جستجوی استاد راهنمای دانشگاهی

Andreas Stoehr is a renowned Austrian conductor and professor at the Music and Arts Private University of the City of Vienna, leading the conducting department and symphony orchestra since 2013. His career spans prestigious engagements including the Paris Opéra Comique, Deutsche Oper am Rhein, and St. Gallen Theatre, focusing on operatic repertoire from Monteverdi to modernism. He is celebrated for reviving neglected works like Meyerbeer’s Emma di Resburgo and Gluck’s Ezio , emphasizing historical performance practices. His research explores stylistic transitions in music history, blending baroque precision with modern innovation. Education: Trained at Vienna's former Conservatory (now University of Music and Performing Arts), studying piano under Alfred Kremela, conducting with Gennadij Rozhdestvenskij, and musicology at the University of Vienna. Key mentors included David Lutz (accompaniment) and Reinhard Schwarz (conducting). Research Interests: Explores interdisciplinary connections between diverse musical eras, such as Bach’s influence on Schoenberg, and advocates for vocal-orchestral balance in historical repertoires. Projects include CD recordings of Amanda Maier-Röntgen and Andrea Tarrodi’s works, nominated for Swedish Grammis. Awards: Grammy nomination (2016) for Amanda Maier-Röntgen’s Violin Concerto recording. Recognized for innovative stagings of operas like Berg’s Wozzeck and Debussy’s Pelléas et Mélisande . Teaching & Leadership: As professor and symphony orchestra director, Stoehr mentors young conductors. Notable collaborations include the Langenlois Castle Festival (2012–2019) and interdisciplinary projects like Heart and Mouth, and Deed and Life blending Bach with sociological texts. His teaching emphasizes 21st-century conductorship as collaborative architecture, prioritizing emotional engagement over technical authoritarianism. Labs/Ensembles: Leads the MUK Symphony Orchestra, collaborating with ensembles like the Aarhus Symphony Orchestra and Orchestre Philharmonique de Liège. His work bridges academic research with performance practice through projects like the Styriarte Festival’s Schubert revival.

• Orchestral Conducting
• Opera Performance
• Historical Music Performance Practice
• +۳ مورد دیگر

Edward Muir is the Clarence L. Ver Steeg Professor in the Arts and Sciences and Charles Deering McCormick Professor of Teaching Excellence at Northwestern University, with joint appointments in the Department of History and Italian Studies at Weinberg College of Arts and Sciences. His academic journey includes a B.A. from the University of Utah (1969), an M.A. (1970), and Ph.D. (1975) in Modern European History from Rutgers University, including a Semester in Italy Program at Syracuse University (1967). Muir's research explores the intersection of ritual, violence, and power in Renaissance Europe, with emphases on Italian history, microhistory, and cultural anthropology. His work examines civic ceremonies, gender exclusion, and the sociopolitical underpinnings of early opera. Key themes include the anthropology of Venice, religious processions, and community formation in pre-modern societies. His scholarly publications reveal a consistent focus on Renaissance cultural practices, Venetian society, and methodological innovations in microhistory. Recent works analyze opera's emergence in 17th-century Venice, anti-war movements, and gendered public spaces, blending archival rigor with interdisciplinary theory. Awards and Honors: Herbert Baxter Adams Prize (1982) Two-time Howard R. Marraro Prize winner (1982, 1993) Andrew W. Mellon Foundation Distinguished Achievement Award (2010, $1.5 million) Fellow, American Academy of Arts and Sciences (2014) Charles Deering McCormick Professorship for Teaching Excellence (2006) Muir has held major administrative roles including Department Chair at Northwestern and LSU, co-directed the Graduate Program in Italian Studies, and served on editorial boards for journals like the American Historical Review . He mentors through graduate programs but no specific student advisees are listed.

