جست‌وجوی استاد و پژوهشگر

Edward Pomerantzمشاهده پروفایل

دانشیار مدعو

• Screenwriting
• Playwriting
• Television Writing
• +۳ مورد دیگر

Edward Pomerantz is an Adjunct Associate Professor of Screenwriting at SUNY-Purchase 's School of Film and Media Studies. He is also the founder and director of the Harlem Dramatic Writing Workshop at Columbia University, dedicated to nurturing emerging playwrights and screenwriters. BA, City College of New York MFA, Yale School of Drama A multi-award-winning writer, Pomerantz has received two Writers Guild Awards and multiple international film festival honors. His work spans screenplays , plays , and teleplays , with a focus on creative thinking , urban narratives , and interdisciplinary collaboration . His recent works (2017) include the collected plays DANCING ON QUICKSAND and THREE ORIGINAL SCREENPLAYS. These publications explore experimental storytelling , character-driven drama , and adaptation techniques across different formats. 2017: Best Screenplay Award, Stockholm Independent Film Festival (REAL LOVE) 2016: Best International Short Film, London Discover Film Festival (LA COMIDA) 2017: First Selection, International Short Film Festival in Belgium (I HATE WHEN IT GETS DARK SO EARLY) 2009: Writers Guild Award, NEW YORK CITY TOO FAR FROM TAMPA BLUES Emmy Award-Winning Production, THE GOLD BUG Pomerantz has served as a Creative Advisor at international screenwriting labs across Mexico , Brazil , and Cuba , while also conducting Fulbright Specialist Programs in Russia and Poland focusing on playwright-actor collaboration and dance-theater integration .

Øyvind Nypanمشاهده پروفایل

دانشیار

• Music Performance
• Jazz Studies
• Guitar Pedagogy
• +۳ مورد دیگر

Øyvind Nypan is an Associate Professor at the University of Agder , specializing in Rhythmic Music within the College of Arts and Education . He coordinates the Talent Development Program (TUP) , focusing on music pedagogy and performance. His research interests include Music Performance , Jazz Studies , and Guitar Pedagogy , with a strong emphasis on Ensemble Dynamics and Experimental Composition . His work explores Collaborative Artistry and Performance Innovation , often integrating Contemporary Techniques and Multimedia Elements . Recent publications highlight trends in Ensemble Performances , Jazz Interpretation , and Digital Adaptation during the pandemic. He has produced albums like The Tronosonic Experience II and Big City , reflecting his Creative Expression and Genre-Bending style.

Haralabos Stafylakisمشاهده پروفایل

مدرس

• Contemporary Classical Music
• Progressive Metal
• Chamber Music
• +۵ مورد دیگر

Haralabos (Harry) Stafylakis is a Lecturer of Music in Studio Composition at the Conservatory of Music, State University of New York at Purchase. A New York City-based, JUNO-nominated composer originally from Montreal, his work fuses classical traditions with the energy and aesthetic of heavy metal, described as 'dreamy yet rhythmic' by The New York Times and 'ferociously expressive' by the Times Colonist. He is actively involved in contemporary music through composition, performance, and education. Education: BMus, McGill University MA, The Graduate Center, CUNY DM, The Graduate Center, CUNY Stafylakis’s research and creative interests center on contemporary classical composition , particularly the integration of progressive metal and chamber or orchestral music. His work explores narrative depth, emotional intensity, and environmental themes, often structured as programmatic symphonic poems or concept-driven chamber works. He is deeply engaged in new music communities, especially through cross-genre collaborations and collective initiatives. His recent compositions reflect a consistent trend in fusing classical rigor with metal’s visceral energy. Works like Calibrating Friction and Incinerate demonstrate his focus on rhythmic propulsion, dramatic contrasts, and virtuosic performance. Thematic concerns often include existential, environmental, and mythological narratives, as seen in Holocene Extinction and Wheel of Time . These pieces span orchestral, chamber, and solo forms, showcasing his versatility and conceptual ambition. Scientific and Artistic Awards: Charles Ives Fellowship, American Academy of Arts and Letters ASCAP Leonard Bernstein Award SOCAN Classical Composer of the Year Four SOCAN Foundation Awards for Young Composers JUNO Nominee (2022, Iguana ) JUNO Nominee (2024, Calibrating Friction ) Stafylakis is a founding member of the ICEBERG New Music collective, which promotes emerging composers and innovative programming. He has advised and collaborated with numerous performers and ensembles, including Dame Evelyn Glennie , Roomful of Teeth , JACK Quartet , and Animals As Leaders . His works have been supported by commissions from orchestras such as the Winnipeg Symphony Orchestra and ensembles like Land's End Ensemble , often with backing from organizations like the SOCAN Foundation . He maintains an active creative lab through his website and recordings, with works released on New Amsterdam Records , Naxos , Analekta , and others. His recent album Calibrating Friction exemplifies his signature chamber and metal fusion style, produced in collaboration with Adam Pietrykowski.

