جست‌وجوی استاد و پژوهشگر

• folk music
• music education
• musical creation
• +۳ مورد دیگر

Zoltán KISKAMONI-SZALAY is an Associate Professor in the Department of Music Performance and Pedagogy at the Faculty of Music, Transilvania University of Brașov, Romania. His academic work focuses on Hungarian traditional music and cultural studies, with particular emphasis on folk music traditions of Transylvania. His research interests include: Folk music, particularly Transylvanian and Hungarian traditions Music education methodologies Musical creation and composition Aspects and particularities of the soul reflected in traditional Hungarian culture Dr. KISKAMONI-SZALAY's scholarly work demonstrates a strong focus on ethnomusicology and the preservation of cultural heritage through musical traditions. His publications analyze both historical collections and contemporary interpretations of folk music, with special attention to the Csík region's musical heritage and Transylvanian folksong competitions. His research shows consistent engagement with Hungarian musical traditions within the Transylvanian context, bridging academic musicology with practical pedagogy and cultural preservation efforts. The publications reveal a progression from analysis of specific compositions to broader studies of folk music collections and performance practices. Dr. KISKAMONI-SZALAY maintains an active academic presence through conference presentations and publications in university bulletins and academic journals focused on music studies.

Ivan Andrićمشاهده پروفایل

مدرس

• Liturgical Musicology
• Sacred Music History
• Church Music Composition
• +۳ مورد دیگر

Ivan Andrić serves as a permanent Lecturer at the Department of Liturgy within the Faculty of Theology at Josip Juraj Strossmayer University of Osijek. Since 2017, he has held this full-time academic position, having previously worked as a part-time lecturer from 2013 to 2017. His academic career is deeply intertwined with his ecclesiastical service within the Đakovo-Osijek Archdiocese, where he has held multiple leadership positions in church music. Andrić earned his philosophical and theological education in Đakovo (1997), followed by advanced studies at the Pontifical Institute for Church Music in Rome, where he completed his Master's degree in choral conducting under Professor Walter Marzilli. His academic foundation combines theological training with specialized musical expertise, particularly in liturgical musicology and choral direction. His research focuses on liturgical musicology, with particular emphasis on the musical heritage of Slavonia and the Đakovo-Osijek Archdiocese. Andrić has made significant contributions through historical and musical research on Slavonian church musicians including Jakob Haibel, the Trischler family, Pero Ivanišić-Crnkovački, Stjepan Lovrić, Josip Vallinger, and Mitar Dragutinac. His scholarly work bridges historical musicology with practical liturgical applications, evidenced by his extensive editorial work on historical musical compositions. Andrić has published numerous articles and edited significant musical works, particularly focusing on the Austrian-Đakovo composer Jakob Haibel. His recent publications demonstrate a consistent scholarly output in musicology, liturgical studies, and sacred music composition, with particular attention to historical context and practical liturgical application. Professionally, Andrić has directed multiple choirs including the Cathedral Mixed Choir, Theological Seminary Choir, and cathedral choristers Coram Domino since 2004. He has organized approximately twenty sacred concerts in Croatia and abroad (Italy, Hungary, Bosnia and Herzegovina, Serbia), and has recorded a CD titled Mysterium Paschale with Coram Domino. His editorial work includes the liturgical-pastoral magazine Živo vrelo, where he has served on the editorial board since 2004, specifically editing the musical content. Andrić also serves as head of the Archdiocesan Music School and the Office for Church Music within the Đakovo-Osijek Archdiocese. In these capacities, he organizes expert seminars for parish music associates and reviews of church choirs, significantly influencing liturgical music practice throughout the region. His collaborative work with the Croatian Association of Orchestral and Chamber Musicians and Croatia Records demonstrates his commitment to preserving and promoting Croatia's sacred musical heritage.