• European history
• Microhistory
• Italian history
• +۳ مورد دیگر

Harry White is a Professor of Music at University College Dublin (UCD), serving as Head of Department from 1993-2005. He holds academic positions such as visiting professorships in Canada, Croatia, Germany, and the UK. Educated at UCD, University of Toronto, and Trinity College Dublin, he specializes in cultural history of Irish music, Austrian baroque music, and Anglo-American musicology. His awards include the Harrison Medal (2014) and Royal Irish Academy membership (2006). Research focuses on music’s role in Irish cultural identity, European baroque traditions, and historiographical methods. Notable works include The Keeper's Recital (1998) and co-editing The Encyclopaedia of Music in Ireland (2013). Recent engagements include delivering the Alfred S. Hook Memorial Lecture (2022) and receiving a Festschrift in 2018. Education: BMus (UCD), MA (Toronto), PhD (Trinity College Dublin) Awards: Harrison Medal, MRIA, Honorary Fellowships (R.I.A.M., Croatian Musicological Society) Editorial Roles: General editor of Irish Musical Studies , advisory editor for New Grove Dictionary and Journal of the Royal Musical Association

• Cultural History of Music in Ireland
• Austrian Baroque Music
• History of Anglo-American Musicology
• +۳ مورد دیگر

Anne Piéjus is a CNRS Researcher specializing in Early Modern Music, with a focus on interdisciplinary approaches integrating literature, theater, history, and digital humanities. She leads the Mercure galant program, producing enriched editions of music, text, and images while advancing digital methodologies in musicology. Her research includes studies on Italian Renaissance music, French Baroque theater, and music's role in education and devotion. Positions: 1st Class Research Director at CNRS-IReMus (2021–present) Formerly at the Paris Philharmony (2001–2002) and University of Fribourg (2001–2002) Fellowships: Villa Medici (Rome, 1998–2000), Thiers Foundation (1995–1998) Research Interests: Music in early modern press, theater, and education; sacred music in Renaissance Rome; digital humanities; music and politics; interdisciplinary performance studies. Awards: Thorlet Prize (2015), Alfred Verdaguer Prize (2015) Prime d'Encadrement de Recherche (2016, 2020) Prix des Muses (2001) Advising & Grants: Supervises graduate students in the Doctoral School “Concepts et langages”; led ANR-funded research on school spectacles under the Ancien Régime. Labs/Teams: Heads the Mercure galant program and co-founded the European seminar Building Relationships in a Changing World .

• Early Modern Music
• Music and Theater
• Digital Humanities
• +۷ مورد دیگر

Vincenzo Borghetti is an Associate Professor of Music History at the University of Verona, Italy, where he has been employed since 2008, first as a Lecturer ("ricercatore") until 2017, then promoted to his current position. He previously held teaching positions at the University of Vienna (2015-2016) and was a Lila Wallace–Reader's Digest Fellow at Villa I Tatti, Harvard's Center for Italian Renaissance Studies in Florence (2007-2008). He earned his Ph.D. from the University of Pavia-Cremona in 2001. His scholarly work centers on Renaissance polyphony and early twentieth-century opera, with particular expertise in music philology, court culture, and the intersection of music with visual arts and literature. Borghetti has made significant contributions to Rossini scholarship through his critical edition of Elisabetta regina d'Inghilterra (2016) for the Fondazione Rossini's critical edition series. Borghetti's publications appear in leading journals including Early Music History , Acta musicologica , Journal of the Alamire Foundation , and Imago Musicae . His research demonstrates consistent engagement with both historical musicology and interdisciplinary approaches connecting music to broader cultural contexts. Gabriele D'Annunzio Award (1998) for co-authored monograph Il bacio della Sfinge: D'Annunzio, Pizzetti e "Fedra" Grant from Fritz Thyssen Stiftung (2018) for organizing the International Conference "Books, Images, Objects: The Media of Secular Music in the Medieval and Early Modern Period" As an active scholar in musicology, Borghetti contributes to major reference works including the Handbuch der Musik der Renaissance , demonstrating his standing in the international academic community. His work bridges historical musicology with cultural studies, offering nuanced interpretations of musical practices within their broader social and intellectual contexts.

