جستجوی استاد راهنمای دانشگاهی

Rachel Price is an Associate Professor of Spanish and Portuguese at Princeton University, affiliated with the Program in Media and Modernity, the Princeton Environmental Institute, and the Program in Latin American Studies. She holds a Ph.D. from Duke University and a B.A. from Yale University. Her research focuses on Latin American and circum-Atlantic literature and culture, with a particular emphasis on Cuba. Key areas include environmental humanities, media studies, slavery’s legacies, and visual art. She is the author of The Object of the Atlantic (2014) and Planet/Cuba (2015), exploring material aesthetics and planetary crises in Cuban art and literature. Price co-edited El populismo por venir? (2018) and has published widely on topics such as concrete poetry, neoconcrete art, and media during slavery’s height in Cuba. She is a 2024–2025 Harvard Radcliffe Institute Fellow and has held roles in Princeton’s Interdisciplinary Doctoral Program in the Humanities. Her work bridges environmental policy, postcolonial theory, and media history, analyzing how material objects and artistic practices reflect broader socio-political transformations. Recent projects examine climate change in contemporary Cuban art and the interplay between digital culture and postcolonial identities. Price previously taught at Brown and Stony Brook Universities and has engaged in research with Colombia’s Consejo Regional Indígena del Cauca.

• Environmental Humanities
• Latin American Literature
• Media Studies
• +۳ مورد دیگر

Donato Totaro is a Part-time Lecturer in Film Studies at Concordia University's Faculty of Fine Arts in Montreal, Canada, where he has taught since 1990. He holds a PhD in Film & Television from the University of Warwick (UK), supervised by Victor F. Perkins, and serves as founding editor of the online film journal Offscreen since 1997. Totaro is also a member of the Association québécoise des critiques de cinéma (AQCC) since 2004. Education: PhD in Film & Television, University of Warwick (UK) Research Interests: Totaro's work spans film criticism , the horror genre , Andrei Tarkovsky , cinema and temporality , and film style . His research explores theoretical and aesthetic dimensions through projects like The Face at the Window (analyzing horror motifs), Women in Horror (documenting post-2010 female contributions), and Monster Kid Generation (tracing cultural impacts of 1950s-1970s horror fandom on filmmakers like Spielberg and Del Toro). He pioneers audio-visual essays as critical tools. Publication Trends: His scholarship reveals evolving focus from Tarkovsky's temporal aesthetics to contemporary horror studies and genre hybridity (e.g., apocalyptic westerns). Recent works demonstrate increasing interdisciplinary reach, connecting film theory with cultural studies, gender analysis, and fan communities while maintaining rigorous formal analysis of cinematic techniques. Scientific Awards: Canada Council for the Arts Grants to Literary Magazines (2002-2019, $200,000+) SSHRC Scholarship (1997-2000) FCAR Quebec Research Grants (1987-1989) York University Research Grant (1988-89) Teaching & Editorial Impact: Totaro has received multiple teaching honors including the Faculty of Fine Arts Distinguished Teaching Award (2017) and Oksana and John Locke Award (2018). He teaches courses ranging from introductory film studies to specialized seminars on horror, Tarkovsky, and film criticism. As Offscreen's editor, he has shaped critical discourse for 25+ years, publishing hundreds of essays while mentoring emerging critics through this influential platform.

• Film Criticism
• Horror Genre
• Andrei Tarkovsky
• +۲ مورد دیگر

Karin Moser is a historian, researcher, and lecturer specializing in film, broadcasting, and media history at the University of Vienna's Department of Economic and Social History. She holds visiting professorships at the University of Innsbruck and University of Hradec Králové. Her academic career includes a Dr. phil. (2017) and Mag. phil. (2001) from the University of Vienna, alongside professional experience in archives and film institutions. Her research focuses on 20th-century political and media history, public history, and consumer culture. Notable projects include the Comenius Award-winning 'Die Österreich-Box' DVD series and leadership in funded initiatives like 'The Radio Reports of the USIA for Austria' (2019-2022) and 'Film Sources on the History of Austrian Employee Representations' (2021-). Key publications: Analyzes film propaganda, Cold War stereotypes, and Austrian commercial cinema history Documentary work: Co-directed films like 'Die Macht der Bilder' (2014) and 'Rote Katz und bunte Vögel' (2015) Her academic contributions bridge archival research with public engagement, emphasizing visual historiography and media's role in shaping national identity.

