جست‌وجوی استاد و پژوهشگر

Danny Grissettمشاهده پروفایل

استاد

• Jazz Piano
• Improvisation Techniques
• Music Education
• +۳ مورد دیگر

Danny Grissett is a full-time Professor of Piano and Head of the Institute for Keyboard Instruments at the Faculty of Music Education, JAM MUSIC LAB Private University for Jazz and Popular Music. He holds a Master of Fine Arts in Jazz Keyboard Performance from the California Institute for the Arts (2000) and a Bachelor of Arts in Music Education from California State University Dominguez Hills (1998). His artistic expertise spans piano performance, jazz improvisation, and contemporary pedagogical methods. Research interests include evolving harmonic structures in contemporary jazz, rhythm experimentation, and the interplay between improvised and composed elements. His work frequently explores cross-cultural collaborations and the integration of traditional jazz practices with modern techniques. Grissett has released nine notable albums since 2005, focusing on innovative jazz compositions and ensemble dynamics. He has held residencies at institutions like the Prince Claus Conservatory (Netherlands), Paekche Institute (South Korea), and JazzInty Slovenia. Additionally, he leads masterclasses in composition and improvisation worldwide. He has served as a featured soloist with RTS Big Band (Belgrade) and is a longstanding member of Klavier/Tom Harrell and Klavier/Vanessa Rubin ensembles. Teaching roles include adjunct positions at New School University (2005-2012) and Eastman School of Music (2011).

Benjamin Oliverمشاهده پروفایل

دانشیار

• Composition (Instrumental and Electronic)
• Conducting
• Sonification
• +۳ مورد دیگر

Benjamin Oliver is an Associate Professor at the University of Southampton, serving as co-lead for the AHRC Hub for Public Engagement with Music Research. His roles include teaching composition, conducting, and ensemble performance across undergraduate and postgraduate programs, including supervising MMus portfolios and PhD projects. He collaborates with ensembles such as the BBC Symphony Orchestra and Riot Ensemble, and his works have been performed internationally, broadcast on BBC Radio 3, and released on labels like Linn and Prima Facie. Research Interests: Composition (Instrumental/Electronic), Conducting, Sonification, Music and Cochlear Implants, Jazz/Popular Music, Improvisation Current Projects: Saxophone-accordion duo collaboration, Myanmar artist film works, and the UK premiere of Pythagoras' Toolkit in 2025 Benjamin’s recent works include pieces for toy pianist Dorothy Chan and poet Luke Wright. He has led community music initiatives with the Bournemouth Symphony Orchestra and presented at conferences like Integration and Switches (2017) and Hearing HIV (2018).

John Marcinizynمشاهده پروفایل

عضو هیئت علمی

• Music Composition
• Guitar Performance
• Music Theory
• +۵ مورد دیگر

John Marcinizyn is an Artist Lecturer in Guitar and Composition at Carnegie Mellon University's School of Music, alongside teaching roles at Seton Hill University and Duquesne University. He holds a Ph.D. in Music Composition and Theory from the University of Pittsburgh. His work spans classical, jazz, flamenco, rock, and blues, with notable compositions including Song for the Sparrows (commissioned by Westmoreland Symphonic Winds in 2004) and the critically acclaimed Sonata for Guitar and Marimba . He performs with the Ferla-Marcinizyn Guitar Duo, Acoustic Swing, and The Red Hot Ramblers, blending diverse styles across five centuries of repertoire. Education: Ph.D. in Composition and Theory, University of Pittsburgh Research Interests: Interdisciplinary music-theatre collaborations Cross-genre composition (classical/jazz/blues fusion) Historical performance practices adapted to modern contexts Community engagement through accessible classical programming Performance Highlights: Member of Grammy-nominated Ferla-Marcinizyn Guitar Duo Featured artist on 8 CDs/DVDs including Dances and Lullabies and Kaleidoscope Performed at venues like Smithsonian Institution and Chatauqua Institution Recipient of Pittsburgh Concert Society awards Teaching: Leads Music & Human Experience courses integrating art history and music, and conducts slide guitar workshops.

