John Eldevik is a Professor of History and Chair of the History Department at Hamilton College, where he has been a faculty member since 2010. He also serves as Director of German Studies and is affiliated with the Medieval and Renaissance Studies program. His academic work focuses on medieval social and religious history, particularly the role of bishops in the early Middle Ages, Crusades, and the history of political and religious dissent. Ph.D., University of California - Los Angeles M.A., University of California - Los Angeles B.A., Pomona College Eldevik’s research spans multiple subfields within medieval studies, including the analysis of ecclesiastical lordship, manuscript traditions, and the socio-political dynamics of the German Empire. He has contributed to book chapters, research guides, and critical reviews focusing on these areas. His recent articles and book reviews center on topics such as the transmission of Crusade texts, the analysis of medieval manuscripts, and the exploration of episcopal identity. These works often intersect with broader themes of political and religious conflict in medieval Europe. Scientific Awards and Distinctions Dean’s Scholarly Achievement Award, Hamilton College, 2013 Research fellow, Institut für Mittelalterforschung, Austrian Academy of Sciences, 2012 Pomona College Faculty Research Grant, 2009-10 NEH Summer Institute, Barcelona, Spain, 2008 Center for the Study of Secularism and Society teaching grant, 2006-07 Andrew W. Mellon Fellowship, 2002-03 UCLA Dissertation-Year Fellowship, 1999-2000 Fulbright Fellowship, 1998-1999
Ergin Hakić is an Assistant Professor at the University of Novi Pazar, specializing in legal studies and interdisciplinary research connecting law with technology and forensic science. His work focuses on practical applications in criminal justice, human rights, and security systems. His research interests span: Legal frameworks for security and governance Economic implications of criminal activities like document forgery DNA technology in law enforcement IoT safety and reliability in legal contexts Arbitration validity and dispute resolution EU human rights protections Publications demonstrate consistent focus on evolving intersections between law and technology, particularly forensic DNA applications, IoT security, and economic crime. Recent work (2023-2024) shows increased emphasis on systemic security analysis and technological reliability in legal frameworks.
Adrien Palladino, M.A., Ph.D., serves as Assistant Professor in the Art History Seminar at Masaryk University's Faculty of Arts. His institutional affiliation includes the RE:CENT Center for the Study and Popularization of Medieval Visual Culture. Primary correspondence occurs through his office in building K/110 at Veveří 470/28, Brno. His research spans Medieval art history from Late Antiquity to Gothic periods Neo-Byzantine architectural movements in 19th-century Europe Russian iconography and its technical reproduction Cultural politics of Notre-Dame and Gothic Revival Material histories of Late Antique objects Notable methodological approaches integrate reception history, object biography, and cross-cultural analysis of visual phenomena. Publication trends reveal deep engagement with Byzantine legacy reinterpretation across temporal boundaries, particularly examining how medieval visual culture was reconstructed in modern nationalist and imperial contexts. Recent works analyze the Brescia Casket's technical evolution and Conques pilgrimage site's continuous reinvention from the 9th to 21st centuries. Current research initiatives include the Czech Science Foundation project 'Dreams of Byzantium in 19th-Century France' (2024-2026) examining racial and national myths in art history, alongside Erasmus+ collaborations on urban reconstruction and cultural heritage resilience. Teaching consistently focuses on 'Medieval Art From Constantine to Giotto' 'The Fall of an Empire or the Rise of Europe?' 'Introduction to Islamic Visual Cultures' 'Periods of Art History' survey courses with recurring German language instruction for art historians since 2019.