• Film, Broadcasting, and Media History
• 20th Century Political History
• Public History
• +۳ مورد دیگر

Dr. James Nott is a Lecturer in the School of History at the University of St Andrews. He holds degrees from the University of Oxford, including a PhD in History. Prior to St Andrews, he worked at the Universities of Sussex and Edinburgh. Teaching: Offers undergraduate and postgraduate courses on topics such as Anglo-Scottish relations, British social history, and popular culture. Courses include 'War and Welfare: Britain 1939-51' and 'British Cinema History 1920-60.' Research: Specializes in 20th-century British social and cultural history, with a focus on dance halls, popular music, and mass media. Pioneered the social history of social dancing in Britain, authoring seminal works like Going to the Palais (OUP, 2015). His research explores themes such as class dynamics, leisure culture, and the BBC’s role in shaping popular entertainment. Current projects include a global history of interwar dance trends and anti-Soviet propaganda in British popular culture. Awards: Proxime Accessit to the Whitfield Prize (2002), Fellow of the Royal Historical Society (2002). Media Engagement: Featured in BBC and ABC documentaries on dance history, including Last Man in the Hammersmith Palais and Thinking Allowed . Supervises PhD students in areas such as interwar British social history and media studies. Active in academic conferences and has received grants including the Royal Society of Edinburgh’s 'Let’s Dance' project (2017).

• Twentieth Century British Social History
• Cultural History
• Popular Culture
• +۷ مورد دیگر

Dr. hab. Jolanta Szymkowska-Bartyzel, prof. UJ, is a Full Professor at Jagiellonian University's Faculty of International and Political Studies, specializing in American Studies and Polish Diaspora Research. She holds positions as the Erasmus PLUS Programme Coordinator and member of the Discipline Council for Cultural and Religious Studies, as well as the Faculty Electoral Commission. Education: Graduate in Film Studies from Jagiellonian University Doctoral dissertation on American myths and cultural motifs in television advertising Research Interests: Americanization and anti-Americanism American popular culture's impact in Poland Intercultural dialogue and transnational identity Cultural diplomacy and media analysis Key Contributions: Co-organized the American Dream exhibition at Kraków's National Museum (2009) Authored monographs like Our Imagined America (2015) and The American Myth - the Polish Consumer (2006) Presented globally at conferences in Hungary, Czech Republic, Malta, and Portugal Grants & Projects: Principal investigator in NCN-funded projects on transatlantic relations and cultural differences Coordinated international exchange programs with Radboud University and Universität Duisburg-Essen Labs/Teams: Active in the Institute of American Studies and Polish Diaspora’s research groups focusing on transnational cultural dynamics and media studies.

• Americanization and anti-Americanism
• American popular culture
• Intercultural dialogue
• +۳ مورد دیگر

