Przemysław Kordos is a Professor at the University of Warsaw , affiliated with the Faculty of Liberal Arts , where he serves as Coordinator for the Development of the Modern Greek Philology Program . He holds two PhDs in Humanities (2007, 2019) and was awarded the Loukis Papaphilippou Seat of Advancement in Modern Greek scholarship. Education: MA in Ethnology and Cultural Anthropology (University of Warsaw, 2001) MS in Sociology (University of Warsaw, 2002) PhD in Humanities (University of Warsaw, 2007) Second PhD in Humanities (University of Warsaw, 2019) His research interests span: Contemporary Modern Greek and Cypriot literature Polish-Greek cultural relations (philhellenism) Social and ethnographic issues in Greece and Cyprus Travel literature analysis Fantasy literature's cultural implications His scientific work reveals a focus on linguistic assimilation in foreign language learning (via fMRI studies), historical parallels between Polish and Greek independence movements, and critical analyses of Cypriot folk culture's politicization. Key scientific awards include: Loukis Papaphilippou Seat (University of Warsaw) Internships at EKPA and IKY (Greece) Scholarships at IMXA (Greece) and MUNI (Czech Republic) His academic contributions include cataloging 60+ Polish travel accounts to Greece, analyzing the shift from travel literature to tourism discourse, and examining the Hellene-Romios dichotomy's role in modern Greek identity construction.
Catherine Stinson is an Assistant Professor and Queen’s National Scholar in Philosophical Implications of Artificial Intelligence at Queen's University. She holds joint appointments in the School of Computing and the Philosophy Department, blending technical and philosophical expertise to address ethical challenges in AI. PhD in History & Philosophy of Science, University of Pittsburgh (2013) MSc in Computer Science, University of Toronto (2013) Dr. Stinson's research focuses on methodological and ethical dimensions of artificial intelligence, including: Bias and explanation in machine learning Computational psychiatry Embodied intelligence Community-led design AI ethics education Her recent publications analyze corporate influence in NLP, privacy implications of large language models, and documentation practices in AI datasets. They explore intersections between technical performance, ethical responsibility, and societal impact. Scientific awards include: Queen’s National Scholar Finalist for Outstanding Certification at Transactions in Machine Learning Research As director of the Ethics and Technology Lab at Queen's, she leads interdisciplinary projects challenging algorithmic bias, investigating AI creativity, and developing tools to resist targeted violence. Current initiatives include: Critical evaluation of chatbots for mental health support Tracking (In)justice project on police-involved deaths in Canada
Mario Telò is a Professor of Ancient Greek & Roman Studies, Comparative Literature, and Rhetoric at the University of California, Berkeley, with an affiliation in the Program for Critical Theory. He serves as Chief Editor of the journal Classical Antiquity and sits on the editorial board of Representations . His work bridges antiquity and modernity through interdisciplinary lenses, focusing on psychoanalysis, queer theory, and political theory. Telò has authored monographs such as Archive Feelings: A Theory of Greek Tragedy (2020) and Resistant Form: Aristophanes and the Comedy of Crisis (2023), exploring themes like tragic aesthetics, crisis, and canonical reimagining. Recent projects include co-editing Reading Greek Tragedy with Judith Butler (2024) and organizing conferences on Jean-Luc Nancy and Classics. His research emphasizes textual form’s emancipatory potential, engaging with art, film, and architecture to deconstruct normative narratives. Education : His academic background is not detailed here, but his prolific publications reflect advanced expertise in Classics and interdisciplinary humanities. Research Interests : Telò’s work critically examines Greek tragedy and comedy through modern theoretical frameworks. He investigates the interplay between aesthetic form and political/social issues, leveraging psychoanalysis (Freud, Lacan) and queer theory (Judith Butler, Lee Edelman) to analyze ancient texts. His focus on 'resistant form' highlights how classical works challenge equilibrium and normativity, offering tools for contemporary critical discourse. Grants & Collaborations : He co-organizes international conferences (e.g., on Jean-Luc Nancy) and collaborates on interdisciplinary projects like a forthcoming book on artist William Kentridge. His editorial work spans special journal issues on topics like elemental objects and queer philology. Labs/Teams : He leads editorial initiatives and hosts academic events such as the Townsend Center book chats and Syndicate symposia, fostering dialogue between classicists and modern theorists.
