جستجوی استاد راهنمای دانشگاهی

Maximilian Volbersمشاهده پروفایل

مدرس ارشد

• Early Music
• Baroque Music
• Historical Performance Practice
• +۳ مورد دیگر

Maximilian Volbers is a Senior Lecturer and Deputy Head of Mozart:Forum at the Mozarteum University Salzburg, specializing in Early Music. He is a multi-instrumentalist recorder player, harpsichordist, and ensemble leader, known for his work in 17th- and 18th-century repertoire as well as contemporary compositions. His teaching roles include positions at the Mozarteum University and masterclasses. Education: Studied at Mozarteum University Salzburg under Dorothee Oberlinger, Walter van Hauwe, Reinhard Goebel, and Florian Birsak. Research/Performance Focus: Bridges historical performance practices with contemporary music, collaborating with ensembles like Concerto Köln, La Cetra, and modern orchestras such as the Stuttgart Chamber Orchestra. His 2022 debut album Whispers of Tradition earned the OPUS KLASSIK 2023 award. Awards: OPUS KLASSIK 2023 (Young Artists) GWK Münster Music Promotion Prize 2013 GWK Cordes Scholarship Performance Highlights: Regular appearances at festivals including Verbier, Heidelberger Frühling, and Menuhin Festival Gstaad. Performed at venues like Berlin Philharmonie, Elbphilharmonie, and Vienna Konzerthaus.

Andreas Martin Hofmeirمشاهده پروفایل

استاد

• Classical Music Performance
• Tuba Pedagogy
• Chamber Music
• +۳ مورد دیگر

Andreas Martin Hofmeir is a renowned Professor of Tuba and Director of the Bläserphilharmonie at Mozarteum University Salzburg. Specializing in wind instruments, he combines classical performance with innovative跨界 projects. His career spans orchestral work (e.g., Vienna Philharmonic), chamber music (e.g., tuba-harp duo with Andreas Mildner), and cabaret performances. A 2024 Echo Klassik winner, he also leads the cult band LaBrassBanda and authored Hundsgemeine Instrumentenkunde . His teaching focuses on brass pedagogy and performance. Education: Studied in Berlin, Stockholm, Hanover Awards: Multiple accolades including Passauer Scharfrichterbeil and ECHO Klassik Labs/Teams: Directs Bläserphilharmonie and Heavy Tuba Ensemble Research interests include tuba repertoire expansion and interdisciplinary performance. Active globally with masterclasses and publications on brass techniques.

Andrzej Pawel Kucharskiمشاهده پروفایل

مدرس

• Wind Orchestra Conducting
• Clarinet Performance
• Wind Instrument Performance
• +۲ مورد دیگر

Andrzej Pawel Kucharski is a Lecturer for Wind Orchestra Conducting at the Department of Wind & Percussion Instruments, Mozarteum University. He is also a member of the Mozarteum Wind Philharmonic Salzburg and the Sinfonietta da Camera Salzburg, with an international concert career spanning Austria, France, Germany, Hungary, Poland, and Switzerland. His educational background includes: Graduated from the State Music School II. Degree in Opole in 2005 Bachelor's degree in clarinet from Mozarteum University in 2010 IGP master's degree in clarinet with Albert Osterhammer in 2013 Bachelor's degree in concert performance in 2011 Master's degree in clarinet with Albert Osterhammer in 2017 Master's degree in wind orchestra conducting with Albert Schwarzmann and Martin Fuchsberger in 2015 Kucharski specializes in wind orchestra conducting and clarinet performance, with extensive experience in both performance and music education. His work bridges academic instruction with professional orchestral performance, focusing on wind ensemble repertoire and conducting techniques. His teaching and leadership positions demonstrate his commitment to music education: Teaching clarinet in Höhenkirchen-Siegertsbrunn (2011-2015) Teaching clarinet and saxophone at the Prien am Chiemsee Music School (2012-2017) Musical director of the Zell am Moos traditional music band (2012-2019) Bandmaster of the Grödig market band (since 2013) Musical and artistic director of the Salzburg Railwaymen's Music Association (since 2016) Lecturer in wind orchestra conducting at Mozarteum University (since 2019) His professional activities demonstrate a strong commitment to music education and community engagement through various musical ensembles across Austria.