Antonio PISTELLATO is a Lecturer at the Department of Humanities of Ca' Foscari University of Venice , specializing in classical studies and Roman history. Holding a PhD in "Ancient History and Archaeology, History of Art" (2007), his academic journey includes fellowships at University College London, Paris X-Nanterre, and Pavia's Cedant Centre. Since 2009, he has alternated research and teaching roles at Ca' Foscari, currently offering Latin language courses and classical studies for the School for International Education (SIE). Education: MA in Classics (Ca' Foscari, 2002), PhD in Ancient History & Archaeology (Ca' Foscari, 2007) His research focuses on Roman epigraphic memory , historiography circulation, and digital humanities , particularly forged epigraphs. His publications analyze Cassius Dio's political narratives, Latin poetic metrics, and textual authenticity issues. Recent scholarship examines: Digital preservation of forged inscriptions Comparative historiography (Historia Augusta vs Cassius Dio) Latin epigraphic models in provincial contexts Biblical Latin influences in Roman documentation Scientific Honors: Marie Curie Fellowship recipient Paris X-Nanterre postgraduate scholar Pavia Cedant Centre awardee As an educator, he coordinates the Latin 1 Laboratory and teaches Latin language/literature at both undergraduate and foundation levels. His office hours are held at Palazzina Briati, home of the School for International Education, with remote appointments available via email.
Prof. Dr. Klaus Lennartz is an Adjunct Professor at the University of Hamburg's Faculty of Humanities, affiliated with the Department of Language, Literature, Media II. His academic trajectory includes a doctorate (1993) and habilitation (2007) in Classical and Medieval Latin Philology. Since 2016, he has been a member of the international research consortium Falsa et Vera Historia at Universidad de Oviedo, focusing on literary forgeries and pseudoepigraphy. Lennartz's research explores three primary domains: Roman Literature : Emphasis on Republican-era texts, linguistic evolution, and tragic fragments. Greco-Roman Iambic : Genre development from Archilochus to Horace, including metrical and intertextual studies. Medieval Latin : Analysis of texts like Theodul’s Eclogue and scholastic commentaries. His work frequently intersects with authorship authentication, theatrical performance, and reception studies. His publications (2014–2024) demonstrate a focus on classical philology, literary forgery, and textual criticism. Trends include interdisciplinary analyses of Greek/Latin poetry, Plato’s authenticity, and Roman comedic theater. No scientific awards or student advisement are documented.
Prof. Dr. Susanne Reindl-Krauskopf is University Professor of Criminal Law and Criminology at the University of Vienna, Honorary Professor at The University of Queensland, and head of Vienna's Institute for Criminal Law and Criminology. She teaches and researches in Austrian, European and comparative criminal law with focus on cybercrime, organised crime, corruption, pre-trial detention and human-rights-compliant criminal procedure. Education & Qualification: Doctor of Laws (University of Vienna) Habilitation in Criminal Law and Procedure Honorary Professor, The University of Queensland (since 2010) Research Focus: Her work spans the general and special parts of criminal law, criminal procedure, cyber and IT criminal law, economic and corruption offences, transnational organised crime, environmental crime, and the intersection of artificial intelligence with criminal justice. She coordinates numerous interdisciplinary projects and supervises a large team of doctoral researchers. Publications & Editorial Work: Author of leading textbooks (eight editions of Criminal Law Special Part with H. Fuchs, Cybercrime Law , IT Criminal Law , Environmental Criminal Law , Corruption Criminal Law ), commentaries on the Austrian Criminal Code and Code of Criminal Procedure, and over 100 journal articles and handbook contributions. Editorial board member of Juristische Blätter and co-editor of the series Criminal Sciences in Theory and Practice . Research Projects & Grants: “Social-benefit fraud and labour dumping” (Federal Ministry of Labour, 2012) “Criminal Organisations – dogmatic evaluation of § 278a StGB” (Federal Ministry of Justice, 2012) “Resilience of Law in Times of Crisis” (Ministry of Interior, 2017) Jean Monnet Network “Transnational Security” (EU, 2018-2021) Teaching & Supervision: She offers intensive courses in criminal procedure, seminars on transnational organised crime and AI & criminal law, and continuously supervises diploma, doctoral and post-doctoral researchers within the institute's graduate programme.