James Dodd is a Professor of Philosophy at The New School for Social Research, specializing in phenomenology, existential philosophy, and political thought. He holds a PhD from Boston University (1996). His research focuses on Husserl, Heidegger, and Jan Patočka, exploring themes like violence, sacrifice, and the interplay between history and philosophy. Dodd has authored major works including *The Heresies of Jan Patocka* (2023), *Phenomenological Reflections on Violence* (2017), and co-edited *The New Yearbook for Phenomenology and Phenomenological Philosophy* (2015). Education: PhD Philosophy, Boston University (1996) His work bridges philosophical inquiry with interdisciplinary questions, examining how fundamental questions like 'What is truth?' and 'What is the world?' unify diverse academic disciplines. Recent scholarship emphasizes phenomenological approaches to architecture, violence, and political resistance, particularly through Patočka’s lens. He critiques modernity’s ethical and political crises while advocating for philosophy’s role in holistic education. Publications span over 30 years, with notable contributions to Husserl studies, war philosophy, and phenomenological ethics. His 2023 book reinterprets Patočka’s hermeneutics, while 2021 articles analyze war’s philosophical dimensions. Dodd also engages with historical violence, memory, and the lifeworld’s role in scientific understanding. Awards: None explicitly listed Teaching includes courses on phenomenology, early Chinese philosophy, and Nietzsche. He mentors students through independent studies and senior projects, emphasizing critical thinking across disciplines. Dodd’s editorial work amplifies underrepresented voices in phenomenology and political philosophy. Labs/Teams: Collaborates with international scholars on Patočka’s legacy and phenomenological ethics, contributing to Routledge, Springer, and Brill publications. His research group explores interdisciplinary applications of phenomenology in architecture, violence studies, and historical consciousness.
Rakesh Peter-Dass serves as Associate Professor of Religion at Hope College, where he has been teaching since 2016. His academic journey spans multiple prestigious institutions including Harvard University, Yale University, and the University of Oxford, where he earned advanced degrees in theology, divinity, and business administration. His research focuses on the complex intersections of religion with business, language, law, and politics, particularly in the South Asian context. Dr. Peter-Dass examines how religious identities are shaped through linguistic choices, legal frameworks, and socio-political dynamics, with special attention to Hindu-Christian relations and religious rights. His work bridges theological scholarship with practical applications in interfaith dialogue and religious freedom advocacy. His publications reveal a consistent focus on South Asian religious contexts, particularly examining Hindi Christian literature, Hindu nationalism, and comparative theological approaches between Hindu and Christian traditions. The research demonstrates interdisciplinary connections between religious studies, political science, linguistics, and legal studies, with significant contributions to understanding religious rights in both Indian and American Supreme Court contexts. Among his notable honors are the Saïd Foundation Scholarship from Oxford University, multiple Harvard University fellowships, and the Selva J. Raj Endowed International Dissertation Research Fellowship from the American Academy of Religion. His teaching excellence has been recognized through Harvard University's Certificate of Distinction in Teaching. Dr. Peter-Dass has served in significant professional capacities including as Co-Chair of the Theology and Religious Reflection Unit at the American Academy of Religion (2018-2023) and on the Editorial Board of the Hindi Theological Literature Committee in India (2011-2015). His extensive consulting work with international development agencies, intergovernmental organizations, and religious bodies demonstrates his commitment to applying academic research to real-world religious and social challenges.
