James Newman, PhD, is a Research Professor in Media and University Teaching Fellow at Bath Spa University. He specializes in videogame studies, game sound/music, and media histories. As Senior Curator at the National Videogame Museum and co-founder of the Videogame Heritage Society, he focuses on preservation and digital heritage. His work spans academic research, public engagement, and creative practice. Education: Holds a PhD in Media Studies. Research: Explores game spectatorship, early game sound, and ludomusicology. Grants: Supported by ESRC, Wellcome Trust, AHRC, and others. Awards: Includes fellowships from Stanford University and ICHEG. Contributions: Co-authored White Papers, directed the All Your Bass festival, and collaborates with institutions like the British Library on the Game Sound Archive. Public Engagement: Regular media contributor (BBC, The Guardian) and international adviser on game studies. Creative Work: Composes electronic music using obsolete synthesis systems and game hardware.
Dr. Luisa Calè is a Professor of Romantic and Nineteenth-Century Literature & Visual Culture and Research Lead at Birkbeck, University of London. She holds degrees from the University of Rome 'La Sapienza' (1993), University of Genoa (1997), and the University of Oxford (M.St. 1998, D.Phil 2002). Her research explores the interplay between literature and visual/material culture, focusing on book history, intermediality, and practices of reading/collecting. Her Leverhulme Trust-funded project 'The Book Unbound' examines how works by Blake, Walpole, and Dickens subverted traditional book formats. Education: PhD in Literary Studies, University of Genoa (1997) D.Phil., University of Oxford (2002) M.St. in English, University of Oxford (1998) Letters Degree, University of Rome (1993) Her research interests include Romantic aesthetics, material texts, and critical disciplinarity. Notable publications include Fuseli’s Milton Gallery (2006) and co-edited volumes like Dante on View (2007). She edits Blake/An Illustrated Quarterly and serves on editorial boards for Word & Image and Romantic Circles Gallery . Recent awards include a Leverhulme Trust Research Fellowship (2019) and a Mercator Fellowship (2018-19). She supervises graduate students in Romantic literature, material culture, and book history.
Professor Emma Widdis is a leading scholar at the Faculty of Modern and Medieval Languages and Linguistics at the University of Cambridge, specializing in the intersection of Soviet cinema, ideology, and cultural geography. Her work explores the reeducation of sensory perception through film, early Soviet urban spaces, and the construction of subjectivity via cinematic techniques. Teaches 20th-century Russian/Soviet literature, cinema, and film theory Focuses on sensory engagement, political avant-garde, and urban spatial representation Supervisor for MPhil and PhD students in Slavonic Studies Her recent book Socialist Senses (2017) examines how cinema shaped Soviet perceptions of reality. Her publications span topics like silence in sound film, set design materiality, and costume symbolism in early Soviet cinema. While no formal scientific awards are listed, her research has been supported through institutional grants and collaborations with centers like CRASSH and Cambridge Language Sciences.
Matthew Payne is an Associate Professor in the Department of Film, Television, and Theatre at the University of Notre Dame. His affiliations include roles as Director of Graduate Studies and regional director for the Learning Games Initiative, a multi-institute research collective focused on game archiving and education. His research spans video game studies, media literacy, military entertainment, and the cultural history of video games. He explores play theory, media and war, and the intersection of media production with new technologies. The 15 most recent articles highlight his focus on video game studies, transmedia narratives, and the cultural implications of gaming. These works cover topics from Nintendo Amiibo to slow game time mechanics in Red Dead Redemption 2, with recurring themes of military representation and ludic storytelling. Matthew Payne has co-edited notable works including How to Play Video Games and Joystick Soldiers , emphasizing collaborative approaches to game studies and critical analysis of military gaming.
Malini Guha is an Associate Professor of Film Studies at Carleton University , cross-appointed to the Institute for Studies in Art and Culture and affiliated with Migration and Diaspora Studies . She holds the Ruth and Mark Phillips Professorship (2025-2027), focusing on geographical thinking across disciplines. Education: B.A. (University of Toronto), M.A. (York University), PhD (University of Warwick) Research Interests : Guha's work spans cinema and the city , diasporic/postcolonial cinema , public projection art , and ciné-geography . Recent projects include SSHRC-funded research on traction, flight, and becoming in moving images. Selected Publications : Author of From Empire to the World: Migrant London and Paris in the Cinema (2015) and co-editor of London as Screen Gateway (2023). Her articles appear in Feminist Media Histories , Routledge Companion to Media and the City , and Canadian Journal of Film Studies . Scientific Awards : Ruth and Mark Phillips Professorship (2025-2027) FASS Mid-Career Research Grant (2021) SSHRC Insight Development Grant (2023-2025) Collaborative Work : Co-organized Carleton’s Racialized and Indigenous Faculty Alliance (2022-2024), co-taught interdisciplinary course on Race and Representation in the Arts (2023), and collaborates with artist Neven Lochhead on projects like Something Happened (2024).