Timothy Polashekمشاهده پروفایل

استاد

• Music Technology
• Electro-Acoustic Music
• Composition
• +۳ مورد دیگر

Timothy Polashek is a Professor of Music Technology and Composition at Transylvania University, specializing in electro-acoustic music, interactive performance systems, and computational sound synthesis. He holds a D.M.A. from Columbia University (2002), M.A. from Dartmouth College (1996), and B.A. from Grinnell College (1994). Teaches courses including Audio Recording Technology, Music Cognition, and Computational Sound Synthesis. Research focuses on text/sound composition and audio synthesis, published in Leonardo Music Journal and Journal of the Society of Electro-Acoustic Music . Work featured internationally at festivals like the International Computer Music Conference and Icelandic Festival of Electronic Arts. Polashek's compositions are released on Wood and Wire (Albany Records) and Electric Music Collective albums. His interactive music systems are cited in major academic references like The Oxford History of Western Music .

Scott Millerمشاهده پروفایل

استاد

• Vocal performance
• Foreign-language diction for singers
• Vocal pedagogy
• +۵ مورد دیگر

Scott David Miller is a Professor of Music and Director of Voice Studies at Whitworth University, Spokane. He holds a DMA from the University of Nebraska-Lincoln and has been at Whitworth since 2007. His expertise spans vocal performance, foreign-language diction, vocal pedagogy, and opera workshop instruction. Education: D.M.A., M.M., and B.S.Ed. from University of Nebraska-Lincoln Awards: Gustav L. Cobb Fellowship, Warren F. and Edith R. Day Award Dr. Miller specializes in contemporary works, having premiered compositions like Mark Adamo's Garland and Christopher Stanichar's The Raven . He frequently collaborates with orchestras and ensembles including the Lincoln Symphony Orchestra and Opera Omaha. His performances include roles in Carlisle Floyd's Cold Sassy Tree and Libby Larsen's Eric Hermannson's Soul , praised in the Wall Street Journal . Teaching responsibilities include private voice lessons, diction, and vocal pedagogy. He directs the Julian Patrick Vocal Intensive and serves on the National Association of Teachers of Singing board.

Larry Grayمشاهده پروفایل

استاد

• Jazz Performance
• Double Bass
• Guitar
• +۳ مورد دیگر

Larry Gray is a Professor of Jazz Performance at the University of Illinois. His work spans over four decades in both classical and jazz music, blending diverse styles. He served as principal double bassist of the Civic Orchestra of Chicago and performed with renowned artists like Jack DeJohnette, Ramsey Lewis, and Larry Coryell. Gray has released multiple solo albums including Gravity and Three Equals One , and collaborates with groups like the Gray, Wilkerson, Ra Trio and Wertico Cain & Gray. Gray holds BMUS and MM degrees in cello performance from Roosevelt University's Chicago Musical College. His teaching emphasizes individualized instruction, technical mastery, and stylistic versatility for both classical and jazz students. He advocates for cross-disciplinary musical exploration, encouraging jazz students to engage with classical interpretation and vice versa. Gray’s recent projects include collaborations with Paul Wertico and David Cain in the trio Wertico Cain & Gray, exploring improvisation and multimedia. He also continues his longstanding trio with guitarist John Moulder and drummer Charles Heath. His performances span prestigious venues worldwide, from Carnegie Hall to the Montreux Jazz Festival. Gray’s research interests focus on instrumental versatility across genres, improvisational techniques, and the intersection of music with visual art. His work bridges acoustic traditions and modern experimental practices, reflected in recordings like Organic Architecture (Frank Lloyd Wright-inspired) and Windows Of Time (electronic fusion). While no specific awards are cited for Gray himself, his collaborators like Paul Wertico have achieved Grammy recognition. His contributions include over 40 improvisation tracks on Short Cuts: 40 Improvisations and live recordings such as AfterLive .

Salley Kooمشاهده پروفایل

استادیار

• Classical Music Performance
• Chamber Music
• Contemporary Music
• +۳ مورد دیگر

Salley Koo is an Assistant Professor of Violin at the University of Illinois's School of Music, part of the Department of Strings. She is an internationally renowned violinist and educator with affiliations spanning multiple institutions, including previous roles at Adelphi University, Montclair State University, and the University of Connecticut. Her teaching focuses on violin performance and chamber music coordination. Education: Dr. Koo holds a Doctor of Musical Arts (DMA) from Stony Brook University, a Master of Music and Artist Diploma from Yale University, and an undergraduate degree in English and American Literature from Harvard University. Research and Performance Interests: Her musical expertise spans early classical to contemporary compositions, with collaborations at festivals like Tanglewood, Ravinia, and Caramoor. She actively engages with composers such as Julia Wolf and Osvoldo Golijov, and performs with ensembles including the Minnesota Orchestra and International Contemporary Ensemble. Teaching and Outreach: Koo has extensive teaching experience through programs like the Green Lake Chamber Music Festival, Apple Hill Center for Chamber Music, and the Opus 118 We Want Music! initiative in Harlem. She emphasizes chamber music pedagogy and community engagement. Performance Highlights: Notable performances include solo appearances at Vienna’s Musikverein, Carnegie Hall, and Lebanon’s IMAGINE Workshop. Her instrument is a violin crafted by Mario Miralles.