Ken Safirمشاهده پروفایل

استاد

• Syntactic Theory
• Binding Theory
• Anaphora
• +۷ مورد دیگر

Ken Safir is a Distinguished Professor in the Department of Linguistics at Rutgers University, within the School of Arts and Sciences. His research centers on syntactic theory, binding, and the syntax of African and Germanic languages. He leads the Afranaph Project, an NSF-funded initiative to document anaphoric phenomena in African languages. Research Interests: His work focuses on the architecture of syntactic theory, anaphora and dependency, clausal complementation, movement, and the morphosyntax of understudied languages. He is especially known for his contributions to binding theory and the analysis of reciprocal and reflexive constructions in Bantu and other Niger-Congo languages. The most recent publications show a sustained focus on anaphora, phase theory, clausal selection, and morphosyntactic variation in African languages. His work combines formal syntactic theory with rich empirical data from fieldwork, often resulting in detailed grammar sketches and technical reports. The Afranaph Project has produced a comprehensive database and numerous open-access resources. NSF Grant BCS-0919086 (Afranaph Project) NSF Grant BCS-0523102 (Afranaph Project) Distinguished Professor Title (Rutgers University) Ken Safir has advised and collaborated with numerous graduate students and researchers, particularly in African linguistics. His work has been supported by continuous NSF funding, reflecting its significance in the field. He has contributed to major theoretical debates in generative grammar and has published extensively in top-tier journals. The Afranaph Project, under his leadership, maintains a robust infrastructure for linguistic data, including case files, questionnaires, and technical reports, serving as a vital resource for researchers worldwide.

Bernardo Baderمشاهده پروفایل

استاد

• Architecture
• Sustainable Design
• Cultural Identity in Architecture
• +۷ مورد دیگر