Angela Schwarzkopfمشاهده پروفایل

استادیار

• Harp Performance
• Contemporary Classical Music
• Canadian Music
• +۳ مورد دیگر

Angela Schwarzkopf serves as Assistant Professor of Harp in the Department of Music Performance Studies at Western University's Don Wright Faculty of Music. An acclaimed JUNO Award-winning harpist, she performs globally as soloist, chamber musician, and orchestral principal harpist for London Symphonia and the National Arts Centre Orchestra. Her educational distinction includes being Canada's first Doctor of Musical Arts in harp performance. Dr. Schwarzkopf's research centers on contemporary classical music with emphasis on Canadian compositions, new music commissioning, and harp technique innovation. She actively expands repertoire through collaborations with prominent composers, bridging traditional and modern performance practices. Her recent creative output demonstrates a clear trajectory in contemporary Canadian music: albums 'lumena' (2022) and 'detach' (2020) showcase technical mastery and artistic vision in new works, featuring cross-cultural influences and extended techniques that redefine harp possibilities. Critical acclaim highlights her 'sublime instrumental touch' and ability to maintain 'tensile strength' in musical narratives. Major recognitions include: JUNO Award for Classical Album of the Year: Solo or Chamber (2020) CBC's top 22 albums of 2022 Record of the Week on CBC Radio's 'In Concert with Paolo Pietropaolo' Dr. Schwarzkopf maintains an active private studio in Toronto and serves as harp examiner for the Royal Conservatory College of Examiners. Her commissioning projects represent significant grant-funded initiatives supporting emerging composers. As President and Director at Large of the American Harp Society, she leads international advocacy while contributing to publications like Harp Column and American Harp Journal. She performs extensively with The Topaz Duo (flute-harp ensemble), London Symphonia, and National Arts Centre Orchestra, while shaping harp pedagogy through university teaching and Royal Conservatory examinations. Her leadership bridges performance, education, and repertoire development in contemporary harp practice.

• Composition
• Contemporary Classical Music
• Orchestral Music
• +۳ مورد دیگر

Ståle Kleiberg is a Professor at the Department of Music at the Norwegian University of Science and Technology (NTNU). He is a major Norwegian composer with a considerable international reputation, whose works are widely performed in Norway and abroad, often commissioned by well-established orchestras, ensembles, and performers. His music has been published on eight albums that have received outstanding international reviews. Kleiberg's music is characterized by a highly distinctive form of extended tonality and meticulous attention to coloristic details, particularly evident in his orchestral works such as his first symphony, The Bell Reef , and his Violin Concerto . He has created significant large-scale works in oratorio and opera formats, including Mass for Modern Man (premiered in Nidaros Cathedral and Münchner Dom in 2015), David and Bathsheba (premiered in Nidaros Cathedral in 2008), and Requiem – for the victims of Nazi persecution (performed in Washington National Cathedral on September 11, 2004). His innovative approach, formal command, and technical mastery are particularly apparent in his extensive chamber music oeuvre, with a selection of six chamber works published in 2015 on the album Mezzotints – Chamber Music by Ståle Kleiberg . Kleiberg's Requiem forms the principal work in a trilogy dealing with victims of Nazi persecution, alongside the orchestral work Lamento: Cissi Klein in memoriam and the cello concerto Dopo . His recent compositions demonstrate continued exploration across multiple formats including concertos for various instruments, chamber music, and large-scale vocal works, showing consistent development of his distinctive compositional voice. Grammy nomination for Treble and Bass: Concertos by Ståle Kleiberg Grammy nomination for recording of David and Bathsheba Professor Kleiberg has supervised numerous master's theses at NTNU across diverse areas of music scholarship including composition techniques, music history, and music education. His academic work complements his compositional practice, particularly in areas related to Norwegian music history. His influence extends through both his compositions, which continue to be performed internationally, and through his academic role at NTNU where he shapes musical education in Norway.