Jack Lynch is a Professor in the Department of English at Rutgers University. He specializes in eighteenth-century literature and culture, with a focus on Samuel Johnson, forgery, Shakespeare reception, and the history of the language. After earning his BA and PhD from the University of Pennsylvania, Lynch has contributed extensively to Johnsonian studies and related fields. Education BA, University of Pennsylvania, 1989 PhD, University of Pennsylvania, 1998 Research Interests Lynch's work centers on eighteenth-century British literature, particularly the life and influence of Samuel Johnson. His interdisciplinary approach spans literary analysis, lexicography, and the study of deception in historical contexts. He also investigates how Shakespeare's works have been received and interpreted over time. Scientific Awards Faculty Scholar–Teacher Award, Rutgers University (2007–8) Board of Trustees Research Fellowship for Scholarly Excellence, Rutgers University (2004–5) David Hosford Scholarship, Rutgers University, Newark, N.J. (2004–5) Additional Roles He teaches courses on eighteenth-century literature, satire, the early novel, and language history as part of the Liberal Studies program at Rutgers University.
Anna Vihart serves as Lecturer and researcher at the Department of Restoration, Hungarian University of Fine Arts since 2016, following her role as Assistant Professor (2013-2016). Her academic foundation includes a DLA doctorate specializing in pigment analysis, establishing her expertise at the intersection of art conservation and material science. Her educational background encompasses: 2012: Doctor of Liberal Arts (DLA) from Hungarian University of Fine Arts Doctoral School; Dissertation: Light microscopic examination and detection possibilities of organic and inorganic black and grey pigments 2005: Painter-restorer artist degree from Hungarian University of Fine Arts Restorer Training Institute 1997: Vocational High School of Fine and Applied Arts, Decorative Painting Department Vihart's research centers on microscopic pigment identification and paint layer analysis, with significant contributions to developing Hungary's first standardized protocol for pigment examination. Her methodological innovations bridge historical art techniques with modern conservation science, particularly in distinguishing organic/inorganic pigments through light microscopy. This work directly informs practical restoration approaches for diverse cultural artifacts. Her publication portfolio demonstrates consistent focus on pigment science applications, from conference presentations on conservation methodologies to historical studies of ecclesiastical art. Key themes include database development for pigment identification, material degradation analysis, and technical examination of historical paintings across Hungarian cultural institutions. Professional recognition includes: Diploma Award of the National Association of Hungarian Artists (2005) TÁMOP-4.2.2.B-10/1 grant for creating Hungary's pigment database and examination protocol (2011-2013) While no formal student advisement is documented, her TÁMOP project leadership involved training workshops for emerging conservators. This initiative significantly advanced pigment analysis capabilities within Hungary's conservation community through standardized methodologies and shared digital resources. As core faculty in the Department of Restoration, Vihart collaborates extensively with national cultural institutions including the Museum of Fine Arts, Hungarian National Museum, and numerous churches/castles. Her project portfolio spans over 30 major conservation efforts since 2005, ranging from medieval altarpieces to contemporary installations, often involving multidisciplinary teams of conservators and art historians.
Mária Chilf is an Associate Professor at the Hungarian University of Fine Arts with a DLA doctoral degree. Born in Târgu-Mureş, Romania on May 10, 1966, she has established herself as a significant figure in contemporary Hungarian art through her painting and intermedia works. Her educational background includes: 2003-2007: Doctoral studies at the Hungarian University of Fine Arts 1997-1998: Hochschule der Künste, Berlin (studied under Katharina Sieverding) 1990-1995: Hungarian University of Fine Arts, painting and intermedia department (studied under Károly Klimó and Dóra Maurer) Chilf's artistic practice explores psychological landscapes, bodily themes, and conceptual frameworks through series-based works. Her notable projects include 'Private Jungle' (2005), 'Loaded Places' (2003), and 'The Inner Secrets of Our Body' (2003), which demonstrate her interest in the intersection of physical and psychological spaces. Her work consistently examines identity, memory, and subconscious processes through mixed media approaches. Analysis of her exhibition history reveals a progression from formal explorations to increasingly complex psychological investigations, with recurring motifs of water, body imagery, and conceptual frameworks that challenge conventional artistic boundaries. Her international presence includes exhibitions across Europe and Mongolia, demonstrating the broad relevance of her conceptual approach. Her most significant honors include: Mihály Munkácsy Award (2005) STRABAG Painting Award (2004) Hungarian Artists' National Association Award (2006) Hungarian Academy of Rome Scholarship (1998) DAAD Stipendium (1997-98) As an educator, Chilf emphasizes creating environments where students develop independent artistic practices through dialogue and experimentation. Her philosophy centers on helping students understand their creative motivations and expand their awareness of visual culture. Her approach combines technical guidance with critical thinking development, encouraging students to explore both theoretical questions and practical implementation in their work. Chilf's works are held in prominent collections including the Ludwig Museum - Museum of Contemporary Art and Hungarian National Gallery in Budapest, as well as international institutions like the Frauenmuseum in Bonn and Akademie Schloss Solitude in Stuttgart.
