جستجوی استاد راهنمای دانشگاهی

• Modern and Contemporary Art
• Art Theory
• Aesthetics
• +۳ مورد دیگر

Mascha Salgado de Matos serves as Research Fellow in the Chair of Philosophy at Academy of Fine Arts Munich, working under Prof. Dr. Maria Muhle. Her current dissertation explores "Artistic Historiographies of Portugal from the Dictatorship to the Present," examining oceanic motifs as conceptual frameworks. Active in teaching and research, she maintains weekly consultation hours and contributes to academic discourse through publications and international collaborations. Her educational foundation includes interdisciplinary studies at Ludwig Maximilian University of Munich, where she specialized in: Near and Middle Eastern Studies (Arabic/Islamic focus) Philosophy History of Art Research interests center on modern/contemporary art theory and aesthetics, with distinctive emphases on Portuguese art historiography, feminist practices since 1974, and anthropomorphism in visual culture. She investigates how oceanic metaphors structure artistic thought during political transitions, while analyzing intersections between artistic freedom and contemporary cancel culture debates. Her work bridges continental philosophy, postcolonial theory, and visual anthropology to decode cultural memory in Iberian and Lusophone contexts. Recent scholarly output shows evolving thematic depth: early contributions (2020-2021) focused on African/Maghrebi photographic practices within global frameworks, while her 2024 editorial leadership of 'colophon Nr. 7' demonstrates consolidation in anthropomorphism studies. Current projects integrate oceanic theory with diaspora studies, reflecting her participation in Kiel University's water phenomenology seminar. As an educator, she designs courses exploring motherhood tropes in contemporary art (WiSe 24/25), anthropomorphic projection (SoSe 24), and Portuguese feminist art (SoSe 22). Her moderation of international panels—including the 2024 'Atlantic Exchange' with Afro-diasporic artists—provides students with access to global artistic networks. Though not leading a formal laboratory, her research group operates through the Chair of Philosophy, fostering collaborations with institutions like Zentralinstitut für Kunstgeschichte and Lothringer 13.

Sonia Adam-Ledunoisمشاهده پروفایل

مدرس ارشد

• Management Innovation
• Social Innovation
• Organizational Cooperation
• +۲ مورد دیگر

Sonia Adam-Ledunois is a Senior Lecturer at Paris Dauphine-PSL University, a researcher at the DRM laboratory (UMR CNRS 7088 - M-Lab team), and an associate researcher at the Cercle de l'innovation (Fondation Dauphine). Since 2024, she has served as Vice-President for partnerships and corporate relations at the university. She holds a doctorate in management sciences, with her work emphasizing transformative approaches to organizational and societal challenges. Her research explores: Cooperation dynamics between internal/external actors in innovative organizational configurations. Managerial and social innovation , particularly how collaborative processes drive impact. Science fiction as a lens for analyzing management practices, fostering R&D creativity, and prototyping future scenarios. She employs research-intervention methodologies across sectors (automotive, healthcare, ESS, defense) and co-leads the Red Team Defense program for the French Ministry of Armed Forces. Adam-Ledunois directs institutional initiatives including: The House of Entrepreneurship (founded 2020) and two academic programs: Master's in Entrepreneurship/Innovative Projects and the Executive Certificate 'Supporting Startups and Intrapreneurship'. The Observatory of Managerial Innovation and Management Museum (Cercle de l'innovation). She teaches social innovation, impact entrepreneurship, and research methodologies, while serving on committees for the Dauphine incubator, Dauphine Foundation, and Tasmane Foundation (promoting inclusive digital ecosystems). Her 15 most recent publications (2017–2025) converge on: The application of science fiction to organizational foresight, ethics, and strategic design. Innovation frameworks blending social impact, technology, and collaborative governance. Historical/comparative analyses of management paradigms and their evolution.

