جست‌وجوی استاد و پژوهشگر

Jose Ignacio Hualdeمشاهده پروفایل

استاد

• Phonology
• Historical Linguistics
• Sound Change
• +۳ مورد دیگر

Jose Ignacio Hualde is a Professor at the University of Illinois, holding joint appointments in Spanish and Portuguese, Linguistics, French and Italian, the European Union Center, and the Center for Latin American and Caribbean Studies. His research focuses on synchronic and diachronic phonology, sound change, prosody, and Romance and Basque linguistics. He is affiliated with the Department of Spanish, Italian, and Portuguese and maintains an office in the Foreign Languages Building. Research Interests: Phonological structure and historical evolution Basque linguistic typology and dialectology Prosodic systems in Romance languages Phonetic-phonological interfaces Recent Research Trends: His 2023-2025 publications emphasize Basque dialect analysis, Romance allophonic processes, and prosodic salience. Works combine experimental methods with diachronic reconstruction to address core questions in phonological theory. Professional Activities: Has delivered over 30 invited lectures (e.g., 1992-1996) and served on editorial boards like Folia Linguistica. Active in international scholarly networks with collaboration evidence across multiple countries. Labs/Teams: Engaged in interdisciplinary linguistic research through the Department's language programs and affiliated centers.

Dmitri Tymoczkoمشاهده پروفایل

استاد

• Composition
• Music Theory
• Geometry of Music
• +۵ مورد دیگر

Dmitri Tymoczko is a Professor of Music at Princeton University, where he has taught composition and theory since 2002. His work bridges the gap between academic music theory and contemporary composition, creating a unique interdisciplinary approach that has earned him recognition as a leading figure in modern music scholarship and creation. Tymoczko's research interests focus on the geometric modeling of musical structures, polystylistic composition that draws from genres spanning Renaissance to rock, and the mathematical foundations of tonality. His theoretical work explores how harmonic structures can be represented geometrically, revealing fundamental patterns that connect diverse musical traditions. He approaches composition as 'a logical deduction from absurd premises,' blending rigorous structural thinking with playful musical exploration. His scholarly publications and compositions reveal a consistent interest in the intersection of mathematical precision and expressive freedom. The articles demonstrate expertise across music theory, composition, and the cognitive aspects of musical perception, with recurring themes of geometric modeling, tonal structure, and genre hybridization. His work often challenges traditional boundaries between academic and popular music forms. Guggenheim fellowship Rhodes Scholarship Leonard Bernstein fellowship from Tanglewood Fellowship from the Radcliffe Institute for Advanced Study Block lectureship from the Society for Industrial and Applied Mathematics First music-theory article published in Science magazine Tymoczko maintains an active performance career alongside his academic work, with his compositions performed by leading ensembles including the Brentano Quartet, Newspeak, and Roomful of Teeth. His teaching integrates theoretical insights with practical composition, fostering a generation of musicians who understand music's structural foundations while embracing creative freedom. He has developed innovative tools like the musical programming language 'arca' to explore new compositional possibilities.

Ian Quinnمشاهده پروفایل

استاد

• Music Theory
• Harmonic Analysis
• Music Cognition
• +۴ مورد دیگر

Ian Quinn is the Allen Forte Professor of Music Theory and Director of Graduate Studies (DGS) at Yale University, within the Department of Music in the College of Arts and Science. He holds a B.A. from Columbia University (1993), M.A. and Ph.D. from the Eastman School of Music (1998, 2004). Prior to Yale, he taught at the University of Chicago and University of Oregon, and was a CASBS Residential Fellow at Stanford (2008-09). His research focuses on tonal harmony, corpus studies, music cognition, and the intersections of mathematics and computation in music theory. He edited the Journal of Music Theory (2004–2011) and co-organized the 2009 Society for Mathematics and Computation in Music conference. He leads the Yale-New Haven Regular Singing (YNHRS) shape-note singing group and serves on editorial boards for Journal of Mathematics and Music and the Northeast Music Cognition Group (NEMCOG). Quinn’s work has earned awards from the Society for Music Theory, including the Emerging Scholar Award (2004) and Outstanding Publication Award (2006/2007). His research spans analytical frameworks for harmonic function, corpus-based studies of tonal systems, and empirical investigations of music perception. He has advised over 15 doctoral students, many now in academic and industry roles. Key collaborations include co-authoring the Oxford Handbook of Corpus Studies in Music (2023) and developing the Yale-Classical Archives Corpus. His work bridges theoretical, computational, and historical approaches to music analysis, with contributions to Science , Music Theory Spectrum , and Perspectives of New Music .