Dr. Susan Valladares is an Associate Professor in the Department of English Studies at Durham University, where she specializes in theatre and performance history from the late eighteenth to mid-nineteenth century. She is also a member of the Institute of Medieval and Early Modern Studies. Currently on research leave for the 2025/26 academic year as a Leverhulme Research Fellow, she continues to maintain academic correspondence while focusing on her research projects. Her academic journey began with studies at the Universities of Oxford (MA; DPhil) and York (MA), followed by teaching positions at various Oxford colleges. She served as a Junior Research Fellow at Worcester College (2012-2016) and as a Departmental and College Lecturer at St Hugh's College (2016-2018) before joining Durham University in 2018. Dr. Valladares' research centers on English literature from 1660 to 1840, with particular expertise in theatre and performance, political histories, representations of race, early Caribbean studies, slavery and abolition, gender autobiographies, and Romantic-period print cultures. Her work demonstrates how theatre functioned as both a cultural institution and political platform during periods of social transformation. She has made significant contributions to understanding how theatrical practices engaged with broader social, political, and cultural issues of their time, particularly regarding citizenship, patriotism, and national identity formation. Her publications reveal a consistent focus on the intersection of performance, politics, and identity. The articles demonstrate expertise across multiple domains including postcolonial theatre, Romantic-era performance economies, women's war writing, and the representation of race in historical contexts. Her work frequently examines the connections between theatrical practices and larger historical movements, particularly the Napoleonic Wars and abolitionist efforts. 2025: Leverhulme Research Fellowship 2024-2025: Short-Term Fellowships at Folger Shakespeare Library and John Carter Brown Library 2024: Board Member and Book Review Editor for Studies in Romanticism 2023: Durham University's Exceptional Contribution Award 2022: Durham University's Discretionary Award Scheme Dr. Valladares actively supervises PhD students working on English literature from 1660 to 1840, with recent completions including dissertations on Wordsworth's poetry, Romantic dramatic poetics, and Promethean forms of grief in Byron and Shelley. She has successfully secured multiple research grants and fellowships that have supported her archival work at prestigious institutions including Harvard's Houghton Library and the Folger Shakespeare Library. Her engagement with public scholarship includes curating the Bodleian Library's 'Staging History 1780-1840' exhibition, which generated significant public outreach through gallery tours, media interviews, and a podcast series. Her work bridges academic research and public engagement through collaborations with theatre professionals, arts organizations, and educational outreach programs in the North East of England focused on widening participation in higher education.