• Music Education
• Turkish Folk Music
• Traditional Turkish Music
• +۲ مورد دیگر

Zafer AKINCIOĞLU is a full-time Lecturer at the State Conservatory of Kafkas University , specializing in Turkish Folk Music. His academic career spans over a decade, including roles as a Research Assistant at Bayburt University and administrative positions such as Deputy Director of the State Conservatory and Head of the Department of Traditional Turkish Music. Education: PhD in Music Education (İnönü University, 2013–2024) MSc in Music Education (Atatürk University, 2007–2013) BA in Fine Arts Education (Atatürk University, 2003–2007) Research Interests focus on Turkish folk music theory, melodic structures of oral folk compositions, and pedagogical approaches in traditional music education. His work bridges historical analysis of regional folk songs with modern music education frameworks. Publications highlight his expertise in analyzing Erzurum’s oral folk melodies through the lens of traditional Turkish art music theory. Both contributions (2015) examine melodic patterns, regional cultural heritage, and notation systems.

• Jazz Studies
• Music Composition
• Arranging
• +۳ مورد دیگر

Associate Teaching Professor Luke Anthony Abruzzo is affiliated with the Antoinette Westphal College of Media Arts and Design at Drexel University , where he teaches music theory, composition, arranging, and guitar. Holding a Master of Music in Jazz Studies from Rutgers University and a Bachelor of Arts in Music from the University of Pittsburgh, he combines academia with an active freelance career as a guitarist and composer. Education: B.A. in Music, University of Pittsburgh (1996) M.M. in Jazz Studies, Rutgers University (1998) His research focuses on Jazz Studies , Music Composition , and Arranging , with nationally recognized works performed at jazz festivals and conferences. Recent projects include commissioned pieces for Drexel University ensembles. Scientific recognition includes: National acknowledgment for jazz big-band arrangements and original compositions Affiliated with the College Music Society, National Association of Music Education, and Society of Composers, he bridges academic rigor with practical artistry.

• Philology
• Russian Literature
• Theater Studies
• +۵ مورد دیگر

Evgenya Abelyuk serves as Associate Professor at the School of Philological Studies within HSE University's Faculty of Humanities. She concurrently holds the positions of Chief Expert at the Centre for Digital Archival Studies and Programme Head for Contemporary Philology in Russian Language and Literature Instruction at Secondary Schools. Having joined HSE University in 2010, she maintains active roles in research, teaching, and academic leadership. Her educational background includes: 1975: Philological Degree from Lomonosov Moscow State University 1999-2001: Qualification Improvement in Philological Text Analysis (MIROS) 2005: Modern Text Analysis Methods (NIIRO) 2012: Work with Gifted Children (Moscow State University) 2015: Professional Internship in France (French Embassy Program) 2018-2021: Multiple advanced training programs in literary research and Russian language pedagogy Professor Abelyuk's research centers on philology , Russian literature (particularly Soviet-era works), and theater studies with specialized focus on Taganka Theater. Her work explores mythological language in art , digital commentary systems , and historical contexts of literary production. She pioneered the Digital Universal Commentary project, creating visual annotations for Soviet-era literary texts. Her recent publications (2020-2025) reveal three dominant trajectories: Bulgakov studies examining socio-political dimensions of his work; Taganka Theater analysis focusing on Yuri Lyubimov's directorial legacy; and digital humanities innovations in literary commentary. These intersect with her educational mission through textbooks and teacher training materials. Her scientific recognition includes: Best Teacher Award (2025) Best Teacher Award (2021-2022) Best Teacher Award (2017) Best Teacher Award (2013-2015) Professor Abelyuk supervises master's theses in philology while developing educational programs like the "Mentor's Seminar" and "Research Seminar on Reading Practices." Her grant work centers on digital projects including the Visual Commentary initiative and distance learning methodologies. She leads collaborative efforts through the Centre for Digital Archival Studies and maintains active partnerships with Taganka Theater researchers and international philological conferences.