Bernardo Bader is Professor of Architecture and Art at the Academy of Fine Arts Munich, where he leads the Master’s program in Architecture and Art. He is also the founder and principal of bernardo bader architekten , based in Dornbirn, Austria. His academic and professional work is deeply rooted in the architectural traditions of the Alpine region, with a strong emphasis on material authenticity, craftsmanship, and environmental integration. Academy of Fine Arts Munich – Faculty of Architecture University of Liechtenstein – Guest Lecturer, Master’s Program in Architecture His research and design practice focus on sustainable architecture, cultural identity, sacred spaces, and public infrastructure. Bader’s projects often explore the relationship between built form and landscape, using timber and stone to create structures that are both timeless and contextually responsive. His work bridges artistic expression with functional rigor, particularly in educational, religious, and civic buildings. The 15 most recent publications reflect a consistent engagement with themes of sustainability, cultural continuity, and architectural poetics. Projects such as the Islamic Cemetery in Altach, the Alpine Sports Center in Schruns, and the revitalization of Hohenems’ Old Town demonstrate a deep commitment to social responsibility, ecological performance, and aesthetic clarity. These works span residential, institutional, and urban scales, united by a minimalist yet expressive architectural language. Bernardo Bader has received numerous awards and recognitions: Piranesi Award 2012 Mies van der Rohe Award Nomination (2013, 2019) Aga Khan Award for Architecture 2013 State Prize 2024 | Architecture and Sustainability International Architecture Award 2014 Dezeen Awards 2019 Nomination Colour-Structure-Surface 1st Prize Vorarlberg Building Owners' Prize 2015 Design Award of the Wüstenrot Foundation European Public Space Award Finalist 2014 He actively mentors students through studio reviews, juries, and academic collaborations at institutions including ETH Zurich, the University of Liechtenstein, and his own department in Munich. While no formal list of advisees is available, his pedagogical influence extends across Europe. His studio has secured multiple competition wins and public commissions, indicating sustained grant and project funding. Bader’s work is often developed through competitive processes and public contracts, reflecting strong institutional support. Bernardo Bader leads bernardo bader architekten , a design studio known for its rigorous conceptual approach and high-quality execution. The team collaborates with engineers, landscape architects, and artists on projects that serve both local communities and broader cultural discourse. The studio functions as a living laboratory for architectural innovation, particularly in timber construction and sustainable urban development.

Joseph Harringtonمشاهده پروفایل

استاد

• US Literatures (Post-1900)
• Poetry and Poetics
• Documentary Poetry
• +۱۲ مورد دیگر

Joseph Harrington is a Professor in the Department of English at the University of Kansas, where he teaches creative writing, poetry, and literary studies. His work bridges critical scholarship and poetic practice, focusing on the intersections of poetry, history, and cultural politics. Education: While specific degrees are not listed in the text, his academic trajectory includes fellowships at the Huntington Library, the Hall Center for the Humanities, and the Fulbright Distinguished Chairs Program, indicating a strong foundation in literary studies and American culture. His research explores documentary poetry (docupoetry) , mixed-genre writing , and the cultural role of poetry in American public life . He is particularly interested in how poetry engages with historical trauma, race, surveillance, and the climate crisis. His recent poetic work, such as The Poem of Our Climate , directly confronts eco-anxiety and environmental collapse, using lyrical and experimental forms to process planetary grief. The 15 most recent articles reflect a consistent engagement with experimental nonfiction , archival poetics , and the political unconscious in literature . Themes of memory, disappearance, voice, and embodiment recur across genres. His work often blurs boundaries between poetry, essay, and scholarly critique, creating a unique hybrid form he terms "amneoir"—a memoir of memory loss. Scientific Awards & Honors: Conger-Gabel Teaching Professorship (2013–2016) Millay Colony Resident Fellow (2013) Pushcart Prize Nominee (2011) Hall Center for the Humanities Fellow (Creative Work, 2010; Research, 2000) Finalist, Howard Foundation Fellowship (2010) Walt Whitman Chair, Fulbright Distinguished Chair (2005) Mayers Fellow, Huntington Library (1999) Mortar Board Outstanding Educator Award (1998) Harrington advises graduate students in the MFA and PhD programs in Creative Writing and Literature. He has received internal and external grants supporting his research and creative work, including funding from the Hall Center and the Fulbright Program. His blog, Writing Out of Time , extends his public intellectual engagement with climate chaos and literary response. He is affiliated with the Department of English within the College of Liberal Arts & Sciences and contributes to initiatives such as the First Year Writing Program and the Gunn Center for the Study of Science Fiction . His recent book Disapparitions (2024) represents a culmination of his long-standing interest in the spectral—whether as ghost, spy, or racial epithet—and how these converge in American history.