• Cognitive Neuroscience
• Auditory Neuroscience
• Music Cognition
• +۳ مورد دیگر

Robert J Zatorre is a cognitive neuroscientist at the Montreal Neurological Institute (MNI) of McGill University . He earned his PhD in experimental psychology from Brown University in 1981 under Peter Eimas and completed postdoctoral research at MNI with Brenda Milner. His work focuses on the neural mechanisms underlying auditory perception, music cognition, and brain plasticity, utilizing techniques such as fMRI and non-invasive brain stimulation. Key Research Areas : Neural substrates of auditory processing, dopamine’s role in musical reward, congenital amusia, and sensory-motor learning. Recent publications highlight his expertise in decoding brain activity related to developmental disorders, auditory perception, and the neural basis of musical reward. He actively contributes to journals like Frontiers in Neuroscience and Proceedings of the National Academy of Sciences as an editor and reviewer. Editorial Roles : Chief Editor for Auditory Cognitive Neuroscience, Frontiers in Neuroscience Guest Associate Editor for Frontiers in Systems Neuroscience and Frontiers in Human Neuroscience

Shunichi Ishiharaمشاهده پروفایل

استاد

• Forensic Voice/Text Comparison
• Computational Linguistics
• Intonational Modelling
• +۶ مورد دیگر

Shunichi Ishihara is a Professor at the School of Culture, History & Language, The Australian National University, where he leads research in forensic linguistics and computational linguistics. His work focuses on forensic text and voice comparison, authorship attribution, and Japanese linguistic studies. He holds qualifications including a PhD (ANU), MSc (Macquarie), MA (ANU), and BEd (Shizuoka). Research Interests: Forensic Voice/Text Comparison Computational Linguistics Intonational Modelling Japanese Language Processing Stylometric Analysis Research Trends: Recent work emphasizes likelihood ratio-based systems for authorship verification, fusion of acoustic and text features for forensic analysis, and applications of deep learning in text evidence evaluation. His studies often explore cross-lingual comparisons (e.g., Japanese, English, Vietnamese) and system validation methodologies. Grants & Projects: "Likelihood project on author recognition" (2024-2026) "Big Australian Speech Corpus" (2010-2015) Multiple forensic voice/text comparison initiatives Labs & Teams: Director of the Speech and Language Lab, collaborating on speech corpus development and forensic linguistic systems.

Arto Anttilaمشاهده پروفایل

دانشیار

• Phonology
• Morphology
• Syntax
• +۲ مورد دیگر

Arto Anttila is an Associate Professor in the Department of Linguistics at Stanford University and holds an Adjunct Professor (dosentti) position in General Linguistics at the University of Helsinki. His research spans multiple linguistic subfields with particular focus on the interfaces between phonology, syntax, and prosody. Dr. Anttila's research interests include phonology, morphology, syntax, metrics, and language variation. His work often explores how phonological constraints interact with syntactic structures and how variation manifests across different linguistic domains. He has made significant contributions to Optimality Theory, MaxEnt grammar, and probabilistic approaches to phonology. His recent publications demonstrate a strong focus on metrical patterns, stress systems, syllable structure, and the relationship between prosody and syntax. Anttila frequently collaborates with researchers like Giorgio Magri, Adams Bodomo, and Ryan Heuser, examining phenomena across diverse languages including English, Finnish, and Dagaare (an African language). Anttila has developed several computational tools for linguistic research, including CoGeTo (Convex Geometry Tools for constraint-based phonology), MetricalTree (for English phrasal stress prediction), Prosodic (for automatic metrical scansion), T-Order Generator, and OTOrder. These tools reflect his interest in the mathematical and computational aspects of linguistic theory.

