جستجوی استاد راهنمای دانشگاهی

Mr. Philip Phelps is a Lecturer in Music Technology at the Faculty of Environment and Technology (FET) - Computer Science and Creative Technologies department at the University of the West of England. His work spans electro-acoustic music, audio engineering, and sonic art, combining technical expertise in C/C++ programming for embedded systems with creative applications in virtual reality and interactive soundscapes. Research interests include: Interactive sonic art and augmented aurality "Sound you can walk inside" spatial audio experiences Sound design for games and audio software programming Retrocomputing and lo-fi digital aesthetics His publications focus on educational technology solutions like automated transcription systems and virtual reality audio reproduction. Scientific awards include being shortlisted for the 2010 PRS Foundation New Music Award. He co-leads creative projects such as The Quantock Poetry Trail and Virtual Avebury , and collaborates with artists like Luke Reed and Luke Child in the Dorkbot Bristol community, exploring hacker-maker-space culture and digital preservation techniques.

• Electro-acoustic music
• Audio engineering
• Sonic art
• +۸ مورد دیگر

Paul Borg is a Senior Lecturer in Music Technology at the London College of Music, University of West London, and course leader for BA (Hons) Music Recording and Production. A double platinum award-winning music producer, he has worked with pioneers in UK dance/electronic music and US artists, achieving chart success across three decades while composing over 300 works for film/TV. Education: PhD candidate studying contemporary electronic music performance Research: Focused on modular synthesis and electronic music practice Key Activities: Live electronic projects, audio production, and academic leadership Scientific Awards: Double Platinum Award

• Electronic Music Production
• Modular Synthesis
• Contemporary Music Performance
• +۳ مورد دیگر

Antonio Castells-Delgado is a Senior Lecturer in Music Technology (Acoustics) at the University of West London's London College of Music. He also lectures at Imperial College London in Sound Technology, with expertise spanning acoustics, composition, and electronic music. A cum laude Electronic Engineering graduate from La Salle Barcelona and holder of an MA in Music Business Management from the University of Westminster, he employs a student-centric teaching approach to develop critical skills in diverse educational contexts. Education: BEng/MEng in Electronic Engineering (1999), MA in Music Business Management (2006), Certificate in Teaching and Learning (Imperial College) Teaching: MA Advanced Music Technology, MA Record Production, MMus Electronic Music Composition, BA Electronic Music Production, BMus Performance and Recording His research and artistic practice explores universal human themes through compositions like '2045: The Year Man Becomes Immortal' and 'Life from Light,' blending technology with classical motifs. He has performed at iconic UK venues and received international media acclaim, including a Guardian 2016 feature. Key trends in his 15 most recent works include interdisciplinary fusion of acoustics and digital audio, exploration of futurism and ethics in '2045'-themed projects, and emotionally resonant sound design in pieces like 'Forgiveness V6' and 'Syria V8.' His output spans studio/live albums, video documentation, and venue-specific performances. Scientific Awards: The Guardian's 'Five of the Best Classical Concerts' (2016) He contributes to open-access repositories and collaborates with artists like Cyril De Commarque (Saatchi Gallery 2019) and Tereza Duchlevova (LSO St Luke's 2019). His work bridges music technology, acoustic engineering, and conceptual art.

• Acoustics
• Composition
• Music Technology
• +۳ مورد دیگر

Justin Paterson is a Professor of Music Production at the London College of Music , University of West London. He combines academic research with professional music production, focusing on interactive music playback , haptic audio , and extended reality sound design . His research explores innovative audio technologies for immersive experiences, including projects like the HAPPIE consortium (haptic authoring pipeline) and the variPlay system for interactive music. He has developed AI-driven audio tools while emphasizing responsible AI (RAI) principles. His scientific publications (2007-2024) cover topics like multimicrophone phase coherence , interactive 3D audio , and haptic feedback systems . He actively participates in audio engineering conferences and innovation in music symposiums . As a professional music producer , he has worked with international artists like Ofenbach and Ximena Sariñana . He chairs the Innovation in Music conference series and teaches postgraduate programs in Advanced Music Technology and Creative Practice .