Britton Lynnمشاهده پروفایل

استاد

• Theatre
• Scenic Design
• Theatrical Production
• +۵ مورد دیگر

Britton Lynn is a Professor in the Department of Theatre at Harding University, where he has been teaching since 2003. He specializes in theatrical design and production, offering courses that have led his students to win awards at the Southeastern Theatre Conference and the United States Institute for Theatre Technology. His professional work spans scenic design, stage direction, and performance. Education: M.F.A. in Scenic Design, University of Tennessee Britton's research and creative interests center on theatrical design, musical theatre, classical drama, and performance studies. His work emphasizes both aesthetic innovation and pedagogical excellence, preparing students for professional theatre environments. He has designed and directed numerous productions, including Matilda , Crazy for You , The Glass Menagerie , and Shrek: The Musical! , demonstrating a strong commitment to diverse theatrical genres. His recent creative works reflect a broad engagement with musical theatre, Shakespearean drama, holiday performances, and contemporary plays. These productions showcase expertise in scenic design, stage direction, and comedic or dramatic storytelling, often blending technical precision with emotional depth. Themes such as memory, identity, and cultural critique recur across his body of work. Professional Engagement: Design and direction at Harding University Design work for Andersen University and Ozark Actors Theatre Active participation in national theatre conferences Britton mentors students in theatrical production and design, with several of his advisees earning national recognition. While no formal grants are listed, his leadership in award-winning student projects indicates strong mentorship and program support. He contributes to the academic theatre community through creative practice and pedagogy. Performance and Design Teams: He collaborates with theatre production teams at Harding University and regional theatres, working closely with directors, technicians, and performers to realize complex stage productions. His involvement in both design and performance highlights an integrative approach to theatre-making.

John Whynotمشاهده پروفایل

دانشیار

• Music Production
• Audio Engineering
• Sound Mixing
• +۶ مورد دیگر

John Whynot is an Associate Professor in the Music Production and Engineering (MP&E) department at Berklee College of Music, where he actively teaches and mentors students in audio engineering, music production, and sound mixing. He integrates decades of professional experience into his pedagogy, emphasizing hands-on learning, artistic inquiry, and technical mastery. His research and professional interests span Music Production , Audio Engineering , Sound Mixing , Film Scoring , and Recording Technology . He advocates for a holistic understanding of music creation, asking students to reflect on the purpose and audience of their recordings. His teaching blends storytelling, theory, and live demonstrations to make technical concepts engaging and practical. The 15 most recent articles reflect a consistent focus on high-profile film and album projects, particularly in sound mixing and audio engineering . These works demonstrate expertise in cinematic sound design, narrative audio, and hybrid analog-digital production. Subfields such as score-to-picture synchronization , spatial audio engineering , and acoustic clarity in vocal-centric albums recur, indicating a deep engagement with both technical precision and emotional impact in sound. Grammy-winning work on 'Timeless: A Hank Williams Tribute' by Lucinda Williams John Whynot has advised numerous artists in professional settings and contributed to major recording projects, though formal student advisees are not listed. He has been involved in grants and collaborations through film and album productions. He leads no formal lab but operates as a core faculty member in Berklee’s MP&E program, influencing curriculum and student development through direct instruction and industry integration.

Donald Fortescueمشاهده پروفایل

استاد

• Art and Science Interdisciplinary Practice
• Sculptural Instrument Design
• Sound Art
• +۱۲ مورد دیگر