Martine Hennard Dutheil de la Rochèreمشاهده پروفایل

دانشیار

• Angela Carter Studies
• Fairy Tale Studies
• Literary Translation
• +۵ مورد دیگر

Martine Hennard Dutheil de la Rochère is Associate Professor of English and Comparative Literature at the University of Lausanne, Switzerland, affiliated with both the Department of English and the Interdisciplinary Center for Literary Studies. She previously served as Associate Dean of the Humanities and maintains an active research profile in literary studies. Her research focuses on Angela Carter , fairy tale traditions from antiquity to the present, and literary translation (theory, practice, reception), with particular attention to the interplay between translation and individual creation. She has published extensively on authors including Dickens, Conrad, Nabokov, Rushdie, and Carter, exploring how literary traditions evolve across cultural boundaries. Her scholarly work demonstrates consistent engagement with interdisciplinary approaches, connecting literary analysis with cultural studies, gender theory, and translation studies. Her publications reveal evolving interests from postcolonial literature (particularly Salman Rushdie) toward fairy tale studies and Angela Carter's translational practices. Scientific distinctions: Doctorat Honoris Causa from the University of Angers (2019) Prix de Faculté for doctoral thesis from University of Lausanne (1998) She serves as an international corresponding member for the BCLA (British Comparative Literature Association), sits on the Advisory Boards of the Chichester Center for Fairy Tales, Fantasy and Speculative Fiction and the Angela Carter Society, and is a member of scientific committees including Palimpsestes. She also serves as reader for international peer-reviewed journals (JSSE, Palimpsestes, Marvels & Tales) and literary translation juries.

Xavier Prévostمشاهده پروفایل

استاد

• History of Law
• Legal Humanism
• Renaissance Jurisprudence
• +۶ مورد دیگر

Xavier Prévost is a Professor of History of Law and Institutions at the University of Bordeaux, Faculty of Law and Political Science. He holds a dual agrégation in Law and Economics & Management, is an Archivist-Paleographer (graduate of École des Chartes), and a former student of École normale supérieure de Cachan. As a Junior Member of the University Institute of France (2020 promotion), he leads significant interdisciplinary research projects including the ERC-funded "ISTHisFrench" project on the transnational history of the French method of legal teaching. His educational background includes a doctorate in law from Panthéon-Sorbonne University (2012) with thesis "Jacques Cujas (1522-1590). Law tested by humanism," and archival training from École nationale des chartes (2015). He has held numerous academic leadership positions including Director of the Montesquieu Research Institute (2016-present), editor-in-chief of the open-access journal Clio@Themis (2020-present), and since March 2024, Coordinator of the Interdisciplinary Strategy at the University of Bordeaux. 2003: Entered École normale supérieure de Cachan (top of class in Law, Economics and Management) 2006: Associate Professor of Economics and Management (9th place) 2012: Doctor of Law, Sorbonne Law School 2014: Appointed Professor of Legal History at University of Bordeaux (top of agrégation) 2015: Archivist and Paleographer 2016: Director of Montesquieu Research Institute 2020: Junior Member of University Institute of France 2023: Co-facilitator of interdisciplinary working group Prévost's research focuses on law and legal knowledge during the Renaissance, particularly examining how humanist methods transformed legal thought and contributed to the emergence of modernity. His work bridges legal history with intellectual history, examining the evolution of legal concepts through three dimensions: thought, writing, and application. Current projects investigate Renaissance encyclopedism (mid-15th to mid-17th century) and the transnational circulation of legal knowledge. His publication record shows consistent scholarly output centered on Jacques Cujas and legal humanism, with recent works examining the construction of legal canons, the virtue of justice in historical perspective, and contemporary relevance of Renaissance jurisprudence. The articles demonstrate interdisciplinary approaches connecting legal history with cultural studies, political thought, and historical methodology. Corbay Prize of the Academy of Moral and Political Sciences Alfred Duméril Prize of the Toulouse Academy of Sciences Robert Dennery Prize of the Chancellery of the Universities of Paris Thesis Prize of the Institute of Roman Law of Panthéon-Assas University As an academic leader, Prévost directs the Montesquieu Research Institute and serves as first vice-president of section 03 (History of Law and Institutions) at the National Council of Universities. He has supervised doctoral candidates including Victor Le Breton-Blon's thesis on bill of exchange practices. His interdisciplinary coordination role reflects his commitment to breaking down disciplinary barriers in legal scholarship, with particular emphasis on connecting legal history with broader humanistic inquiry.

