جستجوی استاد راهنمای دانشگاهی

Riccardo Simionato is a Research Fellow in the Department of Musicology at the University of Oslo (UiO), affiliated with the Faculty of Humanities. He holds a MSc and BSc in Computer Science and Information Engineering from the University of Padova, Italy, and conducted research at Aalto University, Finland (2017–2018). His research focuses on nonlinear audio modeling using deep learning, particularly addressing low-latency interactive solutions for acoustic and electronic musical instruments/devices. Education: 2018: MSc in Computer Science Engineering, University of Padova 2015: BSc in Information Engineering, University of Padova Research Interests: Deep Learning , Audio Modeling , and Sound Synthesis . He explores how deep learning can approximate complex nonlinear phenomena in audio systems, balancing computational efficiency with interpretability. Recent work emphasizes hybrid neural-audio effects, time-variant systems, and physics-informed methods for piano modeling. Publications highlight advancements in optical compressor modeling, piano analysis, and tools for generating audio effect datasets. His work bridges machine learning and music technology, aiming for practical applications in real-time audio processing and electronic instrument emulation. Grants and advising: No specific grants or student advisees listed in the provided text. Collaborations include projects with Prof. Stefano Fasciani and teams at UiO’s Department of Musicology. Labs/Teams: Active within UiO’s Sound and Music Computing research group, focusing on interdisciplinary projects combining computer science and music technology.

• Deep Learning
• Audio Modeling
• Sound Synthesis
• +۳ مورد دیگر

Øyvind Brandtsegg is a Professor in the Department of Music at the Norwegian University of Science and Technology (NTNU), Faculty of Humanities. His work integrates music technology, sound art, and performance through innovative digital systems and artistic research. Research Interests: His primary research areas include digital signal processing , feedback systems , granular synthesis , convolution , artificial intelligence in music , and improvisation . He explores how technology enables new forms of musical expression, especially in live performance and sound installations. His projects often simulate natural processes or use AI to generate dynamic sonic environments. Recent Publications & Artistic Output Trends: Over the past few years, his work has focused on crossadaptive audio processing, real-time interaction systems, and immersive installations. Themes include environmental sound, mechanical music, and the limits of human-machine collaboration. His output spans scientific articles, software, compositions, performances, and exhibitions, reflecting a strong integration of research and artistic practice. Scientific Awards: No specific awards listed in the provided text. Advising and Grants: Brandtsegg supervises multiple doctoral and artistic research students, often in collaborative, interdisciplinary projects. He has led research initiatives such as the Crossadaptive Processing project and organized the Live Interfaces conference. He has received project funding for artistic research and technology development, though specific grants are not detailed. Labs and Teams: He is affiliated with the Trondheim EMP (Electroacoustic Music Performance) group and contributes to the GDSP (Global Digital Sound Processing) platform. His work is often collaborative, involving researchers and artists across institutions in Norway and internationally.

• Music Technology
• Digital Signal Processing
• Feedback Systems
• +۹ مورد دیگر

Balint Laczko is a Doctoral Research Fellow at the RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, affiliated with the Faculty of Humanities at the University of Oslo. His research focuses on image sonification and interdisciplinary studies in autophagy, combining expertise in music technology, machine learning, and computer vision. Education: Master's degrees in Classical Composition (Liszt Academy of Music, Budapest, 2017) and Performance Technology & Electroacoustic Composition (Norwegian Academy of Music, Oslo, 2021). Research interests include 3D audio, audiovisual analysis, and the development of tools for musical gesture analysis. His work bridges artistic and technical domains, with publications in conferences like ICAD and ACM. Key projects: AUTORHYTHM (biological-music tech collaboration), Sonification Pilot (bioRITMO).

• Music Technology
• Sonification
• 3D Audio
• +۶ مورد دیگر

Cordula Hacke is a Professor of Chamber Music and Collaborative Piano at the University of Agder's Department of Classical Music and Music Pedagogy. She holds international acclaim as a pianist, chamber music partner, and musical director for theater productions. Her career spans collaborations with leading orchestras, including the New York Philharmonic and Boston Symphony Orchestra, and extensive work in contemporary and 19th/20th century repertoires. Her research includes editorial work on composers like Debussy and Laparra, and she has pioneered projects like the Trio Art Nouveau (2016) focusing on Fin de Siècle music. She regularly teaches at institutions such as the Salzburg Summer Academy and served as jury chair for the International Kuhlau Competition (2006-2023). Notable productions include directing Spatz und Engel (touring Europe 2021/2023) and founding the Wiesbaden Art Nouveau Music Competition (2022). Her discography features transcriptions of Crumb’s Vox Balaenae and collaborations with artists like Jeanne Baxtresser. Recent activities include leading workshops at Villa Musica (2023) and co-presenting Norway’s classical music programs at Western University, Canada (2023).