Aida A. Hozic is an Associate Professor of International Relations and Associate Chair of the Department of Political Science at the University of Florida, affiliated with the College of Liberal Arts and Sciences. Her research bridges political economy, cultural studies, and international security, focusing on crime and state dynamics in Southeastern Europe, visual representations of race, and global arts markets. She holds a Ph.D. from the University of Virginia (1997) and has been recognized with prestigious awards, including Fulbright Fellowships, MacArthur Foundation grants, and teaching honors like the UF Student Government’s Dr. Julie A. Sina Award (2011). Education : Ph.D. with Distinction, Political Science, University of Virginia (1997) M.A. in International Affairs, Johns Hopkins SAIS (1989) B.A., Faculty of Philosophy, University of Sarajevo (1985) Research Interests : Intersection of culture, political economy, and security Visual and aesthetic dimensions of global politics Post-conflict dynamics in Southeastern Europe Gender and financial crises Her work includes books such as Hollyworld: Space, Power and Fantasy in the American Economy (Cornell, 2002) and co-edited volumes like Scandalous Economics: Gender and the Politics of Financial Crises (Oxford, 2016). Recent publications analyze global capitalism’s gendered impacts, post-conflict taxation policies, and the role of art in war narratives. Awards : Fulbright Specialist Award (2011) UF Term Professorship (2017–2020) Colonel Allan R. and Margaret G. Crow Term Professorship (2015–2018) Reubin Askew Mentor Award (2016) Teaching and Service : Developed courses on race, art, and divided cities Served as Undergraduate Coordinator (2010–2013) and Chair of the Department’s International Relations field Editorial roles for journals like Review of International Political Economy and Millennium: Journal of International Studies Labs/Teams : Member of the Center for Gender, Sexualities and Women Studies Contributor to global studies initiatives at UF

• Political Economy
• Cultural Studies
• International Security
• +۵ مورد دیگر

Prof. Dr. Ger Duijzings holds the Chair of Social Anthropology (with a focus on Southeastern and Eastern Europe) at the University of Regensburg. He is also affiliated with the College of Europe in Natolin, Poland. His academic roles include Spokesperson of the Europaeum and Principal Investigator of the seeFField project. Previously, he served at UCL (2005-2014) in roles including Reader in Anthropology of Eastern Europe and Director of the Centre for South-East European Studies. Education: PhD in Social Anthropology (1999), University of Amsterdam MSc in Social and Cultural Anthropology (1989), Radboud University Nijmegen Research Interests: Focuses on urban transformation in post-socialist cities like Bucharest, war and memory studies centered on Srebrenica, and the intersection of religion/identity politics in Southeastern Europe. His work combines ethnographic methods with interdisciplinary approaches to contemporary art and environmental issues. Grants & Leadership: Editor of Comparative Southeast European Studies since 2014 Supervised over 20 PhD students on topics ranging from Balkan trauma to environmental justice Led international research projects including Social Sorting (2014-2019) Labs & Teams: Active in the Graduate School for East and Southeast European Studies and Leibniz Science Campus initiatives. Collaborates with global networks including Strelka Institute in Moscow and UNARTE in Bucharest.

• Social Anthropology
• Urban Studies
• War and Memory
• +۶ مورد دیگر

Professor Cristina Vatulescu teaches Comparative Literature at NYU's College of Arts and Science, specializing in the intersection of literature, policing practices, and archival theory. An award-winning scholar, her book Police Aesthetics won the Heldt Prize and Outstanding Academic Title Award. She holds a Harvard PhD and completed a Harvard Society of Fellows junior fellowship. Her research examines secret police archives, Soviet-era cultural production, and intermedia genres. Current projects include Reading the Archival Revolution and Arts of Attention: A Literary Seed Bank . Fellowships: NYU Humanities (2021-2022), Goddard (2010) Research spans film pedagogy, Foucault's archives, and Iron Curtain cultural politics Publications in Kritika, Diacritics, and Law and Literature

• Literature and Policing Practices
• Archival Theory
• Secret Police Archives
• +۷ مورد دیگر

Susan Grant is a Professor in Russian and Soviet History at Liverpool John Moores University. Her research focuses on the history of healthcare, ageing, and physical culture in the Soviet Union, situating these topics within international contexts. She has published extensively on Soviet nursing, gerontology, and the interplay between state ideology and medical practices. Key research areas: Soviet healthcare, physical culture, ageing, gender studies Current projects: 'Growing Old in the Soviet Union', 'Soviet Ageing' public engagement via dance Books: 'Soviet Nightingales', 'Geriatrics and Ageing in the Soviet Union', 'Russian and Soviet Health Care' Her work has been recognized with prestigious awards including the American Association for the History of Nursing Lavinia L. Dock Research Award (2022), and supported by Wellcome Trust grants (2017, 2022). She sits on the editorial board of the European History Quarterly and welcomes PhD inquiries on Soviet healthcare, ageing, and physical culture themes. 2022: Wellcome Research Enrichment Public Engagement funding 2018: Wellcome Trust Investigator Award 2022: Lavinia L. Dock Research Award