Stewart Smithمشاهده پروفایل

مدرس ارشد

• Historical musicology
• Early music
• Performance practice
• +۴ مورد دیگر

Stewart Smith is a Senior Lecturer at the Western Australian Academy of Performing Arts (WAAPA), part of Edith Cowan University. He leads the Centre for Keyboard Heritage and Performance Research and serves as assistant organist at St George's Cathedral in Perth. Previously, he held leadership positions as head of department and Dean of Music at WAAPA, but has returned to focus on teaching and research. Master of Music, Royal Academy of Music and London University Certificate IV in Assessment & Workplace Training, TAFE WA (2006) Smith's research spans historical musicology, early music, performance practice, improvisation, and historical keyboard instruments, with particular focus on Baroque repertoire and English music from 1700-1850. His work uniquely bridges scholarly research with practical performance, exploring how historical understanding informs contemporary interpretation. He has developed significant expertise in reception history, examining how musical works have been understood and performed across different eras. Analysis of his recent publications reveals consistent exploration of performance authenticity, particularly regarding Baroque practices. His work demonstrates increasing interdisciplinary approaches, connecting musicology with cultural studies, instrument history, and cross-cultural influences. The research shows particular strength in keyboard performance traditions and their evolution. Solo harpsichord recital for ABC's Sunday Live voted one of the year's best broadcasts Five-CD set of French Baroque music on ABC Classics label received international acclaim Smith has secured substantial research funding, including a major Australian Research Council grant for French Baroque research and recent significant grants from the Feilman Foundation ($350,000) and Wright Burt Foundation ($100,000) for keyboard instrument restoration. He actively supervises 5 current PhD students and has guided numerous completed research projects across musicology, performance practice, and historical instruments. As director of the Centre for Keyboard Heritage and Performance Research, he oversees projects focused on historical keyboard instruments and their performance contexts, including the restoration of a 1786 Kirkman harpsichord. Smith maintains an international performance profile, with recent work including Celtic Baroque interpretations, experimental Vivaldi performances, and Ligeti's Volumina. His performance career spans collaborations with major ensembles including the Orchestra of the Antipodes, Pinchgut Opera, and all Australian state symphony orchestras, alongside international appearances at prestigious venues including Westminster Abbey and St Paul's Cathedral.

• Historical Musicology
• Editorial Philology
• Musical Interpretation
• +۴ مورد دیگر

Dr. Ulrich Bartels is a full-time research associate at the Institute for Music and Musicology, University of Hildesheim, affiliated with the Faculty of Cultural Studies and Aesthetic Communication. He has been associated with the university since 1993 (initially as a lecturer, transitioning to research associate in 2005) and previously taught at the University of Göttingen (2005–2008). His doctorate (1991, University of Göttingen) focused on Wagner's compositional sketches for Tristan und Isolde . Bartels' research centers on historical musicology, editorial philology, and musical interpretation, with emphasis on: Johann Sebastian Bach (critical editions of keyboard works) Ludwig van Beethoven (performance analysis) Richard Wagner (sketch studies, dramaturgy) Piano music and editorial practices His publications include critical editions of Bach's keyboard works (e.g., Italienisches Konzert , French Suites) and extensive scholarly reviews. Bartels' recent reviews (2020–2025) predominantly analyze classical music editions, Wagnerian scholarship, and Beethoven performance, reflecting his expertise in 19th-century repertoire, urtext practices, and music criticism.

Marta Marchettiمشاهده پروفایل

دانشیار

• Theatre Studies
• European Literature
• Dramaturgy
• +۷ مورد دیگر

Marta Marchetti is an Associate Professor at the Department of Modern Literature and Culture, Sapienza University of Rome, specializing in Theatre Studies and European Literature. Her research explores intersections between narrative forms and performance practices across historical periods. Teaches courses on Modern and Contemporary Theatre, European Theatre, and Dramaturgy Coordinates classroom activities in Building CU003 Research focuses on historiographical methodologies, performance analysis, and cultural transitions from the 20th to 21st centuries. She examines intermedial relationships between novels and theatrical productions, with particular attention to Italian and European contexts. Her recent publications address topics including: Anna Magnani's theatrical legacy, Tim Etchells' immersive performances, and Cold War cultural fronts in European theatre. She also investigates screen-to-stage translations and sensory dynamics in theatrical spectacles.

