جست‌وجوی استاد و پژوهشگر

Daniel Lowenbergمشاهده پروفایل

مدرس ارشد

• Piano Performance
• Chamber Music
• Classical Music Pedagogy
• +۳ مورد دیگر

Senior Lecturer Daniel Lowenberg holds a Bakk.art. and MA degree, specializing in Piano and Chamber Music at Mozarteum University's Keyboard Department within the School of Music & Art Education (SOMA). His work emphasizes collaborative piano performance and chamber music pedagogy, with a focus on Romantic-era repertoire. Recent recordings include a 2020 Brahms-Dohnányi album and a 2017 project exploring Romantic rarities, both available on streaming platforms. Active in performance and education, he maintains a YouTube presence and contributes to Mozarteum's academic offerings. No formal awards or grants are listed, though his discography highlights artistic achievements. His teaching and research intersect with practical performance, emphasizing technical precision and interpretive depth in classical repertoire.

Annette Richardsمشاهده پروفایل

استاد

• Musicology
• Music History and Culture in the Long 18th Century
• Organ Studies
• +۴ مورد دیگر

Annette Richards is the Foundation Professor in the Humanities and University Organist at Cornell University, and Executive Director of the Westfield Center for Historical Keyboard Studies. She specializes in 18th-century music aesthetics, interdisciplinary studies between music and visual culture, and the organ. Her research focuses on C. P. E. Bach, music history, and the intersection of performance with technology and the senses. She holds a PhD from Stanford University and performer’s diploma from the Sweelinck Conservatorium Amsterdam. Education: BA and MA, Oxford University PhD, Stanford University Uitvoerend Musicus (Performer’s Diploma), Sweelinck Conservatorium Amsterdam Her research interests include music aesthetics, performance practice, and the cultural history of musical instruments. Notable projects include leading the 10-year Cornell Baroque Organ reconstruction and editing C. P. E. Bach’s organ works. She has received fellowships from the Mellon Foundation and Humboldt Foundation, and her recordings feature on Loft Recordings. Awards: International Organ Competition Prizes (Dublin, Bruges) Getty Center Fellowship Stanford Humanities Center Fellowship Her teaching covers 18th-century music aesthetics, organ performance, and interdisciplinary topics like music and the uncanny. She collaborates internationally, including with the University of Gothenburg on organ projects. Labs/Initiatives: Director of the Westfield Center for Historical Keyboard Studies, which preserves and promotes historical keyboard instruments and performance practices.

John Whynotمشاهده پروفایل

دانشیار

• Music Production
• Audio Engineering
• Sound Mixing
• +۶ مورد دیگر

John Whynot is an Associate Professor in the Music Production and Engineering (MP&E) department at Berklee College of Music, where he actively teaches and mentors students in audio engineering, music production, and sound mixing. He integrates decades of professional experience into his pedagogy, emphasizing hands-on learning, artistic inquiry, and technical mastery. His research and professional interests span Music Production , Audio Engineering , Sound Mixing , Film Scoring , and Recording Technology . He advocates for a holistic understanding of music creation, asking students to reflect on the purpose and audience of their recordings. His teaching blends storytelling, theory, and live demonstrations to make technical concepts engaging and practical. The 15 most recent articles reflect a consistent focus on high-profile film and album projects, particularly in sound mixing and audio engineering . These works demonstrate expertise in cinematic sound design, narrative audio, and hybrid analog-digital production. Subfields such as score-to-picture synchronization , spatial audio engineering , and acoustic clarity in vocal-centric albums recur, indicating a deep engagement with both technical precision and emotional impact in sound. Grammy-winning work on 'Timeless: A Hank Williams Tribute' by Lucinda Williams John Whynot has advised numerous artists in professional settings and contributed to major recording projects, though formal student advisees are not listed. He has been involved in grants and collaborations through film and album productions. He leads no formal lab but operates as a core faculty member in Berklee’s MP&E program, influencing curriculum and student development through direct instruction and industry integration.