• Music Production
• Audio Technology
• Extended Reality Systems
• +۳ مورد دیگر

Dr. Angela McArthur is a Lecturer in Designing Audio Experiences at the Department of Anthropology, University College London (UCL), and is affiliated with UCL's School for Creative & Cultural Industries at the Stratford campus. She leads the interdisciplinary Master's programme 'Designing Audio Experiences' and serves as co-chair of the department's EDI committee since October 2024. Her work bridges art, technology, and anthropology with a focus on spatial sound's societal impact, championing diversity in access and representation through initiatives like Soundstack. Her educational background includes a PhD supervised by Becky Stewart (Imperial College London) and Mark Sandler (Queen Mary University of London), and a Master's degree from the University of Kent's School of Music & Fine Art under Claudia Molitor and Sarah Turner. Dr. McArthur's research centers on materiality in sound, underrepresented onto-epistemologies (including other-than-human), and ocean environments. She investigates spatial sound's aesthetic and ethical affordances through sound-led sensory ethnography with elderly Nepali wives/widows of Gurkha veterans, IKO loudspeaker-driven artist development, spatial sound for health/embodiment, and societal impact initiatives. Her work consistently addresses diversity and underrepresented perspectives. Her publications reveal strong interdisciplinary trends spanning spatial audio technology, sound art ethics, and social impact. Recent work explores ambient intelligence in music ecology, ethical spatial practices, browser-based 3D audio implementation, and IKO's role in diversifying sound art. She also investigates auditory distance perception in cinematic VR and linguistic frameworks for spatial sound description. Dr. McArthur has not listed any scientific awards. As an educator, she founded Soundstack—an annual workshop/masterclass/concert series—and secured funding for UCL's IKO loudspeaker. She mentors through the 'Designing Audio Experiences' Master's programme and BBC Young Composers collaborations, where she re-arranged classical works for spatial audio. Her grant acquisition focuses on artist development resources and diversity initiatives. She actively collaborates with the Ocean Memory Project (an international interdisciplinary collective exploring ocean memory), the University of Greenwich's IKO research group, and institutions like Graz's Institut für Elektronische Musik. Her residencies and fieldwork—from Venice soundscapes to Gurkha veteran communities—form dynamic research ecosystems integrating technology, ethnography, and artistic practice.

• Spatial Audio
• Sound Art
• Anthropology of Sound
• +۵ مورد دیگر

Dr. Antonio Fernández Coca is a Senior Lecturer in Graphic Expression at the University of the Balearic Islands (UIB) . With a PhD in 2003 focusing on user experience (UX) for web-based communication, he has pioneered the integration of digital tools and transmedia strategies in architectural education since the late 1990s. Education: PhD in Graphic Expression (UIB, 2003). Research Interests: Digital visual communication, educational innovation, UX design, and AI integration in teaching. Leadership: Served as Vice Rector for Digital Campus (2013–2021), redesigned UIB's Digital Classroom, and currently directs staff training programs aligned with Sustainable Development Goals. Publications: Authored Production and Graphic Design for the WWW (1999), The Art of Illustration (2013), and Selfie: Academic Self-Portraits (2021). Coordinated transmedia books and over 3 million educational video views. Projects: Led initiatives like Juguema (multimodal serious games), ZombUIB, and Genius-Up! (VR/AR educational games).

• Visual Communication
• Digital Culture
• Educational Innovation
• +۱۱ مورد دیگر

Antonio Fernández-Caballero is a Full Professor at Universidad de Castilla-La Mancha in the Departamento de Sistemas Informáticos , with a career spanning since 1996. His academic contributions focus on interdisciplinary research at the intersection of Computer Science, Neuroscience, and Human-Computer Interaction. Primary affiliation: Universidad de Castilla-La Mancha Department: Sistemas Informáticos Academic rank: Professor His research interests include affective computing, machine learning, computer vision, and applications in healthcare and smart cities. He has published extensively on emotion recognition using EEG/fNIRS signals, robot gesture interpretation for autism therapy, and domain-specific generative AI for medical simulations. Recent publications highlight his work in extended reality for rehabilitation, IoT solutions for elderly care, and systematic reviews on deep learning for defect detection and smart city societal aspects. Collaborations span institutions in Spain and Portugal, with cross-disciplinary applications in medical informatics, robotics, and smart environments.