Camilla Miglioمشاهده پروفایل

استاد

• German Literature
• Translation Studies
• Intercultural Studies
• +۵ مورد دیگر

Prof. Camilla Miglio is a full-time Professor of German Literature at the Department of European, American and Intercultural Studies , Sapienza University of Rome. She specializes in 20th-century German poetry, translation studies, and intercultural geopoetics. PhD in German Literature from Pisa (1996), focusing on Paul Celan Key research areas: Literary Geography, German-Italian Cultural Dialogue, Jewish-German Literature, and Poetics of Translation Her work interrogates the interplay between nature, memory, and poetic form in German literature from the 18th to 21st centuries. Recent projects include Europe as a Space of Translation (EACEA 2007-2013) and the ongoing PRIN A Physical Geography of German-speaking Literature (2023-2025). Scientific Awards include: Ladislao-Mittner-Preis (2005) Bundesverdienstkreuz (2010) Corresponding Member, Accademia Nazionale dei Lincei (2023) She leads seminars on German elegy, nature poetry, and intercultural translation , with guest collaborations from poets like Jan Wagner and scholars from Leipzig University. Classes held in Lab 4, Marco Polo Building, Rome.

Osman Gökhan Antalyaمشاهده پروفایل

استاد

• Civil Law
• Private Law
• Property Law
• +۵ مورد دیگر

Prof. Dr. Osman Gökhan Antalya serves as Professor at Yeditepe University Faculty of Law, specializing in Civil Law with over 40 years of academic experience. Previously, he held progressive faculty positions at Marmara University from Assistant Professor (1992) to full Professor (2003) within the Department of Private Law. His educational foundation includes a PhD in Private Law from Istanbul University (1985-1991) with thesis on comparative sales law, Master's in Public Law from Ankara University (1983-1985), and undergraduate law degree from Istanbul University (1975-1979). PhD: Istanbul University, Institute of Social Sciences, Private Law (1991) Master's: Ankara University, Institute of Social Sciences, Public Law (1985) Undergraduate: Istanbul University, Faculty of Law (1979) Professor Antalya's research spans foundational civil law domains with evolving contemporary applications. His seminal work focuses on Property Law (including digital assets and land registry systems), Inheritance Law, Contract Law (particularly standard terms and transparency), and Tort Law (notably moral damages methodology). Recent scholarship demonstrates methodological rigor in judicial decision-making and constitutional rights application, reflecting continuous adaptation to legal developments in Turkish civil jurisprudence. His publication trends reveal a consistent trajectory from classical civil law treatises toward modern challenges like digital property rights and judicial methodology, while maintaining deep engagement with Turkish Civil Code applications. The recurring emphasis on legal principles and systematic methodology across decades underscores his doctrinal approach to civil law scholarship. As academic service, he currently serves on editorial boards of Legal Hukuk Dergisi (since 2008), Marmara University Law Journal (since 2008), and Gazi University Law Journal (since 2008), contributing to scholarly discourse through peer review and publication guidance. Editorial Board: Legal Hukuk Dergisi (2008-present) Editorial Board: Marmara University Law Journal (2008-present) Editorial Board: Gazi University Law Journal (2008-present) Editorial Board: Atatürk University Law Journal (2008-present) Professor Antalya has supervised 22 Master's theses and 14 doctoral dissertations covering diverse civil law topics from property rights to consumer protection. His administrative leadership includes serving as Dean of Marmara University Faculty of Law (2006) and Director of Research Application Center (2000), demonstrating institutional commitment beyond scholarly work.