Dr. Andrew Childs is a Lecturer in Criminology at Griffith University's School of Criminology and Criminal Justice and a member of the Griffith Criminology Institute (2022-present). His academic work focuses on the intersection of technology and crime, with particular expertise in cybercrime phenomena. Dr. Childs' research program blends digital sociology, Science and Technology Studies, and criminological theory to investigate three key areas: the development of online illicit markets, the social organization of cybercrime communities, and the criminogenic affordances of disruptive technologies such as cryptocurrency, artificial intelligence, and the metaverse. His work has pioneered research into emerging digital crimes, including some of the first published studies on social media drug markets, organized identity fraud during the pandemic, and cryptocurrency scam victimization processes. Analysis of Dr. Childs' publication record reveals a strong focus on digital drug markets, cryptocurrency crime, and innovative research methodologies. His work spans both theoretical contributions to criminological understanding of online spaces and practical investigations into specific crime phenomena. The consistent appearance of his research in high-impact journals demonstrates the significance and quality of his scholarly contributions to the field. Dr. Childs has received notable recognition for his work: 2023 Student Experience of Teaching (SET) Survey Commendation Three research outputs featured in Altmetric's Top 5% of all research outputs tracked Work cited in policy documents from 15 different countries Regular media commentary for outlets including ABC News, BBC News, and VICE Dr. Childs has secured significant research funding, including an ECR Research Grant valued at $72,761 for retail fraud research and a Griffith Criminology Institute Strategic Development Grant of $6,093 for research on online retailer fraud services. He currently supervises multiple doctoral students on projects related to cybercrime, including research on financial institution partnerships to prevent child sexual exploitation and dark web drug marketplace disruptions. As of August 2025, his work has received 408 citations with an h-index of 7 (Google Scholar) and a Field-Weighted Citation Impact of 2.12 (SciVal). Based at Griffith University's Nathan Campus, Dr. Childs is an active member of the Griffith Criminology Institute and the Arts Education and Law Group, contributing to interdisciplinary research on crime, justice, and technology.
Professor Agnieszka Gut of the Institute of History at the University of Szczecin is a leading scholar in medieval Pomeranian studies, specializing in heraldry and diplomatic history. Her academic career spans three decades with significant contributions to understanding West and East Pomeranian ducal administrations, municipal heraldry, and medieval document analysis. Her educational trajectory includes a master's thesis on Stargard's coat of arms, a 2002 doctoral dissertation on West Pomeranian princely documents, and a 2015 habilitation monograph on East Pomeranian diplomacy that earned her a postdoctoral degree. Her research demonstrates exceptional depth in analyzing diplomatic formats, chancellery operations, and historical authenticity across Pomeranian regions. Gut's scholarly output reveals a consistent focus on heraldic evolution from medieval to contemporary periods, particularly examining how political ideologies—including Nazi influence—shaped municipal symbols. Her diplomatic studies meticulously reconstruct administrative structures through document analysis, establishing critical frameworks for evaluating medieval authenticity. This dual expertise positions her at the intersection of visual symbolism and institutional history in Central European contexts. Her achievements have been recognized with two major awards: the 2014 Source Studies Award distinction for her East Pomeranian diplomacy monograph and the 2006 Adam Heymowski Award distinction for her work on interwar Pomeranian heraldry. Professor Gut actively contributes to academic community building through editorial work on collective publications and involvement with student research groups like the Young Historians' Scientific Circle, fostering next-generation scholarship in historical auxiliary sciences.
Thierry Robin is a Professor of Anglophone Studies at the University of Orléans' Faculty of Arts, Languages and Humanities, and a full member of the RÉMÉLICE Laboratory (EA 4907). He holds research associate positions at the University of Western Brittany's HCTI and CRBC centers and serves as Review Editor for Etudes Irlandaises journal. His research spans Irish cultural studies, detective fiction, postmodern/postcolonial theory, discourse analysis, and intermediality. Key themes include identity ideologies, reality-science intersections, and narrative adaptations. He supervises theses on Irish literature/cinema, crime fiction, and anglophone narratives exploring dystopias, satire, and national histories. Recent publications focus on authors like John Banville, Flann O'Brien, and Stuart Neville, analyzing trauma, identity duality, and cultural critique through literary and theoretical frameworks. Robin is also a translator, notably contributing to the European Translating Banville project. No awards or grants are detailed in available sources.
