Claudia Gronemann has been Professor of Romance Literature and Media Studies at the University of Mannheim’s Romance Studies Department since 2009. Her research spans postcolonial theory, autobiography/autofiction, gender studies, and intermediality in 18th-, 20th-, and 21st-century Francophone, Spanish, and Latin American literature. Co-editor of Passagen: Transdisziplinäre Kulturperspektiven (Olms Verlag) Member of the editorial board for Cuadernos de Estudios del Siglo XVIII Her work interrogates: gender performativity in Spanish Enlightenment texts; transcultural memory (e.g., Saint Augustine in Maghrebian narratives); postcolonial hybridity; and intermedial strategies in Maghrebian and Latin American cinema. Recent publications explore picaresque narratives in Algerian literature, conjugal friendship as a model for marriage in Spanish comedy, and queer readings of Tunisian cinema. She employs keywords like transcultural memory , gender performativity , autofictional strategies , colonial legacies in film , entangled histories , and intermediality in postcolonial contexts . As a leading scholar in gendered literary analysis, she has co-edited volumes on Spanish gender debates, Maghrebian masculinities, and Latin American intermediality. Her habilitation Polyphonic Enlightenment (2009) established her expertise in 18th-century Spanish gender discourses.