• Machine Learning
• Computer Vision
• Affective Computing
• +۷ مورد دیگر

Dr Jessica O’Bryan is an Associate Lecturer in Curriculum and Pedagogy at the University of the Sunshine Coast ’s School of Education and Tertiary Access. A trained opera singer turned educator-researcher, she combines decades of performance and secondary-school teaching experience with scholarly investigation into music education, singing pedagogy, and assessment in higher education. Education PhD – University of Queensland MMus – Monash University GradDipEd – University of Melbourne BMus – University of Melbourne Research Interests Jessica’s research centres on arts education , music education , singing pedagogy , and learning cultures . She employs narrative inquiry and qualitative methods to interrogate how teachers’ and students’ identities are shaped within conservatoire and tertiary settings. Recent work explores the interface between classical vocal technique and musical-theatre training, the emotional dimensions of studio teaching, and the use of audio-visual data to capture nuanced pedagogical interactions. Awards & Fellowships Australian Postgraduate Award (3.5-year stipend, 2009–2012) ANATS Travel Award (2008) Dame Mabel Kent Scholarships (1992–1994) Mona McConaughy Award (1993) Dame Nellie Melba Prize – First place (1992) Musicological Society of Australia Travel Award (2011) Teaching & Grant Landscape At UniSC Jessica coordinates and lectures in secondary-arts curriculum units ranging from junior to senior secondary levels, as well as professional-experience orientation and research-communication subjects. While specific grant amounts are not detailed, her sustained competitive funding through university scholarships and national travel awards underpins a vibrant research agenda that feeds directly into curriculum innovation. Creative & Collaborative Labs Although no formal lab title is provided, Jessica’s collaborative networks span the Indigenous and Transcultural Research Centre at UniSC, the Australian National Association of Teachers of Singing (ANATS) , and the International Society for Music Education (ISME) . She continues to perform jazz and classical music, maintaining an embodied connection to the artistic practices she investigates.

• Arts education
• Music education
• Singing pedagogy
• +۴ مورد دیگر

Dr. Amber Reinhart is an Associate Professor in the Department of Communication and Media at the University of Missouri–St. Louis (UMSL) , within the College of Arts and Sciences . Her expertise lies in health communication, with a focus on persuasive message design and behavioral change. She is particularly interested in how messages can be crafted to influence health-related decisions, such as organ donation and vaccine uptake, especially among diverse populations. Education: Ph.D. in Communication, University at Buffalo M.A. in Communication, University at Buffalo B.A. in Communication, SUNY Geneseo Research Interests: Dr. Reinhart’s research explores how message framing , psychological reactance , and narrative transportation affect health behaviors. She investigates strategies to reduce resistance to health messages and increase engagement, particularly in the context of organ donation and COVID-19 vaccine hesitancy . Her work also examines the role of trust , religiosity , and cultural factors in health decision-making among African American and White populations. Her recent research has increasingly focused on restoration scripts and autonomy-supportive messaging to counteract psychological reactance in public health campaigns. These efforts aim to improve the effectiveness of health communication interventions across different demographic groups. Publications: Dr. Reinhart has published extensively in top-tier journals such as Communication Monographs , Health Communication , and Communication Reports . Her work spans from methodological contributions like meta-analyses and encyclopedia entries to applied studies on health behavior change. A consistent theme across her publications is the integration of communication theory with practical health interventions. Teaching: She teaches a range of undergraduate and graduate courses, including Health Communication , Interpersonal Communication , Persuasion and Influence , and Advanced Research Methods . Her teaching philosophy emphasizes the application of communication theory to real-world health challenges. Contact: reinhartam@umsl.edu | Phone: 314-516-5489

• Health Communication
• Persuasive Message Design
• Behavior Change
• +۴ مورد دیگر