• Music Performance
• Woodwind Instruments
• Piccolo
• +۱ مورد دیگر

Katharina Kutnewsky serves as a Piccolo Lecturer within the Department of Wind & Percussion Instruments at Mozarteum University, specializing in woodwind pedagogy and performance training. Her research and teaching focus centers on Music Performance with emphasis on Woodwind Instruments and specialized Piccolo techniques, contributing to advanced Music Education curricula for instrumentalists. She develops pedagogical approaches for wind and percussion disciplines within contemporary music training frameworks.

• Music
• Percussion
• Instrumental Performance
• +۱ مورد دیگر

Christian Lettner serves as Senior Lecturer for Percussion Instruments within the Department of Wind & Percussion Instruments at Mozarteum University Salzburg, Austria's premier institution for music, drama, and the arts. His academic focus centers on instrumental pedagogy and performance mastery, with core expertise spanning: Percussion technique and repertoire development Orchestral percussion training Historical performance practices Music education methodologies No scientific awards or grant activities are documented in available sources. His professional profile emphasizes direct teaching engagement rather than research outputs or administrative leadership roles. The department operates within Mozarteum's performance-focused ecosystem, collaborating with ensembles like the Mozarteum Orchestra Salzburg and international festivals.

• Music Performance
• Wind Instruments
• Percussion
• +۲ مورد دیگر

Olga Martin Garcia serves as a Lecturer in the Department of Wind & Percussion Instruments at Mozarteum University Salzburg, Austria. She specializes in training musicians in woodwind, brass, and percussion disciplines within this renowned music institution. Her professional focus centers on instrumental performance techniques and pedagogical methodologies for wind and percussion instruments. This includes comprehensive instruction in flute, oboe, clarinet, bassoon, saxophone, trumpet, trombone, horn, tuba, and diverse percussion families. Her teaching integrates historical performance practices with contemporary techniques to develop versatile musicians. As an active educator, she contributes to the university's mission of artistic excellence through individual lessons, ensemble coaching, and curriculum development. Her work directly supports students preparing for careers in orchestral performance, solo recitals, and music education across European and international stages.

Florian Sebastian Podgoreanuمشاهده پروفایل

مدرس ارشد

• Piano Performance
• Wind Instruments
• Percussion Instruments
• +۳ مورد دیگر

Florian Sebastian Podgoreanu is a Senior Lecturer and Accompanist at the Mozarteum University in Salzburg, where he has been teaching in the Department of Wind & Percussion Instruments since 2013. Born in Romania in 1985, he began his musical studies in Ploiești and later attended the George Enescu Music Lyceum in Bucharest. He holds bachelor's and master's degrees in Piano from the Mozarteum University, completed with distinction under professors Cordelia Höfer-Teutsch and Imre Rohmann. His research and performance interests span piano, wind and percussion instruments, chamber music, vocal ensemble performance (as a baritone in 'Cantosonor'), and musical composition. He has performed internationally across Europe, including venues like the Berlin Philharmonic. He received multiple national and international awards for piano and composition during his formative years in Romania, Belgium, Austria, and Italy. His pedagogical approach is informed by masterclasses with renowned artists including Serghei Dorensky, Lory Wallfish, and Trevor Pinock.

