جستجوی استاد راهنمای دانشگاهی

Anna Sofia Rossholm is an Associate Professor in Cinema Studies and Deputy Head of the Department of Media Studies at Stockholm University. Her work bridges film studies, literary adaptation, and gender studies, with a focus on Swedish cinematic heritage, including the works of Astrid Lindgren and Ingmar Bergman. She teaches courses on gender in moving images, Swedish film culture, and ecocriticism, and supervises students at bachelor's, master's, and PhD levels. Her research explores screenwriting practices, transmedial storytelling, and the intersection of cinema with nature and memory. Current projects investigate authors like Lindgren and Bergman, film tourism, and eco-critical analyses of postwar wildlife documentaries. Recent publications include studies on women’s screenwriting in Swedish cinema and Bergman’s legacy in tourism. Rossholm’s interdisciplinary approach combines archival analysis with theoretical frameworks from eco-criticism and childhood studies. She has authored a monograph on Ingmar Bergman’s creative process and contributes to debates on film pedagogy and HIV representation. Her work highlights the transmedia dimensions of storytelling and the cultural significance of Swedish cinema history.

• Cinema Studies
• Screenwriting
• Adaptation/Transmediality
• +۶ مورد دیگر

Costanza Julia Bani is an Assistant Professor of Film and Media Production at Stockholm University of the Arts. Her research project Darkness Matters explores light/sound pollution through transdisciplinary collaboration between art, science, and technology. She leads a team investigating nocturnal ecosystems and speculative documentaries, aiming to inspire societal engagement with environmental issues. The project combines immersive 360° audio-visuals, AI tools, and full-dome exhibitions, with planned dissemination via institutions like Tekniska Museet and Vetenskapens Hus. Education: PhD in Film Studies (focus: drama-theory, trans-codifications, industry economics) Scriptwriting Diploma (dffb, Berlin) Producer Diploma (isff, Berlin) Research Interests: Her work bridges art and science to address ecological crises through innovative storytelling. She emphasizes post-humanist perspectives, eco-narratives, and sustainable production methods. Recent outputs include a VIS Journal #12 article and a multiscreen installation exhibited at the Museum of Performing Arts. Collaborations: Partnerships span institutions like KTH Royal Institute of Technology (NAVET hub), Lund University’s Biology Faculty, Karolinska Institutet, and international experts in astrophysics, biodiversity, and light pollution. She also collaborates with tech firms like SISME and Anamorph for immersive tech solutions. Awards & Recognition: Sundance Grantee 2019 EAVE Graduate 2015 Cannes Producers Network Participant TFL Alumna Teaching: Focuses on global filmmaking, impact production, and legal/distribution strategies. Seminars cover talent scouting, financing, and sustainable production practices. She advocates eliminating international barriers for filmmakers.

• Documentary Film
• Environmental Humanities
• Speculative Documentaries
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Dagmar Brunow is a Professor of Film Studies at Linnaeus University , where she teaches, researches, and collaborates. She has been a key member of the LNUC Intermedial and Multimodal Studies (IMS) research group since 2016 and leads the IMS Memory sub-group. Her teaching includes courses like Film, Archive, and Digital Culture and Film as a Research Tool in the International Master's Degree in Digital Humanities , developed in collaboration with the Valand Academy in Gothenburg. She also oversees Sweden’s representative for the European University Film Award (EUFA) jury. Research Focus : Film and cultural memory, queer and feminist filmmaking, audiovisual heritage, digitization ethics, and collaborative archiving. Projects : Leading Det Förlorade Kulturarvet (VR-funded 2021–2024), Elin Wägner och Film (2018–2025), and Astrid Lindgren: Storyworlds and Screenplays (2023). Collaborations : Partnering with institutions like Svenska Filminstitutet , SAQMI , and Face of Aids Film Archive . Publications span 2010–2025, with 15 recent works focusing on queer memory, documentary filmmaking, and transcultural heritage. Her research has been supported by Holger och Thyra Lauritzens Stiftelse and the Vetenskapsrådet . She actively contributes to organizations like European Film Academy , MSA (Memory Studies Association) , and Nordic Women in Film .

