جستجوی استاد راهنمای دانشگاهی

Philip V. Bohlmanمشاهده پروفایل

استاد

• Jewish music and history
• Religion and music
• History of ethnomusicology
• +۸ مورد دیگر

Philip V. Bohlman is the Ludwig Rosenberger Distinguished Service Professor in Jewish History, Music, and the Humanities at the University of Chicago's College. He also holds an Associate Faculty appointment at the University of Chicago Divinity School. With a PhD from the University of Illinois at Urbana-Champaign and an honorary doctorate from the Romanian National University of Music Bucharest, Bohlman bridges ethnomusicology, history, and performance. Education: PhD (University of Illinois at Urbana-Champaign), Dr. h.c. (Romanian National University of Music Bucharest) Bohlman’s research explores intersections of music with religion, nationalism, race, and colonial encounters. His work spans Jewish music and history, South Asian and Middle Eastern traditions, cabaret, and the Eurovision Song Contest. He co-edits journals and book series, including Acta Musicologica and Grove Music Online . His publications include award-winning works like the Derek Allen Prize-winning Music, Nationalism, and the Making of the New Europe and the Bruno Nettl Prize-winning The Cambridge History of World Music . He was nominated for a Grammy for his double-CD As Dreams Fall Apart . Scientific Awards: Grammy nomination, Derek Allen Prize, Jaap Kunst Prize, Bruno Nettl Prize, Roth Solie Award, Noah Greenberg Award, Donald Tovey Prize As Artistic Director of the New Budapest Orpheum Society, Bohlman revives Jewish cabaret through performance and recordings. His current projects include books on ethnomusicology and global nationalisms, supported by a Guggenheim Fellowship. He teaches seminars on music, migration, and the Eurovision Song Contest.

Mike Katchabawمشاهده پروفایل

دانشیار

• Game Design and Development
• Adaptive Game Systems
• Believable Agents and Characters
• +۵ مورد دیگر

Dr. Mike Katchabaw is an Associate Professor in the Department of Computer Science at The University of Western Ontario. His research focuses on game design and development, including adaptive game systems, believable agents, algorithmic music composition, and networked game optimization. He holds a Ph.D. from Western (2002) and has been with the department since 2002. Teaching responsibilities include courses on open-source projects, software maintenance, game development, and game design. He is affiliated with the Digital Recreation, Entertainment, Art, and Media (DREAM) Group. Key research areas include psychosocial behavior modeling in NPCs, automated difficulty adjustment, and latency management in multiplayer games. Publications span over 30 refereed journal/conference papers, book chapters, and technical reports. Notable achievements include the Best Paper Award at GameOn 2011 and a patent for a flexible music composition engine. He has contributed to commercial games like 'To The Moon' and 'Animal Planet Vet Life' as a consultant/lead programmer.

Ian Woodfieldمشاهده پروفایل

استاد

• Musicology
• Classical Music History
• Mozart Studies
• +۵ مورد دیگر

Ian Woodfield is a Professor in the School of Arts, English and Languages at Queen's University Belfast, specializing in Musicology & Composition. He holds a prominent role in the field of classical music history with a particular focus on Mozart's operas and their reception. His research explores topics such as the autograph scores of Mozart's operas, 18th-century musical contexts, and the social history of music in Anglo-Indian societies. Woodfield has conducted significant research on Mozart's comic operas, including Così fan tutte and Don Giovanni , analyzing their structure, libretto-score interactions, and historical performance practices. His projects include studies of early manuscript copies and sources, such as the Prague Conservatory Don Giovanni score and the genesis of Così fan tutte at the King's Theatre in 1789. Key Projects: R1152MUS : The sources of Figaro (2009-2012) R1876MUS : A Study of the Early Manuscript Copies of Mozart's Don Giovanni (2007) R1809SON : A Study of the Early Manuscript Copies of Mozart's Don Giovanni (2006-2008) His publications and invited lectures span over three decades, focusing on topics such as Mozart's reception in London, the role of women amateur musicians in Anglo-Indian society, and the methodology of page-break analysis in operatic manuscripts. Woodfield has advised three supervised works, though specific student names are not listed. His research has been recognized through international collaborations and presentations at institutions like the Internationale Stiftung Mozarteum in Salzburg and King's College London.