• Chamber Music
• Collaborative Piano
• Classical Music Performance
• +۴ مورد دیگر

Ingolv Haaland is an Associate Professor at the Department of Rhythmic Music, University of Agder, with expertise in artistic research, popular musicology, and intercultural collaboration. He has conducted extensive music projects across Southeast Asia and the Middle East since 2006, combining composition with academic inquiry. 2022 - Visiting Professor at Mahidol University's College of Music 2018 - Research stay at Mahidol University 2012-2020 - Guest lectures/supervision at institutions in Thailand, Malaysia, Indonesia, Philippines His research focuses on intercultural musical collaboration and global sound development , informed by fieldwork experiences. Publications include a PhD thesis titled Intercultural Musical Collaboration – Towards a Global Sound (2020), with prior works analyzing artistic identity, research methodology, and cultural integration in music. Key teaching areas include: Music Technology Composition Advanced Reharmonization Ensemble Research Artistic Research

• Artistic Research
• Popular Musicology
• Intercultural Collaboration
• +۴ مورد دیگر

Sigbjørn Apeland is an Associate Professor at the Department of Music , The Grieg Academy , University of Bergen. His research focuses on the intersections of folk music , art music , and church music , particularly within Norwegian contexts. He explores oral traditions , musical identity , and performance practices , often through interdisciplinary lenses. His work spans ethnomusicology , discourse analysis , and cultural heritage . Publications highlight trends in folk-art music fusion , coastal cultural identity , and jazz pedagogy . Collaborations with Benedicte Maurseth and Mattias Solli emphasize traditional transmission and contemporary improvisation . He contributes to popular science through lectures , encyclopedia entries , and book reviews , addressing topics like liturgical integration and regional musicology . His academic output reflects a commitment to interdisciplinary research and cultural discourse .

• Musicology
• Norwegian Folk Music
• Church Music
• +۳ مورد دیگر

Ragnhild Brøvig is a Professor at the Department of Musicology and the RITMO Center for Interdisciplinary Research on Rhythm, Time, and Movement at the University of Oslo. She specializes in popular music studies, focusing on music production, hip-hop, electronic music, and the sociocultural implications of digital mediation. Her research explores remix culture, copyright issues, and rhythmic elements in music. She leads projects like the Musical Fragmentation group and MASHED: Mashup Music, Copyright, and Platform Regulation, funded by the Research Council of Norway. Her education includes a PhD in Musicology from the University of Oslo (2013) and an MA in 2007. She has authored influential books such as Parody in the Age of Remix (2023) and Digital Signatures (2016, with Anne Danielsen). Her work bridges music technology, cultural studies, and legal frameworks surrounding creative content. Brøvig’s research spans interdisciplinary collaborations at the RITMO Center, examining rhythm perception across cultures and disciplines. Her recent articles analyze AI in music production, platform detection policies affecting mashups, and gender dynamics in digital audio workstations (DAWs). She actively engages with emerging technologies, exploring their impact on musical creativity and cultural expression. Her advising and grant work emphasize innovation in music production and digital rights. She collaborates on projects like the TIME initiative on musical microrhythm and contributes to global musicology discourse through edited volumes and international conferences.

• Popular music
• Music production
• Hip-hop
• +۹ مورد دیگر

Pedro Pablo Lucas Bravo is a Doctoral Research Fellow at the University of Oslo's Department of Informatics (IFI), affiliated with the RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion within the Faculty of Mathematics and Natural Sciences. His research focuses on developing interactive music systems using autonomous agents and swarm intelligence, with applications in Extended Reality (XR), Spatial Audio, and robotics. His Ph.D. project explores automatic tempo synchronization in human-machine systems through swarms of autonomous agents, aiming to create emergent musical behaviors in virtual, physical-virtual, and physical platforms. Key technologies include XR, spatial audio synthesis, motion capture, and robotic platforms. Bravo has contributed to projects like the XR Human-Swarm Interactive Music System and the MusicLab Copenhagen Dataset. His work bridges computer science, music technology, and artificial intelligence, with publications in venues such as IEEE ACSOS, NIME, and SMC. He holds a focus on interdisciplinary collaboration, leveraging swarmalator systems for self-organizing compositions and exploring cross-disciplinary applications of embodied oscillators in music performance.

