active concert artist, he performs across major Polish venues including National Philharmonic and internationally in Italy, Spain, and the USA, with special focus on historical instrument performance. His educational background includes: Graduated with distinction from Academy of Music in Bydgoszcz under Professor Jerzy Sulikowski Postgraduate studies with Professor Katarzyna Popowa-Zydroń Masterclasses with Ewa Pobłocka, Naum Starkmann, Alexei Orlovetsky, Viera Nossina, and Dang Thai Son Professor Klimsiak's research centers on historical performance practice, specializing in period instruments from Mozart/Beethoven eras including Stein and Walter copies. His artistic output features groundbreaking recordings like Chopin's F minor Concerto on 1830 Pleyel copy (2017) and Beethoven's Hammerklavier Sonata on original Broadwood (2018), alongside extensive chamber repertoire spanning Baroque to contemporary works. His notable awards include: 3rd 20th Century Music Competition laureate (Warsaw) Young Musicians' Festival laureate (Gdańsk) 3rd National Fryderyk Chopin Piano Competition laureate (Warsaw) Golden Parnassus award (International Piano Festival, Sanok) As an educator, he previously assisted Professors Sulikowski, Pobłocka, and Godziszewski before becoming department head. He actively manages the Paderewski Piano Academy summer program and maintains significant artistic collaborations with Silesian Quartet, violinist Paweł Radziński, soprano Kamila Kułakowska, and saxophonist Włodzimierz Spodymek.

Marc Bellassaiمشاهده پروفایل

استاد مدعو

• early keyboard performance practice
• basso continuo
• organology
• +۳ مورد دیگر

Marc Bellassai serves as an Adjunct Professor in the Department of Music within Towson University's College of Fine Arts and Communication, specializing in historical performance practices and musicology. Education: Bachelor of Music in Harpsichord, Oberlin Conservatory (1985) Master of Music and Artist Diploma, Indiana University (1989) Fulbright IIE Scholar at Civica Scuola di Musica and Castello Sforzesco, Milan, Italy (1994-1996) Research Focus: His scholarly work centers on early keyboard performance practice, basso continuo realization, organology (study of historical instruments), art history, and the intersection of music and literature in 17th-18th century Italy. He bridges technical performance with cultural context through meticulous examination of historical sources and treatises. Academic Activities: Directs Towson University's Early Music Ensemble while teaching Harpsichord and Art History courses, emphasizing hands-on engagement with period instruments and primary source materials. His pedagogy integrates performance practice with broader artistic movements of the Renaissance and Baroque eras. Professional Recognition: No scientific awards documented in available sources Mentorship & Resources: Current information indicates no formal graduate student advisement or externally funded research grants. His contributions center on undergraduate instruction and ensemble direction within the departmental framework.

David Robertsonمشاهده پروفایل

استاد مهمان

• Orchestral conducting
• Contemporary music
• Opera conducting
• +۵ مورد دیگر

David Robertson is a distinguished American conductor, composer, and educator who serves as Director of Conducting Studies and Distinguished Visiting Faculty at The Juilliard School in New York. He has held significant artistic leadership positions including Chief Conductor and Artistic Director of the Sydney Symphony Orchestra, Music Director of the St. Louis Symphony Orchestra, Orchestre National de Lyon, BBC Symphony Orchestra, and the Ensemble InterContemporain. Robertson also serves on the Tianjin Juilliard Advisory Council and recently completed a three-year tenure as Creative Partner of Utah Symphony | Utah Opera. Robertson's research interests focus on contemporary music, particularly 20th and 21st century repertoire, with deep expertise in spectral music and works by composers like Boulez, Grisey, and Reich. His scholarly work examines rhythmic structures in contemporary music, the compositional techniques of Janáček, and the interpretation of complex modern scores. As both a conductor and composer, Robertson brings a unique dual perspective to musical interpretation. His recent compositions include 'Whorls and Eddies' (premiered by LA Phil in 2024) and 'Light forming' - a piano concerto (premiered in 2022). His scholarly publications span conducting technique, music education, and analysis of contemporary repertoire, with notable contributions to The Cambridge Companion to Rhythm and essays on Janáček's operatic techniques. Grammy Award for Best Opera Recording (2021) - for Porgy and Bess Grammy Award for Best Orchestral Performance (2014) - for John Adams' City Noir Chevalier de l'Ordre des Arts et des Lettres by the French government (2010) Robertson maintains an active schedule balancing international conducting engagements with his educational responsibilities at Juilliard. His conducting approach emphasizes deep score analysis, historical context, and clear communication of musical intent. He has developed specialized teaching methods for conducting complex rhythmic structures and contemporary repertoire, mentoring the next generation of conductors while maintaining his own active performance career.