Andrew Azizمشاهده پروفایل

استاد

• Music Theory
• Sonata Form Analysis
• 19th-Century Music
• +۳ مورد دیگر

Dr. Andrew Aziz is Professor of Music and Coordinator of Music Theory at San Diego State University's School of Music and Dance. He holds a PhD in Music Theory from Eastman School of Music and an MA from the same institution, with undergraduate degrees in Music and Applied Mathematics from Brown University. His research examines sonata form transformations across classical, romantic, and modern eras, with specialized focus on Beethoven, Debussy, Ravel, and contemporary film music. Recent publications analyze structural innovations in West Side Story and Beethoven's late piano works. Most Influential Faculty Award, SDSU School of Music and Dance As theory coordinator, he oversees curriculum development and mentors graduate researchers. Current students explore topics from Stevie Wonder's harmony to algorithmic composition. He has chaired multiple graduate committees and served as juror for concerto competitions. He directs the music theory laboratory, advancing analytical methodologies for performance practice.

• Audio Engineering
• Music Composition
• Sound Design
• +۴ مورد دیگر

Hamilton Altstatt serves as the Audio Program Director and Assistant Professor of Practice in the Department of Performing Arts at Clemson University's College of Arts and Humanities. He holds a Bachelor of Science in Mechanical Engineering from Drexel University and a guitar performance degree from the Musician’s Institute in Hollywood. His career spans over 80 interactive titles for companies like Disney Interactive, Knowledge Adventure, and Idealab. Notable projects include sound credits for 'SpongeBob SquarePants,' 'Dinosaur Adventure,' and Steven Spielberg’s 'MovieMaker.' He contributes to animated TV series like 'The Sitting Ducks' and 'Jimmy Neutron,' with music featured globally in media. Prof. Altstatt specializes in the intersection of entertainment and technology, with expertise in audio/video compression, webcasting, and streaming media. He frequently speaks at the annual Streaming Media Conference and operates Greatwaves Digital Media, Inc., offering recording and production services. His work encompasses music composition, sound design, and audio engineering for film, TV, and commercials. Clients include Discovery Channel, Warner Bros., and ABC.

Gillian Rodgerمشاهده پروفایل

استاد

• 19th-Century American Musical Theater
• Working-Class Popular Culture
• Gender and Sexuality Studies in Performance
• +۴ مورد دیگر

Gillian Rodger is a Professor of History & Literature in Musicology & Ethnomusicology and Chair of the Department of Music Education at the University of Wisconsin-Milwaukee. She holds a PhD in Ethnomusicology from the University of Pittsburgh, an MM in Ethnomusicology from UW-Madison, and a BA in Music Education from the University of Melbourne, Australia. Her research focuses on 19th-century American musical theater, working-class culture, and gender/sexuality in performance. Key projects include studies of variety theater's evolution into vaudeville, male impersonation in U.S. entertainment, and legal frameworks shaping theater practices. She authored Champagne Charlie and Pretty Jemima (2010) and Just One of the Boys (2018), examining cross-dressing and gender dynamics. Recent work explores Tony Pastor's vaudeville legacy and Annie Lennox's performance strategies. Rodger’s research highlights song as a narrative device in non-linear theater, linking musical performance to socio-historical contexts. She critiques gender norms through analyses of historical and contemporary performance practices, emphasizing how music shapes identity and cultural narratives. Her grants and advising are not detailed in the provided texts.