• Music Technology
• Robotics
• Artificial Intelligence
• +۵ مورد دیگر

Ståle Andreas van Dorp Skogstad is an Associate Professor at the University of Oslo, affiliated with the Research Group for Robotics and Intelligent Systems. His research focuses on signal processing, real-time systems, motion capture technologies, and their applications in music interaction and robotics. Key projects include developing systems like Dance Jockey and SoundSaber, which leverage motion capture for musical expression. He has contributed to optimizing digital filters for real-time applications and comparing motion capture technologies across diverse platforms. His work spans interdisciplinary areas such as robotics, computer science, and music technology. Notable publications address topics like IIR filter design, noise analysis in motion capture systems, and classification of music-related actions. Skogstad collaborates extensively with colleagues in informatics and musicology, advancing the integration of sensor technologies with artistic and technical domains. Lab affiliations include the Robotics and Intelligent Systems (ROBIN) group, where he explores cutting-edge solutions in human-computer interaction and sensor-driven applications.

• Robotics
• Signal Processing
• Music Technology
• +۳ مورد دیگر

Kyrre Harald Glette is a Professor in the Department for Informatics at the University of Oslo , affiliated with the Robotics and Intelligent Systems Research Group and the RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion . His research focuses on the co-design of robot morphology and control using evolutionary and bio-inspired artificial intelligence methods. Research Interests: Robotics and Intelligent Systems Evolutionary Robotics and Co-Design of Morphology and Control Artificial Intelligence and Machine Learning Evolvable Hardware and Embodied Computation Computational Creativity and Music-AI Interaction Human-Robot Interaction and Swarm Robotics His recent publications (2023–2025) reflect a strong interdisciplinary trend, combining robotics, evolutionary computation, and music technology. Key themes include evolutionary design of modular robots , real-time adaptation in bio-inspired systems , interactive sonification , and AI-driven music generation . His work often involves the DyRET robotic platform, emphasizing real-world evolution and embodied learning. Scientific Contributions: Extensive publications in top venues like Frontiers in Robotics and AI , IEEE ICRA , GECCO , and Nature Machine Intelligence . Development of open-source robotic platforms and frameworks for evolutionary robotics. Interdisciplinary work bridging AI, neuroscience, and music. Advising and Projects: He supervises MSc students in evolutionary robotics, robot locomotion, and musical robot swarms. He is involved in several research projects including Predictive and Intuitive Robot Companion (PIRC) , Modeling and Robots , Multimodal Elderly Care Systems (MECS) , Musical Human-Machine Interaction , and Neurophysiological Mechanisms of Human Auditory Predictions (AudioPred) . Labs and Research Groups: He is a key member of the Robotics and Intelligent Systems (ROBIN) group, the RITMO Centre of Excellence , and the Creative Computing Hub Oslo (C2HO) . These groups support interdisciplinary research in AI, robotics, music, and human interaction.

• Robotics
• Artificial Intelligence
• Evolutionary Computing
• +۱۲ مورد دیگر

Petter Wiik (b. 1966) is an Assistant Professor and pianist at the Academy of Dance within Oslo National Academy of Arts (KHiO), holding a full-time position since 2005. He holds an MSc from the Norwegian Institute of Technology (1984-1990) and studied composition at the Norwegian Academy of Music (1994-1998). His research focuses on electronic and electroacoustic music for dance performances, emphasizing collaborative choreography, experimental sound design, and studio production. Key themes include kinetic rhythm integration, spatial audio, and narrative-driven compositions. Recent works (2018-2024) demonstrate interdisciplinary approaches to dance and performance art, utilizing modular synthesis, generative systems, and literary adaptations. His compositions frequently explore emotional resonance through abstract soundscapes and thematic motifs. Awards and Grants: Komponistfondet Stipends (11 awards: 1999-2011, 2021) Norsk Kulturråd Funding (2010, 2014, 2017) Komponistenes vederlagsfond Support (1998-2013) He coordinates artistic projects and advises on sound design for student performances at KHiO, though no formal PhD/Master's advisees are listed.