Olga Lomováمشاهده پروفایل

استاد

• Pre-modern Chinese literature
• Literary aesthetics
• Intellectual history of China
• +۵ مورد دیگر

Professor Olga Lomová is a full-time faculty member at Charles University in Prague, Faculty of Arts, Institute of East Asian Studies, serving as Professor since 2014 and director of the Chiang Ching-kuo Foundation International Sinological Center since 2001. She has held continuous academic positions at the university since 1987, progressing from assistant to teaching roles before achieving professorship. Her academic credentials: Professor (2014), Charles University, Faculty of Arts, Theory and History of Literature in Asia and Africa Habilitation (Doc., 1998), Charles University, on 'Messages of the landscape: concept of nature in the poetry of the Tang poet Wang Wei' Ph.D. (CSc., 1989), Charles University, Department of Asian and African Studies, dissertation: 'Five views of the Chinese countryside: contemporary Chinese rural fiction' Mgr. (1981), Charles University, Department of Asian and African Studies, thesis: 'Agricultural policy of the CCP and its implementation (1978-1980)' Lomová's research centers on pre-modern Chinese literary traditions and aesthetics, with deep analysis of China's intellectual evolution from the late 19th century through modernization processes. Her cross-cultural perspective examines ideological transformations through Central and Eastern European lenses, while pioneering transdisciplinary approaches in humanities. She actively bridges academic scholarship with contemporary political commentary through Sinopsis, the Czech platform she co-founded for China-Central Europe analysis. Scientific recognition: Fulbright fellowship (2000) for research on Yongming style poetry at Harvard University She has secured major research funding including the Ministry of Education-supported 'Deconstruction and Construction of National Traditions and Science in China' (2012-2016) and National Taiwan University's 'Oral History of Czechoslovak Sinology' (2010). Academic leadership includes Secretary General of the European Association for Chinese Studies (2002-2006) and current directorship of Charles University's Institute for the Study of Strategic Regions. Lomová directs the Chiang Ching-kuo Foundation International Sinological Center while co-leading Sinopsis, the influential Czech digital platform analyzing Chinese politics and Central-Eastern European relations through scholarly commentary and original research.

Alice Andreea Iliescuمشاهده پروفایل

دانشیار

• Comics Studies
• Sequential Art
• Visual Storytelling
• +۵ مورد دیگر

Alice Andreea Iliescu serves as Associate Professor and Vice-Dean of the Faculty of Arts and Design at the University of Art and Design of Cluj-Napoca, where she leads the Master's program in Comics and Animation. Her academic journey includes a PhD in Visual Arts from UAD Cluj-Napoca (2013), Master's degrees in Comics from École européenne supérieure de l'image in France (2012-2013), and Curatorial Studies from École du Louvre (2011). Her research focuses on comics as a research methodology and tool for social innovation, with particular emphasis on urban comics, sequential art, and visual storytelling. She founded the ArtiViStory Collective to develop visual documentation methods for civic innovation projects, notably through the (in)Visible project funded by Botnar Foundation. Her work bridges artistic practice with community engagement, creating frameworks where comics serve as both research instruments and social activation tools. Her recent publications analyze urban comics as research methodology, visual documentation of social innovation, and comics-based future scenario building, reflecting her dual expertise in artistic practice and social research. She has coordinated numerous international projects including SPIRE (Smart Post-Industrial Regenerative Ecosystem), which won the 2023 World Smart City Awards, and Romania Remarcabila, a PNRR-funded artistic research project exploring cultural heritage. Mongol Prize for Sculpture (UAP Cluj-Napoca, 2022) 1st Place Innovation Category at 2023 World Smart City Awards for SPIRE Project As an educator, she has supervised numerous student projects through Expo Maraton competitions and developed innovative workshops combining comics with urban planning, cultural heritage, and social innovation. She coordinates the Urban Comics research stream within UAD's Creative Labs infrastructure and serves on the university's Ethics Committee. Her international collaborations span institutions in Poland, Italy, France, and Romania, with frequent Erasmus+ teaching mobility and joint research initiatives.