• Renaissance Music
• Opera
• Music History
• +۴ مورد دیگر

Arnold Jacobshagen is a Professor and Chair of Musicology at the Cologne University of Music and Dance since 2006. He holds a Ph.D. from Freie Universität Berlin (1996) and habilitation on 19th-century Italian opera semiseria (2003). His expertise spans opera studies, 19th/20th-century music history, music historiography, and performance practice. He has authored five books and edited/co-edited 18 volumes, with significant contributions to journals like Die Musikforschung , Cambridge Opera Journal , and Acta Musicologica . Awards include membership in Academia Europaea (2015) and fellowships from the Deutsches Historisches Institut Rome and Deutsches Studienzentrum Venice. He currently leads editorial roles at Die Musikforschung and advisory boards for institutions like the Joseph Haydn Institute. Educations: Musicology, Modern History, and Philosophy studies in Berlin, Vienna, and Paris Research focuses on opera historiography, performance practices, and cultural transfer. Key works include Gioachino Rossini und seine Zeit (2015) and Opera semiseria (2005). Publications analyze composers like Handel, Berlioz, and Mahler, with attention to national genres, stage practices, and historical reception. His recent work explores 19th-century French grand opéra and counter-tenor vocal traditions.

• Opera Studies
• 19th/20th Century Music History
• Music Historiography
• +۳ مورد دیگر

Karl-Heinz Schütz is a Professor at the Music and Arts University of the City of Vienna (since 2005) and serves as principal flautist of the Vienna Philharmonic and Vienna State Opera since 2011. He previously held principal positions with the Vienna Symphony Orchestra (2005-2011) and Stuttgart Philharmonic Orchestra (2000-2004). His career spans solo performances with renowned orchestras globally and collaborations with conductors like Daniel Barenboim and Sir Neville Marriner. Education: Studied at Vorarlberg State Conservatory, Basel with Aurèle Nicolet, and Lyon Conservatory (CNSM de Lyon, 2000). Won Carl Nielsen (1998) and Krakow (1999) flute competitions as a student. Artistic Activities: Performs at festivals including Salzburg Festival, Rheingau Music Festival, and Galway Festival. Leads masterclasses at institutions like CNSM Paris, Juilliard School, and Tokyo’s CAMERATA. Artistic director of Landeck’s HORIZONTE festival since 2013. Recordings: Released works by Bach, Brahms, Hindemith, and contemporary composers through labels like CHANDOS and CAMERATA Tokyo. Specializes in Baroque to avant-garde repertoire.

• Classical Music Performance
• Flute Pedagogy
• Orchestral Studies
• +۳ مورد دیگر

Luca Zoppelli is a Professor of Musicology at the University of Fribourg, Switzerland, since 2000. Previously, he held academic positions at the University of Salento (1993–1998 as Lecturer, then Associate Professor) and taught at several Italian conservatories including Padua, Vicenza, and Lecce. His research focuses on 19th-century opera, Venetian music history, musical dramaturgy, and the aesthetics of Baroque music. He co-directs the critical edition of Vincenzo Bellini's works and served as editor of the Schweizer Jahrbuch für Musikwissenschaft / Annales Suisses de Musicologie (2008–2019). Education: Studied Musicology and Literature at Ca' Foscari University in Venice (B.A., 1984 under Giovanni Morelli). Specialized in Baroque music aesthetics, operatic narrative structures, and the interplay between music and drama. His work bridges historical analysis with contemporary musicological methodologies. Research interests prominently feature operatic composition processes, the role of narrative in music, and the socio-political dimensions of 19th-century Italian opera. His publications critically analyze composers like Rossini, Verdi, Wagner, and Bellini, with notable contributions to understanding musical dramaturgy and the evolution of operatic forms.

• History of 19th-century opera
• History of Venetian music
• Musical dramaturgy
• +۳ مورد دیگر

Christoph Strehl is a Professor of Singing at the Mozarteum University in Salzburg, specializing in vocal studies and opera training since 2013. A renowned tenor, he has performed internationally with major opera houses and orchestras, collaborating with conductors like Claudio Abbado and directors including Claus Guth. His career spans key roles in Mozart operas (Don Ottavio in Don Giovanni , Tamino in The Magic Flute ), Beethoven's Fidelio , and Schubert's Fierabras . He has recorded extensively for labels like Deutsche Grammophon and EMI, with notable albums including Die Zauberflöte (2007) and Das Paradies und die Peri (2008). His teaching emphasizes creative process integration and vocal technique, supported by masterclasses with luminaries such as Axel Bauni and Norman Shetler. Education: Studied at Folkwang University (Essen) with Soto Papulkas and privately with Silvana Bazzoni-Bartoli in Zurich. Professional milestones include a 9-year tenure at Zurich Opera House (2002-2011) and Salzburg Festival debuts in 2003 and 2019. Active in recitals with pianists like Helmut Deutsch and Pauliina Tukiainen.

