Bénédicte Savoy (born May 22, 1972 in Paris) is a renowned French art historian and Professor of Modern Art History at the Technical University of Berlin since 2009. Since 2016, she has also held positions at the Collège de France in Paris (2016-2021) and in November 2024 was appointed to the 'Cátedra del Prado' visiting professorship at the Prado Museum in Madrid. She is internationally recognized as a leading expert on cultural property restitution, particularly regarding colonial-era art theft and looted artifacts. Her research focuses on the complex histories of cultural displacement, with particular emphasis on European museums' colonial collections. Savoy has pioneered critical approaches to provenance research and has been instrumental in reshaping global debates about museum ethics and restitution practices. Her work bridges art history, postcolonial studies, and cultural policy, challenging traditional museum narratives and advocating for more transparent and ethical approaches to cultural heritage. Savoy's publications form a cohesive intellectual trajectory examining how cultural property has been transferred, often forcibly, across borders and continents. Her recent work increasingly focuses on African cultural heritage in European collections, with detailed case studies of Cameroon and broader analyses of restitution politics. The themes of historical justice, museum transparency, and decolonization of cultural institutions run consistently through her scholarship. Gottfried Wilhelm Leibniz Prize (2016), Germany's most prestigious research award TIME 100 most influential people in the world (2021) Ritterin der französischen Ehrenlegion (2022) Deutscher Kulturpolitikpreis (2022) Berliner Wissenschaftspreis (2023) Clark Prize for Excellence in Arts Writing (2024) Prix Européen de l'Essai 2025 (2025) As co-author of the groundbreaking 2018 report on African cultural restitution commissioned by French President Emmanuel Macron, Savoy has significantly influenced international policy. Her work has secured major research funding, including collaborative projects with African scholars. She has led influential research teams examining colonial collections, most notably the seven-member team that produced the 'Atlas der Abwesenheit' documenting Cameroonian cultural heritage in Germany. Her advocacy continues to shape museum practices worldwide, pushing institutions toward greater accountability regarding their colonial-era acquisitions.