Ola Wikander is Senior Lecturer and Associate Professor in Old Testament Exegesis at Lund University 's Centre for Theology and Religious Studies, with affiliations to the Joint Faculties of Humanities and Theology. His work bridges Ancient Near Eastern languages with Indo-European studies through etymological poetics . Pro Futura Scientia Fellow (2017-2023) Visiting Scholar at Wolfson College, Cambridge (2021-2022) Member of Royal Physiographic Society in Lund Wikander's research focuses on: Philological analysis of Hebrew, Ugaritic, Hittite, and Luwian texts Interactions between Indo-European and Semitic linguistic cultures Historical phonology of Northwest Semitic languages Preservation of knowledge for nuclear waste communication Mythological motif transmission across cultures His scholarly output (69 items) covers: Ugaritic epic analysis Hebrew tense system typology Indo-European loanwords in Semitic Theurgical motifs in religious texts Hydro-philology intersections Comparative mythological studies Notable Awards Pro Futura Scientia Fellowship Eva och Lars Gårding Linguistics Prize August Prize Shortlist (2006) Carlo Landberg Foundation Award Academic Contributions include: Editorial board, Coniectanea Biblica Co-editor, Ugarit-Forschungen (2022-2024) Research projects on Semitic-Indo-European interactions Multi-year nuclear waste communication studies
Eldrin F. Lewis, MD, MPH is the Simon H. Stertzer, MD, Professor of Medicine and Chief of the Division of Cardiovascular Medicine at Stanford University School of Medicine. He holds a University Medical Line Professorship within the Department of Medicine - Cardiovascular Medicine and is a member of the Cardiovascular Institute. Dr. Lewis earned his medical degree from the Perelman School of Medicine at the University of Pennsylvania (1995), completed his Internal Medicine Residency (1998), Cardiovascular Disease Fellowship (2001), and Heart Transplant Fellowship (2002), all at Brigham and Women's Hospital in Massachusetts. He maintains board certification in Cardiovascular Disease (2024) and Advanced Heart Failure and Transplant Cardiology (2025) through the American Board of Internal Medicine. As an internationally recognized expert in heart failure, heart transplant, and quality of life for heart failure patients, Dr. Lewis' research focuses on patient-reported outcomes, quality of life assessment, and the integration of digital health technologies into cardiovascular care. His fundamental principle is that "there is more to life than death," emphasizing that cardiovascular care should help patients not only survive but also enjoy the best possible quality of life. His extensive publication record includes nearly 200 peer-reviewed articles in top journals including the New England Journal of Medicine, Journal of the American College of Cardiology, Circulation, JAMA Cardiology, and JAMA Internal Medicine. His recent work (2024-2025) demonstrates strong focus on heart failure treatment optimization, diversity in clinical trials, pulmonary congestion assessment, and the implementation of quadruple medical therapy for heart failure patients. Joel Gordon Miller Award for community service and leadership from the University of Pennsylvania School of Medicine Minority Faculty Development Award recognizing research potential of young physicians Robert Wood Johnson Foundation grant for quality of life assessment research Fellow of the American College of Cardiology Member of the American Heart Association Research Committee Dr. Lewis serves as a Postdoctoral Faculty Sponsor for Phenesse Dunlap and has received significant research support from the National Heart, Lung and Blood Institute, National Institutes of Health, and the Robert Wood Johnson Foundation. He is deeply committed to expanding clinical research initiatives at Stanford, forming partnerships with community cardiologists, and leveraging Silicon Valley's digital technology expertise for patient monitoring and treatment optimization. His leadership includes serving on the AHA Founders Affiliate Board of Directors, chairing the Council on Clinical Cardiology, and participating in the FDA Task Force for Standardization of Definitions for Endpoint Events in Cardiovascular Trials.