Drew Dolanمشاهده پروفایل

استاد

• Music Composition
• Percussion Performance
• Improvisation
• +۳ مورد دیگر

Drew Dolan is a composer and educator actively engaged in contemporary music creation and performance. Currently teaching at the University of Cincinnati and previously at Kennesaw State University, he specializes in courses related to Music Theory, World Music, and 20th Century Music & Politics. Doctoral studies at University of Cincinnati College-Conservatory of Music Master's and Bachelor's degrees from Bowling Green State University and Georgia State University Dolan's research and creative practice centers around instrumental composition, interdisciplinary collaboration, and experimental performance techniques. His work explores: Cultural ritual integration in music Improvisation with unconventional instruments Visual-art inspired sound structures Mechanical/robotic musical tools Cross-disciplinary multimedia performance Historical narrative musicalization His recent publications demonstrate a focus on: Expanded percussion techniques Chamber ensemble innovation Temporal manipulation in composition Hybrid instrumental use Performance space acoustics Instrument adaptation experiments Dolan's teaching emphasizes both traditional theoretical frameworks and contemporary performance practices, though specific student advising details remain unrecorded.

Susan Powellمشاهده پروفایل

استاد

• Percussion Performance
• Music Education
• Ragtime Solo Performance
• +۳ مورد دیگر

Susan Powell is a Professor of Percussion and Area Head of Performance at The Ohio State University School of Music. She specializes in mallet keyboards and ragtime performance, actively expanding the xylophone's repertoire through commissions and compositions. Her roles include founding and directing LULU & Co. Novelty Ragtime Band, and serving as Secretary for the Ohio Chapter of the Percussive Arts Society. Educational background: BM from Eastman School of Music, MM and DM from Northwestern University. Expertise spans percussion education, historical performance practices, and chamber music collaboration. Research interests focus on increasing the xylophone's visibility as a featured instrument, with emphasis on arranging, composing, and promoting contemporary works. She has presented at major conferences such as Percussive Arts Society International Conventions and the Midwest Clinic. Awards highlight her teaching excellence, combining pedagogical innovation with performance mastery. Endorsements include Malletech (signature xylophone mallets), Zildjian Cymbals, and Grover Pro Percussion.

Stefano Fiuzziمشاهده پروفایل

استاد مهمان

• Historical Performance Practice
• Fortepiano
• Piano Performance
• +۳ مورد دیگر

Stefano Fiuzzi is an International Visiting Professor of Fortepiano and International Tutor in Piano Studies at the Royal Northern College of Music (RNCM). He concurrently serves as Principal Professor of Piano at the Music Conservatory Cherubini in Florence and teaches Fortepiano and Historical Performance Practice at the Accademia Pianistica Internazionale in Imola. Graduating in Humanities and Musical Studies from the University of Florence, his performance career spans over five decades since the early 1970s, featuring acclaimed solo recitals, orchestral collaborations, and chamber ensemble work. His recordings cover repertoire from the 18th century to contemporary compositions, reflecting his commitment to bridging historical and modern musical interpretation. Fiuzzi's research centers on Historical Performance Practice with specialized expertise in Fortepiano, encompassing Early Music, Classical Music, and Contemporary Music performance techniques. He founded the Accademia Bartolomeo Cristofori, Amici del Fortepiano in Florence, which received the Abbiati Prize in 1993, and regularly conducts masterclasses while serving on juries for prestigious international piano competitions. Scientific Awards No personal scientific awards are documented in the provided text, though his founded Accademia Bartolomeo Cristofori received the Abbiati Prize in 1993. Advising and Grants Fiuzzi actively mentors students through his professorial roles at RNCM, Cherubini Conservatory, and Imola Academy, but specific advisee names or grant funding details are not disclosed in the source material. Labs and Teams As founder and Artistic Director of the Accademia Bartolomeo Cristofori, Amici del Fortepiano in Florence, he leads an institution dedicated to fortepiano research and performance, recognized with the Abbiati Prize for its contributions to music criticism and historical instrument revival.