Laura Kaminskyمشاهده پروفایل

استاد

• Contemporary Classical Composition
• Chamber Opera
• Multidisciplinary Cultural Programming
• +۲ مورد دیگر

Laura Kaminsky serves as Professor of Music and Head of Composition at Purchase College's School of the Arts, where she teaches in both the arts management program and classical composition program within the Conservatory of Music. She previously held leadership roles including Chair of Music at Cornish College of the Arts (1999-2004) and Dean of Purchase College's Conservatory of Music (2004-2008), and has maintained significant artistic positions at New York City institutions including 92nd Street Y, Town Hall, and Symphony Space. Her research and creative work centers on contemporary classical composition with particular focus on chamber opera, LGBTQIA+ representation in music, and multidisciplinary cultural programming. Kaminsky's compositional output explores transgender narratives, environmental themes, and social justice issues through innovative musical structures. Notable projects include the groundbreaking chamber opera As One (2014), which has become the most frequently produced contemporary opera in North America, and the Crossroads/Rising Tide environmental project. Her scientific recognition includes six ASCAP-Chamber Music America Awards for Adventurous Programming and the Polish Ministry of Culture National Heritage 2010 Chopin Award. Major funding has come from the National Endowment for the Arts, Koussevitzky Music Foundation, Opera America, New York State Council on the Arts, Aaron Copland Fund, and Chamber Music America among others. Kaminsky maintains active artistic direction of Musicians Accord, the new music collective she co-founded in 1984, which operates in residence at City College of New York. Her recent projects include commissions for pianist Mackenzie Melemed (2024's Threnody ), the Utah-based Dance in the Desert featuring Desert Portal (2024), and the chamber opera Hometown to the World (2022). She has received extensive support from over 15 major arts organizations for her innovative programming and composition work.

Joseph Earpمشاهده پروفایل

استاد

• Music Education
• Music Composition
• Band Conducting
• +۳ مورد دیگر

Joseph Earp is the Music/Music Industry Chair & Director of Bands at Hinds Community College. He holds a Doctor of Music Education from Liberty University (2020), a Master of Music in Music Education from Anderson University (2017), and a Bachelor of Music Education from UNC Charlotte (2006). Previously, he served as Director of Athletic Bands at Limestone University, Director of Instrumental Music at Pfeiffer University, and founded the band program at Cox Mill High School. Doctor of Music Education, Liberty University (2020) Master of Music, Anderson University (2017) Bachelor of Music Education, UNC Charlotte (2006) Research and Creative Work: Dr. Earp specializes in music education, concert band composition, and instrumental arrangement. His compositions are performed internationally and published by leading firms, including Carl Fischer and Alfred Music. His work focuses on blending educational pedagogy with contemporary concert band repertoire. Publications and Recognition: His piece Where the Wild Things Dance was featured in J.W. Pepper’s 2019 Editors’ Choice catalog. He also won the 2010 Claude T. Smith Composition Contest and the 2018 Thornton Community Band Composition Contest, alongside multiple Editors’ Choice awards and Band World Magazine Top 100 selections. Personal Life: A native of Lenoir, N.C., he resides in Clinton, Mississippi, with his wife Mary Beth and sons Jackson and Jasper. He actively engages in social media via TikTok, Twitter, and Instagram under @earpcomposer.