Paul Ellisonمشاهده پروفایل

مدرس

• Musicology
• Organ Performance
• Choral Performance
• +۳ مورد دیگر

Paul Ellison is a Lecturer in the Department of Musicology at San Francisco State University (SFSU), School of Music. He also serves as Director of Music at Church of the Advent in San Francisco and is a faculty member at San José State University. Ellison holds degrees from prestigious institutions including the Royal Academy of Music, London, Queens’ College Cambridge, and Cardiff University (PhD). His research focuses on Musicology, Organ and Choral Performance, and Gregorian Chant, with a particular emphasis on Beethoven’s works and tonal analysis. He contributes actively to journals like Grove Music Online , The Beethoven Journal , and Notes , and regularly lectures at the Three Choirs Festival in the UK. Ellison is also the President of the American Beethoven Society. Education: Royal Academy of Music, London: DipRAM, LRAM London University: BMus Queens’ College, Cambridge: PGCE San José State University: MA Cardiff University: PhD Research Interests: Ellison’s work bridges historical performance practices and theoretical analysis, with deep engagement in 19th-century music, particularly Beethoven’s harmonic language and emotional expression. His studies often explore affective tonality and its role in shaping musical meaning. He also investigates organ repertoire, choral performance techniques, and the intersection of music with cultural history. Publications: His scholarly contributions span Beethoven’s symphonic and vocal works, Chopin’s piano preludes, and César Franck’s organ compositions. His 2014 book The Key to Beethoven is a seminal text on tonality and meaning in the composer’s music. Recent work includes analyses of Beethoven’s late style and the cultural implications of musical performances in politically charged contexts. Professional Roles: President, American Beethoven Society Regular lecturer at the Three Choirs Festival (UK) Contributor to The Cambridge Encyclopedia of Historical Performance in Music Ellison’s teaching and performance activities reflect his dual focus on academic rigor and practical expertise, spanning organ performance, choral direction, and musicology.

Cóilín O'Dubhghaillمشاهده پروفایل

پژوهشگر ارشد

• Metalwork
• Japanese Alloys
• Traditional Craft Processes
• +۳ مورد دیگر

Dr. Cóilín O'Dubhghaill is Senior Research Fellow at Sheffield Hallam University's Art and Design Research Centre within the Culture and Creativity Research Institute. As a practicing silversmith, his work blends traditional craft processes with new technologies. Education includes training at Grennan Mill craft school, Edinburgh College of Art (graduated 1996), and doctoral studies in metalwork at Tokyo University of Fine Arts and Music (2005). Research explores material science applications to understand tacit skills and craft materials, industrial technology appropriation for craft production, and novel uses of traditional processes in studio work. Co-founded Mikana Innovations Ltd and exhibits internationally with works in collections including the National Museum of Ireland and Goldsmiths' Collection, London. Research funded by Arts Council England, UK Research Councils, Innovate UK, and Sasakawa Foundation. Current projects include Japanese alloys, TIG welding in fine metalwork, and friction-stirred mokume gane techniques. Awards: Bavarian State Prize for outstanding contributions in applied art and design (2015) Supervises postgraduate research including doctoral candidate Amal Al-Ismaili's work on recreating contemporary jewellery from traditional Omani designs.

Joe Stretchمشاهده پروفایل

مدرس ارشد

• Creative Writing
• Fiction
• Screenwriting
• +۲ مورد دیگر

Joe Stretch is a Senior Lecturer in Creative Writing (Fiction) at the Manchester Writing School, Manchester Metropolitan University, serving as Pathway Leader for the BA English and Creative Writing programme since 2015. He is an award-winning author and filmmaker with notable works including the novel The Adult (Somerset Maugham Award, 2012) and the audiobook Don’t Let Go (Cannes Lion Award, 2011). His debut film Wizard’s Way garnered multiple awards and was optioned for a remake by Jack Black. Additionally, he is a musician with the band Performance, whose work has featured in global media. His research and creative interests focus on narrative innovation in fiction, interactive storytelling, and the intersection of literature with film and audio. He teaches advanced creative writing courses at postgraduate level, including Novel Workshop , MA Creative Project , and MFA Manuscript . Awards: Somerset Maugham Award (2012) Cannes Lion Award (2011) His interdisciplinary career spans literature, film, and music, reflecting a commitment to experimental storytelling across mediums.