Kenneth Longdenمشاهده پروفایل

مدرس

• Film Studies
• Television Studies
• Narrative Media
• +۵ مورد دیگر

Kenneth Longden is a Lecturer in Film, Television, and Media at the University of Salford's School of Arts, Media and Creative Technologies. With over 20 years of academic experience since 2004, he serves as both the Academic Misconduct Officer for Film Production and a Module leader for Film Theory and Film Analysis courses. He is affiliated with the university's Creative Technology Research Centre and holds status as a Fellow of the Higher Education Academy. Longden's research spans Film Studies, Television Studies, Narrative Media, and Popular Culture, with specialized expertise in German Cinema, Literary Adaptation (particularly Jane Austen), Science Fiction Film, and Transnational Media. His work examines how cultural narratives travel across media forms and national boundaries, with particular attention to adaptation processes, audience reception, and geopolitical representations in visual media. His publication record shows consistent scholarly output since 2012, with recent work focusing on contemporary issues like the representation of China in Western science fiction, curated television experiences through streaming platforms, and the value of television-to-film adaptations. These publications demonstrate his ability to connect historical media practices with contemporary digital transformations. Selected Awards and Recognitions: Fellow of the Higher Education Academy (HEA) As an active researcher and educator, Longden contributes to both the academic community through his publications with prestigious presses like Palgrave MacMillan and Intellect Books, and to student development through his teaching roles. His work bridges traditional film studies with contemporary media landscape changes, offering valuable perspectives on how media narratives evolve across platforms and cultural contexts.

Dorota Piontekمشاهده پروفایل

استاد

• Political Communication
• Popular Culture and Politics
• Mass Communication
• +۳ مورد دیگر

Dorota Piontek serves as Professor and Head of the Department of Social Communication at Adam Mickiewicz University's Faculty of Political Science and Journalism in Poznań. She is an active member of the Polish Political Science Society and the Polish Society for Social Communication, where she has chaired the political communication section since 2013 and served on the Board. Her institutional role includes participation in the News Literacy program and leadership of academic initiatives within her department. Her educational foundation includes a degree in Political Science from Adam Mickiewicz University , providing the basis for her specialized research trajectory. This academic background directly informs her scholarly contributions to communication theory and political analysis. Professor Piontek's research centers on political communication phenomena with particular emphasis on tabloidization processes , political marketing evolution , and media-politics intersections in post-communist Poland. Her work critically examines how commercialization trends transform political discourse through television news, advertising, and popular culture channels. She investigates the celebritization of politics , women's representation in media , and cross-border media narratives , revealing systemic shifts in democratic communication practices. Her recent publications (2011-2014) demonstrate a methodical progression from analyzing tabloid journalism's impact on election coverage to examining political discourse in entertainment formats and international media stereotypes . This body of work reveals consistent focus on how media commercialization reshapes political engagement, with increasing attention to gender dynamics and transnational narratives in Polish media ecosystems. Professor Piontek leads significant research initiatives including Tabloidization of Political Discourse in Polish Media , Celebrity Endorsement in 2015 EP Elections , and Populist Political Communication in Europe . She mentors graduate students through specialized seminars while teaching core curriculum courses across communication theory and political practice domains.

