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Jeffrey Stolet is Professor of Music Technology and Director of Future Music Oregon at the University of Oregon's School of Music and Dance. With a PhD in Music from the University of Texas at Austin (1984), he is among the very first individuals appointed to a Philip H. Knight professorship at the University of Oregon.
His research focuses on Music Technology, Data-driven Instruments, and Electroacoustic Music. Stolet has pioneered interactive performance environments using wands, sensing devices, game controllers, and other specialized interfaces to control sonic and videographic domains. His work spans computer music programming, real-time performance systems, and multimedia composition.
Stolet's compositions have been presented globally at major electroacoustic and new media festivals including the International Computer Music Conference, Society for Electro-Acoustic Music in the United States Conference, and MusicAcoustica Festival in Beijing. His work has also been featured at prestigious venues such as the Museum of Modern Art in New York and the Pompidou Center in Paris.
- Inducted into China's prestigious DeTao Masters Academy
- Honorary professorships at two Chinese music conservatories
- Lifetime achievement award from Musicacoustica for contributions to interactive music
- Author of the first book about Kyma programming language
- Developer of Electronic Music Interactive, an award-winning multimedia educational resource
Stolet's recent work explores themes of balance, social justice, cultural identity, and the intersection of physical limitations with technological expression, as evidenced in compositions like In Desperate Times (2020) which responded to the George Floyd murder and disproportionate Latinx deaths during the pandemic.