Caleb van der Swaaghمشاهده پروفایل

مدرس

• Contemporary Music
• Chamber Music
• Cello Performance
• +۶ مورد دیگر

Caleb van der Swaagh is a Lecturer of Music in Cello at the Conservatory of Music, Purchase College, where he teaches instrumental performance. He is an accomplished cellist known for his performances in chamber and contemporary music settings. Education: BA, Columbia University – Juilliard School Joint Program (Classics and Medieval & Renaissance Studies) MM, New England Conservatory of Music Professional Studies Certificate, Manhattan School of Music Caleb is deeply engaged in the performance of contemporary and chamber music. He is a member of Exponential Ensemble , counter)induction , Ensemble Échappé , and Ensemble Ipse , and has collaborated with The Knights , A Far Cry , Orchestra of St. Luke’s , and Talea Ensemble . His artistic focus lies in new music, having premiered works by Georg Friedrich Haas, Beat Furrer, Christian Wolff, and Roscoe Mitchell, and performing his own compositions. His recent recordings include Against Method (New Focus Recordings) and Elliott Carter’s Clarinet Quintet (Navona Records), with appearances on labels such as Albany Records and Avie Records. His performances span major festivals including Chelsea Music Festival, Ottawa ChamberFest, and Birdfoot Festival, reflecting a strong international presence and commitment to innovative programming. Scientific Awards and Honors: Tanglewood Karl Zeise Memorial Cello Prize Manhattan School of Music Pablo Casals Award Grant recipient, Virtu Foundation Caleb has been actively involved in numerous artistic projects and ensembles, contributing to contemporary music through performance, recording, and collaboration. While no formal students or grants are listed, his extensive performance history and leadership in new music ensembles underscore his impact as an educator and performer. He performs on a 2012 cello by David Wiebe. Ensembles and Artistic Teams: Exponential Ensemble counter)induction Ensemble Échappé Ensemble Ipse Argento Chamber Ensemble Talea Ensemble

Janine Josephمشاهده پروفایل

دانشیار

• Poetry
• Creative Writing
• Libretto Composition
• +۴ مورد دیگر

Janine Joseph is an Associate Professor in the Department of English within the College of Liberal Arts and Human Sciences at Virginia Tech. She served as the 2022-2023 Dean's Distinguished Visiting Scholar at the university. Born in the Philippines and raised in California, Joseph is a formerly undocumented immigrant who has dedicated her career to exploring themes of immigration, identity, and social justice through poetry and libretto composition. Her research interests span contemporary poetry, immigration literature, and libretto composition with a particular focus on undocumented immigrant narratives and Asian American literature. Joseph's creative work bridges the gap between literary art and social advocacy, often exploring the intersection of personal experience and political realities. Joseph's scholarly and creative output shows a consistent trajectory toward amplifying marginalized voices, particularly those of undocumented immigrants. Her work spans traditional poetry collections, commissioned librettos for major opera organizations, and collaborative projects that merge literary art with musical composition. The recurring themes across her work include identity formation, cultural heritage, political resistance, and the power of storytelling as a tool for social change. Scientific Awards and Honors: Kundiman Poetry Prize for Driving Without a License 2024 Virginia Literary Award for Poetry for Decade of the Brain Finalist for the 2017 Oklahoma Book Award MacDowell fellow Paul & Daisy Soros Fellow Public Voices Fellow of the OpEd Project Joseph serves as a co-organizer for Undocupoets, a nonprofit literary organization advocating for poets who are or were formerly undocumented in the United States. She also serves on the advisory board for the Center of Poets and Writers at OSU-Tulsa and the Artistic Advisory Panel for Oklahoma Arts Institute at Quartz Mountain. Her commissioned works have been performed by prestigious organizations including the Houston Grand Opera, Washington Master Chorale, and Symphony New Hampshire.

LeTriel Monique Whiteمشاهده پروفایل

مدرس

• Music Performance
• Woodwind Instruments
• Jazz Studies
• +۳ مورد دیگر

LeTriel Monique White, DMA, is a virtuoso clarinetist, saxophonist, and flutist active in both classical and contemporary music genres. Currently teaching woodwinds in the Music Department at Texas Southern University (Houston, TX) for 6 years while pursuing her Doctorate in Musical Arts at Arizona State University, she bridges performance and pedagogy. Performance & Artistic Collaborations: Orchestral/chamber music: The Temptations, The Four Tops, DaCamera Houston, Gateways Music Festival (Carnegie Hall), NeWorks Symphony (Kennedy Center) Contemporary genres: Jazz, alternative rock, R&B, and rap collaborations Educational Contributions: Private music lesson studio and D’Addario Reserve Method Clinician Doctorate in Musical Arts candidate at Arizona State University Active national performer and recording artist