Andrey Stolyarovمشاهده پروفایل

استاد مدعو

• Composition
• Music Theory
• Choral Music
• +۴ مورد دیگر

Andrey Stolyarov is a Russian-born American composer, conductor, singer, and educator currently serving as an adjunct professor of music theory at The Hartt School (University of Hartford) and Capital Community College. He holds additional positions as Director of Music at Gilead Congregational Church in Hebron, Connecticut and Co-director of The Hartford New Music Festival. His educational background includes a DMA in Composition (2018) and MM in Composition (2015) from University of Hartford, and a BA in Music (2012) from Lehigh University. Stolyarov has studied with renowned composers including Steven Sametz, Paul Salerni, Gilda Lyons, Robert Carl, and Aaron Kernis. Stolyarov's research and creative interests span composition, choral music, contemporary classical, electronic music, and piano performance. His compositional output demonstrates significant range from traditional forms like fugues to contemporary works incorporating improvisation and electronic elements. His recent album "A Sonic Tapestry" (2024) continues his exploration of emotional expression through modern compositional techniques. His compositions have been performed nationally and internationally, with recent commissions by CONCORA, the Young New Yorker's Chorus, the Bassless Trio, and the Alturas Duo. He has received national and international recognition for his works, which reflect both his Russian heritage and American training. National recognition for compositions International recognition for compositions As an active professional singer, Stolyarov performs with Voce, CONCORA, and the Composers Choir. He maintains an active online presence with music available on Bandcamp, YouTube, and Soundcloud, and serves as a private vocal instructor. His work demonstrates a commitment to both traditional musical forms and contemporary innovation.

Katarzyna Wesołowskaمشاهده پروفایل

مدرس

• Early Music Performance
• Harpsichord Performance
• Historical Keyboard Instruments
• +۳ مورد دیگر

Katarzyna Wesołowska serves as Lecturer at the Feliks Nowowiejski Academy of Music in Bydgoszcz, specializing in harpsichord and historical keyboard performance. An active international performer, she presented a solo recital at the 66th Warsaw Autumn International Festival of Contemporary Music (2023) and festivals including Nowa Muzyka and Toruń Festival of Science and Art, frequently premiering contemporary works. Her academic foundations include: Diploma with distinction in Piano (Prof. Maria Murawska) and Harpsichord (Prof. Urszula Bartkiewicz) from Feliks Nowowiejski Academy of Music in Bydgoszcz Bachelor of Arts in Stage Design from Academy of Fine Arts in Warsaw Wesołowska's research integrates historical performance practice with contemporary composition, focusing on harpsichord, pianoforte, and period piano techniques. She pioneers interdisciplinary methodologies through projects like "Polifonie/Poliwizje" at Gardzienice Center for Theater Practices, where she performed J.S. Bach within self-designed stage environments, merging visual arts with musical interpretation. Her scholarly recognition includes: Minister of Culture and National Heritage Young Poland scholarship for recording contemporary Polish harpsichord repertoire Mayor of Bydgoszcz scholarship for tri-instrumental historical keyboard project at New Palace in Ostromecko Mayor of Szczecin scholarship for artistic innovation Wesołowska extends her expertise through educational initiatives as lecturer at Warsaw's Early Music Methodical Summer Courses (since 2022), while contributing to film (piano consultation for "Never Gonna Snow Again"), radio drama recordings for Polish Radio, and theater productions. Her collaborative work with specialists like Robert Levin and Andreas Staier demonstrates continuous refinement of historical performance techniques within contemporary contexts.

Jonathan Oddieمشاهده پروفایل

استاد

• Historical Performance
• Early Music
• Musicology
• +۳ مورد دیگر

Jonathan Oddie serves as Professor of Practice in Historical Performance: Historical Keyboards at Indiana University's Jacobs School of Music, affiliated with the Historical Performance Institute in Merrill Hall, MU115. His educational credentials include: D.Phil. in Historical Musicology from the University of Oxford (2017) M.Phil. in Performance and Musicology from the University of Oxford (2010) Performer’s Diploma in Early Music–Harpsichord from Indiana University (2008) Dual Bachelor of Music degrees in Early Music–Harpsichord and Piano from Indiana University (2006) Oddie specializes in historical keyboard performance across harpsichord, fortepiano, and continuo organ, with research focused on English Renaissance composer Orlando Gibbons (1583-1625). His scholarly work appears in Early Music and Historical Performance journals, bridging performance practice with musicological analysis of 16th-17th century instrumental repertoire. His recognitions include: Performer's Certificate from the Jacobs School of Music Frank Huntington Beebe Fellowship As an active performer, Oddie collaborates with prominent artists including violinist Dmitry Sinkovsky and flutist Janet See, while performing with major ensembles such as Portland Baroque Orchestra and Seattle Symphony. His performance career spans chamber series like Gallery Concerts Seattle and Philadelphia Chamber Music Society, plus solo appearances with Northwest Sinfonietta and Saratoga Orchestra.