Donald Fortescue is a Professor in the Furniture Program at the California College of the Arts (CCA) , where he has led the program since 1997. He holds a PhD from the Australian National University and integrates art, science, and craft in his interdisciplinary practice. His work explores the boundaries of perception, employing both digital technologies and traditional craftsmanship to investigate natural phenomena. Education: PhD, Australian National University, Canberra, Australia MA, University of Wollongong, Australia Assoc. Diploma (Wood), Canberra School of Art, Australia B.S., University of New South Wales, Sydney, Australia Fortescue’s research focuses on the convergence of artistic and scientific methodologies, particularly in extreme environments like the Arctic and Antarctic. His recent projects involve fieldwork in polar regions, collaborating with scientific observatories such as the IceCube Neutrino Observatory at the South Pole and the KM3NeT in the Mediterranean. He creates sculptural 'instruments' that transduce natural energies—such as wind, light, and atmospheric pressure—into sound and visual forms, revealing hidden aspects of the natural world. His recent artistic output demonstrates a consistent engagement with themes of transduction, environmental perception, and the material legacies of scientific exploration. Works like Instrument (90ºS) and Bathysphere (for KM3NeT) exemplify his fusion of artistic expression with astrophysical inquiry. These projects reflect a deep interest in how both art and science grapple with noise, signal, and the interpretation of subtle data. Scientific Awards: Experimental Design Award, San Francisco Museum of Modern Art (2001) US National Science Foundation Antarctic Artists and Writers Fellowship Fortescue has exhibited widely across Australia, the US, Europe, Asia, and South America. His work is held in major collections including the National Gallery of Australia , the Museum of Arts and Design (New York) , and the San Francisco Museum of Modern Art . He advises on interdisciplinary research and has received grants from institutions such as the Exploratorium , the Center for Art and Environment , and his academic institutions. Labs & Collaborations: Fortescue collaborates closely with scientific teams at IceCube and KM3NeT , embedding artistic inquiry within high-energy physics research. His work often involves custom-built instruments deployed in remote environments, functioning both as artworks and as platforms for sensory data collection.

Joseph Leaseمشاهده پروفایل

استاد

• Poetry
• American Avant-Garde Poetry
• Contemporary Literature
• +۷ مورد دیگر

Joseph Lease is a Professor in the Writing and Literature Program at California College of the Arts (CCA), where he actively contributes to the academic and creative life of the institution. His work bridges literary scholarship, poetic innovation, and public engagement, placing him at the forefront of contemporary American poetry. Professor, Writing and Literature Program, California College of the Arts Advisory Board Member, Princeton Encyclopedia of Poetry and Poetics Featured Reader at institutions including Stanford, Yale, Brown, and the Poetry Project at St. Mark's Church Lease's research and creative interests center on the intersections of personal and collective trauma, spiritual inquiry, and lyrical innovation. His poetry explores themes of death, identity, environmental collapse, and emotional vulnerability through a confessional yet formally rigorous style. Influenced by Jack Spicer and the American avant-garde, Lease employs sparse vocabulary, open parentheses, and recursive syntax to evoke psychological and existential depth. His recent publications, including Fire Season (2023) and The Body Ghost (2018), reflect a sustained engagement with global and personal apocalypse, healing, and the fragility of being. These works have been recognized for their musicality, emotional intensity, and philosophical depth, establishing Lease as a vital voice in 21st-century poetry. Lease’s publications span major literary journals and anthologies such as The Best American Poetry , The Norton Anthology of Postmodern American Poetry , The New York Times , The Paris Review , and The Boston Review . His work often blends the secular and the sacred, using poetic form to navigate grief, memory, and political consciousness. His honors include: Academy of American Poets Prize Philip Whalen Award for Now What Multiple grants from Columbia University, Brown University, Harvard University, and CCA Lease has advised and influenced emerging writers through his teaching and public readings. Though no formal students are listed, his mentorship is evident through his role as an educator and his participation in literary communities. He has received institutional support through grants and awards that have enabled his creative output. His work has been featured in curated events at venues such as City Lights Books, the Yerba Buena Center for the Arts, and the AWP Conference, reflecting broad recognition in both academic and artistic circles. Lease is associated with PennSound, The Poetry Center at San Francisco State University, and KQED, where his readings are archived. He is also a member of the advisory board for the Princeton Encyclopedia of Poetry and Poetics , contributing to the scholarly infrastructure of poetic studies. His work continues to evolve through collaborations, performances, and publications that challenge and expand the boundaries of contemporary poetry.