Massachusetts Institute of TechnologyUnited States
T.L. Taylor is a Professor of Comparative Media Studies at MIT, affiliated with the School of Humanities, Arts, and Social Sciences. She holds the Margaret MacVicar Faculty Fellow distinction and directs the MIT Game Lab. Her expertise spans online gaming culture, sociology of technology, and digital media studies. Taylor’s research bridges qualitative methods with critical analyses of virtual worlds, esports, and live-streaming platforms. Education: M.A. (1997) and Ph.D. (2000) from Brandeis University; B.A. (1990) from UC Berkeley; community college graduate (Chaffey, 1988). She has taught courses on critical internet studies, qualitative methods, and gaming at MIT. Taylor co-founded the non-profit AnyKey and served on Twitch’s Safety Advisory Council (2020–2024), advocating for inclusive gaming environments. Research interests include digital culture, ethnography of online spaces, and the socio-technical dynamics of games. Her award-winning book Watch Me Play: Twitch and the Rise of Game Live Streaming (2018) explores live-streaming’s cultural impact. She also authored Raising the Stakes (2012) on esports professionalization and Play Between Worlds (2006) on MMOG communities. Awards include the 2019 MacVicar Faculty Fellow for undergraduate teaching excellence and the ASA CITAMS Book Award. Her work intersects academia and industry, with consulting roles at Microsoft Research and contributions to policy discussions at the White House and International Olympics Committee. Taylor’s current projects include studies on play in curated environments like Disney parks and the evolving socio-technical assemblages of theme parks. She advises on civic initiatives and regularly publishes on esports diversity, platform moderation, and digital cultural practices.
Kristi McKim is an Associate Professor at the School of Literature, Media, and Communication at Georgia Institute of Technology. Her research focuses on film studies with particular emphasis on ecocritical analysis, phenomenological approaches, and feminist cinema. She explores themes such as cinematic weather, love in film, and the intersection of capitalism and art. Her notable works include BFI Film Classics: Rushmore (2023), analyzing the film's critique of perfectionism through ecocritical and feminist lenses; Cinema as Weather (2013), examining weather's role in narrative and stylistic film techniques; and Love in the Time of Cinema (2011), which investigates love and temporality in cinema through close readings of key films. McKim teaches courses like Intro to Film and Contemporary American Indie Film . Her work bridges academic scholarship with accessible film analysis, emphasizing how cinema shapes our understanding of human connection and environmental dynamics.
Olivia Khoo is Professor of Film and Screen Studies and Head of Film, Screen and Culture in the Faculty of Arts at Monash University. She is a leading scholar in Asian Australian and Asian cinema studies, with extensive contributions to media diversity, gender and sexuality in media, and streaming technologies. She is actively involved in national research leadership, including roles in the Australian Research Council College of Experts and the Screen Diversity and Inclusion Network. PhD in Cultural Studies – University of Melbourne LL.B. (Hons) – University of New South Wales B.A. (Hons) in English Literature – University of Western Australia Graduate Certificate in Higher Education – Monash University Her research centers on screen media diversity, streaming platforms, and transnational Asian and Asian Australian cinema. She explores how gender, sexuality, and race intersect in media representation, with a strong focus on diasporic identities and cultural citizenship. Her work bridges cultural studies, legal frameworks, and media industry practices to advocate for inclusive screen ecosystems. The recent publications reflect a sustained engagement with streaming technologies, racial representation, leadership in Asian Australian communities, and policy development for media diversity. Her work spans academic monographs, journal articles, and influential policy reports, demonstrating both theoretical depth and real-world impact in shaping equitable media landscapes. Special Commendation for the Dean’s Award for Postgraduate Research Supervision (2022) Three-time nominee, Monash Graduate Association Supervisor of the Year Award Founding Series Editor, Gender, Sexualities and Cultures in Asia (Springer) Founding Associate Editor, Studies in World Cinema: A Critical Journal (Brill) Olivia has supervised 18 PhD and MA students to completion and has led major research projects, including two ARC Discovery Projects. She is currently leading interdisciplinary collaborations across Law, Business, and Arts at Monash, particularly on the Incentivising Australian Screen Diversity report. She also co-founded the Asian Australian Studies Research Network and has held fellowships at the Asia Research Institute (NUS) and the University of California Humanities Research Institute. She leads the Film, Screen and Culture program at Monash and is central to initiatives like the Streaming Industries & Genres Network. Her collaborative projects involve national and international institutions, focusing on media flows between Australia and East Asia, and the transformation of cultural identity through digital platforms.