Jason Moyمشاهده پروفایل

دانشگاهی

• Early Music
• Harpsichord Performance
• Baroque Ensemble
• +۲ مورد دیگر

Jason Moy serves as an Adjunct Lecturer at DePaul University's School of Music, where he directs the Baroque Ensemble, coordinates Mixed Chamber Music, and instructs harpsichord. A Chicago native, he is recognized as one of the region's leading early keyboard specialists with an active international performance career spanning the United States, Canada, and Europe. Education: Bachelor of Music in Harpsichord and Early Music Performance, McGill University Master of Music in Harpsichord and Early Music Performance, McGill University Research and Performance Focus: Moy specializes in Baroque and Renaissance keyboard repertoire with deep expertise in harpsichord performance practice. His work emphasizes historically informed techniques and the structural expressivity of early instruments, frequently presented through public lectures and media features exploring the harpsichord's unique sonic capabilities. Ensemble Leadership: As founding member of the award-winning Trio Speranza and current Artistic Director of Ars Musica Chicago, Moy maintains extensive collaborations with premier period-instrument ensembles including Music of the Baroque, Newberry Consort, and Chicago Chamber Musicians. His performances have been broadcast internationally via BBC Radio 3 and locally on WFMT98.7, with notable appearances at the York Early Music Festival and annual Boston Early Music Festivals since 2013.

• Piano Performance
• Music Education
• Classical Music
• +۲ مورد دیگر

Tom Jansson serves as a Lecturer in Piano within the Keyboard Studies department at Cork School of Music, Munster Technological University (MTU), holding qualifications including BMus, DipCSM, and RSA. His role centers on piano instruction across undergraduate and postgraduate programs. His academic background comprises: BMus (Bachelor of Music) DipCSM (Diploma of Cork School of Music) RSA (Royal Society of Arts or music-specific credential) Dr. Jansson's expertise focuses on piano performance techniques, classical repertoire interpretation, and music pedagogy. His teaching emphasizes technical mastery and artistic expression, contributing to MTU's reputation in instrumental training. Research trends in his field typically explore historical performance practices and cognitive aspects of keyboard learning, though specific publications aren't listed in directory sources. No scientific awards or grant details appear in institutional records. As a core faculty member, he mentors piano students through individual instruction and ensemble coaching within Keyboard Studies' collaborative framework.

Sezi Seskirمشاهده پروفایل

دانشیار

• Historical Performance Practice
• Musicology
• Piano Performance
• +۴ مورد دیگر

Sezi Seskir is an Associate Professor of Music at Bucknell University specializing in historical performance practice on period instruments. She maintains active performance and scholarly engagement across Europe, North America, and Turkey while contributing to major editorial projects for prominent music publishers. Her academic credentials include: D.M.A. in Performance Practice, Cornell University M.M.A. in Performance Practice, Cornell University Music Education Degree, Musikhochschule Lübeck, Germany Artist's Diploma, Musikhochschule Lübeck, Germany B.A. in Piano Performance, Ankara State Conservatory, Turkey Dr. Seskir's research centers on historical keyboard performance practices from the late 18th to mid-19th centuries, with particular expertise in 5-octave instruments (c. 1770-1800) and 6/6.5-octave instruments (c. 1800-1850). Her scholarly work focuses on Schumann and Beethoven, informed by hands-on experience with period instruments. This manifests in critical editions for Bärenreiter's Schumann Complete Edition, presentations at the American Musicological Society, and acclaimed recordings on original instruments. She actively bridges performance and scholarship through guest lecture-recitals at institutions including UC Berkeley, Stanford, Princeton, and the Royal Conservatory of the Hague. She co-founded the Chamber Music Collective, an intensive training program operating across UC Berkeley and Bucknell University campuses, demonstrating her commitment to advancing chamber music pedagogy through historical performance practices.

• Musicology
• Early Music
• Historical Performance Practice
• +۴ مورد دیگر

Martin Kirnbauer serves as Head of Research, member of the executive board, and Head of the Theory of Early Music Programme at the Schola Cantorum Basiliensis (University of Music Basel) within the University of Applied Sciences Northwestern Switzerland (FHNW). He concurrently holds a lectureship in Music History at the University of Basel and assumed the chair of the Institute in September 2024 for a two-year term. His academic credentials include: Licentiate in Musicology (1993), University of Basel Doctorate in Musicology (1998), University of Basel Habilitation (2007) Kirnbauer's research integrates musicology, instrument restoration, and digital humanities with focus on historical performance practice. His work examines early string instruments (viola da gamba, viols), microtonal keyboard development, and digital reconstruction of Renaissance treatises. Current projects analyze North Alpine string instruments circa 1500 and create unified digital tablature editions through the WEAVE-funded E-LAUTE initiative. He leads multiple SNSF and CTI-funded research programs including Vicentino21 (2020-2024) for digital edition of Nicola Vicentino's treatise and Studio31 for microtonal instrument development. His grant portfolio spans instrumental sonority transformations, historical organology, and practical exploration of 16th-century music theory. Kirnbauer holds leadership roles in the Swiss Musicological Society as Basel chapter President and central board member. He serves on scientific advisory boards for the Germanisches Nationalmuseum Nuremberg and State Institute for Music Research Berlin, and directs foundations including Neumeyer-Junghanns-Tracey Collection and Studio31 association.