• Soviet Union
• Healthcare History
• Ageing
• +۷ مورد دیگر

Kevin M. F. Platt is the Edmund J. and Louise W. Kahn Term Professor in the Humanities and Professor of Slavic Languages and Literatures at the University of Pennsylvania, serving as Graduate Chair of the Comparative Literature Program. His research focuses on Russian historiography, post-Soviet cultures, and the interplay between memory, poetry, and political history. Platt holds a B.A. from Amherst College and a Ph.D. from Stanford University, with prior teaching experience at Pomona College. His notable works include Terror and Greatness: Ivan and Peter as Russian Myths (2011) and History in a Grotesque Key (1997/2006), alongside co-edited volumes on Russian historiography and translations of works by Anna Akhmatova and Osip Mandelstam. Current projects explore critical historiography of Russia, contemporary Russian culture in Latvia, and translation initiatives. Platt’s teaching spans Russian and East European cinema, literature, and cultural studies, including courses on Sergei Eisenstein, Andrei Tarkovsky, and post-Soviet cultural dynamics. His scholarship bridges historical analysis with literary critique, emphasizing postcolonial frameworks and diaspora studies. Recent research and publications address decolonization narratives, Latvian-Russian cultural intersections, and the legacy of Soviet imperialism. Platt actively engages with contemporary artistic movements, such as the Orbita Group, and critiques geopolitical identity formations in post-Soviet spaces.

• Russian Historiography
• Post-Soviet Cultures
• Russian Lyric Poetry
• +۳ مورد دیگر

Nahum Welang is an Associate Professor of English Literature/Culture and Didactics at Nord University, Norway. His work bridges literary studies with cultural analysis, focusing on American literature, pandemic narratives, and transnational identities. He teaches courses including British Literature and Culture , American Literature and Culture , and Language, Text and Culture in the English-speaking World . His research explores intersections between Black female authorship, pandemic representation, and popular culture. Notable works include The Affirmative Discomforts of Black Female Authorship (2023) and Cultural Appropriation or Cultural Appreciation? (2022). His recent publications analyze Zora Neale Hurston's Barracoon , Claude McKay's works, and Beyoncé's visual albums. He frequently examines how literary and visual art forms reinterpret historical traumas and contemporary social issues. Welang's articles often blend textual analysis with cultural theory, addressing themes like transnationalism, critical media literacy, and masculine identity. He maintains active research collaborations through membership in Nord University's Humanities, Education and Culture Research Group and the University of Bergen's Aesthetic and Cultural Studies group. His scholarly output spans monographs, edited volumes, and peer-reviewed journals such as Journal of Popular Culture and Open Cultural Studies . Current research trends emphasize pandemic narratives' role in shaping modern cultural discourse and reinterpreting marginalized histories through literary frameworks.

• Popular Culture
• American Literature
• Pandemic Studies
• +۴ مورد دیگر

Tom Roberts serves as Assistant Professor of Russian, East European & Eurasian Studies at Smith College, where he researches Russian literature, cinema, and intellectual history with specialization in 19th-century literary realism. His multidisciplinary teaching spans Russian cultural history, including courses on Cold War science fiction, revolutionary traditions, and Soviet avant-garde cinema. His educational credentials include a Ph.D. and M.A. from Stanford University and a B.A. from Middlebury College. Roberts' scholarship critically examines intersections of secular and spiritual discourses in 19th-century Russian culture, analyzing how scientific materialism and Eastern Orthodox theology shaped literary aesthetics. His current book project investigates representations of transcendence in Dostoevsky, Leskov, and Chekhov that challenge realist fiction paradigms, while his extensive cinema publications focus on directors Kira Muratova and Alexei German. His recent publications reveal consistent thematic threads across film studies and literary scholarship, emphasizing cultural-religious-political interplay in Russian artistic expression from the imperial era through late socialism. Roberts advises students within the Russian, East European & Eurasian Studies program, developing courses that integrate artistic forms with philosophical, political, and social discourses across historical periods.