• Opera
• Classical Singing
• Vocal Pedagogy
• +۳ مورد دیگر

Thierry Favier is a Professor at the University of Poitiers , France, since 2010. He holds academic affiliations with the Institut Universitaire de France (2023) and has held visiting positions at prestigious institutions including the University of Zurich , Oxford University , and Heidelberg University . His research focuses on Baroque music , with emphasis on sacred music , French cultural identity , and musical historiography . Doctorate (1997) and Habilitation (2009) from leading French institutions Co-directed major research programs funded by ANR, CNRS, and regional governments Editorial leadership in Eighteenth-Century Music (2017) His scholarly work analyzes the intersection of music and power , musical ethics , and cultural exchange in early modern Europe. Recent publications explore topics like the Italian motet’s influence in France and post-Lullian musical identity . He has received significant recognition for scientific excellence and mobility fellowships. Favier has served as Chair of the Commission of Scientific Expertise (2014–present) and Head of the Music Department (2014-2017) at Poitiers. He has presented at institutions such as the Ecole Normale Supérieure , Gulbenkian Foundation , and Cardiff University , contributing to global discourse on Baroque and Enlightenment-era music.

• Musicology
• Baroque Music
• Sacred Music
• +۵ مورد دیگر

Klaus Pietschmann is a Professor and Director of the Institute of Musicology at Johannes Gutenberg University Mainz since 2009. He specializes in music-liturgical interactions during the 15th-16th centuries, opera history, Italian Renaissance music, sensory history, and regional music cultures spanning the Rhineland, Switzerland, and Mexico. Education: Master's in Early Modern History (1996, University of Münster), Ph.D. in Musicology (2000, University of Bonn), Habilitation in Musicology (2006, University of Zürich) His research explores music's role in religious rituals, the evolution of opera as a political and cultural medium, and the interplay between music and sensory experiences across different historical contexts. He has contributed significantly to the understanding of regional music traditions in Europe and Latin America. Recent publications focus on 15th-18th century music institutions, court liturgy, and cross-cultural reception studies. His work bridges historical analysis with interdisciplinary approaches to sensory history and media representation. Scientific Awards: 2008 - Göttinger Akademiepreis für Geisteswissenschaften 2018-2022 - Fellowship of the Gutenberg Research Council Current projects include the Mainz Academy of Sciences' Gesamtausgabe der Werke Christoph Willibald Glucks and Repertoire des Sources Musicales initiatives, focusing on comprehensive musicological documentation and analysis.

• Musicology
• Liturgical Music
• Opera History
• +۵ مورد دیگر

Anne Piéjus is a Researcher at the French National Centre for Scientific Research (CNRS) , affiliated with the Institute of Music Research (IReMus) in Paris. A specialist in Early Modern Music , her multidisciplinary work bridges literature, performing arts, history, and intellectual history, with a focus on digital humanities and enriched music editions. Founded the "Mercure galant" program for text-music-image editions Active in scholarly societies and leads the European seminar "Building Relationships in a changing world" Member of the executive committee of the "Concepts et langages" Doctoral School (500 students) Her research spans music-theater intersections , sung poetry , digital music archives , and sacred music in Renaissance Rome . Key projects include critical editions of Racine's works and studies on Jesuit school spectacles. Recent publications highlight 16th-17th century European music , music censorship , and digital resource integration . Awards include dual 2015 honors from the Institut de France, Prix des Muses (2001), and CNRS grants. Thorlet Prize (2015) Alfred Verdaguer Prize (2015) Prime d'Encadrement de Recherche (2016, renewed 2020) Piéjus supervises graduate trainees, curates exhibitions, and contributes to musicological societies. Her work emphasizes digital humanities and interdisciplinary methodologies to connect historical music resources.