Jacci Den Hartogمشاهده پروفایل

استاد

• Sculpture
• Environmental Art
• Post-Minimalism
• +۵ مورد دیگر

Jacci Den Hartog is a Professor and Program Director of Sculpture/New Genres at Otis College of Art and Design. She earned her MFA in Sculpture from Claremont Graduate School (1986) and BA in Fine Art from Linfield College (1984). Den Hartog’s career spans over three decades, focusing on material-based sculptures that interrogate landscape representation, ecological ethics, and the interplay between abstraction and narrative. Education MFA, Sculpture, Claremont Graduate School, 1986 BA, Fine Art, Linfield College, 1984 Her artistic practice bridges post-Minimalist abstraction, feminist critique, and ecological inquiry, often incorporating materials like rubber, latex, and aqua resin to explore themes of urban-extra-urban boundaries , gravity’s influence on form , and temporal dichotomies . Works such as Three Rings (1991) and Gilded Space (2022) exemplify her engagement with material transformation and conceptual landscapes. Scientific Awards and Honors Faculty Development Grants (Otis College, 2022, 2018, 2008) Guggenheim Memorial Foundation Fellowship (2012) CALOA Mid-Career Grant (2006) Ludwig Vogelstein Foundation Grant (1997) Pollock-Krasner Foundation Grant (1987) Den Hartog has held visiting roles at Art Center College of Design, University of California (Santa Barbara and Los Angeles), and Pasadena City College. Her solo exhibitions span prestigious venues like Christopher Grimes Gallery, Rosamund Felsen Gallery, and institutional shows at Pasadena City College and the Nora Eccles Harrison Museum of Art.

Nicholas Kersulisمشاهده پروفایل

مدرس ارشد

• Fine Arts
• Sculpture
• Drawing
• +۳ مورد دیگر

Nicholas Kersulis is a Senior Lecturer in Fine Arts at Otis College of Art and Design. He holds an MFA in Interdisciplinary Studio Specialization from the University of California, Los Angeles. Education: MFA (UCLA), BFA (California Institute of the Arts), Yale University School of Art (Norfolk Summer Session) His artistic practice spans sculpture, drawing, and installation art, focusing on spatial abstraction and materiality. Notable solo exhibitions include Venice6114 (2015) and Devin Borden Gallery (2013). Group exhibitions include participation in SIGGRAPH Asia 2020 and the MexiCali Biennial (2010). His work often explores environmental interactions through mediums like black mirrors, latex paint, and graphite wall drawings. Awardee of prestigious honors such as the United States Artists Project Grant (2011) and Core Artist in Residence Fellowship (2006-2007). He has held residencies at Byrdcliffe Art Colony, The Banff Centre, and Ucross Foundation. Professional appointments include Adjunct Assistant Professor at Art Center College of Design, Visiting Professor of Sculpture and Drawing at Rice University, and adjunct roles at the University of Southern California (Roski School of Art) and Woodbury University (Art History Department).

• Sculpture
• Painting
• Textile Art
• +۳ مورد دیگر

Aili Schmeltz is a Senior Lecturer at Otis College of Art and Design , where she combines her expertise as a sculptor and painter with pedagogical practice. A graduate of the University of Arizona (MFA) and Kansas City Art Institute (BFA), she has exhibited nationally and internationally, including at Edward Cella Art and Architecture , Jen Bekman Gallery , and Museum of Contemporary Art Tucson . Her work has been recognized through grants such as the Pollock Krasner Grant and Foundation for Contemporary Arts Grant . Advanced Web and Interactive Design Certificate, UCLA Extension (2014) Master of Fine Arts (Sculpture), University of Arizona (2003) Bachelor of Fine Arts (Printmaking/Painting), Kansas City Art Institute (1997) Working at the intersection of sculpture and painting, Schmeltz's practice explores material transformation and spatial ambiguity . Her Object/Window/Both/Neither series investigates architectural metaphors , while her Thread and Fabric Dye works challenge textile-based abstraction through unconventional canvas-muslin constructions . Her recent publications reflect critical engagement with contemporary art discourse , including features in Domus and Fabrik Magazine . The 2020 book L'Art du fil (The Art of Thread) documents her textile innovation in the broader context of fiber art and material culture . Pollock Krasner Grant California Community Foundation Grant Foundation for Contemporary Arts Grant As Founder of Outpost Projects , Schmeltz has shaped alternative art platforms while maintaining active public art commissions for institutions like the Atlanta Beltline and World Economic Forum . Her international residencies at Scuola Internazionale di Grafica and Espronceda Center demonstrate cross-cultural influence in her practice.