• Wind Instruments
• Percussion Instruments
• Music Performance
• +۳ مورد دیگر

Georg Pranger serves as a Lecturer in the Department of Wind & Percussion Instruments at Mozarteum University, Salzburg, Austria. His expertise spans instrumental performance pedagogy with focused specializations: Brass instruments (trumpet, trombone, horn) Woodwind instruments (flute, clarinet, oboe) Percussion techniques and repertoire Classical music interpretation standards Holding a Master of Music (M.Mus.) degree, he actively shapes curricula for wind and percussion performance within the university's music education framework. Mr. Pranger maintains direct contact through his institutional email and contributes to the university's artistic mission through performance-based instruction.

Josef Klaus Schellanderمشاهده پروفایل

مدرس

• Brass Instrument Performance
• Music Education
• Chamber Music
• +۲ مورد دیگر

Josef Klaus Schellander serves as a Contract teacher for trombone (instrumental music education & IGP), brass didactics, and brass chamber music within the Department of Wind & Percussion Instruments at Mozarteum University. He has held concurrent teaching positions at the Mozarteum since 1990 and the Salzburg Music Academy since 1989, establishing a sustained career in music pedagogy. His academic training encompasses bass trombone studies in artistic and pedagogical contexts at both Mozarteum University and the Berlin University of the Arts. Professionally, Schellander founded the Salzburg Brass Consort, performing extensively at the Salzburg Festival while collaborating with ensembles including Camerata Academica Salzburg and Neuschwanstein Musical Theater. His international solo career spans domestic and foreign stages, complemented by continuing education in biofeedback, Alexander Technique, and autogenic training to enhance teaching methodologies. His professional focus centers on brass performance disciplines, with primary interests in brass instrument performance, music education, chamber music, trombone performance, and brass didactics reflecting his dual expertise as performer-educator.

• Music Performance
• Recorder Performance
• Woodwind Instruments
• +۱ مورد دیگر

Elisabeth Wirth serves as a Lecturer for recorder at the Department of Wind and Percussion Instruments, Mozarteum University Salzburg, where she specializes in training performers on this historic woodwind instrument within the context of contemporary music education. Her academic focus spans key areas of musical practice: Music Performance Recorder Performance Woodwind Instruments Early Music Professional correspondence may be directed to elisabeth.wirth@moz.ac.at , reflecting her active engagement with the university's wind and percussion program.

• Chamber Music
• Song Recital Accompaniment
• Historical Performance Practice
• +۳ مورد دیگر

Sabine Pröglhöf-Karner holds a Diploma with distinction in accompaniment from the Vienna Conservatory (now MUK). She serves as a lecturer at the Department of Wind Instruments and Percussion, specializing in piano accompaniment for wind instruments since 1989. Active freelance pianist in chamber music and song recitals since 1982 Orchestral pianist with Stadttheater Baden, Austrian Chamber Symphony Orchestra, and Vienna Symphony Orchestra since 1986 Performs Viennese salon music internationally with instrumental ensembles since 1989 Specializes in historical performance practice using original instruments since 1990 Contributed to curriculum development and university accreditation projects

Nora Schnabl-Andritschمشاهده پروفایل

استاد

• Rhythmics
• Music Education
• Multisensory Perception Development
• +۵ مورد دیگر

Nora Schnabl-Andritsch is a Professor at the Faculty of Performing Arts of the Music and Arts Private University of the City of Vienna (MUK), where she has served as a lecturer since 2000. She also holds a contract lecturer position at the University of Music and Performing Arts Vienna (mdw) since 1988, specializing in Rhythmics, percussion ensemble, movement accompaniment, and instrument making. Education Rhythmic-Musical Education (Teaching Qualification), University of Music and Performing Arts Vienna (1980-1984) Percussion Instruments, University of Music and Performing Arts Vienna (1984-1991) Music and Movement Pedagogy (Master of Arts), University of Music and Performing Arts Vienna (2004-2005) Her research and pedagogical work focuses on Rhythmics , inclusive teaching models , and interdisciplinary collaborations between music, movement, and visual language. She has led artistic-scientific projects such as the Sparkling Science Project (2012-2015) and The Art of Inclusion (2017-2019), emphasizing inclusive educational contexts and multisensory creative processes.

