Adam Hollowell is an Adjunct Assistant Professor in the Program in Education at Duke University, where he also serves as Senior Research Associate at the Samuel DuBois Cook Center on Social Equity and Director of the Inequality Studies Minor. His teaching spans ethics, inequality studies, and history across Duke’s Kenan Institute for Ethics, Sanford School of Public Policy, and Department of History. Hollowell holds a Ph.D. from the University of Edinburgh (2009). His research focuses on inequality, higher education, public policy, and ethics, with notable work on pandemic impacts, telemedicine in education, and reproductive health access during crises. In Inequality Studies , Hollowell emphasizes understanding policies to drive social change, as highlighted in recent media coverage. His publications explore topics like student behavior shifts during the pandemic, telemedicine adoption in universities, and James Baldwin’s ethical challenges. He is a finalist for the Judith Deckers Prize (2024). Professionally, Hollowell leads projects such as Bass Connections on college contraception access and Story+ initiatives. His work bridges academia and public engagement, addressing systemic inequities through interdisciplinary approaches.
Pieter d'Hoine serves as Professor and Vice Dean of Education at KU Leuven's Higher Institute for Philosophy. He is affiliated with the Wulf Mansion Centre for Ancient, Medieval and Renaissance Philosophy and LECTIO – KU Leuven Institute for the Study of Textual Transmission. Additional institutional roles include membership on the Board of the Institute for Living Languages, HIW Faculty Council, and Philosophy Program Oversight Committees. His research centers on Ancient Philosophy with emphasis on Neoplatonism, particularly Proclean metaphysics, logical structures in Platonic/Aristotelian commentaries, and mechanisms of philosophical canon formation. He investigates knowledge transmission from Greek-Roman antiquity through medieval and Renaissance scholarship, integrating digital humanities methodologies to analyze textual evolution and conceptual continuity across historical periods. Recent publications (2024) exhibit concentrated focus on Proclus' metaphysical frameworks, including predication theory, modes of being, and theological elements within Platonic exegesis. His work bridges textual criticism with systematic philosophy, examining how ancient commentators shaped enduring philosophical paradigms through citation practices and logical innovation in works like the Elements of Theology . No major scientific awards are documented in the provided materials. He actively supervises doctoral research, including G.J. Ruz Troncoso's analysis of Proclus' argumentative structures and S-H. Yang's study of Aristotelian metaphysics. Current funding supports eight major projects: "Een nieuw model voor de editie van antieke filosofische fragmenten" (2025-2031) as Co-promotor "De filosofische canon en de citaties van Plato en Aristoteles" (2024-2028) as Promotor "Rechtvaardigheid voor dieren" (Justice for Animals, 2024-2028) as Promotor "De mechanica van Canonvorming" (Canon Formation Mechanics, 2024-2028) as Promotor His research ecosystem operates through the Wulf Mansion Centre and LECTIO institute, which coordinate international collaborations on premodern textual transmission, utilizing digital tools to map philosophical concept evolution across millennia.
Teresa Weinholtz is a researcher at the Research Centre for Communication and Culture (CECC) at Universidade Católica Portuguesa in Lisbon. She is currently pursuing a doctoral degree in Culture Studies, focusing on contemporary artists' books and their materiality, artistic practice, and cultural context. She is part of the Critique, Conflict and Cultre research cluster. PhD Candidate in Culture Studies, Universidade Católica Portuguesa Master of Arts in Book Science: Editorial Studies, Ludwig Maximilian University of Munich (2023) Bachelor of Arts in English Studies, Ludwig Maximilian University of Munich (2019) Her research explores the intersection of literature, culture, and contemporary arts, particularly through the lens of artists' books. She investigates topics like digital materiality, augmented reality, and culinary exchange in artistic contexts. Her recent work examines how artists' books address privacy, social commentary, and decolonial themes. Teresa's publications (2023-2025) focus on the evolving relationship between digital technologies and artistic book practices. Her research analyzes how immateriality in digital artists' books interacts with traditional forms, and how culinary themes in artists' books create new avenues for cultural expression and critique. She actively participates in academic presentations and conferences, including topics on decolonial artivism, virtual spaces in artists' books, and AI's role in artistic self-reflection.