JungHae Kimمشاهده پروفایل

مدرس

• Music Theory
• Musicianship
• Historical Keyboard Performance
• +۳ مورد دیگر

JungHae Kim is a Lecturer in Music Theory and Musicianship at the San Francisco Conservatory of Music (SFCM). A versatile harpsichordist and pedagogue, she teaches courses such as Undergraduate Musicianship, Score Reading at the Piano, and Keyboard Harmony. Kim earned diplomas in harpsichord performance at the Peabody Institute, Oberlin Conservatory, and Sweelinck Conservatorium before studying with Dutch master Gustav Leonhardt in Amsterdam. Performer's Certificate, Sweelinck Conservatorium (Harpsichord) MM, Oberlin Conservatory (Historical Performance - Harpsichord) BM, Peabody Conservatory (Performance - Harpsichord) Her research and performance focus on historical keyboard instruments, particularly harpsichord, and she co-directs the Center for Historically Informed Performance (MusicSources). Kim is also founder and artistic director of Ensemble Mirable, which has performed internationally and received recognition for its recordings. Her discography includes albums on Magnatune and Plectra labels, featuring works by Byrd, Frescobaldi, Froberger, d'Anglebert, and Bach. Kim has been featured on NPR and Korean National Television (KBS), and her collaborations include touring with period-instrument ensembles and partnerships with musicians like Sigiswald Kuijken and Ton Koopman. She advocates for early music education and has taught at festivals worldwide, including the Bloomington Early Music Festival and Assisi Music Festival. Scientific awards include a scholarship to study in the U.S. and recognition by Early Music America for Ensemble Mirable's recordings. Her interests outside music include downhill skiing, painting, and traveling.

Corina Ibănescuمشاهده پروفایل

استاد

• Interpretive Performance
• Art Management
• Tradition in Education
• +۱ مورد دیگر

Corina Ibănescu is a Professor in the Department of Musical Performance and Pedagogy at the Faculty of Music, Transylvania University of Brașov. She is based in Building Z, room ZI8, at Str. Andrei Șaguna 2, Brașov, Romania. Her research interests focus on interpretive performance, art management, and the interplay between tradition and innovation in music education. She has published on topics including left-hand piano techniques, Baroque sonatas, and the works of Dinu Lipatti. Her recent publications (2013-2017) demonstrate a consistent focus on piano performance, particularly exploring historical and technical aspects of keyboard repertoire. Key themes include the adaptation of sonatas for the left hand and the revival of Baroque compositions.

Petre-Marcel VÂRLANمشاهده پروفایل

دانشیار

• Musicology
• Musical Composition
• Music Education
• +۱ مورد دیگر

Petre-Marcel VÂRLAN serves as an Associate Professor in the Department of Musical Interpretation and Pedagogy at the Faculty of Music, Transilvania University of Brasov, Romania. His office is located in Building Z at Strada Andrei Şaguna 2, Brasov, with contact details including phone +40 268 47 88 84 and email varlanpm@unitbv.ro. His research expertise spans core areas of music scholarship: Musicology Musical Composition Music Education Music Journalism Specializing in analytical and creative approaches, he investigates historical compositions like J.S. Bach's Well-Tempered Clavier alongside contemporary practices including jazz fusion and choral arrangements. Recent publications (2015-2017) demonstrate dual scholarly and artistic output: analytical articles on Bach's harmonic structures and Enescu's folk influences coexist with original compositions across piano sonatas, clarinet quartets (KlariJazz), and a cappella choral works. This integrated research-composition practice bridges historical musicology with modern creative expression. No scientific awards or honors are documented in the source material. Information regarding graduate student supervision, research grants, or collaborative projects is not provided in the available text. The absence of laboratory or ensemble affiliations suggests primary focus on individual research and composition rather than team-based initiatives.