Tamsin Alexanderمشاهده پروفایل

مدرس ارشد

• Cultural History
• Sensory History
• Music and Politics
• +۶ مورد دیگر

Dr. Tamsin Alexander is a Senior Lecturer in the Department of Music at Goldsmiths, University of London, and Director of the Centre for Russian Music. Her research focuses on intersections of music, politics, and technology in 19th- and 20th-century Europe, with special attention to Russian musical culture's transnational dissemination. She has published widely on Russian opera's global reach, Soviet audiovisual culture, and the sensory histories of lighting in 19th-century performance spaces. Education: PhD (Musicology) from the University of Cambridge (2015), MPhil (Music) from Selwyn College, Cambridge (2009), and BMus (hons) from King's College London (2008). Research interests include sensory history, opera's cultural politics, and the technological evolution of musical performance. Notable works include Cosmopolitan Connections: Yevgeny Onegin in Nice (2023) and co-editing Tsarist Russia and the Musical World (2023). She has contributed to BBC Radio 3 and curated exhibits at the Barbican Music Library. Grants: 2024 Early Career Research Fund Award from Goldsmiths. Recent articles explore topics like electric lighting's impact on London concerts and collaborative processes behind Stravinsky's The Rite of Spring . PhD supervision focuses on Soviet musicology, transnational opera history, and 20th-century compositional practices. Current advisees research Prokofiev's Fiery Angel and Dutch Jewish composers under Nazi occupation. She leads the Centre for Russian Music, fostering interdisciplinary projects on Russian musical heritage and its global influence.

Alexis Bennettمشاهده پروفایل

مدرس

• Film Music
• Music History
• Audiovisual Media
• +۳ مورد دیگر

Dr. Alexis Bennett is a Lecturer in Music at Goldsmiths, University of London and a visiting supervisor at the University of Cambridge. She holds a PhD from Goldsmiths, following studies at the University of Edinburgh, Royal College of Music, and Guildhall School. Her research focuses on audiovisual media, folk music, early music, and British film music of the 1930s. She was the 2016–17 Edison Fellow at the British Library Sound Archive and has published extensively on film music history and cultural studies. Her work spans academic writing, composition, and performance, including collaborations with poets and filmmakers. Notable publications include Cultural Crossroads: British Film Music in the 1930s (2019 thesis) and articles in Popular Music , Journal of Film Music , and Music, Sound, and the Moving Image . She serves as Reviews Editor for Music, Sound, and the Moving Image and on the editorial board of Facta Universitatis: Visual Arts and Music . As a composer, Bennett has created scores for films and operas, such as The Electrictionary (2015). She performs with early music ensembles and is active in the folk scene. Teaching roles include courses on music in film, composition, and media studies at both undergraduate and postgraduate levels. Her research explores intersections between music, film, and cultural history, with a focus on British cinematic practices and their historical contexts.

Pamela Karantonisمشاهده پروفایل

مدرس

• Vocal Performance
• Identity Politics
• Decolonising Musical Theatre
• +۲ مورد دیگر

Pamela Karantonis is a Lecturer and Head of Department in Theatre and Performance at Goldsmiths, University of London. With a background in vocal performance and a PhD from the University of New South Wales, she bridges practice and theory through research in voice, identity, and decolonising musical theatre. Academic Qualifications : PhD (UNSW), BA (Hons First Class, Adelaide), BA (UNSW) Professional Experience : Former opera chorister, Equity member, and voice coach; co-founded the Creative Corporealities Research Group (2016). Research Interests encompass vocal performance, identity politics, and decolonising performance genres. Her work interrogates the intersection of experimental theatre, voice studies, and cultural authenticity, as seen in her monograph-in-progress and edited volumes like Cathy Berberian: Pioneer of Contemporary Vocality (2014). Recent Publications include chapters on decolonising curricula, remediated female vocality, and the nexus of modernism and vocality. These reflect her focus on interdisciplinary methodologies, gendered performance, and post-punk aesthetics. Honors : Best Feedback Trophy, Bath Spa University Students’ Union (2016) Teaching & Supervision : She supervises PhD projects on female vocality, solo performance, and musicality in contemporary theatre, combining classical voice training with critical theory.

