
معرفی
Professor Paul Coldwell is an artist and researcher specializing in printmaking, sculpture, and installation. He holds a Professorship at Camberwell, Chelsea and Wimbledon Colleges of Arts, University of the Arts London. His work explores themes of absence, loss, and the interplay between traditional and digital techniques in printmaking. Coldwell has exhibited globally at institutions including Tate, V&A, and MoMA, with notable solo exhibitions such as Natura Morte & other works (2023) and Picturing the Invisible (2019). He has curated exhibitions like Morandi’s Legacy; Influences on British Art and contributed to major publications including Print Quarterly. His research includes AHRC-funded projects like Picturing the Invisible, blending art and science.
Education:
- BA in Visual Arts, University of Bristol (1972–1975)
- Higher Diploma in Fine Art, Slade School of Fine Art, UCL (1975–1977)
Research Interests:
Practice-based exploration of new technologies’ impact on traditional printmaking, cultural memory, and interdisciplinary collaborations. His work often engages with historical and psychoanalytic themes, such as his Freud Museum installations and studies of war’s cultural legacy.
Awards & Recognition:
- Arts Council England Grant (2015–2017)
- AHRC Network Grant (2019–2020)
- Surface Impressions Second Prize (2020)
- British Museum Acquisition of 11 Works (2019)
- Invited Speaker at Indiana University’s McKinney Lecture Series (2019)
Grants & Projects:
Leads initiatives such as Picturing the Invisible, linking art with scientific methodologies. Also curated exhibitions at the Estorick Collection and Cartwright Hall, Bradford. Current projects include a commissioned book on woodcut history (Ink, Paper, Chisel, Grain) for 2026.
Labs & Collaborations:
Collaborates with institutions like the Freud Museum, UCL Press, and the AHRC on interdisciplinary projects. His work often involves public engagement, such as talks at Lakeside Arts (University of Nottingham) and the Royal Academy of Antwerp.
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