Sirja-Liisa Eelmaمشاهده پروفایل

دانشیار مهمان

• Conceptual Painting
• Minimalist Art
• Spatial Context in Art
• +۳ مورد دیگر

Sirja-Liisa Eelma (1973) is a conceptual painter affiliated with the Estonian Academy of Arts, where she serves as a Visiting Associate Professor in the Department of Painting under the Faculty of Liberal Arts. Her career spans over two decades, with part-time teaching experience since 1995 and active academic engagement continuing into 2021. Education: Master of Arts in Painting, Estonian Academy of Arts (1996) Doctoral research in Artistic Research, Estonian Academy of Arts (2018–present) Eelma’s visual language centers on minimalist structures, utilizing repetitive and slowly evolving imagery to explore themes such as the paradox of emptiness, the physicality of pause and silence, and the interplay between the visible and invisible. Her practice emphasizes the temporal and spatial dynamics of painting, creating meditative experiences for viewers. Scientific Awards: Kristjan Raud Art Award (2023) AkzoNobel Art Prize nominee (2021) Konrad Mägi Award (2016) Eelma’s work has been showcased in solo and group exhibitions across Estonia and internationally, including venues like Tartu Art House, Draakon Gallery, and Kumu Art Museum. She has participated in artist-in-residence programs in France, Italy, Finland, Austria, and Norway, further enriching her artistic and research endeavors.

Adriana Majdzińskaمشاهده پروفایل

استاد

• Sculpture
• Spatial Form
• Material-Based Art
• +۴ مورد دیگر

Adriana Majdzińska is a Polish Professor at the Academy of Fine Arts in Gdańsk's Faculty of Sculpture and Intermedia, where she has been professionally active since 2006. She earned her postdoctoral degree in 2019 and currently serves as Vice-Dean of the Sculpture Program. Her artistic practice combines sculpture, drawing, and social initiatives with materials like wood, metal, stone, and ceramics. Faculty: Sculpture and Intermedia University: Academy of Fine Arts in Gdańsk Academic Rank: Professor Current Vice-Dean of Sculpture Program Research & Practice Focus: She explores the harmony between content and form in sculpture, focusing on spatial forms where materials subordinate conceptual content. Her work spans classical sculpture, public installations, and experimental series like "Natural Killers" (2021) and "my truth/your truth" (2019), with themes addressing moral allegory, gender studies, and material philosophy. Scientific Contributions: Notable series include "Reliquaries" (2011), "Perygeum" (2018), and "Signum II" (2014). These works demonstrate her expertise in symbolic abstraction, material transformation, and conceptual continuity across multiple media platforms including wood, steel, concrete, and glass. Honors & Recognition: Recipient of 1998 Minister of Culture scholarship Gdańsk Society of Friends of Art Award (2000) Gold medal at Sculpture Salon in Warsaw (2003) Multiple Cultural Scholarships from City of Gdańsk Community Initiatives: Co-founder of WL4 Przestrzeń Sztuki artistic community in Gdańsk (2015-2017), and current President of WL4 Przestrzeń Sztuki Association. She has been actively involved in public art projects across Poland, Austria, and Finland.