Professor Max Deeg is a leading scholar in Buddhist Studies at Cardiff University , holding a personal chair since 2009. With a career spanning institutions in Germany, Austria, and the UK, his research focuses on transcultural Buddhist history from India to East Asia, Chinese Buddhist travelogues , and interreligious encounters in medieval China. He has held visiting positions at universities in Japan, Nepal, the US, and Germany, and currently directs the Centre for the History of Religion in Asia (CHRA) . PhD from University of Würzburg (1990) Dr. phil. habil. in Religious Studies (1998) Full Professor at University of Vienna (2002-2006) His research explores Buddhist narratives as tools for constructing religious identity, foundation myths in trans-Himalayan contexts, and terminology evolution in Chinese Buddhist translations. Recent publications analyze Indian Buddhist monasticism through Chinese sources and religious concepts like xin (trust) across Buddhist, Manichaean, and Christian traditions. Awarded the KHK Visiting Research Fellowship (2016) and a DAAD Scholarship (1986-87) , Prof Deeg contributes to editorial boards of major journals. He supervises PhD students and teaches Buddhist Studies , Life of the Buddha , and Chinese Buddhist Texts .
John McAuliffe is Professor of Poetry at The University of Manchester, where he joined in 2004 and currently directs the Creative Manchester research platform focused on Creative Industries, Creativity/Health/Well-being, and Creative Civic Futures. He founded and directed the internationally renowned Centre for New Writing (2007-2021). Additional roles include Associate Publisher at Carcanet Press, co-editor of PN Review, and trustee of Manchester's UNESCO City of Literature. His creative scholarship centers on contemporary poetry with emphases on Irish literary traditions, cross-cultural translation, and poetry's civic applications. Work spans lyric composition, editorial curation of emerging voices, and critical analysis of poetry's intersections with theatre, conflict studies, and social identity. His practice bridges academic scholarship and public literary engagement through institutional leadership. Recent publications reveal evolving thematic trajectories: 2024's National Theatre examines theatricality in modern verse, while Selected Poems (2021/2022) consolidates decades of work exploring Irish landscapes and personal memory. The Kabul Olympics (2020) and Stockholm Syndrome (2019) demonstrate sustained engagement with geopolitical conflict and psychological dimensions of displacement through poetic form. Major recognitions include: Observer Book of the Year (2021/2022) for Selected Poems Guardian Poetry Book of the Month (June 2020) for The Kabul Olympics TLS and Irish Times Book of the Year (2020) for The Kabul Olympics Poetry Book Society Winter Pamphlet Choice (2019) for Stockholm Syndrome McAuliffe served as Deputy Director of the Irish Arts Council (2013-2018), chairs strategic initiatives, contributes to AHRC peer review, and writes extensively for The Irish Times (2013-2020 column). He actively shapes literary policy through Manchester City Council's Events Commission and UNESCO City of Literature governance.
Annette Schellenberg-Lagler serves as Professor of Old Testament Studies at the University of Vienna's Faculty of Protestant Theology, where she concurrently holds leadership roles as Vice Dean, Director of Studies, and Deputy Head of the Institute for Old Testament Studies and Biblical Archaeology. Her academic career spans over two decades with significant contributions to biblical scholarship since joining Vienna in 2015 after positions at the University of Zurich and San Francisco Theological Seminary. Her educational foundation includes Protestant Theology studies at the University of Zurich (1991-1998), followed by doctoral completion in 2002 and habilitation in 2011 at the same institution. Key developmental phases include Swiss National Science Foundation research in Los Angeles (2003-2005) and tenure-track professorship in California (2007-2015). Schellenberg-Lagler's research centers on Prehistory (Genesis 1-11), Priestly literature, Wisdom literature, and the Song of Songs, with specialized focus on Old Testament Anthropology and theological controversies within ancient Near Eastern contexts. Her work consistently bridges textual analysis with anthropological and epistemological frameworks, particularly examining human cognition in wisdom texts and sensory dimensions in biblical poetry. Current projects include a Song of Songs commentary for Eerdmans' Illuminations series. Recent publications reveal evolving scholarly trajectories toward negative theology in Hebrew Bible studies and interdisciplinary epistemology, while maintaining deep engagement with Wisdom literature. Her editorial leadership as Editor-in-Chief of Vetus Testamentum since 2020 significantly shapes contemporary Old Testament scholarship. She actively mentors students through STEOP-Mentoring programs and doctoral seminars, building on early-career support from Swiss National Science Foundation and Zurich Young Talents scholarships. Her academic service extends to steering committees for the Society of Biblical Literature's 'Wisdom in Israelite Traditions' group and the Working Group on Old Testament Reception (AKRAT). As a core member of Vienna's Research Center 'Religion and Transformation in Contemporary Society' (RaT), she collaborates across multiple networks including the 'Epistemology in ancient Israel' consortium. Her institutional leadership drives curriculum development for Evangelical Theology programs while maintaining active participation in European scholarly societies like EABS and SBL.