Guerino Mazzolaمشاهده پروفایل

استاد

• Mathematical Music Theory
• Musical Creativity
• Gesture Theory
• +۶ مورد دیگر

Guerino Mazzola is a Professor of Creativity, Improvisation, and Mathematical Music Theory at the School of Music, University of Minnesota. His academic career includes a PhD in Mathematics from Zurich University and postdoctoral work at Paris-Sud and Rome. He has been a key figure in developing mathematical music theory since 1980, authoring influential books such as The Topos of Music (2002) and Cool Math for Hot Music (2016). Education: PhD in Mathematics (Zurich University), Habilitation in Algebraic Geometry (1980), and Computational Sciences (1993). Research Interests: Mathematical foundations of music, gesture theory, performance analysis, computational musicology, and interdisciplinary creativity. Notable contributions include the Rubato software for performance analysis and the development of gesture theory applied to free jazz. He has received awards such as the Mexican Mathematical Society Medal (2000) and has been a visiting professor at prestigious institutions like the École Normale Supérieure in Paris. Teaching spans advanced courses on gesture theory, performance science, and music informatics, with a focus on bridging mathematical rigor and artistic creativity.

Danfeng Wuمشاهده پروفایل

پژوهشگر ارشد

• syntax-semantics interface
• syntax-prosody mapping
• ellipsis
• +۸ مورد دیگر

Dr. Danfeng Wu is a Research Fellow at Magdalen College, University of Oxford, conducting interdisciplinary research in syntax-semantics and syntax-prosody mappings. Her work focuses on ellipsis, focus in coordination, and the empirical interplay between syntactic structure and prosody, employing experimental phonetic methods. She investigates languages like English and Mandarin Chinese to explore the cognitive and computational aspects of linguistic structure. Her research themes include phonetics, prosody, semantics, and syntax, with a particular emphasis on how syntactic configurations interact with prosodic phrasing and stress patterns. She has contributed to studies on corrective constructions, clitic climbing in Wolof, and vowel lengthening in Zulu, demonstrating a broad methodological approach combining theoretical linguistics with experimental and computational methods. Dr. Wu is affiliated with the Phonetics Lab and Language & Brain Lab within the Faculty of Linguistics, Philology & Phonetics. She has organized interdisciplinary events such as the Oxford workshop on AI language models and developed linguistics courses for computer scientists and cognitive scientists at MIT. Her work bridges formal linguistics with cognitive science and computational linguistics, emphasizing realistic models of language acquisition and evolution.

Liam Hynes-Tawaمشاهده پروفایل

مدرس

• Music Theory
• Tonality Studies
• Comparative Musicology
• +۳ مورد دیگر

Liam Hynes-Tawa is a Lecturer on Music at Harvard University, specializing in modern Japanese and Renaissance European forms of tonality. His research explores the interplay between irreconcilable pitch systems, the nature of modes and keys, and their graphical representation in historical contexts. Education: BA in Music and East Asian Studies (Brown University), PhD in Music Theory (Yale University) His work bridges comparative musicology and historical music theory, with recent publications in Intégral , the History of Theory blog , and Analytical Approaches to World Music . He was awarded the 2022 Outstanding Publication Award by the Society for Music Theory for his contribution to the latter. Liam remains actively engaged in performance, playing cello, singing (especially from early notations), and composing music in his spare time.