• Environmental Literature
• Ecopoetry
• Anthropocene Studies
• +۴ مورد دیگر

Dr Yvonne Reddick serves as Reader in English Literature and Creative Writing within the School of Psychology and Humanities at the University of Central Lancashire. An award-winning poet and scholar of environmental culture, her work bridges academic research and creative practice with significant contributions to ecopoetry and Anthropocene studies. Her research interests focus on environmental literature, ecopoetics, and the intersection of nature writing with contemporary ecological crises. Reddick examines how poetry engages with climate change, resource conflicts, and planetary-scale transformations, particularly through studies of Ted Hughes, Seamus Heaney, and contemporary writers like Karen McCarthy Woolf. Her methodology combines literary analysis with creative practice, often exploring river journeys, mountain landscapes, and oil narratives as frameworks for understanding human-environment relations. Reddick's recent publications demonstrate a clear trajectory toward examining literary responses to the Anthropocene. Her work analyzes how poets navigate climate change discourse, environmental grief, and resource extraction narratives through innovative formal strategies. The recurring themes of seasonal disturbance, hydrological systems, and postcolonial environmental justice reveal a cohesive scholarly project centered on literature's role in ecological understanding. Poetry Society Award New Writing North Award Poetry School Award Northern Writers' Award As an active researcher, Reddick has secured grants from major funding bodies including AHRC, Leverhulme Trust, Arts Council England, and British Academy. She contributes to scholarly discourse as a member of UKRI's Peer Review College and collaborates across disciplines, notably creating the documentary Searching for Snow Hares with wildlife filmmaker Aleksander Domanski. Her creative practice directly informs her academic work, establishing a distinctive approach to environmental scholarship through poetic experimentation.

Sanad Aburassمشاهده پروفایل

استادیار

• Artificial Intelligence
• Machine Learning
• Computer Vision
• +۵ مورد دیگر

Sanad Aburass serves as Assistant Professor of Computer Science at Luther College, Decorah, Iowa, with office located in Olin 322. Contactable via phone at 563-387-1717 or email saburass@luther.edu, he maintains active academic engagement through cutting-edge research and institutional contributions. His research spans artificial intelligence, machine learning, and computer vision with significant applications in medical imaging, military technology, and ethical frameworks. Key innovations include Cubixel for three-dimensional pixel representation and volumetric feature extraction from 2D images. His work bridges technical advancement with societal implications, particularly in AI governance and digital rights. Recent publications (2023-2025) demonstrate consistent output across healthcare (skin cancer classification, gene mutation analysis), agricultural technology (barley leaf disease detection), and security systems (digital image transmission). The research portfolio reveals strong emphasis on transformer architectures, optimization algorithms, and ethical considerations in AI deployment across military and civilian contexts.

• Mexican Cultural Studies
• Latinx Representation
• State Violence in Media
• +۴ مورد دیگر

Dr. Jose Badillo Carlos serves as an Assistant Professor in the Department of World Languages within the College of Arts & Sciences at Queens University of Charlotte. His academic journey includes a Ph.D. in Hispanic and Cultural Studies from Michigan State University, complemented by advanced degrees in Spanish Language and Literature from Northern Illinois University. Ph.D., Hispanic and Cultural Studies, Michigan State University M.S., Spanish Language and Literature, Northern Illinois University B.A., Spanish Language and Literature, Northern Illinois University Dr. Badillo Carlos specializes in the analysis of Mexican cultural productions examining state violence and corruption through contemporary literature, music, and film. His research particularly focuses on narcocorridos (drug ballads), cinematic satires like Luis Estrada's works, and representations of Chicanx/Latinx communities in media and higher education. He actively investigates how violence manifests in cultural narratives through mediums ranging from Narcos to Breaking Bad , while connecting these analyses to broader societal structures. His recent work has expanded into digital humanities, exploring AI integration in language pedagogy and technological tools for translation learning. His scholarly output demonstrates consistent engagement with Mexican political representation across multiple platforms—peer-reviewed publications in MIFLC Review and Aula lírica , book reviews, and frequent conference presentations at venues like SAMLA and MIFLC. These works collectively trace evolving methodologies from traditional literary analysis toward digital scholarship. Summer Support Fellowship (Michigan State University, $4,500.00, 2021) Dissertation Completion Fellowship (Michigan State University, $8,000.00, 2019) Dr. Johannes Sachse Memorial Award (Michigan State University, $1,128.00, 2018) Outstanding Graduate Student Award (Northern Illinois University, 2014) As an active academic citizen, Dr. Badillo Carlos serves as Faculty Advisor for the Latin American Student Organization (LASO), sits on Queens' Student Experience Committee, and contributes to editorial boards including Revista Letral and Label Me Latina/o Journal . He produces the student-centered podcast Descubriendo Momentos , which highlights student narratives both on and off campus. His community engagement extends to keynote speeches for organizations like ORGULLO at JELD-WEN and Somos Uno for Tepper Sports & Entertainment, where he addresses Latino representation in Hollywood and immigration policy impacts.