• Film Studies
• Cultural Memory
• Queer Cinema
• +۷ مورد دیگر

Emilio Audissino is a film and media scholar and film musicologist affiliated with Linnaeus University as a PartTime Lecturer in the Faculty of Arts and Humanities , Department of Media and Journalism. He is a core member of the Linnaeus University Centre for Intermedial and Multimodal Studies (IMS) . PhD in Film Studies (University of Southampton, UK) PhD in History of Visual and Performing Arts (University of Pisa, Italy) MBA in Arts Administration (Bocconi University, Italy) MA in Cinema Studies (University of Turin, Italy) BA in Arts, Music, and Drama (University of Genoa, Italy) His research focuses on film music history , particularly the John Williams' revival of Hollywood's classical style , and comedy in film and television . He applies Gestalt psychology and Neoformalism to analyze audiovisual media, screenwriting, and sound-image relationships. Key trends in his 15 most recent articles include: the somatic role of film music in contemporary cinema, authorship in horror films , gestural humor in audiovisuals , zany comedy deconstruction , and historical film music analysis spanning silent cinema to modern blockbusters. A prolific editor and consultant, he co-edited the Palgrave Handbook of Music in Comedy Cinema and contributed to studies on Italian dubbing , Star Wars , and sound design integration . He has served as external examiner for PhD theses at Maynooth, Nottingham, and Sydney universities.

• Film Music History and Styles
• Comedy in Film and Television
• Gestalt Psychology and Audiovisual Media
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Alexander Skantze is an Assistant Professor at the Department of Film and Media , Stockholm University of the Arts. His research focuses on innovative narrative techniques beyond classical storytelling frameworks, particularly exploring them-driven approaches to film and media. Collaborating with Maria Hedman Hvitfeldt and Mamdooh Afdile, he investigates thematic storytelling in writing, visualization, and screenwriting practices. His work challenges traditional Aristotelian structures by emphasizing thematic coherence over plot-driven narratives. Key outputs include a 2024 chapter in Practice Sharing II and the 2023 artistic work Brunnsdjup . Skantze’s research was presented at an artistic seminar at his institution in 2023. He actively contributes to language-based artistic research, as seen in his participation in the Society for Artistic Research’s initiatives. His publications reflect a commitment to bridging creative practice and academic inquiry in film studies.

• Film Theory
• Media Studies
• Screenwriting
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Blaise Kirschner is a Professor of Fine Art specializing in Moving Image at the Royal Institute of Art in Stockholm. Their practice spans film, video installations, and expanded media, addressing socio-political, technological, and ecological themes through speculative fiction and historical reenactment. Kirschner holds a PhD in Contemporary Art Practice from the Royal College of Art (2022), with research focusing on post-cinematic media and cultural critique. Education: PhD Contemporary Art Practice, Royal College of Art, London (2017–2022) BA Fine Art, Slade School of Fine Art, London (1998–2002) Research Interests: Kirschner’s work interrogates how contemporary crises—ecological collapse, technological mediation, and socio-political upheaval—are encoded in cultural forms. Their installations and films draw on histories of resistance, pirate economies, and speculative genres to challenge dominant narratives. Exhibitions and Awards: Notable exhibitions include UNICA (Fluentum, Berlin, 2022) and Illiberal Arts (HKW, Berlin, 2021). A Jarman Award winner (2011), Kirschner’s works are held in collections like the British Film Institute and Arsenal Institut für Film- und Videokunst. Recent projects explore virtual reality, machinima, and decolonial critiques of technology. Teaching and Lectures: Kirschner teaches screenwriting, critical theory, and post-cinematic practices at institutions like Goldsmiths, Karlsruhe University, and Piet Zwart Institute. Their workshops address radical materialism, queer-feminist technoscience, and navigating virtual worlds. Awards and Grants: Recipient of TECHNE PhD Scholarship, Fluentum Art Commission, PCAI Art Commission, and multiple Arts Council grants. Their residencies include Beirut Artists’ Research Residency (Cairo, 2013) and Visual Arts Creative Development Residency (Cove, 2008). Labs and Collaborations: Kirschner collaborates with artists, theorists, and activists on projects like Abstraction and Economy (2022) and Radical Matter (2018). Their work often intersects with curatorial ventures, including 5 Uneasy Pieces (2016) and SUPERLUX Masterclass (2017).

• Moving Image
• Contemporary Art Practice
• Sociopolitical Analysis
• +۳ مورد دیگر