معرفی
Anna Vihart serves as Lecturer and researcher at the Department of Restoration, Hungarian University of Fine Arts since 2016, following her role as Assistant Professor (2013-2016). Her academic foundation includes a DLA doctorate specializing in pigment analysis, establishing her expertise at the intersection of art conservation and material science.
Her educational background encompasses:
- 2012: Doctor of Liberal Arts (DLA) from Hungarian University of Fine Arts Doctoral School; Dissertation: Light microscopic examination and detection possibilities of organic and inorganic black and grey pigments
- 2005: Painter-restorer artist degree from Hungarian University of Fine Arts Restorer Training Institute
- 1997: Vocational High School of Fine and Applied Arts, Decorative Painting Department
Vihart's research centers on microscopic pigment identification and paint layer analysis, with significant contributions to developing Hungary's first standardized protocol for pigment examination. Her methodological innovations bridge historical art techniques with modern conservation science, particularly in distinguishing organic/inorganic pigments through light microscopy. This work directly informs practical restoration approaches for diverse cultural artifacts.
Her publication portfolio demonstrates consistent focus on pigment science applications, from conference presentations on conservation methodologies to historical studies of ecclesiastical art. Key themes include database development for pigment identification, material degradation analysis, and technical examination of historical paintings across Hungarian cultural institutions.
Professional recognition includes:
- Diploma Award of the National Association of Hungarian Artists (2005)
- TÁMOP-4.2.2.B-10/1 grant for creating Hungary's pigment database and examination protocol (2011-2013)
While no formal student advisement is documented, her TÁMOP project leadership involved training workshops for emerging conservators. This initiative significantly advanced pigment analysis capabilities within Hungary's conservation community through standardized methodologies and shared digital resources.
As core faculty in the Department of Restoration, Vihart collaborates extensively with national cultural institutions including the Museum of Fine Arts, Hungarian National Museum, and numerous churches/castles. Her project portfolio spans over 30 major conservation efforts since 2005, ranging from medieval altarpieces to contemporary installations, often involving multidisciplinary teams of conservators and art historians.