Daphne De Luca is a Research Fellow and Teaching Contract Holder at the University of Urbino Carlo Bo, where she has been teaching Restoration since 2008 and serving as a Research Fellow since 2018. She is the Scientific Coordinator of the Restoration Laboratories for Canvas Paintings and Contemporary Art at the Urbino University Restoration School. Her work spans across the Department of Pure and Applied Sciences (DiSPeA), where she contributes to both academic instruction and practical conservation efforts. Dr. De Luca holds multiple degrees in cultural heritage conservation and art history. She is a Cultural Heritage Restorer with degrees from the Central Institute for Restoration in Rome and the University of Tuscia. She also holds an Art History degree from Sapienza University of Rome and is currently a Doctoral Candidate in History of Artistic Techniques at the École Pratique des Hautes Études (EPHE/PSL) in Paris, in cotutelle with Sapienza University of Rome. Dr. De Luca's research focuses on two interconnected fields: the history of artistic techniques and the development of new methodologies and high-performance materials for cultural heritage restoration. Her work in artistic techniques involves interpreting scientific data from investigation campaigns, structuring national and international research projects, and connecting analytical results to art historical contexts. She has led studies on the execution techniques of artworks by prominent artists including Crivelli, Barocci, Capogrossi, Rubens, Guttuso, and others. Her research on Capogrossi was selected in 2017 for access to the laboratories of the IPERIONCH.IT infrastructure. In conservation and restoration, Dr. De Luca specializes in designing and implementing restoration interventions for panel paintings, canvas paintings, frescoes, stone materials, mosaics, and contemporary art artifacts. She emphasizes high scientific and technical quality, preferring innovative and high-performance new-generation materials and advanced methodologies in cleaning, elastic tensioning, filling, and retouching. Her research on Aquazol® products has led to new materials for composing fills suitable for covering gaps in easel paintings and for watercolor retouching, developed in collaboration with chemist Richard Wolbers and the University of Philadelphia. Dr. De Luca is particularly specialized in the restoration of canvas paintings - a subject she has taught since 2008 at the Urbino University Restoration School - and specifically in the cleaning of both ancient and contemporary paintings. She has developed new systems for elastic tensioning of canvas paintings with springs, registering the TELAIODELUCA® brand in 2020. She is a member of an international research group created by renowned chemist Paolo Cremonesi, focusing on innovative cleaning systems for contemporary art artifacts. With over fifty theses supervised on topics related to cultural heritage restoration and artistic techniques of both ancient and contemporary art, Dr. De Luca has made significant contributions to academic training in her field. From 2016 to 2020, she taught History of Artistic Techniques at Roma Tre University, which appointed her as an Expert in the history of ancient, medieval, and modern artistic techniques for the Master's program dedicated to art forgery. Dr. De Luca directs the "Lineamenti di Conservazione e Restauro" series for Il Prato publishing house since 2011 and is a member of the editorial board of the journal "Progetto Restauro." She is a co-founder and scientific committee member of the new "Restauro" series (TAB Roma editions), for which she curated the first volume dedicated to Giuseppe Capogrossi and the second to Federico Barocci. She is a founding member and former vice-president of the Association ORA (Organization of High-Training Restorers), a member of the Board of Directors of RSF (Restorers Without Borders), and president of CRUN (Committee of University Restorers). She is also a member of SISCA-University Consultation (Italian Society for the History of Art Criticism).
Dr. Yutian Tang serves as an Assistant Professor (UK Lecturer) and Principal Investigator at the School of Computing Science, University of Glasgow, where he supervises PhD students and leads research in AI-driven software engineering. His academic journey includes a PhD from The Hong Kong Polytechnic University's Department of Computing. His research spans AI+SE integration , particularly focusing on Large Language Models for program analysis, software testing, and Android security. Key areas include: LLM-assisted vulnerability detection and repair Empirical studies of real-world software systems Privacy protection mechanisms Configuration compatibility in mobile applications Smart contract security optimization His publication portfolio shows a clear trajectory toward AI-augmented software engineering , with recent work demonstrating how LLMs can enhance taint analysis, binary code similarity detection, and test generation. This evolution reflects the field's broader shift toward AI integration while maintaining rigorous empirical validation. Award highlights include: Best Industry Paper Award at ISSRE'18 Elevation to IEEE Senior Member (2024) Three Android OS defects confirmed by Google Security Team As an active researcher and community contributor, Tang serves on 40+ program committees including PLDI, ICSE, and FSE. His work receives funding from National Natural Science Foundation of China, Shanghai Science Commission, OpenAI, and Google. Current projects focus on automated bug localization and LLM-based testing frameworks, with recent grants from OpenAI Cybersecurity and Google Cloud programs. He leads research groups investigating Android security and AI-assisted program analysis, collaborating with institutions like Lund University.