Regina Fabry is a Lecturer in the Department of Philosophy at Macquarie University, Australia, affiliated with the School of Humanities Ethics and Agency Research Centre. Previously, she held positions at Ruhr University Bochum (Lecturer, 2018–2021) and Justus Liebig University Giessen (Postdoctoral Researcher, 2016–2018). Her research focuses on situated cognition, affectivity, and the socio-cultural influences on self-narration and grief, particularly in the context of emerging technologies like deathbots. She holds a PhD in Philosophy (summa cum laude) from Johannes Gutenberg University Mainz (2015), awarded the Barbara Wengeler Prize for her work on enculturated predictive processing. Fabry’s research is funded by grants including an ARC DECRA (2021–2024) and explores interdisciplinary themes in AI ethics, cognitive science, and literary studies. **Education**: PhD in Philosophy, Johannes Gutenberg University Mainz (2012–2015) MA in Comparative Literary Studies, Philosophy, and Theatre Studies, Johannes Gutenberg University Mainz (2007–2012) **Research Interests**: Combines empirical cognitive science with feminist theory to study narrative practices, grief, and AI ethics. Current projects include analyzing deathbots’ impact on grief dynamics and the socio-cultural situatedness of self-narration as tools of oppression or resistance. Her work bridges philosophy, psychology, and technology studies. **Articles Trends**: Recent publications address grief in digital contexts (deathbots), narrative ethics (e.g., gaslighting), and cognitive frameworks like predictive processing. Her work frequently intersects with technology’s role in shaping human experiences. **Awards**: Barbara Wengeler Prize 2016 for doctoral dissertation on enculturated cognition. **Teaching & Grants**: Teaches courses on AI ethics, including PHIL8400 (Rights, Responsibilities, and AI). Supervises postgraduate research in philosophy of mind and AI. Leads projects like “Living to tell, telling to live” (2021–present) and co-leads “A lone or lonely life?” (2025–2028) on autism and loneliness. **Labs/Teams**: Engaged in interdisciplinary collaborations on grief, narrative theory, and AI ethics, leveraging her background in philosophy, psychology, and literary studies.
Robert Sharf is the D.H. Chen Distinguished Professor of Buddhist Studies in the Department of East Asian Languages and Cultures at the University of California, Berkeley . He also serves as Chair of the Numata Center for Buddhist Studies and Head Graduate Advisor for the Group in Buddhist Studies . With a PhD in Buddhist Studies from the University of Michigan (1995), he previously taught at McMaster University (1989-1995) and the University of Michigan (1995-2003). Research Interests: Medieval Chinese Buddhism (especially Chan) Japanese Buddhism Buddhist Art and Archaeology Ritual Studies Buddhist Modernism Philosophical Paradoxes Methodology in Religious Studies Critical Buddhist Discourse Publications & Collaborations: Author of Coming to Terms with Chinese Buddhism: A Reading of the Treasure Store Treatise (2002) Co-editor of Living Images: Japanese Buddhist Icons in Context (2001) Co-author of What Can’t Be Said: Contradiction and Paradox in East Asian Thought (2021) Co-author of How to Lose Yourself: An Ancient Guide to Letting Go (2025) Editor of Chinese translations of his works: Xiafu Chanxue zixuan ji and Xiafu Mijiao Yanjiu zixuan ji (2022) Academic Leadership: Director of the Group in Buddhist Studies Director of Religious Studies Chair of the Center for Buddhist Studies
Prof. Dr. Christopher Markiewicz is a leading scholar in Ottoman and Islamic Studies at Ghent University's Department of Languages and Cultures (affiliated with the Department of History). He previously held positions as Associate Professor at University of Birmingham and Junior Research Fellow at Exeter College, University of Oxford. His research centers on the political, social, and intellectual history of the Ottoman Empire (15th-17th centuries), with special emphasis on state formation, diplomatic cultures, and the interplay between Islamic law and governance. Education PhD in Near Eastern Languages & Civilizations, University of Chicago (2015) Magna cum laude dissertation award from Middle East Studies Association (2016) His scholarship explores the transition from medieval Islamic political fragmentation to early modern imperial consolidation , focusing on how Persian émigrés shaped Ottoman sovereignty and diplomatic practices. Current research investigates pious endowments (waqf) through an ERC Starting Grant (2023-2028) , analyzing their role in Ottoman state-building. Scientific contributions include: Winner of Malcolm H. Kerr Dissertation Award (2016) Principal Investigator for Islamic Endowments project Series Editor for The Ottoman Empire and the World (I.B. Tauris) Trustee of EJW Gibb Memorial Trust Member of British Institute at Ankara committees His 2023-2024 teaching includes courses on Middle East politics and global historical developments. Publications reveal evolving research from waqf taxation controversies to diplomatic gift-giving protocols, with consistent focus on cross-cultural exchange and historiographical evolution.