Associate Professor James Andrew Phillips is a faculty member in the Department of Philosophy within the School of Humanities and Languages at the University of New South Wales (UNSW). He has been at UNSW since 2006, initially serving as a Vice-Chancellor's postdoctoral fellow, followed by an ARC Australian Research Fellow from 2007-2011, before assuming his current combined research-teaching position. His educational background includes undergraduate studies at the University of Queensland, an MA in Comparative Literature and Critical Theory from Monash University, and a PhD in Philosophy from the University of Tasmania (2002). During his doctoral studies, he spent time as an OeAD scholar in Innsbruck and a DAAD scholar in Potsdam. He has also been a visiting research fellow at the Institute for Advanced Studies in the Humanities at the University of Edinburgh and a resident associate at the National Humanities Center in North Carolina. Phillips' research focuses on aesthetics, phenomenology, film and philosophy, political theory, literary criticism, and British and Irish literature. His current book project explores the philosophy of fiction, drawing on concepts of 'world' in Kant and Heidegger. He has translated two significant philosophical works: Christoph Menke's Tragic Play: Irony and Theater from Sophocles to Beckett (2009) and Alexander García Düttmann's Philosophy of Exaggeration (2007). His recent publications demonstrate a strong focus on the intersection of philosophy, aesthetics, and cinema, with particular attention to phenomenological approaches to film studies and the political dimensions of aesthetic experience. His work bridges continental philosophy with contemporary cultural analysis, creating connections between historical philosophical traditions and modern artistic practices. Philosophy Group Convenor Research Committee Member - School of Humanities and Languages Phillips currently supervises PhD candidate Finnegan Hassey (on Arendt's concept of nationalism, jointly with Jess Whyte) and MA student Sofia Kartavtseva (on Sade and aesthetics). He teaches political philosophy, aesthetics, and the history of German philosophy, with planned courses for 2025 including ARTS3368 'Modern European Philosophy' and ARTS2384 'Political Philosophy'.
Elena Gorfinkel is a Professor of Film Studies at King’s College London’s Faculty of Arts & Humanities. Previously, she was Associate Professor of Art History and Film Studies at the University of Wisconsin-Milwaukee (2009–2016). Her research focuses on independent/underground cinemas, women’s filmmaking, feminist film historiography, and materialist approaches to cinema. Key publications include Lewd Looks: American Sexploitation Cinema in the 1960s (Minnesota UP, 2017), Wanda (BFI Classics, 2025), and co-authored The Prop (Fordham UP, 2025). She has received the 2022 Kraszna-Krausz Award and a 2018 Andy Warhol Foundation Grant for her work on cinema’s materiality and feminist historiography. Gorfinkel actively engages in public scholarship through film curation (e.g., BFI’s Barbara Loden retrospective), editorial roles ( Journal of Cinema and Media Studies , ASAP/Journal ), and media writing ( Sight & Sound , Art Monthly ). Her research bridges academic and popular realms, emphasizing marginalized cinemas and feminist critique. Teaching focuses on experimental film, women’s filmmaking, and cinema history. She has led international symposia and lectures on topics ranging from Andy Warhol’s films to global art cinemas.
Aida Levy-Hussen is an Associate Professor in the Department of English Language and Literature at the University of Michigan's LSA (Literature, Science, and the Arts) College. Her research focuses on African American literature, trauma studies, gender and sexuality studies, and 20th-century American literature. She holds an A.B. from Harvard University (2003) and a Ph.D. from Emory University (2009). Levy-Hussen's work interrogates the intersections of race, memory, and cultural expression. She examines how African American writers engage with historical trauma, particularly slavery's legacies, and explores themes like boredom, affect, and narrative form in contemporary works. Her recent scholarship includes analyses of Ishmael Reed’s postmodern historiography and Spike Lee’s satirical film Bamboozled . She currently teaches courses on African American literature, Toni Morrison, and narrative theory. Her office is located in 3232 Angell Hall, with regular appointment-based office hours. No scientific awards are explicitly mentioned, but her prolific publication record reflects sustained academic impact in literary studies. Levy-Hussen’s writing emphasizes interdisciplinary approaches, blending literary criticism with cultural theory, psychoanalysis, and historical analysis. Her book How to Read African American Literature (2016) provides a transformative framework for interpreting post-civil rights fiction.