• Music and early modern press
• Music and theater
• Music and education
• +۱۵ مورد دیگر

Huw Rhys James is a Lecturer at the Music and Arts Private University of the City of Vienna (MUK), where he has taught opera accompaniment, figured bass, and score reading since 2002. He studied German at the University of Bristol and composition, piano, and accompaniment at the Vienna University of Music (1984–1992), with notable mentors including Prof. A. Kubizek and Prof. H. Goertz. Education: German, University of Bristol Composition, Piano, Accompaniment, Vienna University of Music (1984–1992) His research interests focus on contemporary and Baroque opera, musicology, and vocal accompaniment. He is renowned for reviving forgotten works, such as Leonardo Vinci’s L’Artaserse and Francesco Conti’s Don Chisciotte in Sierra Morena , using original scores and instruments. He has held significant artistic roles, including répétiteur at the Vienna State Opera’s Opera Studio (1990) and choir director for the Vienna State Opera Chorus Concert Association since 2013. His collaborations span conductors like Riccardo Muti and Franz Welser-Möst, with notable productions at the Salzburg Festival and Bayreuth Festival. Scientific awards include grants from the US National Endowment for the Arts and ORF Edition. He also founded the Vienna-based ensembles Musikwerkstatt Wien and Musica Poetica Wien, which premiered 26 operas, including five world premieres. Key Contributions: Urtext editions of Baroque operas Author/editor of Felix Kaufmann’s Songs of the Mises-Kreis (2019) Translations of libretti into German

• Contemporary Opera
• Baroque Opera
• Musicology
• +۵ مورد دیگر

Karol Berger is the Osgood Hooker Professor in Fine Arts at the Department of Music, Stanford University (since 1996). He previously served as Professor in Musicology (1982-1996) and Assistant Professor (1975-1982) at Boston University. He has held visiting appointments at UNC Chapel Hill, Universität Paderborn, University of Oxford, and Harvard's Villa I Tatti. Education: Doctorate from Yale University (1975), musicology studies at University of Warsaw (1965-1968) His research spans Renaissance music theory, Austro-German musical modernity from Bach to Mahler, and the history of musical aesthetics. He pioneered interdisciplinary approaches connecting musicology with philosophy and cultural criticism. Key publications include Musica Ficta (1987), A Theory of Art (1999), Bach's Cycle, Mozart's Arrow (2007), and Beyond Reason (2016). His work explores how musical structures reflect philosophical and cultural shifts. Scientific Awards: 1988 Otto Kinkeldey Award 1995 Alfred Jurzykowski Award 2008 Marjorie Weston Emerson Award 2011 Glarean Prize 2014 Humboldt Research Award Multiple academy memberships

• Renaissance music
• Theory of art
• Theory of music
• +۳ مورد دیگر

Andreas Scholl is a University Professor of Voice specializing in Early Music at Mozarteum University in Salzburg, where he teaches vocal studies in the Department of Vocal Studies. Born in Germany, Scholl began his musical training with the Kiedrich Chorbuben Choir and later studied at the Schola Cantorum Basiliensis with Richard Levitt and René Jacobs. His research interests focus on historical performance practice of Baroque and Renaissance vocal music, with special emphasis on countertenor repertoire, German Lied, and Handel's works. Scholl has pioneered approaches to interpreting early music that balance historical authenticity with contemporary vocal technique, particularly in the specialized field of countertenor performance where he has established new standards for tone production and expressive interpretation. His discography reveals a consistent focus on Baroque vocal repertoire, particularly Handel's works, with notable emphasis on oratorios and cantatas. Scholl's recordings demonstrate evolving expertise in historically informed performance while maintaining artistic innovation, with recent work expanding into digital media production through his "Room Service" VOD show that bridges historical music with contemporary presentation formats. ECHO Award for Deutsche Grammophon's audio-book of Hans Christian Andersen's The Emperor's New Clothes and The Nightingale BBC Music Magazine Award in 2012 for O Solitude Scholl maintains an active performance career while teaching at Mozarteum University. His students benefit from his extensive experience performing with major orchestras including the Berlin Philharmonic, New York Philharmonic, and Royal Concertgebouw Orchestra. He has been instrumental in developing online teaching methodologies, particularly during the pandemic, making his expertise accessible to singers worldwide regardless of geographical location. Scholl's "Room Service" production represents his innovative approach to music presentation, blending performance with educational content about historical context.

• Early Music
• Baroque Vocal Performance
• Countertenor Repertoire
• +۳ مورد دیگر