Ian J. Murrayمشاهده پروفایل

پژوهشگر ارشد

• Law and Capitalism
• Regulatory Arbitrage
• Sports Law
• +۷ مورد دیگر

Ian J. Murray is a Forrester Fellow at Tulane University School of Law, teaching legal writing and engaging in scholarly activities. He holds a B.A. in Diplomatic History from the University of Pennsylvania (2011), a J.D. from NYU School of Law (2015), an LL.M. in Comparative Laws from the European University Institute (2020), and is completing a PhD in Law (expected 2024). His research focuses on regulatory arbitrage, law and capitalism, sports law, and transnational governance. Previously, Murray practiced corporate law at Covington & Burling LLP, specializing in private equity transactions. He has organized conferences on commodification and co-authored works exploring legal frameworks in global sports regulation and financial markets. His academic contributions include articles in European Law Open and Global Jurist , addressing topics like EU regulatory capacity and fictitious commodities. Education: PhD Candidate in Law, European University Institute (2024) LL.M., European University Institute (2020) J.D., NYU School of Law (2015) B.A., University of Pennsylvania (2011) Murray’s research interests span banking & finance law, corporate governance, economic history, and legal institutionalism. His work often intersects with global governance challenges, including offshore finance and private-public partnerships. He has held research roles at NYU, the European University Institute, and the UN International Law Commission. Awards: Martin Wolfe Prize (2011) Robert McKay Scholar (NYU Law) Teaching: Legal writing for first-year law students at Tulane. He actively contributes to academic communities through editorial roles, conference organization, and participation in working groups on economic history and legal theory. His non-academic interests include music composition, cycling, and 1960s-70s Italian music podcasting.

Scott D Bartonمشاهده پروفایل

دانشیار

• Robotics Engineering
• Music Perception and Cognition
• Audio Production
• +۳ مورد دیگر

Scott D Barton is an Associate Professor in the Department of Humanities & Arts at Worcester Polytechnic Institute (WPI), with affiliations in Robotics Engineering, Psychology, and Interactive Media & Game Development. His work bridges music, robotics, and cognition, focusing on robotic musical instruments, human-robot interaction, and perceptual studies. He holds a BA from Colgate University (1998), an MMus from Brooklyn College (2006), and a PhD from the University of Virginia (2012). Research interests include designing automated musical instruments, exploring how cognitive processes shape musical perception, and applying AI to music creation. Key projects involve the Music, Perception and Robotics Lab , where he develops systems like Cyther (a self-tuning robotic zither) and Parthenope (a robotic siren). His work has been showcased in venues like the International Conference on New Interfaces for Musical Expression. Barton emphasizes interdisciplinary collaboration, teaching students to merge technical skills with creative expression. Media coverage includes interviews in The New York Times and The Telegram & Gazette , discussing topics like urban sound phenomena and robot-human concerts. His performances blend algorithmic composition with live robotics, exemplifying WPI's focus on innovative engineering and art. Grants and collaborations are central to his work, though specific funding details are not provided. Advising focuses on guiding students in creating novel musical technologies and understanding perceptual frameworks. Upcoming events include performances at the International Computer Music Conference and workshops on computer music technology.

Jenna Doyleمشاهده پروفایل

مدرس ارشد

• Songwriting
• Commercial Music
• Pop Music Composition
• +۳ مورد دیگر

Mrs. Jenna Doyle is a Senior Lecturer in Songwriting & Commercial Music at Middlesex University's School of Arts, part of the Faculty of Arts and Creative Industries. She is an accomplished platinum-selling composer, songwriter, producer, and performer with major label collaborations (Sony, Universal, Warner) and TV credits (ITV's The Voice). Her work spans international pop music, including hits with Namie Amuro and Deborah Cox, and theatrical works through Donnelly & Maltby. Her research interests focus on contemporary commercial music creation, cross-cultural musical collaboration, and the integration of technology in modern songwriting. Notable achievements include a US Billboard #1 single and Japan's biggest-selling live DVD, 'Finally'. She co-founded the musical theatre duo Donnelly & Maltby, whose works have toured extensively across the UK and Europe. No formal grants or academic awards are listed, though her industry accolades reflect significant professional recognition. She is affiliated with Peer Music/Galactic Music Ltd and actively contributes to the National Youth Music Theatre. Her current roles include academic supervision and creative industry engagement.