Martin Skamletzمشاهده پروفایل

مدرس

• Music Theory
• Historical Performance Practice
• Contemporary Music
• +۵ مورد دیگر

Martin Skamletz is a Lecturer at the Bern University of the Arts , where he has been Head of the Institute of Interpretation since 2007 . He also served as Professor of Music Theory and Performance Practice at the Vorarlberg State Conservatory Feldkirch from 2006 to 2022. His career spans teaching, performance, and research with a focus on Classical Theory , Historical Performance Practice , and Contemporary Music . He has held teaching qualifications at institutions like the Royal Conservatory of Brussels and the University of Music and Performing Arts in Vienna . Education Highlights : M.MUS. in Traverso (Barthold Kuijken, Marc Hantaï, Frank Theuns) at Royal Conservatory of Brussels (1993–1998) Teaching qualification IGP 1 in Flute at University of Music and Performing Arts Vienna (1992–1995) Mag.art. in Music Theory at University of Music and Performing Arts Vienna (1988–1993) Research Focus : Martin Skamletz’s work bridges music theory , historical performance practice , and contemporary composition . His publications and lectures examine 19th-century opera adaptations , brass instrument evolution , and Beethoven’s keyboard innovations . He specializes in transnational musical exchanges and editorial practices in works by composers like Grétry, Cherubini, and Albrechtsberger. His ongoing dissertation investigates Grétry’s operatic arrangements in Vienna (1778–1843). Article Trends : His recent publications analyze French opera in Viennese contexts , brass instrumentation , and keyboard range expansion around 1800. These works reflect his interest in cross-cultural adaptation , instrumental limitations , and editorial interventions in music history. Teaching & Leadership : Skamletz contributes to university didactics and artistic research , particularly in projects funded by the Swiss National Science Foundation (SNSF) and Innosuisse . He has led initiatives on practice-oriented research and third-party funding for music institutions. His teaching includes historical performance practice and music theory at institutions like the Vorarlberg State Conservatory and the Free Music School Basel . Labs & Teams : Skamletz is central to the Institute of Interpretation at the Bern University of the Arts, which explores historically informed performance and instrumental conservation . He collaborates with the Swiss Music Education Association and participates in symposia like the Romantic Brass Symposium .

Markus Prauseمشاهده پروفایل

استاد

• Piano Performance
• Chamber Music
• Contemporary Austrian Music
• +۳ مورد دیگر

Markus Prause is a Professor at the Music and Arts Private University of the City of Vienna (MUK) , where he has held a permanent teaching position since 1990. He studied piano under Horst Leichtfried at the Vienna Conservatory, with further training from Dr. Josef Dichler, Adam Harasiewicz, and Edith Picht-Axenfeld, and guest studies with Sergei Maltsev and Walter Fleischmann. His career spans performance, pedagogy, and artistic direction, including founding the Vienna West Music Forum in 2005.

Borys Medickyمشاهده پروفایل

استادیار

• Early Music Performance
• Harpsichord Performance
• Baroque Music
• +۳ مورد دیگر

Borys Medicky is an Assistant Professor at the Don Wright Faculty of Music, Western University. A Toronto-native harpsichordist, he specializes in early music performance and Baroque operatic accompaniment, with extensive experience as a concert artist, educator, and instrument technician. Active chamber musician and continuo player for Baroque symphonic works Co-founder of Toronto Continuo Collective and former artistic director of Nota Bene Baroque Players Expert in harpsichord tuning, maintenance, and construction with private/institutional clients His research and performance focus centers on 17th-century basso continuo practices and historical dance integration. As both performer and technician, he bridges academic musicology with practical instrument craftsmanship. Medicky maintains a harpsichord workshop in Kitchener while balancing academic responsibilities. He also serves as organist at Fifth Church of Christ, Scientist in Toronto since 2006.