Jalal Al-Tamimiمشاهده پروفایل

دانشیار

• Phonetics
• Phonology
• Laboratory Phonology
• +۷ مورد دیگر

Jalal Al-Tamimi is an Associate Professor (Maître de conférences) in experimental phonetics and phonology at Université Paris Cité, affiliated with the Laboratoire de Linguistique Formelle (LLF). He holds an HDR (Habilitation à Diriger des Recherches) in Phonetics and Phonology and has extensive experience in teaching and research across institutions including Newcastle University, UK. His research focuses on the interface between phonetics and phonology, particularly the role of acoustic and articulatory correlates in speech production, perception, and acquisition. He specializes in Arabic dialects, using advanced quantitative methods like generalized additive mixed models and machine learning techniques. Al-Tamimi’s academic journey includes a PhD from Lyon 2 University (2007) and postdoctoral roles in the UK before joining Paris. He currently directs the Master in Language Sciences and co-leads research strands on phonetic complexity and language variation. His administrative roles include membership in the AFCP and coordination of experimental linguistics at LLF. Research interests span laboratory phonology, articulatory-acoustic mapping, and the application of automated methods in clinical diagnosis. His work explores epilarynx dynamics in Arabic gutturals and forced-alignment systems for dialectal Arabic. Awards include the Peter Ladefoged Prize (2018) and Leverhulme Fellowships. He supervises numerous PhD and MA students across computational linguistics and phonetics. Publications highlight contributions to vowel dynamics, speech processing in Alzheimer’s, and cross-linguistic phonological studies. His lab collaborations involve the MAUS team and Sorbonne’s SCAI, focusing on speech technology and pathological speech analysis.

• Music Composition
• Ethnomusicology
• Music Psychology
• +۳ مورد دیگر

Dr. John Hails is a Senior Lecturer and Reader in Music at Edinburgh Napier University , where he teaches aesthetics, music psychology, composition, and ethnomusicology. He holds a PhD in Music from Durham University (2008) and has trained under notable composers like Brian Ferneyhough and Richard Barrett. His research focuses on experimental composition, marginal musical practices, and interdisciplinary aesthetics. Educations: Bachelor’s and Master’s training at Durham University and University of Huddersfield PhD by Portfolio of Compositions (Durham University, 2008) Research Interests: John’s work explores unorthodox intonations, fixed media installations, and the intersection of composition with philosophy and ethnomusicology. He actively presents at international conferences on topics like post-structuralist critiques in music education and communal performance practices. Notable Works: His compositions have been performed by ensembles like the London Sinfonietta and broadcast on BBC Radio 3. Key pieces include enlightenment (microtonal trumpet and media) and Nine for ones in nine , reflecting his experimental approach. Awards & Grants: While no explicit awards are listed, his research is funded by Edinburgh Napier University. He is a core member of the Applied Music Research Centre . Supervision & Grants: He has supervised over 15 postgraduate projects, including PhDs on topics like Musical Cultures of Melanesia and Dialogical Music Systems . His supervisory roles span composition, ethnomusicology, and interdisciplinary studies. Labs/Teams: Active in the Applied Music Research Centre , focusing on creative practice and experimental music dissemination.

Adam Jardineمشاهده پروفایل

دانشیار

• Phonology
• Computational Linguistics
• Formal Language Theory
• +۴ مورد دیگر

Adam Jardine is an Associate Professor in the Department of Linguistics at Rutgers University. He serves as the Graduate Program Director, overseeing the academic affairs of the department's graduate programs. His research focuses on computational and mathematical approaches to phonological theory, with emphases on formal language theory, learnability, and the application of computational models to phonological phenomena. Jardine holds a PhD in Linguistics from the University of Delaware (2016) and has held prior academic positions. His research integrates theoretical linguistics with computational methods, exploring topics such as autosegmental phonology, subregular complexity classes, and phonological learning algorithms. He has organized major conferences including AMP 2024 and workshops on subregular phonology. Jardine leads NSF-funded research on subregular inference of morpho-phonology (Award #2416184), collaborating with Jane Chandlee and Jeffrey Heinz. Key contributions include work on autosegmental representations, computational phonology, and the logical foundations of phonological theory. He has advised numerous PhD students, including Huteng Dai (2024) and Hyunjung Joo (expected 2026), whose research spans phonological learning and computational modeling. Jardine teaches advanced courses such as Phonology Seminar and maintains active participation in interdisciplinary projects linking linguistics to computer science and artificial intelligence. Recent work includes contributions to The Cambridge Handbook of Phonology (2026) and co-organizing sessions on computational learnability at the LSA Annual Meeting. His lab focuses on formal phonology, with ongoing projects exploring the computational boundaries of phonological systems and the application of recursive schemes to linguistic analysis.