Gabriel Paiukمشاهده پروفایل

مدرس

• Sound Art
• Sound Studies
• Composition
• +۶ مورد دیگر

Gabriel Paiuk (born 1975) is a composer, sound artist, and researcher currently serving as a Lecturer in Sonology: Composition and Music Theory at the Institute of Sonology, part of the Royal Conservatoire in The Hague, which is affiliated with Leiden University's Academy of Creative and Performing Arts. His work explores the intersection of sound art, composition, and theoretical research, focusing on how material, technical, and collective infrastructures shape our perception of sound. His educational background includes: Bachelor's degree in Music from the Center for Advanced Studies in Contemporary Music in Buenos Aires Master's degree in Sonology (with distinction) from the Institute of Sonology, Royal Conservatoire in The Hague PhD from Leiden University (2023) for his dissertation "Mutable Audible - An Operative Ontology of the Sound Image" Gabriel Paiuk's research primarily investigates the conditions of sound experience within media-saturated environments. His work spans theoretical exploration of aural imagination, sound mediation, and the philosophical dimensions of listening. Through his concept of "operative ontology of the sound image," he examines how technological production of sound shapes our perceptual engagement with the audible world. His research integrates perspectives from Simondon's philosophy, sound studies, and artistic practice to develop new frameworks for understanding contemporary sonic experience. His approach emphasizes the affective and tactile dimensions of sound, moving beyond traditional musical frameworks to consider sound as a fundamental component of our everyday perceptual environment. Paiuk's scholarly contributions reveal a consistent focus on the relationship between sound technology and perception. His work traces an evolution from early explorations of sound installation and composition toward increasingly sophisticated theoretical frameworks that address how listening is conditioned by technological and social infrastructures. A recurring theme is the examination of "audibility" as a dynamic concept shaped by historical, technological, and cultural factors rather than a fixed perceptual capacity. His artistic works serve as research tools that simultaneously investigate and demonstrate his theoretical concepts, creating what he terms an "operative ontology" where theory and practice inform each other. His most significant recognition is the Gaudeamus Composition Prize (2006), which he received for his sound installation "Res Extensa" - notable as the first sound installation ever to be awarded this prestigious composition prize. This work established his approach of working with everyday electronic sounds and their affective resonance in contemporary listening culture. As an educator, Paiuk supervises PhD candidates through Leiden University's Academy of Creative and Performing Arts and has mentored numerous students in composition and sound art. His research has been supported by foundations including the Schuurman Schimmel - van Outeren Foundation and the Konrad Boehmer Foundation, which enabled the presentation of his doctoral artistic components. He regularly presents his research at international conferences and symposia, contributing to the growing field of sound studies and artistic research. Paiuk is actively involved with the "Transformations of the Audible" research initiative, which explores the changing nature of sound experience in contemporary technological environments. He curates research events and symposia that bring together artists, scholars, and technologists to examine emerging questions in sound studies and artistic practice. His work bridges the gap between artistic creation and theoretical inquiry, demonstrating how creative practice can generate new knowledge about sound and perception.