Mark Angus is a Visiting Lecturer at the Estonian Academy of Arts, Faculty of Design, and has been a pivotal figure in stained glass art since the 1970s. His work spans architectural commissions for churches and public spaces in the UK, Germany, and Ireland, alongside autonomous art in painting, printmaking, and artist’s books. He operates studios in Frauenau (Germany) and Graz (Austria). Education : Bristol Polytechnic (Chartered Surveyor, 1970), Swansea School of Art (Architectural Stained Glass, 1978). Research Interests focus on: Stained Glass as a medium for spiritual and secular narratives. Vitreography (glass-based printmaking) and its interplay with light and subtlety. Artist’s Books integrating letterpress and visual storytelling. Human Figure Representation in glass and paper, emphasizing dialogue and existential themes. Recent Publications include his 2018 artist’s book 80 Capriccios and the Turbulences of the Self , drawing on Goya’s Los Caprichos to critique modernity, and 2025’s KUNST. Kunst im Landkreis Passau, Bd. 70 , documenting regional art practices. His RED (2014) and Juvenescence (2014) explore color symbolism and eternal youth through acrylics and illustrated novels. Scientific & Artistic Awards : 1990: South West Arts & Crafts Fellowship 1984: South West Arts Major Craft Award 1979: Crafts Council Setting-up Grant 1978: Worshipful Company of Glaziers Travelling Scholarship Teaching & Collaborations : He has taught at the Estonian Academy of Arts, Penland School of Crafts (USA), and Bild-Werk Frauenau (Germany), including 2025’s masterclass Risk & Resonance – The Stained Glass Experience . His exhibitions, such as 80 Capriccios (2024, Neuburg am Inn), reflect interdisciplinary dialogues between glass, poetry, and theological themes.
James Hankins is Professor of History in the Department of History at Harvard University's Faculty of Arts and Sciences, located at Robinson Hall 206, 35 Quincy Street, Cambridge, MA 02138. A leading scholar in Renaissance intellectual history, his work focuses on the intersection of political thought, philosophy, and classical traditions within 15th-16th century Europe. His research centers on Renaissance political thought, the history of philosophy, and classical tradition reception, with emphasis on Italian humanism and virtue politics. As Founder and General Editor of the I Tatti Renaissance Library (Harvard University Press) and Associate Editor of the Catalogus Translationum et Commentariorum, he has shaped critical editions and scholarly resources. He is currently completing The Virtue Politics of the Italian Humanists and recently launched The Pratrizi Project on Francesco Patrizi's political theory. Publications reveal sustained engagement with Renaissance philosophy through critical editions, monographs, and editorial projects spanning five decades. Key themes include Platonic theology, civic humanism, and classical philosophy recovery, demonstrating methodological rigor in intellectual history and textual scholarship across European Renaissance contexts. He actively participates in the Harvard Colloquium for Intellectual History. Information regarding students, grants, scientific awards, and laboratory affiliations was not provided in source materials.
University of North Carolina at Chapel HillUnited States
James J. O’Hara is the George L. Paddison Professor of Latin at the University of North Carolina at Chapel Hill. His academic journey includes a B.A. from the College of the Holy Cross and a Ph.D. from the University of Michigan. He has held significant roles, such as Department Chair (2003-2007), Director of Graduate Studies, and President of the Vergilian Society. His research focuses on Greek and Latin poetry, with a special emphasis on the Augustan period, epic, didactic literature, and satire. Education highlights include studies at the College of the Holy Cross (A.B., 1981) and the University of Michigan (Ph.D., 1986). He taught at Wesleyan University before joining UNC in 2001, where he has contributed extensively to teaching and scholarship. Research interests span Latin poetry, particularly Vergil, Catullus, Lucretius, and Ovid. Notable works include Death and the Optimistic Prophecy in Vergil’s Aeneid (1990), True Names: Vergil and the Alexandrian Tradition of Etymological Wordplay (1996), and Inconsistency in Roman Epic (2007). Current projects explore teaching authority in didactic and satirical works. Publications include over 40 articles and book reviews, with a focus on Vergilian studies, Lucretian analysis, and classical pedagogy. Recent lectures address topics like Aeneid Book 8 and Horace’s Ars Poetica . Grants/Awards: James Gilmore Fletcher Whitton Faculty Fellowship (2012), Loeb Classical Library Fellowship (2015-2016), SUTASA Teaching Award (2013). Students: Directed 15+ M.A. and Ph.D. theses, including works on Lucan, Lucretius, and Vergilian reception. Labs/Teams: Collaborative projects include the Focus-Hackett Aeneid commentary series and editorial work for Vergilius . Active in professional organizations like the Vergilian Society and Classical Association of the Middle West and South.