Reha Civanlar serves as Vice Rector and Founding Dean of the Faculty of Engineering at Ozyegin University, Istanbul, following a distinguished career spanning AT&T Labs-Research, Bell Labs, and DOCOMO USA Labs where he was Executive Vice President (2006-2008). His academic leadership extends to prior roles as Visiting Professor at Koc University (2002-2006) and research department head at major telecommunications laboratories. His educational foundation includes: PhD in Electrical & Electronics Engineering, North Carolina State University (1984) MS in Electrical & Electronics Engineering, METU (1981) BS in Electrical & Electronics Engineering, METU (1976) Dr. Civanlar's research focuses on computer networking and multimedia communications , with pioneering contributions to video compression, wireless systems, and Internet-based multimedia delivery. His work bridges theoretical innovation and practical implementation, particularly in scalable video coding and real-time communication systems. Analysis of his 2015-2021 publications reveals sustained leadership in video conferencing technologies, noise reduction algorithms, and software-defined networking for wireless systems. Key thematic threads include content-adaptive video processing, multi-view video transmission for 3DTV applications, and optimization of multimedia delivery over heterogeneous networks. His scientific recognition includes: IEEE ASSP Group's Best Paper Award (1985) Fulbright Scholar designation IEEE Fellow (2005) Dr. Civanlar has directed major research initiatives including the Visual Communications Research Department at AT&T and DOCOMO's Computer Networks and Media Research Laboratory. He currently provides strategic guidance through advisory roles at Vidyo Inc. (USA) and Argela Teknolojileri AS (Turkey), while shaping academic direction as Vice Rector at Ozyegin University. His laboratory leadership has consistently produced industry-adopted innovations in multimedia communications standards.

• Computer Networking
• Multimedia Communications
• Wireless Communications
• +۳ مورد دیگر

Justus Thies is a Professor at the Technical University Darmstadt (since September 2023), leading research at the intersection of computer graphics , computer vision , and machine learning . His work focuses on real-time 3D reconstruction, tracking, and photorealistic rendering of humans and environments using commodity hardware, with applications in AR/VR , movie production , and 3D telepresence for collaborative virtual environments. Current faculty member at Technical University Darmstadt Research themes: 3D reconstruction, neural rendering, hybrid machine learning/Graphics methods Applications: AR/VR, telepresence, human-environment modeling His research emphasizes neural rendering and deep learning approaches for facial and body modeling, including projects like GEM (Gaussian Eigen Models), SynShot (synthetic prior inversion), and TeCH (text-guided clothed human reconstruction). Collaborations include institutions like Max Planck Institute for Intelligent Systems and Google . Key trends in his recent publications include: neural Gaussian splatting for real-time avatars, diffusion models for speech/audio-driven animation, and hybrid approaches that combine classical computer graphics principles with modern machine learning techniques. These methods address challenges in generalizability , controllability , and editability of 3D representations. Notable research contributions since 2014 include advancements in monocular facial reconstruction , real-time expression transfer , and neural rendering techniques that enable 3D scene synthesis from unpaired or sparse data. His work has received significant recognition, including Face2Face featured in Communications of the ACM (2019) and multiple publications at top venues like CVPR , ECCV , and SIGGRAPH .

• Computer Graphics
• Computer Vision
• Machine Learning
• +۳ مورد دیگر

Rob Godman is a Professor in Music at the University of Hertfordshire , specializing in interdisciplinary practices through his role in the School of Creative Arts . As a composer and sound artist, he has been active since the 1990s, with works commissioned by major festivals like Huddersfield Contemporary Music Festival and St Magnus Festival. Research Interests : Live instrument with responsive electronics Algorithmic and spatial sound Interdisciplinary collaborations with architects, sculptors, and medical experts Integration of scientific principles (e.g., Faraday Instability) into sound design Field recordings for hidden environment exploration Ancient acoustics, particularly Vitruvian principles Recent Research Outputs include audio-visual installations like Cosmoscope (Wellcome Trust funded, 2017-2018) and Hydrosiren (2018), alongside film soundtracks and academic contributions such as the chapter on Echeia in The Companion to the Reception of Vitruvius (2024). His 2025 projects involve glass sculptures using wren sonograms and reinterpretations of William O Smith’s electroacoustic clarinet works. Scientific Awards and Grants : Royal Philharmonic Society Prize for Composition ACE funded commissions AHRC IAA network grant (2023-2025) Wellcome Trust funded Anarchy in the Organism Extension (2013-2015) AHRC Research in Film Awards (2018, 2020) Teaching and Supervision focus on Music Composition and Music Technology pathways. He has supervised multiple PhD students and served as an External Examiner for institutions like the Institute of Contemporary Music Performance.