• Organ Performance
• Sacred Music
• Chamber Music
• +۳ مورد دیگر

Renata Marcinkutė Lesieur serves as Professor at the Department of Organ and Harpsichord of the Lithuanian Academy of Music and Theatre (LMTA), while simultaneously holding leadership roles as Head of the Public Institution Sacred Music Centre and organist/artistic director at Vilnius' Church of St. Casimir. Her artistic practice centers on organ performance, sacred music interpretation, and championing Lithuanian composers' works. She has premiered numerous contemporary pieces and maintains an active international presence through performances across Europe and America, representing Lithuanian organ traditions at major festivals and venues. Her work bridges historical performance practices with contemporary repertoire, particularly focusing on Baltic and European sacred music traditions. Her distinguished contributions have earned these major recognitions: Medal of the Order for Merits to Lithuania by the President of Lithuania (2015) Medal of Honour "Carry Your Light and Believe" by the Ministry of Culture (2017) St. Christopher Award (2021) Laureate of Mechelen International Organ Master Class (1991) 2nd Prize, Kiev International Organ Competition (1989) 3rd Prize, M.K. Čiurlionis International Piano and Organ Competition (1991) As an educator, she conducts master classes at institutions including Mozarteum University Salzburg, Royal Swedish Academy of Music, and Polish/Italian conservatories. She serves on juries for international competitions and is a longstanding member of the organizing committee for the M.K. Čiurlionis Competition. Through the Sacred Music Centre, she directs approximately sixty annual concerts and shapes the artistic programming at Vilnius' Church of St. Casimir, establishing vital platforms for organ and chamber music performance in Lithuania's cultural landscape.

• Piano Performance
• Classical Music
• Music Education
• +۲ مورد دیگر

Helge von Seelen serves as a Lecturer for Piano at the University of Music Würzburg, Germany, where he is affiliated with the Piano Department within the Faculty of Music. His teaching responsibilities include piano instruction across various degree programs at the institution. Specializing in piano performance and music education, von Seelen's professional focus encompasses classical music interpretation, keyboard techniques, and musical pedagogy. His expertise supports students pursuing bachelor's and master's degrees in piano performance at the university. As a dedicated piano instructor, he maintains regular consultation hours by appointment at his office in Building Hofstallstraße, Room H 004. His professional activities align with the university's comprehensive music programs that include bachelor's degrees, master's degrees in performance and pedagogy, and specialized training in historical instruments.

Joyce Wei-Jo Chenمشاهده پروفایل

استادیار

• Acoustics
• Musical Instruments
• Performance Practice
• +۴ مورد دیگر

Joyce Wei-Jo Chen is an Assistant Professor of Historical Keyboards at the University of Oregon and a Ph.D. candidate in Historical Musicology at Princeton University. Her research bridges science, music, and aesthetics, focusing on 17th-century European acoustics, artisanal knowledge, and instrument-making traditions. She has performed extensively as a harpsichordist and organist across the U.S., Europe, and Taiwan. Education: Doctor of Musical Arts in Harpsichord Performance, Stony Brook University Bachelor of Science in Mechanical Engineering, UC Berkeley Her research interests include acoustics, performance practice, Baroque affect theory, and cross-cultural studies of music. She has also explored the intersection of music with race and contemporary issues, alongside traditional music of Taiwan and ballet repertoires. Scientific Awards & Recognition: Individual Artist Fellowship (Emerging Professional), Delaware Division of the Arts, 2018 Emerging Artist Showcase, Early Music America, 2019 Finalist, The Eighth Jurow International Harpsichord Competition (HKSNA), 2016 Recipient, Early Music America Scholarship Competition, 2016 She is an American Guild of Organists-certified Colleague and actively engaged in public performance, including her upcoming 2024/2025 solo harpsichord album and a residency in Taiwan.