• Russian Literature
• Cinema Studies
• Intellectual History
• +۲ مورد دیگر

Dr. Seth Graham is an Associate Professor at the School of Slavonic and East European Studies (SSEES), University College London. His academic journey includes a PhD in Russian literature from the University of Pittsburgh (2003), preceded by MA (1994) and BA (1990) degrees from the University of Texas at Austin. He has held teaching roles at the University of Washington and a post-doctoral fellowship at Stanford University before joining SSEES in 2006. Research interests span cultural studies, literary studies, language studies, and cinema studies, with a focus on Russian/Soviet cultural history, humor, satire, and cinematic representation. His work examines Soviet-era cultural policies, post-Soviet identity formation, and the role of laughter in political resistance. He also organizes student cultural activities involving Russian popular music. His recent publications explore topics like Stalinist cultural control, post-Soviet cinematic narratives, and the role of humor in authoritarian regimes. Notable works include analyses of Soviet film comedy and studies on satire in Putin’s Russia. Despite no listed scientific awards, his contributions to Slavic studies are recognized through his extensive publication record and academic appointments. Advising and grant activities remain unspecified in the provided texts. Labs/teams: None explicitly mentioned. His work primarily involves individual and collaborative academic writing within SSEES frameworks.

• Cultural studies
• Literary studies
• Language studies
• +۳ مورد دیگر

Nikola Mijovic is a Senior Lecturer in Cultural and Historical Studies at London College of Fashion. He combines academic practice with filmmaking, notably co-directing, co-writing, and co-producing the feature film Borders, Raindrops (2018), which won awards at international festivals including Sarajevo and Montreal. His academic work spans film studies, focusing on Yugoslav and Post-Yugoslav cinema, as well as intersections of film, fashion, consumption, and digital media. Research Interests: National and international cinematic traditions Political aesthetics in Anglo-American media Fashion as cultural expression Digital media and consumption studies Teaching: Supervised research on Soviet films (2020) and women's societal roles through fashion. Key Publications: Borders, Raindrops (2018) - Post-Yugoslav transnational cinema Personal Shopper (2017) - Fashion symbolism in global films 777 (2003) - Experimental digital media art

• Film Studies
• Cultural Studies
• National and International Cinemas
• +۴ مورد دیگر

Dr. Vitaly Chernetsky is a Professor in the Slavic Department at the University of Kansas, specializing in Ukrainian and Russian literature/film, postcolonialism, gender studies, and cultural globalization. He holds a Ph.D. in Comparative Literature from the University of Pennsylvania (1996). His research explores modern/postmodern cultures of Ukraine, Russia, and Eastern Europe, emphasizing diasporic identities, post-Soviet transitions, and queer studies. Affiliations: Director of the Center for Russian, East European, and Eurasian Studies (2015-2020); President of ASEEES (2024); First Vice President of the Shevchenko Scientific Society. Education: Ph.D. in Comparative Literature, University of Pennsylvania, 1996. Key research interests include transnational cultural flows, postcolonial theory, and gender/queer studies in Slavic contexts. He has authored Mapping Postcommunist Cultures and co-edited volumes on Eastern European literatures. His translations include Ukrainian/Russian literary works and historical documents. Chernetsky's publications analyze topics like wartime poetry, diasporic identity, and cinematic representation. Recent articles address Ukrainian cultural resilience, post-Soviet queer narratives, and transatlantic cultural redefinitions. Professional Service: Editor of the Ukrainian Studies book series; member of multiple editorial/advisory boards. Grants/Advising: No specific grants listed; advising roles unspecified but active in academic leadership. He leads interdisciplinary initiatives bridging film, literature, and cultural theory, advocating for global engagement with Eastern European studies. His work emphasizes cultural decolonization and LGBTQ+ visibility in post-Soviet spaces.

• Ukrainian literature and film
• Russian literature and film
• cultural aspects of globalization
• +۹ مورد دیگر