• Music Composition
• Music Technology
• Sound Design
• +۷ مورد دیگر

Jussi Ängeslevä is a Professor at Berlin University of the Arts and Creative Director at ART+COM Studios, specializing in media art, interaction design, and digital materiality. His career spans academic roles including Visiting Professor at Royal College of Art (2011-2018), Honorary Professor at UdK Berlin (2011-present), and Assistant Professor at UdK Berlin (2005-2007). He holds an MA in Audio-Visual Media Culture from the University of Lapland (2004) and an MA in Interaction Design from the Royal College of Art (2002). His research explores the intersection of computational design, physical interfaces, and spatial communication, with notable interests in kinetic sculptures, caustic light systems, and hybrid museum experiences. Projects like 'RGB|CMY Kinetic' and 'Pinnannousu' demonstrate his integration of mechatronics, computational optics, and environmental interaction. Ängeslevä has received over 20 international awards including a D&AD Black Pencil (2009), Cannes Lions Gold (2009), and Prix Ars Electronica (2003). His contributions to academic discourse include publications on prototyping methodologies, digital materiality, and embodied interaction in venues like Springer and Cambridge University Press. He actively participates in juries for Ars Electronica, D&AD, and Siggraph. Collaborations with institutions like EPFL and Museum für Naturkunde highlight his interdisciplinary approach. Current projects include 'NuForm' (hybrid museum experiences) and 'Place of Remembrance' (data-driven memorials using organic materials). He maintains affiliations with the Hybrid Plattform Berlin and contributes to design education globally.

• Media Art
• Interaction Design
• Digital Materiality
• +۳ مورد دیگر

Ryan Carter is an Associate Professor of Music at Hamilton College, specializing in contemporary music composition and digital arts. His work bridges acoustic composition with computer programming, exemplified by his interactive app iMonkeypants. Education: Ph.D. in Music Composition from New York University, M.A. from Stony Brook University, B.Mus. from Oberlin Conservatory. Carter's research focuses on algorithmic composition, electronic music, and real-time interactive sound synthesis using the RTcmix audio programming language. His compositions have been performed by renowned ensembles including the Cleveland Chamber Symphony and the International Contemporary Ensemble. Recent commissions include works for Carnegie Hall, the Calder Quartet, and the National Flute Association. His publications and recordings have been released by major labels such as KAIROS Records and Navona Records. Selected Awards: Red Jasper Award (2022), National Endowment for the Arts grants, LA Phil Prize (2017), and multiple recognitions from Meet the Composer. Carter has taught courses like Introduction to Music, Sound, and Technology and Advanced Audio Production , reflecting his expertise in integrating technology with traditional music education.

• Music Composition
• Computer Music
• Electronic Music
• +۳ مورد دیگر

Kazimierz Choroś is a Professor at the Department of Applied Informatics , Faculty of Information and Communication Technology , Wrocław University of Science and Technology. He held leadership roles as Deputy Director of the Institute of Informatics (2008-2014) and Deputy Dean of the Faculty of Computer Science and Management (2016-2020). Research interests: digital image/video processing, content-based video indexing, computer animations, multimedia systems, web systems analysis, and information systems design. Organizer and Chair of the International Conference on Multimedia & Network Information Systems (MISSI 2022) Chair of Special Session WebSys 2020 at ICCCI 2020 Other activities: Since 1993, member and former President (1993-2002) of the SAGE Association (Polish Graduates of French Grandes Ecoles). Since 1982, member of the Polish Numismatic Society, author of dozens of numismatic publications, and Editor-in-Chief of Wrocławskie Zapiski Numizmatyczne (2003-present). Contact: Email: kazimierz.choros@pwr.edu.pl Phone: +48-71.320.3799 Office: Building D2, Room 201/1 Address: Wrocław University of Science and Technology, Wyb. Wyspiańskiego 27, 50-370 Wrocław, Poland

• digital image and video processing
• content-based video indexing and retrieval
• computer animations
• +۴ مورد دیگر