Dong Hoon Kim is an Associate Professor in the Cinema Studies department at the University of Oregon's College of Arts and Sciences . His work bridges media history and cultural studies, focusing on the ideological and visual frameworks of cinema in East Asia and beyond. Research Interests: His scholarship critically examines colonial cinema , socialist cinema , transnational media flows , and the intersection of media spectatorship with national identity. His studies span East Asian film, media, and popular culture, emphasizing historical and discursive formations. University of Oregon | Cinema Studies Email: donghoon@uoregon.edu Office Hours: Mondays 12-1:30p.m., Winter 25 Key Publications: Kim authored Eclipsed Cinema: The Film Culture of Colonial Korea (2017) and co-edited The Bloomsbury Handbook of North Korean Cinema (2025). His articles explore topics like socialist star-making in North Korea, transcolonial benshi practices, and the global impact of South Korea's Parasite . Teaching: Courses include Introduction to Korean Cinema , Studio Ghibli Animation , and seminars on Japanese New Wave cinema, transnational film genres, and violence in Korean cinema. He emphasizes interdisciplinary approaches to East Asian cultures.
Junko Yamazaki is an Assistant Professor of Japanese Media Studies at Princeton University, specializing in postwar Japanese cinema, media aesthetics, and cultural mediation. Her research interrogates the intersection of film spectatorship, sensory politics, and historical reckoning in 20th-century Japan. Ph.D. in Cinema & Media Studies & East Asian Languages and Civilizations, University of Chicago (2016) M.A. in Humanities with emphasis in Cinema & Media Studies, University of Chicago (2013) B.A. in Film Studies & Cognitive Psychology, University of California, Santa Barbara (2010) Her work critically examines: Jidaigeki films as contested cultural artifacts in postwar Japan Role of film music in shaping emotional and historical consciousness Intellectual debates around media's capacity for social transformation Postwar sensory politics and democratic reconstruction Recent publications analyze: 1950s Toei jidaigeki's aesthetic innovations Tsurumi Shunsuke's media theory through autobiographical criticism Ichikawa Kon's musical integration strategies in early postwar cinema She co-founded the interdisciplinary working group Gender and Criticism Workshop: Japan in the Trans-Pacific World (2019-), fostering transnational academic collaboration.
Burak Sunguralp Tekin is an Assistant Professor in the Department of Translation and Interpretation at the Faculty of Humanities and Social Sciences, Ankara Yıldırım Beyazıt University. His academic career includes positions as both Lecturer (2021-2022) and Assistant Professor (2022-present) at the same institution. Dr. Tekin's research primarily focuses on human sociality and the interplay of language, bodies, and technology, with particular emphasis on embodied interaction, social practices, and multimodal communication. Dr. Tekin's educational background includes: Doctorate (2014-2019) from University of Basel, Switzerland, with dissertation "Bodies at play: Exploring participation, spectatorship, and morality in videogaming activities" Postgraduate studies (2012-2013) from University of Newcastle Upon Tyne, United Kingdom, with thesis "Smiles and affective alignment in naturally occurring dyadic academic supervisions" Undergraduate degree (2006-2010) from Hacettepe University, Turkey Dr. Tekin's research interests center on social interaction, multimodal communication, and embodied practices. His work examines how people coordinate their actions, bodies, and language in various contexts including gaming, photography, public spaces, and pandemic-related social adaptations. He employs conversation analysis and multimodal interaction analysis to investigate the micro-details of human sociality, with particular attention to how technology mediates social practices. His research bridges sociology, linguistics, and human-computer interaction to understand the embodied nature of social organization. Analysis of Dr. Tekin's recent publications reveals a consistent focus on embodied social interaction across diverse contexts. His work demonstrates sophisticated methodological approaches to studying how people coordinate their movements, manage social spaces, and create meaning through multimodal resources. A notable trend is his examination of how social practices adapt during extraordinary circumstances like the COVID-19 pandemic, as well as his sustained interest in gaming activities and their social organization. His collaborative work with Lorenza Mondada is particularly prominent in the field of conversation analysis. Dr. Tekin has taught various courses including Multimodal Communication, Introduction to Applied Linguistics, Language and Communication, Language Acquisition, Consecutive Interpreting, Intercultural Communication, World Englishes, Applied Linguistics, Turkish Grammar, Language Culture and Society, and Discourse Analysis at both undergraduate and postgraduate levels. His teaching reflects his research expertise in communication, language, and social interaction.
Dr. Leila Mukhida (they/them) serves as Lecturer in Modern German Studies at the University of Cambridge , affiliated with the Faculty of Modern & Medieval Languages and the Department of German & Dutch . Their work bridges visual culture, critical theory, and queer/decolonial praxis in German and Austrian contexts. Specializes in Frankfurt School critical theory Focuses on political aesthetics and sound studies in cinema Advocates for decolonization in German Studies curricula Recent publications analyze queer cinema , film soundscapes , and labor migration narratives , reflecting their engagement with post-digital media , intersectional frameworks , and European cultural history . They directed the film Das Schönste Geschenk (2011) and contributed to Cambridge's Q+ interdisciplinary initiative (2018-2024).