Dr Glenda Cooper is Reader in Journalism Studies and Head of the Department of Journalism at City St George's, University of London , where she leads a team of 25 staff, 50 visiting lecturers, and over 500 students from 53 countries. She holds a PhD in Journalism from City and an MA in English Language and Literature from Oxford, and has played a pivotal role in elevating the BA Journalism programme to 1st place nationally in the Guardian and Complete University Guide (2023), as well as 1st for Graduate Prospects (Sunday Times 2022). Education: MA in Academic Practice, City, University of London (2022) PhD in Journalism, City, University of London MA in Creative Writing, City, University of London BA (Hons) English Language and Literature, St Hilda's College, University of Oxford PG Diploma in Newspaper Journalism, City University of London Glenda's research focuses on crisis and humanitarian reporting , journalism ethics , live journalism , and the intersection of media and politics, particularly through the legacy of Alistair Cooke’s Letter from America . She has led major funded projects with the British Academy, ESRC, Google Digital News Initiative, and HEIF. Her current research explores AI’s impact on journalism through the DMINR project and innovative storytelling formats via the News on Stage initiative and the Contemporary Narratives Lab . Her recent publications span topics such as AI in newsrooms, humanitarian scandals (#AidToo), refugee representation, and digital narrative innovation. These works reflect a strong interdisciplinary trend, combining journalism studies with media technology, ethics, performance, and political communication. The articles indicate a growing focus on digital transformation, ethical challenges in sourcing, and the evolving role of journalists in public discourse. Scientific Awards and Recognition: Laurence Stern Fellow at the Post (2001) Guardian Research Fellow at Nuffield College, Oxford (2006–2007) AURORA Role Model for Future Women Leaders in Academia (2018) Glenda has supervised PhD students on topics ranging from political communication in Istanbul to the manosphere's influence on journalism. She has been instrumental in curriculum development, notably designing a core ethics module for final-year journalism students. She also serves as Reviews Editor for Journalism: Theory, Practice and Criticism , UK Director of the European Journalism Observatory, and Board Member of The Conversation UK . She co-founded and co-presented the Knowhow podcast, bridging academia and media. She co-directs the Contemporary Narratives Lab and co-founded the News on Stage project, which merges journalism with theatre through live events such as News Cabaret and News on the Street . Her play Aid Memoir , based on her PhD research, was performed at the Pleasance Theatre and featured in the ESRC Festival of Social Science.
Gordon Hughes is an Associate Professor of Art History in the Department of Art History at Rice University, specializing in early 20th-century European modernism with concentrated expertise in French painting and abstract art. His research significantly reinterprets foundational narratives of abstraction while extending into contemporary art and photographic history. His academic credentials include: Ph.D. in Art History from Princeton University (2004) M.A. from the University of Western Ontario (1996) M.F.A. in Studio Art from the University of Illinois at Chicago (1992) B.F.A. from the Nova Scotia College of Art and Design (1989) Professor Hughes' scholarship centers on re-examining abstract painting's origins through meticulous visual analysis, particularly focusing on Robert Delaunay's contributions to modernist vision. His work bridges pre-war European art with American conceptual practices from the 1960s-1980s, evidenced by influential publications on Fernand Léger, Georges Braque, Douglas Huebler, and Jenny Holzer. His theoretical approach integrates continental philosophy while prioritizing phenomenological engagement with artworks, reflected in his current book project Seeing Red: Murder, Abstraction, Machines which investigates intersections of art, technology, and violence. Analysis of his recent publications (2006-2022) reveals consistent scholarly engagement with French modernism's theoretical underpinnings while progressively incorporating contemporary critical frameworks. His work demonstrates evolving methodological sophistication through examinations of visual perception, medium specificity, and post-structuralist theory across diverse artistic movements from Cubism to Conceptual Art. His distinguished recognitions include: Getty Research Institute Scholar-in-Residence (2012-2013) Barr Ferree Foundation Publication Grant (2011) Terra Foundation for American Art support (2010) Professor Hughes mentors graduate students in Rice's Art History program with emphasis on close visual analysis and theoretical rigor. His research has received significant institutional support including Getty Research Institute residencies and major publication grants that facilitated his influential monograph Resisting Abstraction and editorial projects like October Files: Richard Serra .