Brian Ellisمشاهده پروفایل

استادیار

• Hip-Hop
• Music Production
• Electronic Music
• +۶ مورد دیگر

Brian Ellis, known as Raydar Ellis, is an Assistant Professor at Berklee College of Music, affiliated with the Ensemble and Songwriting and Production departments. He teaches courses such as Turntable Technique, Hip-Hop Ensemble, Hip-Hop Songwriting, and the J Dilla Ensemble, drawing from his extensive professional background in New York City's music scene. B.M., Music Business and Electronic Production and Design, Berklee College of Music (2006) Ellis's research and teaching interests center on hip-hop, music production, songwriting, and the intersection of jazz and urban music. His approach emphasizes student empowerment, creativity, and real-world application. He co-founded Revive Music Group, a key player in the NYC jazz-hip-hop fusion movement, and has worked with artists like Esperanza Spalding, Robert Glasper, and Christian Scott. His creative output, including the EP ¡BANG! and various DJ mixes, reflects his pedagogical philosophy—using music as both art and teaching tool. These works span hip-hop, electronic production, and cultural commentary, often rooted in educational contexts. Co-founder, Revive Music Group Producer/Remixer for Blue Note Records Session musician for Esperanza Spalding, Robert Glasper DJ for Christian Scott’s Stretch Music Festival Featured in New York Times and Vox Earworm Ellis mentors students through direct instruction and by modeling a career that blends performance, production, and education. He has not disclosed specific grant funding, but his work is supported by institutional affiliations and professional projects. His classes serve as incubators for emerging artists in hip-hop and music production. He is actively involved with the Revive Music Group and continues to perform and produce, integrating his professional practice into his academic role. His work bridges the gap between academic music training and the evolving landscape of contemporary urban music.

James Donahueمشاهده پروفایل

دانشیار

• Acoustics
• Music Production
• Immersive Technology
• +۷ مورد دیگر

James Donahue is an Associate Professor in the Music Production and Engineering (MP&E) department at Berklee College of Music, where he teaches courses in audio engineering, music production, and acoustics. He is based in Boston, Massachusetts, and maintains strong ties with the Boston Symphony Orchestra and Handel and Haydn Society. Donahue holds a Master of Science in Integrated Design, Business and Technology from the University of Southern California, earned in 2020. Master of Science in Integrated Design, Business and Technology, University of Southern California (2020) His research and professional interests center on acoustics, immersive audio technologies, broadcast media, and music production. He emphasizes experiential learning, drawing on his extensive industry experience to enrich student education. Donahue's work bridges classical and contemporary music, with a focus on high-fidelity recording, Dolby Atmos, and historical performance practices. His recent publications and engineering projects reflect a deep engagement with classical repertoire, particularly works by Haydn, Mozart, Vivaldi, and Boccherini, performed by ensembles such as the Handel and Haydn Society and Parker Quartet. These recordings highlight expertise in orchestral balance, choral integration, and period instrument acoustics, often involving immersive and spatial audio techniques. Grammy nomination for engineering My Last Go Round by Rosalie Sorrels Avid certified professional in Pro Tools and Dolby Atmos Don Wilkins Excellence in Curriculum Development award Best of Berklee Since 1945 Voting member, Recording Academy’s Grammy Foundation Member, Audio Engineering Society Donahue has served as Chief Technology Officer at Whiskey Lane Productions and artistic advisor to the Charlotte Symphony Orchestra. He has also been an innovator at USC’s Immersive Media Systems Center. His industry experience includes 23 years as broadcast engineer for the Boston Symphony Orchestra and collaborations with Julia Child, Kermit the Frog, and PBS. He actively mentors students and integrates real-world case studies into his teaching, fostering a dynamic and practical learning environment. He is affiliated with professional ensembles and institutions including the Handel and Haydn Society, Boston Symphony Orchestra, and USC, and continues to contribute to both academic and industry advancements in audio engineering and music technology.

Rich Hinmanمشاهده پروفایل

استادیار

• Music Performance
• Guitar Studies
• Collaborative Music
• +۳ مورد دیگر

Rich Hinman is an Assistant Professor at Berklee College of Music in the Ensemble Guitar department. He is a seasoned guitarist and pedal steel player with over 20 years of experience, having toured and recorded with prominent artists like k.d. lang, Sara Bareilles, Rosanne Cash, and Maren Morris. His teaching emphasizes fundamentals, practical performance skills, and balancing creativity with technical proficiency. Teaching Focus : Guitar fundamentals, studio performance, and collaborative music. Performance Highlights : Appearances on Saturday Night Live , The Tonight Show , The Voice , and Late Show with David Letterman . Recordings : Solo album Memorial (2023), collaborative works VS and Fan Favorites with Adam Levy. Scientific Awards : Nominated for Instrumentalist of the Year, Americana Music Association (2020) Research & Collaborations : Hinman's work bridges traditional guitar techniques with modern music styles, emphasizing time, sound, and feel as foundational elements. His collaborations with artists like Adam Levy and St. Vincent highlight his versatility and influence in contemporary music.