Anne Stone

Anne Stone is an Associate Professor of Music at the Graduate Center of the City University of New York (CUNY), where she serves as Acting Executive Officer and Deputy Executive Officer for Musicology. She maintains dual affiliation as Faculty in Medieval Studies, positioning her at the intersection of musicological and interdisciplinary medieval scholarship.

Her academic foundation includes advanced training at Harvard University:

• Ph.D., Harvard University

Dr. Stone specializes in late medieval European musical cultures with rigorous focus on songbook materiality, notation evolution, and poetic-musical interplay. Her research reveals how parchment textures, scribal choices, and visual layouts shaped medieval auditory experiences, particularly in Machaut's works. This materially-grounded approach redefines understanding of Ars Subtilior complexity through manuscript evidence rather than modern theoretical frameworks.

Analysis of her 15 most recent publications shows consistent emphasis on manuscript transmission pathways, with growing attention to Italian reception contexts and material culture. Key trends include interdisciplinary integration of codicology with performance practice and innovative digital humanities approaches to reconstructing historical listening environments.

Her scholarly impact is recognized through prestigious awards:

• Noah Greenberg Award (2020) from the American Musicological Society

Grant funding primarily supports her Machaut Remede de Fortune multimedia project, while current research initiatives include Milanese fragment analysis, Machaut song editions, and the monograph "Reading Late Medieval Song." Though student mentorship details aren't specified, her Graduate Center role implies doctoral committee participation across Music and Medieval Studies programs.

She operates within collaborative international networks, notably co-leading the Chantilly Codex research team with Yolanda Plumley that produced critical editions and facsimiles of this pivotal Ars Subtilior source, demonstrating sustained engagement with manuscript-based performance reconstruction.