Daniel Hershcovich is a Tenure Track Assistant Professor at the Department of Computer Science (Faculty of Science, University of Copenhagen) specializing in Natural Language Processing and Machine Learning . His research focuses on cross-cultural adaptation of language models, integrating human values into AI, and analyzing food-related cultural narratives for sustainable diets. Education: Ph.D. in Computational Neuroscience from Hebrew University of Jerusalem B.Sc. in Mathematics and Computer Science from Open University of Israel Recent publications highlight his work on multimodal models (haptic captioning, visual assistants for the blind), historical text analysis (Danish/Norwegian literature, euphemism detection), and cross-cultural NLP (recipe adaptation, cultural value alignment, climate awareness). His projects frequently combine AI ethics with domain-specific applications like food studies, historical linguistics, and accessibility research. Key collaborative networks include institutions in Denmark, Israel, and international partnerships through conferences like ACL, EMNLP, and workshops on cross-cultural NLP. The NLP section at DIKU serves as his primary affiliation for these efforts.
Oreet Ashery is Professor of Contemporary Art at the Ruskin School of Art, University of Oxford, where she serves as Director of the MFA programme and Director of Studies in Fine Art at Exeter College. A visual artist whose practice navigates both institutional and grassroots contexts, Ashery's work engages with bodies, worldbuilding, autoethnography, gender and technology through multiplatform projects spanning video, 2D image-making, performance and assemblage. Her research focuses on the intersection of digital culture and mortality, speculative fiction, and gender politics. Characterized by the use of speculative fiction and humor, her work often occupies utopian, discursive and incongruous spaces. She has developed significant projects exploring digital death, grief, and the politics of representation, particularly through her award-winning web-series Revisiting Genesis and her film Dying Under Your Eyes which documents her father's passing. Her practice bridges academic research and public engagement through projects like Death Cafés that bring conversations about mortality into community spaces. Ashery's artistic output shows a consistent trajectory from early performance works exploring identity and cultural politics to more recent projects examining digital legacy and mortality. Her work increasingly engages with medical humanities and the representation of illness, as evidenced by the Wellcome Collection-commissioned Misbehaving Bodies: Jo Spence & Oreet Ashery exhibition (2019-2020) which examined illness representation through collaborative work with the late photographer Jo Spence. Oxford- UdK Berlin Award (2022) Turner Prize Bursary (2020) 10th Jarman Film Award (2017) As a supervisor, Ashery guides doctoral students working at the intersections of performance, visual art, and critical theory. She has secured significant commissions from institutions including KW Institute for Contemporary Art, Wellcome Collection, and Stanley Picker Gallery. Her leadership of the MFA program at the Ruskin School of Art demonstrates her commitment to developing the next generation of artists while maintaining an active studio practice that informs her pedagogical approach.
John D. Dunne is a Professor and Distinguished Chair in Contemplative Humanities at the University of Wisconsin–Madison, holding an endowed position through the Center for Healthy Minds. He is affiliated with the Department of Asian Languages & Cultures and has served as its department chair. Dunne's research bridges Buddhist philosophy, contemplative practices, and cognitive science, focusing on mindfulness and compassionate training. He is a Fellow of the Mind and Life Institute and advises the Ranjung Yeshe Institute. His work includes translating Buddhist texts and collaborating on interdisciplinary projects. Education: PhD in Buddhist Studies from Harvard University (1999). Research emphasizes dialogues between Buddhist thought and modern science, with public engagement through organizations like the Upaya Zen Center and Gomde centers. Dunne teaches courses on flourishing, Buddhist philosophy, and contemplative practices, including ASIAN/PSYCH 120. His publications span academic journals (e.g., Mindfulness , Frontiers in Psychology ) and books like Foundations of Dharmakīrti’s Philosophy and translations of Nagarjuna’s Ratnāvalī . Scientific contributions include studies on meditation’s neurological effects, compassion cultivation, and mindfulness-based interventions. Awards include his Mind and Life Fellowship. He collaborates with institutions like the Center for Healthy Minds, exploring human flourishing and mental health. Recent work addresses psychedelic research and postmortem meditation states in Tibetan practitioners.