• Electronic Music
• Electroacoustic Composition
• Sound Design
• +۳ مورد دیگر

Egil Tobias Kalman is a Swedish musician-composer and PhD Research Fellow at the Department of Popular Music, University of Agder. Specializing in modular synthesizer and double bass, his artistic research explores intersections between traditional Scandinavian folk music and contemporary electroacoustic composition through minimalist approaches and improvisational techniques. Institution: University of Agder Department: Popular Music Academic Role: Research Fellow Research Focus: Investigates how slowing down and digitally manipulating folk music idioms can reveal sonic foundations beyond traditional acoustic boundaries, employing just intonation systems and synthesized-acoustic mimicry. Artistic Output Trends: Recent concerts demonstrate systematic exploration of temporal expansion techniques, spatial sound design, and cross-disciplinary experimentation across multiple Scandinavian festivals and contemporary music platforms.

• Folk Music
• Electroacoustic Music
• Minimalist Composition
• +۵ مورد دیگر

Victoria Christine Årang Johnson is a Senior Lecturer at the University of Oslo's Department of Musicology (IMV). Her work bridges classical violin performance with cutting-edge music technology and interdisciplinary art. She holds a doctoral-level artistic research fellowship from the Norwegian Academy of Music (2007–2011), focusing on 'Electric Violin in Digital Space.' Johnson’s research explores motion capture, live electronics, and the integration of digital tools with traditional instruments. She is a sought-after performer in festivals like Borealis and Ultima, known for her innovative collaborations with composers and technologists. Awards include a National 1-year working grant (2022). She teaches violin at the Barratt Due Institute of Music and leads projects such as 'Transformation,' which uses motion-tracking systems to control sound synthesis. Education: Master’s from Guildhall School of Music and Drama, London; advanced studies at Vienna Academy of Music. Her research interests span music technology, performativity, and cultural understanding through digital arts. She actively engages in experimental chamber music with ensembles like Kyberia and Ametri String Quartet. Recent projects emphasize the interplay between traditional violin techniques and electronic innovation, reflecting her commitment to expanding musical expression.

• Music Technology
• Motion Capture
• Performativity
• +۳ مورد دیگر

Vincenzo Madaghiele is a Doctoral Research Fellow at the Department of Musicology, University of Oslo. His research focuses on designing artificial musical agents for human-machine improvisation, combining machine learning, real-time systems, and artistic practice. He holds master's degrees in Data Science and Engineering from EURECOM (France) and ICT for Smart Society from Politecnico di Torino (Italy), alongside a bachelor's in Cinema and Media Engineering. Previously, he worked as a Research Engineer at KTH Royal Institute of Technology and Stockholm University. His work explores context-aware autonomous agents in free improvisation, emphasizing aesthetic alignment with musicians. Key projects include MINGUS (neural improvisation), autonomous live looping systems, and Meta-Benjolin (chaotic synthesis composition). Publications highlight interdisciplinary collaborations in music technology, such as the Pain Creature textile instrument and reinforcement learning-based synthesis control. His research bridges computational creativity, interactive media, and experimental music performance.

• Computer Music
• Music Improvisation
• Machine Learning
• +۳ مورد دیگر

SIMON BIRGER BYREMO SOLBERG is a Research Fellow at the Department of Energy and Process Engineering, Norwegian University of Science and Technology (NTNU). His research focuses on membrane technology, electrochemistry, and energy storage systems. Key areas include ion-exchange membranes, electrodialysis processes, lithium-ion battery performance optimization, and sustainable resource recovery. His work integrates advanced modeling techniques with experimental analysis to address challenges in energy efficiency and environmental engineering. Recent studies explore transport phenomena in mixed-solvent electrolytes, electrode structuring for enhanced battery rate capacity, and selective metal recovery using electrodialysis. Collaborations span interdisciplinary projects, including forest management strategies for sustainable resource use. His publications emphasize innovative solutions for energy conversion (e.g., waste heat to hydrogen) and pollution mitigation through advanced membrane-based systems. Notable contributions include developing activity coefficient models for electrolyte mixtures and refining methods for precise transport number measurements. His research bridges fundamental science and industrial applications, targeting scalable, environmentally sound technologies.

• Membrane Technology
• Electrochemistry
• Energy Storage
• +۳ مورد دیگر