Karin Binduمشاهده پروفایل

مدرس

• Music Ethnology of India
• Indian Diaspora in the Caribbean
• Anthropology of Rhythm
• +۶ مورد دیگر

Karin Bindu serves as a Lecturer in the Department of Social and Cultural Anthropology within the Faculty of Social Sciences at the University of Vienna. An active cultural anthropologist and percussionist since 1991, she integrates fieldwork from Trinidad and India into both academic instruction and musical performance, specializing in cross-cultural rhythm studies across South Asia, the Caribbean, and West Africa. Her educational foundation includes a Mag. Dr.phil. degree with dissertation Percussion Art Forms: Aspects of the Production and Communication of Southindian Talas in the Kutiyattam (LIT Verlag, 2013), establishing her expertise in South Indian percussion systems. This academic trajectory bridges rigorous scholarly research with practical musical mastery. Dr. Bindu's research program centers on Music Ethnology of India, Indian Diaspora communities in the Caribbean, and Anthropology of Rhythm, with specialized investigations into healing contexts, performing arts, Trinidadian Orisha religion, Afghan refugee music, and women's drumming practices. Her work uniquely combines art-based research methodologies with anthropological theory to examine rhythm as cultural knowledge. Publication trends (2013-2019) reveal sustained focus on Mizhavu percussion within Kerala's Kutiyattam tradition, expanding to diaspora communities through Trinidadian and Afghan migration studies. She consistently explores rhythmic systems' spiritual dimensions, intercultural transmission mechanisms, and cognitive aspects of tala structures across diverse cultural contexts. As a performing artist, she collaborates with the female ensemble 'Weltenmusik Trio' and various music groups while maintaining active membership in the International Council for Traditional Music (ICTMÖ), demonstrating seamless integration of academic scholarship and artistic practice within global music networks.

• Music Performance
• Instrumental Music
• Music Education

Gauci-Ancelin Matthieu is a Professor at the University of Music and Performing Arts Graz, affiliated with the Institute 4 Wind and Percussion Instruments. His role involves teaching and research in instrumental music, specifically focusing on wind and percussion instruments. He holds the academic title of Univ.Prof., indicating a senior faculty position. Email: matthieu.gauci-ancelin@kug.ac.at Research interests include music performance practices, instrumental techniques, and pedagogical approaches in wind and percussion studies. His work likely contributes to the advancement of musical education and performance within these disciplines. No awards, grants, or specific publications are listed in the provided text.

Norbert Salvenmoserمشاهده پروفایل

استاد

• Music Pedagogy
• Trombone Performance
• Baroque Music
• +۳ مورد دیگر

Norbert Salvenmoser is a Professor of Trombone (Focus: Music Pedagogy) at the Mozarteum University in Salzburg, leading the Wind, Brass & Percussion Department. He concurrently serves as Deputy Head of Department IV and has been Director of the Music School in Wattens since 2003. His roles include teaching trombone, didactics, and baroque trombone, alongside administrative leadership and pedagogical initiatives. Education: Studied in Innsbruck and at the Mozarteum University, completing school music studies (A1/A2), IGP, and a concert diploma with scholarships. Notable achievements include the 1st prize at 'Jugend musiziert' and extensive masterclasses with renowned artists. Research interests center on music pedagogy, baroque trombone performance, and early music. He actively performs with ensembles like Sound Inn Brass Austria and the Marini Consort Innsbruck, collaborating with prestigious choirs such as the Stuttgarter Kammerchor. His performances span international festivals (e.g., Salzburg Festival, Klangspuren) and include world premieres like an African opera in Cape Town (2006). Awards include the 'Jugend musiziert' prize and recognition through his pedagogical and ensemble work. He contributes to wind courses, orchestra academies, and serves as a jury member for competitions like Prima la Musica.