AHMET BURAK BASMACIOĞLUمشاهده پروفایل

استاد

• Music Education
• Hermeneutics in Early Music
• Performance Practice
• +۶ مورد دیگر

AHMET BURAK BASMACIOĞLU is a Professor at Anadolu University State Conservatory's Music Department since 2023. He has held academic positions at the same institution since 1992, including Associate Professor (2010-2023) and Lecturer (1992-2010). His work focuses on early music performance , keyboard pedagogy , and hermeneutics in historical performance . 1992: Hacettepe University undergraduate 1994-1996: Postgraduate at Anadolu University 1996-2003: Master's and PhD in Piano at Anadolu University 1998-2006: Specialization in Early Music at Strasbourg Conservatory His research areas include historically informed performance , baroque keyboard , and basso continuo . He has supervised 6 theses on topics like Bach adaptations and ornamentation systems. His recent publications analyze French Baroque ornaments (2022) and microtonal keyboards (2023), while his conference work explores hermeneutics in early music . As an active performer, he has led harpsichord and organ recitals since 1992, including collaborations with Istanbul Symphony Orchestra (2024) and Ankara Music Festival (2024). He also contributes to academic journals as Special Issue Editor for the International Journal of New Trends in Arts, Sports & Science Education (2022-2024).

• Music
• Piano
• Harps
• +۳ مورد دیگر

Assoc. Prof. Ruba Pekdemir Peker is a Turkish pianist and music scholar affiliated with Anadolu University's State Conservatory since 2017, where she currently holds the position of Associate Professor (since 2025). She completed her undergraduate (2009-2013), postgraduate (2013-2017), and artistic competence (2015-2021) degrees at Anadolu University's Fine Arts Institute in Piano Art. 2025-Present: Associate Professor, Anadolu University State Conservatory 2023-2025: Assistant Professor, Anadolu University 2013-2017: Part-time Lecturer, Anadolu University 2013-2015: Part-time Lecturer, Uludag University State Conservatory Her research focuses on piano repertoire analysis, cross-cultural musical connections, and interdisciplinary art studies. She has published extensively on Beethoven's sonatas, Bartók's comparative analyses, and Schoenberg-Kandinsky interactions, with works appearing in Scopus-indexed and peer-reviewed journals. 2024: 'Beethoven Piano Sonata Op.111 Structural Analysis' 2024: 'Interdisciplinary Interactions: Schoenberg and Kandinsky' 2024: 'Bartók's Turkish-Hungarian Musical Similarities' 2025: 'Chopin's Technical and Interpretative Contributions' Ruba received the Makale Performans Ödülü in 2024 for academic excellence. She has performed as soloist with major Turkish orchestras including the Anadolu University Youth Symphony Orchestra (2013), Eskişehir Metropolitan Symphony Orchestra (2014), and Anadolu University Symphony Orchestra (2025). Her performance history includes numerous piano recitals and chamber music concerts across Turkey from 2017-2025.

• Performing Arts
• Theatre
• Acting
• +۵ مورد دیگر

Süleyman Karaahmet is an Assistant Professor at Anadolu University's State Conservatory, Department of Performing Arts. He holds a Competence in Art degree (2023) and a Master's in Theatre Arts (2018) from the same institution. Education 2019-2023: Competence in Art, Department of Performing Arts 2016-2018: Master's in Theatre Arts 1999-2003: Bachelor's in Performing Arts His research focuses on Traditional Turkish Theatre , Stanislavski System , and Cinema/Television Acting . His published works explore physical actions in acting, storytelling traditions, and director-actor dynamics in Turkish theatre. Recent articles analyze Levni miniatures in Ottoman theatre, improvisation in traditional performance, and modern adaptations of Chekhov's plays. Awards include the XXIV Direkler Arası Seyirci Ödülleri (2024). He also serves as a dramaturg, director, and actor in professional productions.