معرفی
Donato Totaro is a Part-time Lecturer in Film Studies at Concordia University's Faculty of Fine Arts in Montreal, Canada, where he has taught since 1990. He holds a PhD in Film & Television from the University of Warwick (UK), supervised by Victor F. Perkins, and serves as founding editor of the online film journal Offscreen since 1997. Totaro is also a member of the Association québécoise des critiques de cinéma (AQCC) since 2004.
Education:
- PhD in Film & Television, University of Warwick (UK)
Research Interests: Totaro's work spans film criticism, the horror genre, Andrei Tarkovsky, cinema and temporality, and film style. His research explores theoretical and aesthetic dimensions through projects like The Face at the Window (analyzing horror motifs), Women in Horror (documenting post-2010 female contributions), and Monster Kid Generation (tracing cultural impacts of 1950s-1970s horror fandom on filmmakers like Spielberg and Del Toro). He pioneers audio-visual essays as critical tools.
Publication Trends: His scholarship reveals evolving focus from Tarkovsky's temporal aesthetics to contemporary horror studies and genre hybridity (e.g., apocalyptic westerns). Recent works demonstrate increasing interdisciplinary reach, connecting film theory with cultural studies, gender analysis, and fan communities while maintaining rigorous formal analysis of cinematic techniques.
Scientific Awards:
- Canada Council for the Arts Grants to Literary Magazines (2002-2019, $200,000+)
- SSHRC Scholarship (1997-2000)
- FCAR Quebec Research Grants (1987-1989)
- York University Research Grant (1988-89)
Teaching & Editorial Impact: Totaro has received multiple teaching honors including the Faculty of Fine Arts Distinguished Teaching Award (2017) and Oksana and John Locke Award (2018). He teaches courses ranging from introductory film studies to specialized seminars on horror, Tarkovsky, and film criticism. As Offscreen's editor, he has shaped critical discourse for 25+ years, publishing hundreds of essays while mentoring emerging critics through this influential platform.