Li Nguyenمشاهده پروفایل

استادیار

• Language variation and change
• Contact linguistics
• Computational sociolinguistics
• +۴ مورد دیگر

Li Nguyen is an Assistant Professor of Linguistics and Multilingual Studies at Nanyang Technological University (NTU), Singapore . Their work bridges linguistics with computational approaches, focusing on language variation, contact phenomena, and multilingual NLP. Education: PhD in Linguistics (University of Cambridge), Master’s in General and Applied Linguistics (Australian National University) Research interests include: Language variation and change in multilingual/diasporic communities Computational sociolinguistics and NLP for low-resource varieties Syntax-pragmatic interface in bicultural contexts Code-switching and heritage language documentation Recent publications highlight collaborations on Vietnamese-English and other code-switched language pairs, with a focus on NLP applications and corpus-based analysis. Their work has gained recognition through grants like the NTU Start-up Grant and Cambridge Language Sciences funding . Scientific awards: Cambridge International Scholarship, Philological Society Fieldwork Grant Li Nguyen actively collaborates on projects involving sociolinguistically informed NLP and community-driven language documentation. They have contributed to the development of the CanVEC corpus for Vietnamese-English speech research.

• Music Analysis
• Sonata Form
• 19th-Century Instrumental Music
• +۲ مورد دیگر

Julian Horton is Professor of Music Theory and Analysis at Durham University. His research focuses on analytical approaches to 19th-century instrumental music, with specializations in Bruckner, Brahms, sonata form theory, and tonal systems. Professor Horton's scholarly output examines structural and historical dimensions of Romantic repertoire, particularly investigating formal innovation in symphonic and concerto genres. His recent work develops new theoretical frameworks for understanding post-classical instrumental forms. His publications demonstrate consistent engagement with evolving analytical methodologies applied to canonical repertoire, with recent focus on violin concerti and theoretical examinations of musicological practice. Westrup Prize, Music and Letters Trust (2011) Corresponding Member, Society for Musicology in Ireland (2019) President, Society for Music Analysis (2014-2019) Professor Horton supervises doctoral research across analytical methodologies and historical repertoires, maintaining an active cohort of postgraduate students investigating diverse aspects of music theory and history.

Aaron Cassidyمشاهده پروفایل

استاد

• Contemporary Music Composition
• Musical Notation Innovation
• Non-Geometrical Rhythm Theory
• +۳ مورد دیگر

Aaron Cassidy is an American composer and conductor based in Berlin and Hannover. He serves as Professor of Composition and Director of Incontri – Institut für neue Musik at the Hochschule für Musik, Theater und Medien Hannover. His work emphasizes innovative graphical notations prioritizing physical sound production and non-geometrical rhythm theory. Cassidy’s compositions have been performed globally across 29 countries, with 12 commercial recordings on major labels like Kairos and NEOS. As a conductor, he specializes in contemporary and historical repertoire, leading over 100 world premieres with ensembles such as Ensemble Musikfabrik and ELISION. Notable engagements include the Munich Biennale and Melbourne Recital Centre. His recent research includes a 2025 reflection on non-geometrical rhythm and collaborative Erasmus+ residencies in Klagenfurt. Current projects include works for bassoon, violin-piano duet, and ANAM residency with ELISION in Melbourne (2025). Cassidy’s academic focus bridges compositional theory and performance practice. His research explores notation’s role in shaping musical interpretation, with particular attention to rhythm’s non-metric frameworks. Recent works like Reassessing Non-Geometrical Rhythm (2025) synthesize a decade of theoretical development. His teaching integrates experimental techniques and historical context, fostering innovation in Hannover’s new music institute.