Matthew Valnes serves as a Visiting Assistant Professor of Musicology in the Department of Musicology & Ethnomusicology at the University of Maryland School of Music, appointed in Spring 2022. His academic work centers on the intersections of music, identity, and social structures within Black American musical traditions. Education: Ph.D. in Musicology, University of Pennsylvania (2012) Valnes specializes in African American popular musics with concentrated expertise in jazz and funk traditions, particularly examining how post-1965 Black popular music constructs race, gender, and sexuality through what he terms a 'post-civil rights era Black popular music aesthetic.' His research methodology combines critical race theory, gender studies, and performance analysis to interrogate sonic expressions of identity. Valnes actively contributes to public scholarship through commentary on Musiqology.com and the Switched on Pop podcast, bridging academic research with broader cultural discourse. Professional engagement includes presentations at the Society for American Music, Society for Music Theory, Experience Music Project, and Dayton Funk Symposium. His scholarly publications appear in African and Black Diaspora: An International Journal, American Music, and Journal of Popular Music Studies.
Thomas Schlag is Professor of Practical Theology with a focus on Religious Education, Church Theory and Pastoral Theology at the Faculty of Theology, University of Zurich. Since January 1, 2021, he has served as Director of the University Research Priority Program 'Digital Religion(s): Communication, Interaction and Transformation in the Digital Society.' He is also Chairman of the Board of the Center for Church Development (ZKE), which he co-founded in June 2010. Previously, he served as Dean of the Faculty of Theology (2014-2016) and Vice Dean for Teaching (2012-2014). 1965: Born in Stuttgart 1980-1985: Attended Protestant seminaries Maulbronn and Blaubeuren 1986-1993: Studied Protestant Theology and Political Science in Tübingen and Munich 1993-1996: Doctorate at University of Munich 2004-2005: DFG research fellowship at University of Tübingen 2005: Appointed Assistant Professor at University of Zurich 2009: Habilitation at University of Tübingen 2011: Appointed Professor at University of Zurich Professor Schlag's work centers on the intersection of theology, education, and digital transformation. His research examines how religious practices adapt to digital environments, with particular focus on religious education in schools, confirmation work, and church youth programs. He explores theological-anthropological interpretations of digital transformation and investigates the relationship between church, state, and civil society through the lens of 'Public Theology.' His current projects analyze digital media practices in church educational offerings and investigate how churches negotiate digital worship services and sacraments. His recent publications reveal a strong emphasis on digital religion, with numerous articles examining digital media in confirmation work, religious leadership in digital contexts, and the challenges churches face in adapting to digital transformation. His work spans practical theology, religious education theory, and ecclesiology, with a particular focus on Swiss religious contexts while maintaining international comparative perspectives. The research demonstrates increasing interdisciplinary collaboration, particularly with scholars examining digital innovation in religious contexts. As Director of the University Research Priority Program 'Digital Religion(s),' Professor Schlag leads a significant interdisciplinary research initiative exploring how digital technologies transform religious communication, interaction, and practices. His work has practical implications for church development, religious education, and theological reflection in the digital age. He actively collaborates with international research networks including the European Network for Confirmation Work and the International Academy of Practical Theology.
Mohamed Ajouaou is an Assistant Professor at Vrije Universiteit Amsterdam's Faculty of Religion and Theology, specializing in Religious Beliefs and Ethics. His research examines Islamic theology within contemporary European contexts. Research focuses on Islamic spiritual care practices, theological ethics in healthcare, and Muslim community dynamics in the Netherlands. Recent publications investigate vaccination ethics during pandemics and pedagogical approaches to religious literacy. Analysis of publications reveals strong emphasis on practical theology, Muslim identity in secular societies, and ethical frameworks for community engagement. No specific awards documented. Teaching includes the graduate course 'Islamitische theologie/Kalam' (Islamic Theology). Leads projects like 'Professionaliseringsprogramma Imams in Nederland 3' focusing on clergy education reform. Frequently contributes expert commentary on Islamic practices in Dutch media regarding fasting, conversion narratives, and religious education policy.
Walid A. Saleh is a Professor of Islamic Studies at the University of Toronto , holding appointments in both the Near and Middle Eastern Civilizations department and the Department for the Study of Religion . His scholarship focuses on the Qur’an , Quranic exegesis (Tafsir), Islamic apocalyptic literature , and Biblical reception in Islam . PhD from Yale University (2001) Recipient of Mellon New Directions Fellowship (2014) and Konrad Adenauer Fellow (2017) Editor of the Routledge Qur’an Series His research analyzes Quranic chronology , manuscript traditions , and Islamic intellectual history . Recent publications examine periodization in Sunni tafsir, late Ottoman book culture, and the reception of al-Bayḍāwī's Anwar al-tanzīl . Articles explore topics from Quranic death narratives to medieval Islamic cosmology . Key article themes: Quranic identity formation , Islamic manuscript studies , exegetical methodology He has edited critical texts like al-Biqa`i's Bible treatise and serves on editorial boards for the Journal of the American Academy of Religion and Journal of Qur'anic Studies . His teaching includes advanced courses in Arabic paleography and Quranic hermeneutics .
Dr. Fabian Schulz is a Senior Researcher in Ancient History at the University of Tübingen, where he works in the Department of History within the Faculty of Humanities. He leads a prestigious Junior Research Group under the Emmy Noether Programme of the German Research Foundation (DFG), titled 'Power and Influence: Influencing Emperors between Antiquity and the Middle Ages.' His academic profile also includes association with the Collaborative Research Center (SFB) 923 'Threatened Order - Societies under Stress' and active participation in the 'Tübingen Theosophy' research group. Previously, he contributed to the Heidelberg Academy of Sciences and Humanities project on John Malalas' Chronicle and the University of Tübingen's DFG project 'East and West 400-600 AD.' Dr. Schulz earned his PhD in Classics from Freie Universität Berlin (2006-2010), where he also served as a teaching assistant. During his doctoral studies, he was a Pensionnaire étranger at the École Normale Supérieure Paris. Prior to that, he completed an MA equivalent degree in Classics at Freie Universität Berlin, with time spent as a visiting student at the University of Oxford (1999-2005). His early career included teaching Latin and Greek at a grammar school in Lübeck (2006). His research specializes in power structures and influence mechanisms in ancient societies, with particular focus on how advisors shaped imperial decisions in Late Antiquity. He has made significant contributions to understanding councils of elders in Archaic Greece (especially the Spartan Gerousie), Byzantine chronography (particularly John Malalas' works), and the complex dynamics between Eastern and Western Roman empires during the 5th and 6th centuries. His methodological innovation lies in applying modern sociological models of interpersonal influence to historical analysis of ancient political culture, bridging literary representation with political reality in pre-modern monarchical states. Young researchers award for 'Ratgeber, Experten, Manipulatoren: Einfluss als Machtfaktor und Diskursobjekt in der Antike' As principal investigator of his Emmy Noether project, Dr. Schulz has secured substantial research funding from the German Research Foundation. His collaborative work includes multiple edited volumes on Late Antique history and Byzantine chronography, reflecting his strong international scholarly network. He currently serves as a deputizing member (non-professorial academic staff) on the faculty board of Humanities at the University of Tübingen. His research often intersects with contemporary concerns about power dynamics, political influence, and historical memory, as evidenced by his work on video game representations of ancient history. Dr. Schulz is an active contributor to the online commentary project on John Malalas' chronicle, specifically editing sections of Book XVIII. His work frequently involves detailed textual criticism and analysis of historical sources, with particular attention to how narratives are transmitted and reinterpreted across different cultural contexts. His scholarly approach combines philological precision with broader historical and sociological perspectives.
Professor Alison G. Salvesen (University of Oxford, Asian and Middle Eastern Studies) is a leading scholar in Early Judaism and Christianity, affiliated with the Oxford Centre for Hebrew and Jewish Studies and Mansfield College. Her work bridges textual criticism, translation history, and reception studies. Current Projects: Hexapla Institute Executive Committee (electronic database of Origen's Old Testament), monograph on Jacob of Edessa (d. 708 CE) Teaching: Septuagint studies, Patristic texts, Textual criticism, Syriac literature Specializing in ancient Hebrew Bible interpretations, she examines Greek (Septuagint), Aramaic (Targums), Syriac (Peshitta), and Latin (Vulgate) traditions. Her research spans rabbinic Judaism and early Christian exegesis. Scientific leadership includes co-editing major reference works and directing the Polonsky Fellowship. Current DPhil students include Joel Bell, Yael Krämer, and Paul Ulishney. Key grants/awards: Polonsky Fellow in Early Judaism and Christianity
